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AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the Art of the Moving Image
AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the art of the moving image 1 The American Film Institute champions the “The stuff that dreams are made of…” future of the moving image as an art form. AFI was established to preserve and celebrate our nation’s proud film heritage and to ensure that excellence endures We believe in the in this American art form. Over half a century later, we revolutionary power of believe in the revolutionary power of film to bring us together as a nation — as a world — and we forge forward with an visual storytelling to ongoing mission to educate and inspire. share perspectives, And we do it with the support of people like you. inspire empathy and That’s where the AFI National Council comes in — a group that stands tall and proud in the motion picture community, drive culture forward. leading by example through advocacy, influence and a unique alchemy of time, energy and financial support. With a membership that includes passionate film-lovers — like you — the National Council is vital to the success of AFI’s mission. It is my personal hope that you will accept this invitation to join these leaders who believe in the importance of America’s art form and wish to make a difference. Sincerely, Kathleen Kennedy President, Lucasfilm Ltd. Chair, AFI Board of Trustees 2 1 “Art is a nation’s most precious heritage. For it is in our works of art that we reveal to ourselves, and to others, the inner vision which guides Established in 1965, the American Film Institute fulfills the nation’s enduring promise to us as a nation.” educate and inspire artists and audiences through the motion picture art form. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Shakespeare Survey: 64: Shakespeare As Cultural Catalyst Edited by Peter Holland Frontmatter More Information
Cambridge University Press 978-1-316-50536-6 - Shakespeare Survey: 64: Shakespeare as Cultural Catalyst Edited by Peter Holland Frontmatter More information SHAKESPEARE SURVEY © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-316-50536-6 - Shakespeare Survey: 64: Shakespeare as Cultural Catalyst Edited by Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistants to the Editor Catherine Clifford and Ethan Guagliardo (1) Shakespeare and his Stage (35) Shakespeare in the Nineteenth Century (2) Shakespearian Production (36) Shakespeare in the Twentieth Century (3) The Man and the Writer (37) Shakespeare’s Earlier Comedies (4) Interpretation (38) Shakespeare and History (5) Textual Criticism (39) Shakespeare on Film and Television (6) The Histories (40) Current Approaches to Shakespeare through (7) Style and Language Language, Text and Theatre (8) The Comedies (41) Shakespearian Stages and Staging (with an index (9) Hamlet to Surveys 31–40) (10) The Roman Plays (42) Shakespeare and the Elizabethans (11) The Last Plays (with an index to Surveys 1–10) (43) The Tempest and After (12) The Elizabethan Theatre (44) Shakespeare and Politics (13) King Lear (45) Hamlet and its Afterlife (14) Shakespeare and his Contemporaries (46) Shakespeare -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Daniel Evans
www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard -
Brian Tufano BSC Resume
BRIAN TUFANO BSC - Director of Photography FEATURE FILM CREDITS Special Jury Prize for Outstanding Contribution To British Film and Television - British Independent Film Awards 2002 Award for Outstanding Contribution To Film and Television - BAFTA 2001 EVERYWHERE AND NOWHERE Director: Menhaj Huda. Starring Art Malik, Amber Rose Revah, Adam Deacon, Producers: Menhaj Huda, Sam Tromans and Stella Nwimo. Stealth Films. ADULTHOOD Director: Noel Clarke Starring Noel Clarke, Adam Deacon, Red Mandrell, Producers: George Isaac, Damian Jones And Scarlett Johnson Limelight MY ZINC BED Director: Anthony Page Starring Uma Thurman, Jonathan Pryce, and Producer: Tracy Scofield Paddy