Karaoke Songs As at 15 July 2013
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100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Stewart Speer: a Drummer Who Won't Let the Odds Beat
STEWART SPEER: A DRUMMER WHO WON’T LET THE ODDS BEAT HIM by Eric Myers ___________________________________________________ [This article appeared in the Sydney Morning Herald on September 15, 1981.] his week the legendary 53-year-old drummer Stewart Speer embarks on a 10- week tour of Australia with Max Merritt, the former Australian rock star now T based in England. This period of employment breaks a long drought for an important figure in Australian jazz history. Apart front a similar tour with Merritt last year, Speer has worked only occasionally since returning two years ago from England, where he spent most of the 1970s. Max Merritt & the Meteors, L-R, Speer, Lance Dixon, Merritt, Martin (Fuzz) Deniz, John Gourd… 1 Speer, with cigarette dangling… “I would like to be playing more, but I’m not sure about how to go about it,” said Speer recently. “I wouldn’t mind a regular gig, maybe with some electric players. I like a bit of noise.” “Of course I have been sick since I came back from England,” he says, ticking off an impressive series of afflictions — leg ulcers, cellulitis, gout and arthritis are just some of them. Physically, he is an awesome man — some 22 stone, although he is down from last year’s 25 stone — with a flowing white beard and long grey hair which seems to grow out of the sides of his ever-present peak cap. In performance, he establishes a formidable presence behind the array of cymbals and tom-toms which make up the modern drum-kit. Always there is a huge cloud of smoke pouring upwards from the cigarette which dangles nonchalantly from his lips. -
Following Hit Trail
August 4, 1962 50 Cents B1ILLE31:1A11:11111 IN/R..11910 WEEK Music -Phonograph Merchandising Radio -Tv Programming Coin Machine Operating Teen -Angle Albums MUSICBILLBOARD WEEK PAGE ONE RECORDS PAGE ONE RECORD Following Hit Trail SINGLES ALBUMS Blazed by Singles The slight pickup in LP sales which started in mid -July continued last week, sparked mainly by hit LP's with pop * NATIONAL BREAKOUTS * NATIONAL BREAKOUTS artists and a number of movie sound tracks. Though this was true in most markets there were a number of areas where LP SHE'S NOT YOU, ElvisPresley, RCA Victor MONO sales were still sluggish. Where LP business ranged from good 8041 to strong it was the fast sales pace of the hit items, especially ROSES ARE RED, Bobby Vinton, Epic LN 24020 the newer LP's, that created most of thetraffic.Hit LP's appear to be jumping to the top of charts at a much faster rate than they used to, and grabbing sales immediate?), upon STEREO release instead of after a month or two on the market. More and more the LP business, according to dealers,is following * REGIONAL BREAKOUTS No Breakouts This Week. the hit trend of the singles record market, perhaps because so These new records, not yet on BMW's Hot 100, have many of the new albums are teen -oriented. been reported getting strong sales action by dealers Meanwhile, singles business continued to flow its happy in major market(s)listedinparenthesis. way, with dealers and rackers reporting that this summer's 45 * NEW ACTION LP'S sales are the best in the last three summers. -
[Warning - This Film Contains Nudity and References to Drugs]
[Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation. -
Turning Gigabytes Into Gigs: “Songification” and Live Music Data, Academic Quarter, Vol
