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CBC-Ombudsman-Annual-Report
OFFICE OF THE OMBUDSMAN ENGLISH SERVICES OMBUDSMAN ANNUAL REPORT 2020-2021 June 3, 2021 Michael Goldbloom, Chairman of the Board CBC/Radio-Canada Catherine Tait, President & CEO CBC/Radio-Canada Members of the Board of Directors CBC/Radio-Canada Mr. Goldbloom, Ms. Tait and Respected Board of Directors Members: Attached please find the Annual Report of the Office of the Ombudsman, English Services for the period April 1, 2020 to March 31, 2021. Sincerely, Jack Nagler CBC Ombudsman, English Services CBC OMBUDSMAN ENGLISH SERVICES ANNUAL REPORT | 2 TABLE OF CONTENTS Highlights .......................................................................................................................... 4 Trends ............................................................................................................................... 5 • The COVID-19 Pandemic ...................................................................................... 5 • Precision and Trust ............................................................................................... 6 • Accountability and Trust ........................................................................................ 7 • Inclusion and Trust ................................................................................................ 8 • Unpublishing and Trust ......................................................................................... 9 Other Issues ................................................................................................................... -
CV June20 Eng.Pdf
a n t o i n e b u s t r o s [email protected] www.antoinebustros.com Updated: 06/2020 E D U C A T I O N University of Southern California. Film music with Elmer Bernstein. University of California, Los Angeles. Film music with Tom Sharp. B.Mus, McGill University; Composition with Profs Bruce Mather and John Rea; orchestration with Profs Bengt Hambreus and Donald Stevens; instrument: piano with Paul Loyonnet; minor in jazz with Mr Luc Beaugrand; Jazz Arrangements with Mr Vic Vogel, Concordia University. D.E.C. in Music from St-Laurent Cegep. MUSIC FOR THE SCREEN 2018 Theme music for Association francophone pour le savoir (ACFAS). 2017 Extraordinary Canadians. Season 2; 6 episodes Producer Kenneth Hirsch, PMA productions. Maurice Richard (by Charles Foran; directed by Adrian Wills) Marshal McLuhan (by Douglas Coupland; directed by Karen Cho) René Lévesque (by John Ralston; directed by Karen Cho) Louis Riel et Gabriel Dumond (by Joseph Boyden; directed by Adrian Wills) Wilfrid Laurier (by André Pratte; directed by Karen Cho) Tommy Douglas (by Vincent Lam; directed by Adrian Wills) Watch CBC: https://watch.cbc.ca/season/extraordinary-canadians/season-2/d907370d-44e8-4764-9af3-a3641376219f Return to Park Ex. Documentary. Producer Périphéria Productrions inc. and Les productions Easter Films; directed by Tony Asimakopoulos Watch CBC: https://watch.cbc.ca/media/cbc-docs-pov/season-1/return-to-park-ex/38e815a-00d01cbe7d0 Amour et argent peuvent faire bon ménage. Documentary. Producer Relais-femmes et les productions mainslibres; directed by Sophie Bissonnette 2015 Despedida. Documentary. Produced and directed by Leopoldo Guttierez, Polo Productions. -
UPEI Magazine Is Published by the University of Prince Edward Island and Is Coordinated and Produced by the Department of Marketing and Communications
Winter 2020 CANADIAN CENTRE for Climate Change and Adaptation UPEI will build new Canadian Centre for Climate Change and Adaptation in St. Peter’s Bay page 16 Inside Celebrating 50 Years of UPEI page 6 Lifelong Learning—Dr. Olive Bryanton page 20 INSPIRE! Campaign tops goal page 29 CLASS OF 2019 CONGRATULATIONS! On behalf of the 25,000+ alumni of Prince of Wales College, Saint Dunstan’s University, and the University of Prince Edward Island, the UPEI Alumni Association is proud to welcome members of the Class of 2019 to our supportive global network. In this issue... FEATURES 2 Message from the President 3 Convocation 4 AVC White Coat Ceremony 5 UPEI hosts HIH Princess Takamado 6 Celebrating 50 years of UPEI 8 Library at the heart of UPEI 10 UPEI hosts 2019 U SPORTS Women’s Championship 11 World’s case study elite converge at UPEI 