Considine Rainmark Films/HBO I COULD NEVER BE YOUR WOMAN Director: Amy Heckerling Starring Michelle Pfeiffer and Paul Rudd Producer: Philippa Martinez, Scott Rudin Paramount Pictures KIDULTHOOD Director: Menhaj Huda Starring Aml Ameen, Adam Deacon Producer: Tim Cole Red Mandrell and Jamie Winstone Stealth Films/Cipher Films ONCE UPON A TIME IN Director: Shane Meadows THE MIDLANDS Producer: Andrea Calderwood Starring Robert Carlyle, Rhys Ifans, Kathy Burke. Ricky Tomlinson and Shirley Henderson Slate Films / Film Four LAST ORDERS Director: Fred Schepisi Starring: Michael Caine, Bob Hoskins, Producers: Rachel Wood, Elizabeth Robinson Tom Courtenay, Helen Mirren, Ray Winstone Scala Productions LATE NIGHT SHOPPING Director: Saul Metzstein Luke De Woolfson, James Lance, Kate Ashfield, Producer: Angus Lamont. Enzo Cilenti andShauna MacDonald Film Four Intl / Ideal World Films BILLY ELLIOT Director: Steven Daldry Julie Walters, Gary Lewis, Jamie Draven and Jamie Bell Producers: Jon Finn and Gregg Brenman. Working Title Films/Tiger Aspect Pictures BBC/Arts Council Film. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] BRIAN TUFANO BSC - Director of Photography WOMEN TALKING DIRTY Director: Coky Giedroyc Helena Bonham-Carter, Gina McKee Producers: David Furnish and Polly Steele James Purefoy, Jimmy Nesbitt, Richard Wilson Petunia Productions. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Inside Man « It’S Just Like Nothing Happened »… L’Informateur —États-Unis 2006, 129 Minutes Philippe Jean Poirier
Document généré le 28 sept. 2021 07:37 Séquences La revue de cinéma Inside Man « It’s just like nothing happened »… L’informateur —États-Unis 2006, 129 minutes Philippe Jean Poirier Autour du court Numéro 243, mai–juin 2006 URI : https://id.erudit.org/iderudit/59013ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Poirier, P. J. (2006). Inside Man : « It’s just like nothing happened »… / L’informateur —États-Unis 2006, 129 minutes. Séquences, (243), 40–40. Tous droits réservés © La revue Séquences Inc., 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ D LES FILMS! CRITIQUES INSIDE MAN I « It's just like nothing happened »... On espère une chose tout au long du film : voir Spike Lee s'approprier l'audacieux projet du scénariste Russel Gewirtz. Et à deux reprises, on croit le miracle possible. Pour finalement déchanter: les dés étaient pipés d'avance, ce film répond avant tout à des impératifs commerciaux. PHILIPPE JEAN POIRIER ierre Falardeau confiait récemment aux Francs- quand ralentir, et prendre le temps d'asseoir une scène, Tireurs travailler sur une histoire de braquage (il comme celle entre le garçon et le chef des braqueurs, à P s'agit du même fait divers qui a inspiré Le Dernier l'intérieur du coffre-fort. -
The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A. -
The Hothouse and Dynamic Equilibrium in the Works of Harold Pinter
Ben Ferber The Hothouse and Dynamic Equilibrium in the Works of Harold Pinter I have no doubt that history will recognize Harold Pinter as one of the most influential dramatists of all time, a perennial inspiration for the way we look at modern theater. If other playwrights use characters and plots to put life under a microscope for audiences, Pinter hands them a kaleidoscope and says, “Have at it.” He crafts multifaceted plays that speak to the depth of his reality and teases and threatens his audience with dangerous truths. In No Man’s Land, Pinter has Hirst attack Spooner, who may or may not be his old friend: “This is outrageous! Who are you? What are you doing in my house?”1 Hirst then launches into a monologue beginning: “I might even show you my photograph album. You might even see a face in it which might remind you of your own, of what you once were.”2 Pinter never fully resolves Spooner’s identity, but the mens’ actions towards each other are perfectly clear: with exacting language and wit, Pinter has constructed a magnificent struggle between the two for power and identity. In 1958, early in his career, Pinter wrote The Hothouse, an incredibly funny play based on a traumatic personal experience as a lab rat at London’s Maudsley Hospital, proudly founded as a modern psychiatric institution, rather than an asylum. The story of The Hothouse, set in a mental hospital of some sort, is centered around the death of one patient, “6457,” and the unexplained pregnancy of another, “6459.” Details around both incidents are very murky, but varying amounts of culpability for both seem to fall on the institution’s leader, Roote, and his second-in- command, Gibbs. -
