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Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
DIMANCHE 9 JUIN 2013 – 17H30 Salle Des Concerts
DIMANCHE 9 JUIN 2013 – 17H30 Salle des concerts Schubertiade Franz Schubert Der Tanz D 826 Die Unterscheidung op. 95 n° 1, D 866 Die Geselligkeit (Lebenslust) D 609 Licht und Liebe D 352 Suleika I op. 14 n° 1, D 720 Suleika II op. 31, D 717 Der Sänger op. post. 117, D 149 Der Hochzeitsbraten D 930 entracte Des Tages Weihe D 763 Die Allmacht D 852 Gott im Ungewitter D 985 Hymne an den Unendlichen D 232 Begräbnislied D 168 Gebet D 815 2013 Ruth Ziesak, soprano Anke Vondung, mezzo-soprano Werner Güra, ténor Konrad Jarnot, basse Dimanche 9 juin | Christoph Berner, piano Schubertiade Fin du concert vers 19h20. 1 « Être ensemble est le plaisir de l’âme ! » Johann Carl Unger/Franz Schubert, Die Geselligkeit Les lieder à effectifs variables interprétés lors de ce concert illustrent une veine de Schubert que nous avons dorénavant tendance à méconnaître, focalisés que nous sommes sur les trois recueils des dernières années (La Belle Meunière, Le Voyage d’hiver et Le Chant du cygne) et les nombreuses grandes pages qui sont autant de mariages incomparables d’un texte et d’une musique. Une autre image colla cependant longtemps à la peau de Schubert, et si l’on peut se réjouir qu’elle soit aujourd’hui presque tombée en désuétude (car nous avons découvert nombre d’œuvres qui lui apportaient un véritable démenti), elle n’en présente pas moins certains de ces lieder sous un jour éclairant : c’est celle « du doux jeune homme […] menant joyeuse vie d’artiste au milieu d’amis dont il animait les réunions d’agréables chansons populaires » (Gilles Cantagrel). -
Liebeslieder-Walzer Et Lieder Choisis Johannes Brahms
Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Jeudi 5 février Johannes Brahms | Liebeslieder-Walzer et lieder choisis Jeudi 5 février | Dans le cadre du cycle Le temps de la danse Du samedi 31 janvier au vendredi 6 février 2009 et lieder choisis Liebeslieder-Walzer Liebeslieder-Walzer Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Johannes Brahms | Johannes Brahms Cycle Le temps de la danse La valse, la bourrée… : toutes les danses dictent leur rythme. Elles donnent le ton et le temps à ceux qui s’y accordent. De la danse traditionnelle thaïe aux Ländler de Brahms, les pulsations d’une chorégraphie réelle ou rêvée emportent la musique et les corps dans leurs tournoiements. Le khon, théâtre traditionnel thaï apparu voici mille ans dans les cours royales d’Ayutthaya, s’imposa rapidement comme le divertissement privilégié des rois. Il met en scène des personnages masqués, richement costumés de brocarts de soie, qui exécutent des danses très codifiées, accompagnées par des musiciens, des chanteurs et des narrateurs. La très forte puissance évocatrice de cet art pictural vivant permet d’entrer en contact avec le monde invisible, de donner âme aux croyances magiques… Et aussi de fonder l’identité de la communauté, de la rassembler sur des temps forts. Le programme imaginé par Jordi Savall sous le titre de Ludi Musici : L’esprit de la danse participe du même paradoxe, pas dansés qui font à la fois la distinction et la communion des corps : il présente un répertoire composite, qui rassemble deux siècles de musiques dansées (de 1450 à 1650) en Europe occidentale, en Asie occidentale et en Amérique latine. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Oratorios by Amandus Ivanschiz in the Context of Musical Sources and Liturgical Practice1
MUSICOLOGICA BRUNENSIA 49, 2014, 1 DOI: 10.5817/MB2014-1-15 MACIEJ JOCHYMCZYK ORATORIOS BY AMANDUS IVANSCHIZ IN THE CONTEXT OF MUSICAL SOURCES AND LITURGICAL PRACTICE1 Fr. Amandus Ivanschiz was most likely born on December 24, 1727 which was the day he was baptized in Wiener Neustadt (Austria), with the names of Mat- thias Leopold.2 In December 1743 he entered the Pauline Order and took the name Amandus. After receiving his Holy Orders, the years 1751–54 he spent in Rome, where he served as a socius of the Procurator General of the Order. Soon after his return, in 1755, Ivanschiz was moved to the Maria Trost monastery near Graz, where he died in 1758, in the age of merely thirty-one. About one hundred compositions by Fr. Amandus have come down to us. His oeuvre includes both instrumental works, and vocal-instrumental sacred music. Apart from numerous manuscripts of doubtful attribution, the firs group comprises about 20 sympho- nies and 13 string trios. The second group is more extensive, and contains 17 masses, 13 litanies, 7 Oratorios, 9 settings of Marian antiphons, 8 arias and duets to non-liturgical texts, as well as vespers and Te Deum. Many of these works have survived in a few or even a dozen or so copies, which are now found in many, mainly Central European countries, such as Austria, Belgium, Croatia, Czech Re- public, Germany, Hungary, Poland, Slovakia, Slovenia, Sweden and Switzerland. It proves that Father Amandus’ music was known to a wide audience and places him among the most popular monk-composers of the 18th century. -
