Dan Graham Biography
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From Amphipolis to Mosul, New Approaches to Cultural Heritage Preservation in the Eastern Mediterranean
THE FUTURE OF THE PAST: From Amphipolis to Mosul, New Approaches to Cultural Heritage Preservation in the Eastern Mediterranean Editors Konstantinos Chalikias, Maggie Beeler, Ariel Pearce, and Steve Renette http://futureofthepast.wix.com/culturalheritage HERITAGE, CONSERVATION & ARCHAEOLOGY ARCHAEOLOGICAL INSTITUTE OF AMERICA Contents 1. The Future of the Past: From Amphipolis to Mosul, New Approaches to Cultural Heritage Preservation in the Eastern Mediterranean .......................................................................................................................................................................................... 3 Konstantinos Chalikias, National and Kapodistrian University of Athens, Maggie Beeler, Bryn Mawr College, Ariel Pearce, Temple University, and Steve Renette, University of Pennsylvania 2. Go, Do Good! Responsibility and the Future of Cultural Heritage in the Eastern Mediterranean in the 21st Century ........... 5 Morag M. Kersel, DePaul University 3. Contested Antiquities, Contested Histories: The City of David as an Example ........................................................................... 11 Rannfrid I. Thelle, Wichita State University 4. Cultural Racketeering in Egypt—Predicting Patterns in Illicit Activity: Quantitative Tools of the 21st-Century Archaeologist .......................................................................................................................................................................................... 21 Katie A. Paul, The Antiquities Coalition -
Tel Aviv Elite Guide to Tel Aviv
DESTINATION GUIDE SERIES TEL AVIV ELITE GUIDE TO TEL AVIV HIGHLIGHTS OF TEL AVIV 3 ONLY ELITE 4 Elite Traveler has selected an exclusive VIP experience EXPERT RECOMMENDATIONS 5 We asked top local experts to share their personal recommendations ENJOY ELEGANT SEA-FACING LUXURY AT THE CARLTON for the perfect day in Tel Aviv WHERE TO ➤ STAY 7 ➤ DINE 13 ➤ BE PAMPERED 16 RELAX IN STYLE AT THE BEACH WHAT TO DO ➤ DURING THE DAY 17 ➤ DURING THE NIGHT 19 ➤ FEATURED EVENTS 21 ➤ SHOPPING 22 TASTE SUMPTUOUS GOURMET FLAVORS AT YOEZER WINE BAR NEED TO KNOW ➤ MARINAS 25 ➤ PRIVATE JET TERMINALS 26 ➤ EXCLUSIVE TRANSPORT 27 ➤ USEFUL INFORMATION 28 DISCOVER CUTTING EDGE DESIGNER STYLE AT RONEN ChEN (C) ShAI NEIBURG DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | TEL AVIV www.elitetraveler.com 2 HIGHLIGHTS OF TEL AVIV Don’t miss out on the wealth of attractions, adventures and experiences on offer in ‘The Miami of the Middle East’ el Aviv is arguably the most unique ‘Habuah’ (‘The Bubble’), for its carefree Central Tel Aviv’s striking early 20th T city in Israel and one that fascinates, and fun-loving atmosphere, in which century Bauhaus architecture, dubbed bewilders and mesmerizes visitors. the difficult politics of the region rarely ‘the White City’, is not instantly Built a mere century ago on inhospitable intrudes and art, fashion, nightlife and attractive, but has made the city a World sand dunes, the city has risen to become beach fun prevail. This relaxed, open vibe Heritage Site, and its golden beaches, a thriving economic hub, and a center has seen Tel Aviv named ‘the gay capital lapped by the clear azure Mediterranean, of scientific, technological and artistic of the Middle East’ by Out Magazine, are beautiful places for beautiful people. -
Press Dan Graham: Mirror Complexities Border Crossings
MARIAN GOODMAN GALLERY Dan Graham: Mirror Complexities By Robert Enright and Meeka Walsh (Winter 2009) Public Space/Two Audiences, 1976. Courtesy Marian Goodman Gallery, New York “I like to get into new areas,” Dan Graham says in the following interview, “and I like them to be in a borderline situation, rather than definitively one thing.” For over 50 years, Graham has located himself in a number of borderline situations, and from that position of in-betweenness has made an art of perplexing simplicity. Critics generally assign his Schema, 1966, a series of instructional sheets that gave editors sets of data for the composition of printed pages, a generative place