And Douglas Hodge Play Georges & Albin in Revival of La Cage Aux
LESS GLITZY LA CAGE: Kelsey Grammer (left) and Douglas Hodge play Georges & Albin in revival of La Cage Aux Folles. Photo: Joan Marcus Theater Review Stripped down to its bare musical essentials, excellent revival of La Cage Aux Folles remains relevant & entertaining La Cage Aux Folles Book by Harvey Fierstein Music and lyrics by Jerry Herman Directed by Terry Johnson Longacre Theatre 220 West 48th Street (212-239-6200), www.LaCage.com By David NouNou This scaled-down version of La Cage Aux Folles is a rarity indeed: a musical revival that not only works, but is still relevant in modern-day America .The original version that opened in 1983 was a grand-scale musical, with all the trimmings of a wonderful Jerry Herman opus, replete with a huge cast, elaborate sets, and magnificent costumes. A dazzler for the eyes and ears, it needed all the appeal and acceptability for a conservative Reagan-era nation. The 2004 version was mounted on a grand scale, but lacked the heart that this musical so desperately needs. This version captures the heart and soul of the musical without too much razzle-dazzle and glamour. It has just enough to capture the essence of the illusion. The book by Harvey Fierstein, based on the Jean Poiret play (made into a brilliant French movie in 1979), has the sensibilities of an American musical. Although it's still set on the French Riviera, it is the first musical that dealt with gay issues and what constitutes a family. Looking at it now, it really was a groundbreaking show. -
Cahiers Élisabéthains a Biannual Journal of English Renaissance Studies
Cahiers Élisabéthains A Biannual Journal of English Renaissance Studies General Editors: Yves Peyré & Charles Whitworth Revue fondée en/Founded in 1972 (ISSN 0184-7678) & publiée par/ published by L’INSTITUT DE RECHERCHES SUR LA RENAISSANCE, L’ÂGE CLASSIQUE ET LES LUMIÈRES (IRCL) UMR 5186 du CNRS, Université Paul Valéry, Route de Mende, 34199 Montpellier, France A PLAY, FILM AND OPERA REVIEW INDEX TO Cahiers Élisabéthains 1-70: CORIOLANUS (compiled by Janice Valls-Russell, Managing Editor, IRCL) Issue no. Pages Coriolanus, directed by Terry Hands for the Royal Shakespeare Company, The Aldwych Theatre, London, 9 June 1978 (Jean VACHÉ) 14 111-12 Coriolanus, directed by Terry Hands for the Royal Shakespeare Company, Théâtre National de l’Odéon, Paris, 3-8 April 1979 (Frédéric FERNEY) 16 97-99 Coriolanus, directed by Brian Bedford for the Stratford Shakespeare Festival, Stratford, Ontario, 16 June 1981 (Charles HAINES) 20 119-20 Coriolan, directed by Bernard Sobel, Théâtre de Gennevilliers, 3 March 1983 (Leonore LIEBLEIN) 24 96-97 Coriolanus, produced by Shaun Sutton and directed by Elijah Moshinsky, BBC Shakespeare, BBC 2, 21 April 1984 (G. M. PEARCE) 26 96-98 The Roman Tragedies. 60 mn video cassette, based on Julius Caesar, Antony and Cleopatra, and Coriolanus. Written and presented by David Whitworth, produced and directed by Noël Hardy (G. M. PEARCE) 28 87-88 Coriolanus, directed by Peter Hall, National Theatre, London, 8 May 1985 (G. M. PEARCE) 28 93-95 Coriolanus, directed by Jane Howell, The Young Vic, London, 27 May 1989 (Peter J. SMITH) 36 97-98 Coriolanus, directed by Terry Hands for the Royal Shakespeare Company, Barbican Main Theatre, London, 2 May 1990 (Jill PEARCE) 38 95-96 Coriolanus, directed by Michael Bogdanov for the English Shakespeare Company, Theatre Royal, Nottingham, 12 December 1990 (Peter J.