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart Baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 ² 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers. Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of Mozart's death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years." Wolfgang Amadeus Mozart was born to Leopold and Anna Maria Pertl Mozart at 9 Getreidegasse in Salzburg, capital of the sovereign Archbishopric of Salzburg, in what is now Austria but, at the time, was part of the Bavarian Circle in the Holy Roman Empire. -
Carl Loewe's "Gregor Auf Dem Stein": a Precursor to Late German Romanticism
Carl Loewe's "Gregor auf dem Stein": A Precursor to Late German Romanticism Item Type text; Electronic Dissertation Authors Witkowski, Brian Charles Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 03:11:55 Link to Item http://hdl.handle.net/10150/217070 CARL LOEWE'S “GREGOR AUF DEM STEIN”: A PRECURSOR TO LATE GERMAN ROMANTICISM by Brian Charles Witkowski _____________________ Copyright © Brian Charles Witkowski 2011 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Brian Charles Witkowski entitled Carl Loewe's “Gregor auf dem Stein”: A Precursor to Late German Romanticism and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts ________________________________________________ Date: 11/14/11 Charles Roe ________________________________________________ Date: 11/14/11 Faye Robinson ________________________________________________ Date: 11/14/11 Kristin Dauphinais Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
Der Violoncellist Johann Rudolph Zumsteeg Und Sein Werk Sein Werksein Und Zumsteeg Rudolph Johann Violoncellist Der 18
Johannes Sturm Sichtweisen der württembergischen Hofmusik im ausgehenden 18. Jahrhundert Der Violoncellist Johann Rudolph Zumsteeg und sein Werk Der Violoncellist Johann Rudolph Zumsteeg und sein Werk sein und Zumsteeg Rudolph Johann Violoncellist Der Johannes Sturm Johannes Der Violoncellist Johann Rudolph Zumsteeg und sein Werk Johannes Sturm Sichtweisen der württembergischen Hofmusik im ausgehenden 18. Jahrhundert Der Violoncellist Johann Rudolph Zumsteeg und sein Werk UNIVERSITÄTS- BIBLIOTHEK HEIDELBERG Über den Autor Johannes Sturm promovierte am Musikwissenschaftlichen Seminar der Universität Heidelberg und hatte zahlreiche Lehraufträge an der Universität Würzburg inne. Sein Forschungsschwerpunkt liegt auf der württembergischen Hofmusik sowie auf der chinesischen Musik des 20. Jahrhunderts. Die vorliegende Arbeit wurde im Jahr 2016 an der Philosophischen Fakultät der Ruprecht- Karls-Universität Heidelberg eingereicht und verteidigt. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie, detaillierte bibliografische Daten sind im Internet über http://dnb.ddb.de abrufbar. Dieses Werk ist unter der Creative Commons-Lizenz 4.0 (CC BY-SA 4.0) veröffentlicht. Die Online-Version dieser Publikation sowie die Folien einzelner Vorträge und Workshops sind auf heiBOOKS, der E-Book-Plattform der Universitätsbibliothek Heidelberg, dauerhaft frei verfügbar (Open Access). urn: urn:nbn:de:bsz:16-heibooks-book-313-0 doi: https://doi.org/10.11588/heibooks.313.426 Text © 2017, Johannes Sturm Umschlagillustration: Lithografie von Johann Rudolph Zumsteeg, gestochen von [Johann Heinrich?] Wüst, ca. 1800–1820. ISBN 978-3-946531-74-6 (Hardcover) ISBN 978-3-946531-73-9 (PDF) Inhaltsverzeichnis Einleitung 1 1 Historischer Kontext 3 1.1 Biographik – Potentiale, Implikationen und Grenzen . 6 1.2 Künstlerische Ausbildung in Württemberg im 18. -
Libretto Stagione 2012/2013 (Pdf)