This is the published version Verhoeven,DK, Davidson,A, Gionfriddo,A, Verhoeven,J and Gravestock,P 2014, Turning Gigabytes into Gigs: “Songification” and Live Music Data, Academic quarter, vol. 9, Autumn, pp. 151-163. Available from Deakin Research Online http://hdl.handle.net/10536/DRO/DU:30068812 Reproduced with the kind permission of the copyright owner Copyright: 2014, Aalborg University kvarter Volume 09. Autumn 2014 • on the web akademiskacademic quarter Turning Gigabytes into Gigs “Songification” and Live Music Data Professor Deb Verhoeven Deb Verhoeven is Professor and Chair of Media and Communication at Deakin University. She is the Deputy Director of the Centre for Memory, Imagination and Invention (CMII) and in 2013 was rec- ognised as one of Australia’s most innovative academics. Dr Alwyn Davidson Alwyn Davidson is an early career researcher specialising in the di- gital humanities and geovisualisation at Deakin University. Alwyn’s research interests include the visualisation of humanities data, the application of GIS and spatial techniques, and the analysis of cultur- al datasets. Alex Gionfriddo Alex Gionfriddo is a librarian at the AFI Reseach Collection (a film and tv research library) within the School of Media and Communi- cation at RMIT University. Alex is the co founder (with Deb Verho- even) and administrator of The Ultimate Gig Guide, and has worked on various cultural databases including the award winning bonza database. Alex has played in bands for 19 years (mainly with Dyna- mo) and at major music festivals in Melbourne. James Verhoeven is a software development professional, with a primary interest in the design, development and management of business applications. -
4KQ's Australia Day
4KQ's Australia Day A FOOL IN LOVE JEFF ST JOHN A LITTLE RAY OF SUNSHINE AXIOM A MATTER OF TIME RAILROAD GIN ALL MY FRIENDS ARE GETTING MARRIED SKYHOOKS ALL OUT OF LOVE AIR SUPPLY ALL THE GOOD THINGS CAROL LLOYD BAND AM I EVER GONNA SEE YOUR FACE AGAIN THE ANGELS APRIL SUN IN CUBA DRAGON ARE YOU OLD ENOUGH DRAGON ARKANSAW GRASS AXIOM AS THE DAYS GO BY DARYL BRAITHWAITE BABY WITHOUT YOU JOHN FARNHAM/ALLISON DURBAN BANKS OF THE OHIO OLIVIA NEWTON-JOHN BE GOOD JOHNNY MEN AT WORK BECAUSE I LOVE YOU MASTER'S APPRENTICES BIG TIME OPERATOR THE ID/JEFF ST JOHN BLACK EYED BRUISER STEVIE WRIGHT BODY AND SOUL JO KENNEDY BOM BOM DADDY COOL BOOM SHA LA-LA-LO HANS POULSEN BOPPIN THE BLUES BLACKFEATHER CASSANDRA SHERBET CHAIN REACTION JOHN FARNHAM CHEAP WINE COLD CHISEL CIAO BABY LYNNE RANDELL COME AROUND MENTAL AS ANYTHING COME BACK AGAIN DADDY COOL COME SAID THE BOY MONDO ROCK COMMON GROUND GOANNA COOL WORLD MONDO ROCK CRAZY ICEHOUSE CURIOSITY (KILLED THE CAT) LITTLE RIVER BAND DARKTOWN STRUTTERS BALL TED MULRY GANG DEEP WATER RICHARD CLAPTON DO WHAT YOU DO AIR SUPPLY DON'T FALL IN LOVE FERRETS DON'T YOU KNOW YOU'RE CHANGING BILLY THORPE/AZTECS DOWN AMONG THE DEAD MEN FLASH & THE PAN DOWN IN THE LUCKY CO RICHARD CLAPTON DOWN ON THE BORDER LITTLE RIVER BAND DOWN UNDER MEN AT WORK DOWNHEARTED JOHN FARNHAM EAGLE ROCK DADDY COOL EGO (IS NOT A DIRTY WORD) SKYHOOKS ELECTRIC BLUE ICEHOUSE ELEVATOR DRIVER MASTER'S APPRENTICES EMOTION SAMANTHA SANG EVIE (PART 1, 2 & 3) STEVIE WRIGHT FIVE .10 MAN MASTER'S APPRENTICES FLAME TREES COLD CHISEL FORTUNE TELLER THE -
Andrew Loog Oldham by Rob Bowman As the Rolling Stones’ Manager and Producer, He Played a Seminal Role in the Creation of Modern Rock & Roll