in the history of conceptual art. But the various Schema were themselves in border zones of their own, part poetry, part criticism, part visual art. Their newness was in their indeterminacy. Similarly, the deliberately uninflected and abstract photographs he took in 1966 of tract houses, storage tanks, warehouses, motels, trucks and restaurants, subjects he passed in the train on his way into New York from the suburbs, occupied two zones in his mind. In his own estimation, he was “trying to make Donald Judds in photographs.” His first pavilions, beginning with Public Space/Two Audiences made for the Venice Biennale in 1976, were a cross between architecture and sculpture. His cross-disciplinary mobility functioned in all directions: Sol LeWitt’s early sculptures encouraged Graham’s interest in urbanism because the sculptures seemed to him to be about city grids. It’s because of this overall sense of one category of art drifting into another that Graham says, “all my work is a hybrid.” His idea of hybridity was predicated upon an intense degree of experiential involvement; in performance/video works like Nude Two Consciousness Projection(s), 1975, and Intention Intentionality Sequence, 1972, the audience was part of the performance; just as audience involvement was also critical in a number of the pavilions. -
Jewish Immersive Adventure … Israel Traveling Is Not Only About Seeing New Places; It’S About Experiencing Them
Living Bible Travel ITINERARYSample Jewish Immersive Adventure … Israel Traveling is not only about seeing new places; it’s about experiencing them. No two congregations and no two trips are exactly alike. We take the time to understand your congregation’s unique travel needs and interests, and creatively translate them into your own customized travel experience. We offer places,s ites and cultural interactions not offered by typical tours. We will tailor a journey that engages your mind and inspires your beliefs. Experience Israel’s exciting and diverse modern culture. See history unravel before your eyes. The venues you know from the Bible come alive. Immerse yourself in the land where your faith began and rediscover your roots. LIVING BIBLE TRAVEL: Journey with us... experience the difference Contact us today: 847.964.9623 or [email protected] ITINERARYSample Living Bible Travel Jewish Immersive Adventure … Israel HIGHLIGHTS • Experience Kabbalat Shabbat by the Kotel • Visit the Qumran Caves where Dead Sea Scrolls • Attend a private lecture presented by an expert or were discovered scholar on a topic selected by your group • Visit a Druze community and enjoy a festive • Tour the desert in a jeep; ride ATVs in the Golan authentic meal in the home of a Druze family • Enjoy a Bedouin experience with camel rides • Experience the beauty of the Ramon Crater in the • Participate in an archaeological “Dig for a Day” Negev, with optional rappelling • Tour Yad Vashem Holocaust Memorial • Meet wounded Israeli soldiers from Achim • Tour -
Israeli & International Art Jerusalem 16 April 2009
ISRAELI & INTERNATIONAL ART JERUSALEM 16 APRIL 2009 SPECIAL PESACH AUCTION ISRAELI AND INTERNATIONAL ART KING DAVID HOTEL JERUSALEM THURSDAY, 16 APRIL 2009 9:00 P.M. 1 בס”ד Auction Preview MATSART GALLERY, 21 King David St., Jerusalem April 2 -16 : Sun.-Thu. (including Hol-Hamoed) 11 am - 10 pm Fri. 11 am - 3 pm Sat. and Holidays 9.30 pm - 12 am Wed. April 8 (Erev Pesach) by appointment only Thu. April 16, 11 am - 2 pm Private viewing is available by appointment Online auction on : www.artfact.com Online Catalogue : www.artonline.co.il Auction 111, 16 April 2009 9:00 pm King David Hotel, Jerusalem. Special preview of selected lots Auction 112 (June 2009) on view in the gallery.