i concerti della normale consulenza artistica ottobre 2012 | giugno 2013 Carlo de Incontrera Produzione e progetto grafico Scuola Normale Superiore Organizzazione Teatro di Pisa Informazioni http://concerti.sns.it [email protected] tel. 050 509 307 - 323 - 554 - 324 fax 050 563513 Informazioni vendita biglietti Teatro Verdi di Pisa tel. 050 941111 i concerti della normale consulenza artistica ottobre 2012 | giugno 2013 Carlo de Incontrera Pisa Teatro Verdi Scuola Normale Superiore PROGRAMMA 18 OTTOBRE | Teatro Verdi ore 21 16 MARZO | Teatro Verdi ore 21 LE STAGIONI DEL VALZER - prima parte johannes-Passion STRAUSS FESTIVAL ORCHESTRA, WIEN MÜNCHENER BACH CHOR & ORCHESTER Peter Guth Hansjörg Albrecht Regula Mühlemann Olivia Vermeulen 21 NOVEMBRE | Teatro Verdi ore 21 Thomas Cooley OMAGGIO A JOHN CAGE - 1912/2012 Roberto Fabbriciani Stephan Genz Jonathan Faralli Klaus Häger 23 MARZO | Teatro Verdi ore 21 11 DICEMBRE | Teatro Verdi ore 21 NAPoli milionaria Grigory Sokolov PROGETTO LTL OPERA STUDIO 18 DICEMBRE | Teatro Verdi ore 21 26 MARZO | Teatro Verdi ore 21 ORCHESTRA DELLA TOSCANA orchestra della toscana Daniele Rustioni Daniel Kawka Gemma Bertagnolli Chen Guang CORO DEL MAGGIO MUSICALE FIORENTINO Piero Monti 10 APRILE | Teatro Verdi ore 21 orchestra della toscana 15 GENNAIO | Teatro Verdi ore 21 Christoph Poppen Viktoria Mullova Michele Marasco Paolo Giacometti 17 APRILE | Teatro Verdi ore 21 29 GENNAIO | Teatro Verdi ore 21 orchestra della toscana LE STAGIONI DEL VALZER - seconda parte Daniele Rustioni François-Joël Thiollier Francesca -
Ruth Ziesak Studied at the Academy of Music and Performing Arts in Frankfurt Am Main Under Elsa Cavelti
KünstlerSekretariat am Gasteig Elisabeth Ehlers · Lothar Schacke · Verena Vetter oHG Montgelasstraße 2 · D-81679 München Telefon 0049-89-444 88 79-0 · Fax 0049-89-4 48 95 22 www.ks-gasteig.de · [email protected] Ruth Ziesak Sopran Ruth Ziesak studied at the Academy of Music and Performing Arts in Frankfurt am Main under Elsa Cavelti. Numerous competition successes, including the first prizes at the Deutscher Musikwettbewerb and the renowned International Vocal Competition 's Hertogenbosch, quickly paved the way for an international career. Meanwhile she has also been appointed a Professor of Singing at the Saar Academy of Music. After early appearances at the Theater Heidelberg and the Deutsche Oper am Rhein Düsseldorf/Duisburg, she went on to sing on the international stages in Munich, Milan, Berlin, Florence, Vienna, Paris, London and New York, where she made a name for himself in her signature roles of as Pamina, Ännchen, Marzelline, Ilia and Sophie. She has since broadened her repertoire, and has appeared as the Countess in Le Nozze di Figaro in Glyndebourne and Zürich, and in 2010 at the Stuttgart Opera under Manfred Honeck. The multifaceted artist is also much in demand as a concert singer, and enjoys working with such Baroque orchestras as the Akademie für Alte Musik Berlin or the Freiburger Barockorchester. She makes frequent guest appearances at the Salzburg Festival and the Lucerne Festival. Her work with conductors such as Herbert Blomstedt, Daniele Gatti, Riccardo Muti, Kent Nagano, Lothar Zagrosek, Riccardo Chailly, Jukka Pekka Saraste and Ivor Bolton has taken her to the Gewandhausorchester Leipzig, the Staatskapelle Dresden, the Bavarian Radio Symphony Orchestra, the WDR Symphony Orchestra, the Konzerthausorchester Berlin, the Montreal Symphony Orchestra and the Mozarteum-Orchester in Salzburg. -
Programs in .HD. April 2017
Programs in .HD. April 2017 DW Transtel is your source for captivating documentaries and a range of exciting programming from the heart of Europe. Whether you are interested in science, nature and the environment, history, the arts, culture and music, or current affairs, DW Transtel has hundreds of programs on offer in English, Spanish and Arabic. Versions in other languages including French, German, Portuguese and Russian are available for selected programs. DW Transtel is part of Deutsche Welle, Germany’s international broadcaster, which has been producing quality television programming for decades. Tune in to the best programming from Europe --- tune in to DW Transtel. Browse our catalog and find the content you are looking for: SCIENCE TECHNOLOGY MEDICINE NATURE ENVIRONMENT ECONOMICS AGRICULTURE WORLD ISSUES HISTORY ARTS CULTURE PEOPLE PLACES CHILDREN YOUTH SPORTS MOTORING MUSIC FICTION ENTERTAINMENT Contact: Deutsche Welle Sales and Distribution dw-transtel.com 53110 Bonn, Germany [email protected] SCIENCE TECHNOLOGY MEDICINE SCIENCE TECHNOLOGY MEDICINE MAGAZINE | CLIPS DOCUMENTARY DOCUMENTARY Know it! Our Technical World How Nature Heals Digital Thinking – Intelligent Robots TeleMed DOCUMENTARY The Quest for Knowledge The Mysteries of the Brain Foresight The Secret of Healing Powers NATURE ENVIRONMENT NATURE ENVIRONMENT CLIPS MAGAZINE | CLIPS Wildlife Shorts Global Ideas DOCUMENTARY DOCUMENTARY The Great Outdoors: Our National Parks Saving the Snow Leopard Let’s Go Wild SOS – Earth Calling! Struggle for Survival ECONOMICS AGRICULTURE