12 AVC faculty member named 3M Teaching Fellow 13 UPEI participates in Vanier Institute conference 14 UPEI Health and Wellness Centre: More than a health centre 15 Alumna profile: Thespian Brittany Banks 16 UPEI establishes Canadian Centre for Climate Change and Adaptation 17 New student housing announced for UPEI 18 Student profiles 20 Learning—A lifelong journey for Dr. Olive Bryanton 22 Plenty of highs and lows for UPEI Panthers in 2018–19 24 From UPEI to the NBA: A conversation with Scott Morrison 25 People, Excellence, Impact 29 The INSPIRE! Campaign tops goal ON OUR COVER PhD student Stephanie Arnold, centre, stands with Andy MacDonald, left, and Luke Meloche, right, both drone pilots and research assistants with the UPEI Climate Lab. -
The Following Pages Contain Links to Videos
The following pages contain links to videos. Most are related to shale gas. There are a few links to other to items related to governments, oil spills, pipelines etc. Links to these videos from the all the PDF files linked to from the doc Dons PDF Files. They also can be found at https://6d7ad352d6bc296a468e63f5b74324c51bfc9d11.googledrive.com/host/0B3QWw x_US206WG1ocHAxdUtNRjA/ These links all worked at the time when the PDF files were created. Some may not work now. Video Links Julia Linke asked questions to Bruce Northrup Minister of Natural Resources!!!! From August 2011 http://www.youtube.com/watch?v=yHdSjvzt7Dg Julia Linke continues asking questions to Bruce Northrup Minister of Natural Resources http://www.youtube.com/watch?v=-xrqsZBozb8 Julia Linke final questions with Bruce Northrup Minister of Natural Resources http://www.youtube.com/watch?v=cN3I4mPdxPI Jessica Ernst in NB – 8 parts http://www.youtube.com/watch?v=P1g0iJblMc0 http://www.youtube.com/watch?v=h8GlaXjzmBI&feature=related http://www.youtube.com/watch?v=tx-2INlsJ9A&feature=related http://www.youtube.com/watch?v=FyYo3_iPcAU&feature=related http://www.youtube.com/watch?v=NbqnolxkpIo&feature=related http://www.youtube.com/watch?v=ghkc5ayaxGI&feature=related http://www.youtube.com/watch?v=aJDjdNmhzJA&feature=related http://www.youtube.com/watch?v=mw6cnrAUFZU&feature=related Dr. Ingraffea Moncton 3parts http://www.youtube.com/watch?v=sD7koag4QqE http://www.youtube.com/watch?v=5jRBG4rCg7E http://www.youtube.com/watch?v=vf5kRupscu8 Dr. Ingraffea Hampton 2 parts http://www.youtube.com/watch?v=SjdhiZJCyzU http://www.youtube.com/watch?v=oPVWY96tIxg Dr. -
Annual Report 2019-2020
OFFICEOFTHEOMBUDSMAN ENGLISHSERVICES ANNUALREPORT August 13, 2020 Michael Goldbloom, Chairman of the Board CBC/Radio-Canada Catherine Tait, President & CEO CBC/Radio-Canada Members of the Board of Directors CBC/Radio-Canada Mr. Goldbloom, Ms. Tait and Respected Board of Directors Members: Attached please find the Annual Report of the Office of the Ombudsman, English Services for the period April 1, 2019 to March 31, 2020. Sincerely, Jack Nagler CBC Ombudsman, English Services CBC OMBUDSMAN ENGLISH SERVICES ANNUAL REPORT | 2 TABLE OF CONTENTS Highlights .......................................................................................................................... 4 Trends ............................................................................................................................... 5 • Federal Election .................................................................................................... 5 ο Federal Election Reviews .......................................................................... 6 ο Federal Election: Independent Advice Panels .......................................... 7 • Coronavirus ........................................................................................................... 9 • The Role of Reporters at Live News Conferences .............................................. 10 Other Issues .................................................................................................................... 12 • Societal Tensions ............................................................................................... -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians
Popular Music and Society, Vol. 26, No. 1, 2003 “A Little Too Ironic”: The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians Kristen Schilt “RIOT GIRL IS: BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will, change the world for real” (“Riot Grrrl Is” 44) “Girl power!” (Spice Girls) Introduction Female rock musicians have had difficulty making it in the predominantly white male rock world. Joanne Gottlieb and Gayle Wald note that women’s participation in rock music usually consists of bolstering male performance, in the roles of groupie, girlfriend, or back-up singer (257). Even in punk rock, women are often treated as a novelty by the music press and cultural critics. Male bands such as the Sex Pistols and the Damned achieve rock notoriety while their female counterparts, like the Slits and the Raincoats, sink into obscurity. However, 1995 saw an explosion in the music press about a new group of female musicians: the angry women. Hailed in popular magazines for blending feminism and rock music, Alanis Morissette topped the charts in 1995. Affectionately named the “screech queen” by Newsweek, Morissette combined angry, sexually graphic lyrics with catchy pop music (Chang 79). She was quickly followed by Tracy Bonham, Meredith Brooks, and Fiona Apple. Though they differed in musical style, this group of musicians embodied what it meant to be a woman expressing anger through rock music, according to the music press. Popular music magazines argued that musicians like Morissette were creating a whole new genre for female performers, one that allowed them to assert their ideas about feminism and sexual- ity. -
Lambda Pi Eta Undergraduate Journal Is Published by National Communication Association, Washington, DC, United States of America
LAMBDAλ PI ETAπ UNDERGRADUATEη JOURNAL Volume 3 • summer 2015 NATIONAL COMMUNICATION ASSOCIATION The Lambda Pi Eta Undergraduate Journal is published by National Communication Association, Washington, DC, United States of America Cover design by Carrie Lyle EDITOR LaKesha Anderson, NCA Assistant Director for Academic and Professional Affairs EDITORIAL ASSISTANT Megan Moore, NCA Academic and Professional Affairs Associate LAMBDA PI ETA UNDERGRADUATE JOURNAL REVIEW BOARD Chitra Akkoor, Keene State College Matthew LeHew, Shorter University Donna Allen, Northwest Nazarene University Cara Mackie, Florida Southern College Jordan Atkinson, West Virginia University Michelle Maresh-Fuehrer, Texas A&M Amanda Bridges, Gardner-Webb University University-Corpus Christi James Burton, Salisbury University Kelly McBride, Virginia Tech Amy Grim Buxbaum, North Central College Janet McCormick, Middle Tennessee State University Theresa Castor, University of Wisconsin-Parkside Tammy McGuire, Pacific Union College Anne Marie Czerwinski, University Elizabeth Ortiz, Cedar Crest College of Pittsburgh at Greensburg Laura Russell, Denison University Daniel Cochece Davis, Illinois State University Michelle Scollo, College of Mount Saint Vincent Jayson Dibble, Hope College Rachel Silverman, Embry Riddle Aeronautical University Randy Dillon, Missouri State University Mary Toale, SUNY Oswego Francine Edwards, Delaware State University Andrew Tollison, Merrimack College Vickie Shamp Ellis, Oklahoma Baptist University Michelle Violanti, University of Tennessee, Knoxville -
Attraction Distribution Max Oliveras, Vice President, Television Attraction
Attraction Distribution Max Oliveras, Vice President, Television Attraction Distribution is a Montreal-based sales agent specializing in the co-financing, promotion, all rights distribution and world sales. We handle a catalogue of feature films across multiple genres, popular live action youth series and animation as well as prime time drama and original formats created by our sister companies and an extensive network of producers around the world. We are looking for projects with international appeal across all genres. Bell Media Gosia Kamela, Production Executive, Drama Series & Feature Film As a Drama and Feature Film Production Executive for Bell Media’s Original Programming team, Gosia Kamela is responsible for overseeing the development and production of original drama series across Bell Media’s family of channels, including: CTV, Space, Bravo, and Crave/HBO Canada. She is also on the team that pre-licenses Canadian Feature Films for Crave. Her projects include the critically acclaimed series Orphan Black for the Space channel, CTV’s limited series The Disappearance and more recently Carter for Bravo. Previously, she was the Executive on MTV Canada’s Degrassi: The Next Generation, Bravo’s 19-2, and CTV’s Flashpoint. She sits on the jury for the Women In View initiative, Five In Focus, as well as the Advisory Board of the Toronto Screenwriting Conference. Prior to joining Bell Media, Gosia was a Producer at True West Films (It’s All Gone Pete Tong, Everything’s Gone Green). CBC Comedy Sandra Picheca, Executive in Charge of Production, Comedy CBC Comedy is your destination for funny Canadian satire, web series, stand-up comedy, humour, sketches and more from Canada's national broadcaster. -