(See highlights on p. 106 -113) ימי תצוגה גלריה מצארט, דוד המלך 21 ירושלים 16-2 אפריל. ראשון - חמישי ׁׂׂ)כולל חול המועד( 11:00 - 22:00 שישי 11:00 - 15:00, שבת ומוצאי חג 21:30 - 24:00 רביעי, 6 אפריל )ערב פסח( לפי תיאום מראש. חמישי, 16 אפריל 11:00 - 14:00 המכירה גם באתר : www.artfact.co.il הקטלוג און-ליין בכתובת: www.artonline.co.il מכירה 111 16 באפריל 2009, 21:00, מלון המלך דוד, ירושלים מבחר פריטים ממכירה 112 )יוני 2009( יוצגו בגלריה בימי התצוגה המקדימה )ראה יצירות נבחרות בעמ’ 113-106( 3 מנהל ובעלים Director and Owner לוסיאן קריאף Lucien Krief מנכ”ל Executive Director אורי רוזנבך Uri Rosenbach [email protected] [email protected] מומחים Specialists אורן מגדל Oren Migdal מומחה לאמנות ישראלית Expert Israeli Art [email protected] [email protected] לוסיאן קריאף Lucien Krief מומחה לאסכולת פריז Expert Ecole de Paris [email protected] [email protected] שירות לקוחות Client Relations אורי רוזנבך Uri Rosenbach ברברה אפלבאום Barbara Apelbaum [email protected] [email protected] כספים Client Accounts סטלה קוסטה Stella Costa [email protected] [email protected] לוגיסטיקה ומשלוחים Logistics and Shipping רייזי גודווין Reizy Goodwin [email protected] [email protected] MATSART AUCTIONEERS AND APPRAISERS 21 King David St. -
M a R K D I O N 1961 Born in New Bedford, MA Currently Lives In
M A R K D I O N 1961 Born in New Bedford, MA Currently lives in Copake, NY and works worldwide Education, Awards and Residencies 1981-82, 86 University of Hartford School of Art, Hartford, CT, BFA 1982-84 School of Visual Arts, New York 1984-85 Whitney Museum of American Art, New York, Independent Study Program 2001 9th Annual Larry Aldrich Foundation Award 2003 University of Hartford School of Art, Hartford, CT, Doctor of Arts, PhD 2005 Joan Mitchell Foundation Award 2008 Lucelia Award, Smithsonian Museum of American Art, Washington D.C. 2012 Artist Residency, Everglades, FL 2019 The Melancholy Museum, Cantor Arts Center, Stanford University, Stanford, CA Academic Fellowships 2015-16 Ruffin, Distinguished Scholar, Department of Studio Art, University of Virginia Charlottesville, VA 2014-15 The Christian A. Johnson Endeavor Foundation Visiting Artist in Residence at Colgate University Department of Art and Art History, Hamilton, NY 2014 Fellow in Public Humanities, Brown University, Providence 2011 Paula and Edwin Sidman Fellow in the Humanities and Arts, University of Michigan, Ann Arbor, MI Solo Exhibitions (*denotes catalogue) 2020 The Perilous Texas Adventures of Mark Dion, Amon Carter Museum of American Art, Fort Worth* Mark Dion: Follies, Laumeier Sculpture Park, St. Louis, MO Mark Dion & David Brooks: The Great Bird Blind Debate, Planting Fields Foundation, Oyster Bay, NY Mark Dion & Dana Sherwood: The Pollinator Pavilion, Thomas Cole National Historic Site, Catskill, NY 2019 Wunderkammer 2, Esbjerg Museum of Art, Esbjerg, Denmark -
Press Release
Press Release Dan Graham Rock ‘n’ Roll 3 October – 3 November 2018 27 Bell Street, London Opening: 2 October, 6 – 8pm For his tenth exhibition with Lisson Gallery, Dan Graham draws on his long-standing history working with music and performance to present a new stage-set design, alongside over-sized models, video and a courtyard pavilion, exploring the relationship between audience and performer. Based in New York, Graham is an icon of Conceptual art, emerging in the 1960s alongside artists such as Dan Flavin, Donald Judd and Sol LeWitt. A hybrid artist, he has been at the forefront of many of the most significant artistic developments of the last half-century, including site-specific sculpture, video and film installation, conceptual and performance art, as well as social and cultural analysis through his extensive writings. Delving into the performative in the early 1970s – exploring shifts in individual and group consciousness, and the limits of public and private space – Graham’s practice evolved into the installations and pavilions for which he is famous internationally. Today, his work continues to evolve with the world around it, taking on a different reading in the age of social media, photography and obsessive self-documentation. A recent work such as Child’s Play (2015-2016), which was on display recently in Museum of Modern Art’s Sculpture Garden, is from a group of works that Graham describes as fun houses for children and photo ops for parents. The artist’s latest presentation of work focuses on the relationship between musical performance and audience. The space at 27 Bell Street will be occupied by a curvilinear stage-set which visitors will be able to walk around. -
GNR SP | Dan Graham | Preview with Installs | EN.Indd