Andrew Loog Oldham By Rob Bowman As the Rolling Stones’ manager and producer, he played a seminal role in the creation of modern rock & roll. IN 1965, TOM WOLFE FAMOUSLY DUBBED PHIL SPECTOR America’s first tycoon of teen. Great Britain in the 1960s had its own version with Andrew Loog Oldham. Similarly eccentric, Oldham sported a one-of-a-kind mix of flamboyance, fashion, attitude, chutz pah, vision, and business smarts. As comanager of the Rolling Stones from May 1963 to September 1967, and founder and co-owner of Im mediate Records from 1965 to 1970, he helped shape the future of rock, and certainly turned the music industry in the United Kingdom on its head. Along the way, between the ages of 19 and 23, he pro duced some of the greatest records in rock & roll history, leading Bill board to describe him as one of the top five producers in the world, and Cashbox to declare him a musical giant. ^ He was born in Lon don on January 29, 1944, during the Germans’ nightly bombard ment of England. His father, whom he never met, was Texas airman Andrew Loog, killed in June 1943 when his B-17 bomber was shot down over France. Raised by his mother, Celia Oldham, the preco cious teenager began working for Mary Quant during the day, at Ronnie Scott’s jazz club in the evening, and at the fabled Flamingo club after midnight. He also found time to form a (short-lived) pub lic relations firm with Pete Meaden, the future manager of the Who. -
Deal Signed by Jagger& Richard •••Mathews Runs Date* CBS France Records Go Behind Iron Curtain
Senator Dirksen: Artist With A Bullet • • • Wolpin Exits Famous Jan. 1 • • Bell To Handle New Greene- Stone Labels* $1 Mil Writer Deal Signed By Jagger& Richard •••Mathews Runs Date* CBS France Records Go Behind Iron Curtain Int'l Section FRONT COVER: AND ALONG CAME THE ASSOCIATION Begins Pg. 55 p All the dimensions of a#l smash! *smm 1 4-439071 P&ul Revere am The THE single of '66 B THE SPIRIT OP *67 from this brand PAUL REVERE tiIe RAIDERS INCLUDING: HUNGRY THE GREAT AIRPLANE new album— STRIKE GOOD THING LOUISE 1001 ARABIAN NIGHTS CL2595/CS9395 (Stereo) Where the good things are. On COLUMBIA RECORDS ® "COLUMBIA ^MAPCAS REG PRINTED IN U SA GashBim Cash Bock Vol. XXVIII—Number 22 December 17, 1966 (Publication Office) 1780 Broadway New York, N. Y. 10019 (Phone: JUdson 6-2640) CABLE ADDRESS: CASHBOX, N. Y. JOE ORLECK Chairman of the Board GEORGE ALBERT President and Publisher NORMAN ORLECK Executive Vice President MARTY OSTROW Vice President LEON SCHUSTER Disk Industry—1966 Treasurer IRV LICHTMAN Editor in Chief EDITORIAL TOM McENTEE Associate Editor RICK BOLSOM ALLAN DALE EDITORIAL ASSISTANTS MIKE MARTUCCI JERRY ORLECK BERNIE BLAKE The past few issues of Cash Box Speaking of deals, 1966 was marked Director Advertising of have told the major story of 1966. by a continuing merger of various in- ^CCOUNT EXECUTIVES While there were other developments dustry factors, not merely on a hori- STAN SO I PER BILL STUPER of considerable importance when the zontal level (label purchases of labels), Hollywood HARVEY GELLER, long-range view is taken into account, but vertical as well (ABC's purchase of ED ADLUM the record business is still a business a wholesaler, New Deal). -
Recorded Music NZ Annual Report 2013
ANNUAL REPORT 2020 RECORDED MUSIC NEW ZEALAND LIMITED Annual Report for the year ended 31 December 2020 CONTENTS 4 Chairman’s Report 6 Chief Executive’s Report 9 Revenue Summary 2020 10 SoundCheck Aotearoa 11 MusicHelpsLive 14 The Official NZ Music Charts 2020 15 NZ Music Hall of Fame Aotearoa Music Awards 16 Redefining out identity 17 Reintroducing mana reo 18 Winners & Finalists 20 Artisan Awards 21 Previously awarded 22 Aotearoa Music Producer Series Financial Statements 24 Approval of Annual Report & Directory 25 Statement of profit and loss 26 Statement of financial position 27 Statement of cash flows 28 Notes to the financial statements 30 Auditor’s Report Cover image: Co-host Sharyn Casey and artist Rob Ruha hongi at AMA 2020. Inside front cover image: Ibanez Maeva and Stan Walker at AMA 2020. © Topic Photography. © 2021 Recorded Music New Zealand Limited. This Annual Report contains proprietary information and is provided for informational purposes only. Please do not use any information contained in it unless expressly authorised to do so by Recorded Music New Zealand Limited. ‘Recorded Music NZ’; the Tui device; ‘The Official NZ Music Charts’; ‘ProMusic’; and ‘NZ Music Hall of Fame’ are registered trademarks. Designed by Mark Roach. 