Community Mourns Ernie Moore Grades 1-5 Cut with Low Enrollment
Call (906) 932-4449 Ironwood, MI College World Series Vandy rides Rocker to 4-1 win, Redsautosales.com forces a Game 3 vs. Michigan SPORTS • 9 DAILY GLOBE Wednesday, June 26, 2019 Sunny yourdailyglobe.com | High: 79 | Low: 59 | Details, page 2 Community DOWN BUT NOT OUT mourns Ernie Moore By RICHARD JENKINS [email protected] HURLEY – Those who knew him continue to mourn the loss of Ernest “Ernie” Moore, who passed away last week. Moore, 63, who died June 16 in Florida while traveling home, owned and operated the Iron County Miner and Print Shop in Hurley. His role at the newspaper and his nature meant he knew many members of the communi- ty. “All grow- ing up, when Tom LaVenture/Daily Globe we were driv- ALL SAINTS Catholic Academy next to Our Lady of Peace Church in Ironwood seen here on Monday. Citing a lack of enrollment the ing around school will not teach grades 1-5 for the 2019-20 school year; but are continuing with preschool and kindergarten programs as offi- with him as cials said grade school levels will return with adequate interest from parents. Ernie kids or what- Moore ever; people would wave at him and say hi. He knew a lot of Grades 1-5 cut with low enrollment their names,” recalled his son, Michael Moore. “Sometimes, we’d say, ‘Who was that?’ and at All Saints Catholic Academy he’d say, ‘I don’t know.’ But most of the time, he knew who it was.” By TOM LAVENTURE the Rev. Robb Jurkovich, former pastor of levels when there are students to fill them, Michael said the weekly news- [email protected] Our Lady of Peace, said the low enrollment he said. -
Housing Discrimination in Canada: Urban Centres, Rental Markets, and Black Communities
A PATH FORWARD 2021 Housing Discrimination in Canada: Urban Centres, Rental Markets, and Black Communities Alexandra Ages Ricardo Chejfec Mariel Aramburu Rudayna Bahubeshi Rebecca Charles Table of Contents 01 | Executive Summary 1 02 | This Report 5 03 | Housing Discrimination 13 04 | Barriers to Core Housing 24 Related to Systemic Anti-Blackness 05 | Existing Efforts to Address 37 Housing Discrimination OPPORTUNITIES 06 | Opportunities in the State of 47 Information and Data 07 | Opportunities in the State of 58 Accountability 08 | Opportunities in the State of 67 Housing Supply 09 | Summary of Recommendations 73 APPENDICES A | Situating Ourselves 79 B | Overview of CMHC 81 C | Housing Rights in Provincial and 83 Territorial Human Rights Codes XX | Acknowledgements 90 XX | References 91 Executive Summary A PATH FORWARD Executive Summary Halifax, NS This research was conducted by graduate students setting out to inform the Canadian Mortgage and Housing Corporation (CMHC) on how the federal agency can address housing discrimination. Recognizing the massive scope of this problem, we considered where housing discrimination happens most, which communities are among those experiencing significant risk, and among whom the outcomes of discrimination are most dire. We arrived at focusing on urban centres, Black communities, and renters as opposed to homeowners or prospective homeowners. In the Canadian context, housing discrimination is insufficiently understood, researched, and addressed, but its impacts can be devastating, in both numbers and consequences. Tenants may be discriminated against if they are Black, Indigenous or racialized; 2SLGBTQI+; living on a low-income; single parents or guardians; newcomers and/or refugees; living with a disability, including a serious mental illness; belonging to a religious minority; in possession of a record of offenses, or for other reasons related to their identity and socioeconomic status.