exhibition view, galeria nara roesler | são paulo, 2017 exhibition view, galeria nara roesler | são paulo, 2017 exhibition view, galeria nara roesler | são paulo, 2017 exhibition view, galeria nara roesler | são paulo, 2017 exhibition view, galeria nara roesler | são paulo, 2017 Galeria Nara Roesler | São Paulo is pleased to present a solo exhibition of Dan Graham’s works (b. Urbana, IL, USA, 1942), on view August 12 through November 12, 2017. The first exhibition of Graham’s work at Galeria Nara Roesler features Pavilion (2016), a new work created specifically for the occasion, in addition to six untitled maquettes (2011–2016) and the video work Death by Chocolate: West Edmonton Shopping Mall (1986–2005). Parallel to the exhibition, the Museum of Image and Sound will screen two of the artist’s emblematic video works: Rock My Religion (1982–1984) and Don’t Trust Anyone Over 30 (2004). Presented in collaboration with Galeria Nara Roesler, the screenings will take place at the museum on Sunday, August 13, at 4pm, followed by a roundtable with guests including Marta Bogéa, Agnaldo Farias and Solange Farkas, who will engage in a discussion about Graham’s works, also at the Museum. Untitled, 2016 2-way mirror glass, aluminium, MDF and acrylic ed 1/3 42 x 107 x 125 cm Sem Título, 2016 2-way mirror glass, aluminium, MDF and acrylic 42 x 107 x 125 cm Untitled, 2011 2-way mirror glass, aluminium, MDF and acrylic ed 1/3 71 x 107 x 107 cm Exhibited across the globe, Dan Graham’s pavilions are emblematic of his critical engagement with the visual and cognitive parameters of architectural language within and outside of art institutions. -
Press Dan Graham: Whitney Museum of American Art Artforum, October
MARIAN GOODMAN GALLERY Dan Graham: WHITNEY MUSEUM OF AMERICAN ART By Hal Foster (October 2009) OF ACTIVE ARTISTS over the age of sixty in the United States, Dan Graham may be the most admired figure among younger practitioners. Though never as famous as his peers Robert Smithson, Richard Serra, and Bruce Nauman, Graham has now gained, as artist-critic John Miller puts it, a “retrospective public.” Why might this be so? “Dan Graham: Beyond,” the excellent survey curated by Bennett Simpson of the Museum of Contemporary Art, Los Angeles (the show’s inaugural venue), and Chrissie Iles of the Whitney Museum of American Art in New York, offers ample reasons. If Minimalism was a crux in postwar art, a final closing of the modernist paradigm of autonomous painting and a definitive opening of practices involving actual bodies in social spaces, its potential still had to be activated, and with his colleagues Graham did just that. (This moment is nicely narrated by Rhea Anastas in the catalogue for the show.) “All my work is a critique of Minimal art,” Graham states (in an intriguing interview with artist Rodney Graham also in the catalogue); “it begins with Minimal art, but it’s about spectators observing themselves as they’re observed by other people.” Hence many of the forms associated with his work: interactions between two performers; performances by the artist that directly engage audiences; films and videos reflexive about the space of their making; installations involving viewers in partitions, mirrors, and/or videos; architectural models; and pavilions of translucent and reflective glass. -
Revisiting Israeli Art Canon: the Story of Mashkof Group, 1968-1970 Noa
International Journal of Art and Art History December 2016, Vol. 4, No. 2, pp. 27-44 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v4n2p3 URL: https://doi.org/10.15640/ijaah.v4n2p3 Revisiting Israeli Art Canon: The Story of Mashkof Group, 1968-1970 Noa Avron Barak1 Abstract This historiographical article’s main goal is to fill the critical gap in the historical narrative of Israeli art by uncovering the activity of a previously unstudied, yet highly influential, Mashkof group - a multidisciplinary group of painters, poets and musicians operated in Jerusalem during the years 1968 to 1970. The group aimed to challenge old forms of art made in the city and to undermine institutional conventions of art presentation. Mashkof operated duringan important era in Israeli art as it shifted from art of the object to conceptual art.While Mashkof is not considered to be part of the local, narrow-based, art canon, its role in this conceptual turn is crucial. This article will fill this lacuna in the research of Israeli art and argue that