3 CHAIRMAN’S REPORT Like many other organisations worldwide Recorded Music New Zealand’s activities and financial performance were severely affected by Covid 19. At the onset of the pandemic our first priority was the health and wellbeing of our staff, with rapid arrangements put in place for all staff to work from home for as long as necessary. -
Sizzling 70'S Printable List
Sizzling 70’s Printable List SHE'S IN LOVE WITH YOU SUZI QUATRO BEST OF MY LOVE EAGLES WHERE YOU LEAD BARBARA STREISAND SAY YOU LOVE ME FLEETWOOD MAC SHINING STAR EARTH WIND & FIRE MIND GAMES JOHN LENNON LOVE'S THEME LOVE UNLIMITED GIRLS ON THE AVENUE RICHARD CLAPTON SOFT DELIGHTS NEW DREAM CRACKLIN' ROSIE NEIL DIAMOND AIN'T GONNA BUMP NO MORE (WITH NO BIG FAT WOMAN) JOE TEX BECAUSE I LOVE YOU MASTER'S APPRENTICES RIDE A WHITE SWAN T REX PRECIOUS LOVE BOB WELCH PRELUDE/ANGRY YOUNG MAN BILLY JOEL STAYIN' ALIVE BEE GEES EVERYBODY PLAYS THE FOOL MAIN INGREDIENT ROCK AND ROLL ALL NITE KISS NA NA HEY HEY KISS HIM GOODBYE STEAM GOODBYE STRANGER SUPERTRAMP NEVER CAN SAY GOODBYE GLORIA GAYNOR GOODBYE TO LOVE CARPENTERS BABY IT'S YOU PROMISES (YOU GOTTA WALK) DON'T LOOK BACK PETER TOSH SATURDAY NIGHT BAY CITY ROLLERS SATURDAY NIGHTS ALRIGHT FOR FIGHTING ELTON JOHN ANOTHER SATURDAY NIGHT CAT STEVENS DANCIN' (ON A SATURDAY NIGHT) BARRY BLUE TUMBLING DICE ROLLING STONES SHAKE YOUR BOOTY K.C. & SUNSHINE BAND COZ I LUV YOU SLADE BANKS OF THE OHIO OLIVIA NEWTON-JOHN MORE THAN A FEELING BOSTON FEELING ALRIGHT JOE COCKER GOOD FEELIN MAX MERRITT PEACEFUL EASY FEELING EAGLES HELLO ITS ME TODD RUNDGREN EBONY EYES BOB WELCH STAR SONG MARTY RHONE EGO (IS NOT A DIRTY WORD) SKYHOOKS ON THE COVER OF THE ROLLING STONE DR HOOK I HEAR YOU KNOCKING DAVE EDMUNDS EVERLASTING LOVE ANDY GIBB LET'S PRETEND RASPBERRIES WHO'LL STOP THE RAIN CREEDENCE CLEARWATER REVIVAL BICYCLE RACE QUEEN YOU TOOK THE WORDS RIGHT OUT OF MY MOUTH (HOT SU MEAT LOAF CAPTAIN ZERO MIXTURES SWEET -
Top 40 Singles Top 40 Albums
01 March 1976 CHART #39 Top 40 Singles Top 40 Albums Convoy I'm On Fire Hot August Night Abba 1 C W McCall 21 5000 Volts 1 Neil Diamond 21 Abba Last week 1 / 4 weeks PHONOGRAM Last week 20 / 8 weeks PHONOGRAM Last week 4 / 40 weeks UNIVERSAL Last week 14 / 7 weeks RCA You Sexy Thing Before The Next Teardrop Falls A Night At The Opera History, Greatest Hits 2 Hot Chocolate 22 Freddy Fender 2 Queen 22 America Last week 3 / 5 weeks EMI Last week 18 / 39 weeks FESTIVAL Last week 2 / 2 weeks WEA Last week 15 / 7 weeks WEA Bohemian Rhapsody Island Girl Best Of Abba An Evening With John Denver 3 Queen 23 Elton John 3 Abba 23 John Denver Last week 27 / 2 weeks WEA Last week 26 / 10 weeks FESTIVAL Last week 1 / 4 weeks RCA Last week 13 / 35 weeks PYE Mamma Mia Calypso / I'm Sorry Desire Elton John's Greatest Hits 4 Abba 24 John Denver 4 Bob Dylan 24 Elton John Last week 2 / 4 weeks RCA Last week 32 / 12 weeks RCA Last week - / 1 weeks PHONOGRAM Last week 27 / 40 weeks FESTIVAL Put Another Log On The Fire One Of These Nights Bay City Rollers Greatest Hits (First Impressions) 5 Bill And Boyd 25 The Eagles 5 Bay City Rollers 25 Olivia Newton-John Last week 5 / 8 weeks EMI Last week 38 / 23 weeks WEA Last week 8 / 2 weeks EMI Last week 21 / 40 weeks FESTIVAL Sky High Morning Sky The Suzi Quatro Story Goodbye Yellow Brick Road 6 Jigsaw 26 George Baker Selection 6 Suzi Quatro 26 Elton John Last week 4 / 8 weeks VIKING Last week 23 / 5 weeks WEA Last week 6 / 12 weeks EMI Last week 26 / 39 weeks MERCURY UK/POLYGRAM Sos I Do, I Do, I Do, I Do, I Do Listen To The Music .