Mashkof’s unique group activity formed the basis for the growth of conceptual art and conceptualism in Jerusalem as early as the late 1960s, and established the institutional and public acceptance that allowed its nationwide spread in the 1970s. Keywords: Israeli Art, artists groups, proto- conceptual art, 1960s, 1970s. Introduction The late 1960s and early 1970s are a fascinating and turbulent time in Israeli art history. Much like the art hubs in Europe and the United States at the time, Israeli art responded to surrounding external and internal changes in the art scene; both the art world and art production and consumptions had undergone tremendous transformations. -
01 Issue Winter 2018 a Local Anthology Tel Aviv
BY A LOCAL ANTHOLOGY WINTER #01 TEL AVIV 2018 ISSUE 3 INDEX WELCOME 3 As a virtual platform and online magazine, we are happy that The Vera Magazine is a we have found a new, beautiful, physical space that has become collaboration between the hotel SHAKSHUKA our present home – The Vera. It excites us how Tel Aviv keeps The Vera and the online developing, with new hotels, restaurants, shops, bars, buildings magazine Telavivian. being created and opened. But there is something special about our All the content is produced by the Telavivian relationship to The Vera – it is our mutual interest of showcasing team. 4-5 and celebrating the Tel Avivian artists, designers and creators that we highly admire. The Vera and Telavivian aim to bring telavivian.com MODERN WORDS: JENNA ROMANO local stories to the residents of Tel Aviv – both to newcomers For partnerships, please contact Shak- ART DIRECTION: SYBARIS MAGAZINE and old friends. TALKING [email protected] PHOTOGRAPHY: RAN GOLANI email: [email protected] We are therefore especially excited about this collaboration – the first issue of the magazine that you are holding, which includes a Editor-in-chief: 6-9 glimpse of the people, places and collectives that make Tel Aviv Anna Kopito SHORT what it is. The Vera magazine is planned to come out quarterly, in Editor: order for you to discover and follow the developments, changes Jenna Romano STORIES and progress of the city – with us! Copy editor: Lee Saunders We hope that you will enjoy it, Marketing Manager: Anna Kopito 10-11 Daniela Engelberg shu-ka Art Director: THE NEW Shakshuka is a popular Israeli breakfast food with Liri Argov its origins in North African cuisine – it consists Liriargov.com ISRAELI WAVE of eggs cooked on top of a flavorful tomato and vegetable based sauce. -
Israel Fantasia
Israel Fantasia Monday Departures 14 Days • 12 Nights An Isram Israel Exclusive Tour Limited to 28 participants Sarona Templar Colony ITINERARY Thursday: Tel Aviv Tour Includes: Begin the day with a visit to Weizmann • Professional Tour Director Monday: En Route House, the recently restored unique and grand home of Chaim Weizmann, • Choice of Deluxe Hotel Plans Depart the U.S.A. on your flight to Israel. first President of Israel and founder • 9 Days of Comprehensive Sightseeing Tuesday: Tel Aviv of the Weizmann Institute of Science. • Walking Tour of Tel Aviv Welcome to Israel! Arrive Ben Gurion The house is presented in a living way, • Arrival and Departure Transfers Airport; meeting, assistance and as if its residents are still living on the transfer to your hotel in trendy Tel premises. Continue to the pre-state 17 Meals: Aviv’s Mediterranean beach. Balance underground Ammunitions Factory at (restored by JNF) • Daily Israeli Buffet Breakfast of the afternoon and evening at leisure Machon Ayalon in the “city that never sleeps”. to learn about the activities of the DEPARTURES • Friday Dinner Get-together in Tel Aviv Hagannah. Then, on to the military • 2 Dinners in Haifa Wednesday: Tel Aviv junction at Latrun, once the border • Lunch at Kibbutz Kfar Charuv Begin the day with a visit to Ben with Jordan; visit the Tank Division • Restaurant Dinner in Jerusalem Gurion House in Tel Aviv, which served . Continue to , a onday Memorial Sarona • Traditional Friday Night Dinner-Israeli home as one of the residences of the First former Templar settlement restored to in Jerusalem Prime Minister of Israel; see his perfection with beautifully landscaped personal belongings and expansive gardens and upscale restaurants.