Steven Mcrae Cats Press Release 2018
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet
RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet The Royal Ballet Delve into the archive of The Royal Ballet in this special collection full of clips and interviews Katie Derham introduces highlights from the past ten years at the Royal Ballet in this special, extended edition of Essential Royal Ballet. Presented on location in Covent Garden at the iconic Royal Opera House, Katie weaves the history of ballet through carefully curated excerpts from the past decade of performances and goes behind the scenes to see what it takes to be a dancer in the company of The Royal Ballet as they prepare to take to the stage. From the great classics of The Sleeping Beauty and The Nutcracker to the exciting frontiers of contemporary dance, Katie takes us on a romp through the repertory, showcasing the diversity of the UK’s biggest ballet company. With stunning solos, passionate pas de deux and jaw-dropping numbers for the corps de ballet, it is a chance to see your favourite dancers up close, including Carlos Acosta, Marianela Nuñez, Natalia Osipova and Steven McRae, alongside rising stars like Francesca Hayward and Matthew Ball, who will introduce their favourite ballets and share stories of their life on the stage. The ballets featured include the classics Giselle, La Bayadère, Swan Lake, The Sleeping Beauty and The Nutcracker while the 20th-century heritage of the Royal Ballet is explored in works by Frederick Ashton and Kenneth MacMillan. The contemporary life of the company is showcased in works by Christopher Wheeldon, and Wayne McGregor, along side recent productions of classic works. -
Wayne Mcgregor | Random Dance
WAYNE MCGREGOR | RANDOM DANCE FEBRUARY 13, 2014 OZ SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler A MESSAGE FROM OZ Welcome and thank you for joining us for our first presentation as a new destination for contemporary performing and visual arts in Nashville. By being in the audience, you are not only supporting the visiting artists who have brought their work to Nashville for this rare occasion, you are also supporting the growth of contemporary art in this region. We thank you for your continued support. We are exceptionally lucky and very proud to have with us this evening, one of the worlds’ most inspiring choreographic minds, Wayne McGregor. An artist who emphasizes collaboration and a wide range of perspectives in his creative process, McGregor brings his own brilliant intellect and painterly vision to life in each of his works. In FAR, we witness the mind and body as interconnected forces; distorted and sensual within the same frame. As ten stunning dancers hyperextend and crouch, rapidly moving through light and shadow to a mesmerizing score, the relationship between imagination and movement becomes each viewer’s own interpretation. An acronym for Flesh in the Age of Reason, McGregor’s FAR investigates self-understanding and exemplifies the theme from Roy Porter’s novel by the same name, “that we outlive our mortal existence most enduringly in the ideas we leave behind.” Strap in. -
The Royal Ballet Present Romeo and Juliet, Kenneth Macmillan's
February 2019 The Royal Ballet present Romeo and Juliet, Kenneth MacMillan’s dramatic masterpiece at the Royal Opera House Tuesday 26 March – Tuesday 11 June 2019 | roh.org.uk | #ROHromeo Matthew Ball and Yasmine Naghdi in Romeo and Juliet. © ROH, 2015. Photographed by Alice Pennefather Revival features a host of debuts from across the Company, including Akane Takada, Beatriz Stix-Brunell, Anna Rose O’Sullivan, William Bracewell, Marcelino Sambé and Reece Clarke. Principal dancer with American Ballet Theater, David Hallberg makes his debut in this production as Romeo opposite Natalia Osipova as Juliet. Production relayed live to cinemas and on Tuesday 11 June 2019. This Spring, The Royal Ballet revives Kenneth MacMillan’s 20th-century dramatic masterpiece, Romeo and Juliet. Set to Sergey Prokofiev’s seminal score, the ballet contrasts romantic pas de deux with a series For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of vibrant ensemble scenes, set against the backdrop of 16th-century Verona as evoked by Nicholas Georgiadis’s designs. A work which has been performed by The Royal Ballet more than 400 times since it was premiered at Covent Garden in 1965, Romeo and Juliet is a classic of the 20th-century ballet repertory, and showcases the dramatic ability of the Company, as well as incorporating a plethora of MacMillan’s signature challenging choreography. During the course of this revival, Akane Takada, Beatriz Stix-Brunell and Anna Rose O’Sullivan debut as Juliet. Also performing the role during this run are Principal dancers Francesca Hayward, Sarah Lamb and Marianela Nuñez. -
World Premiere of Angels' Atlas by Crystal Pite
World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent -
TECHNICAL KNOW-HOW Swampscott and Quarry Reach A
SATURDAY, DECEMBER 28, 2019 2019 2019 A year in the rear-view mirror Swampscott and quarry reach a dynamite plan By Steve Krause The agreement came as the re- impacted significantly over the ITEM STAFF sult of three months worth of com- years and we want to see some ef- plaints from Swampscott residents forts made to address those con- SWAMPSCOTT — After three about the noise, the public health cerns. We have a responsibility to months of listening to abutters the citizens of this town and we are articulate their concerns about risk from the dust, and structural damage to houses. hopeful that this will be a formative Aggregate Industry’s quarry blast- discussion. We’re looking to strike a ing, a solution to the situation was “We’ve had some very construc- tive discussions with Aggregate balance that is long overdue.” reached in October. Kurt Hines, AI operations man- Industries over the restriction of Town Administrator Sean Fitz- ager, along with members of both blasts per week and the power of gerald announced that AI had the Earth Removal Advisory agree to limit quarry blasts to two those blasts,” said Fitzgerald. “The per week. residents of Swampscott have been QUARRY, A3 Murder on a hot August night in Lynn By Gayla Cawley ITEM STAFF LYNN — It was like something out of a nightmare when a friendly youth basket- TECHNICAL ball tournament in Lynn turned into a mass shooting in August. Ward 6 Councilor Fred Hogan said he heard 15-20 shots ring out as he was walk- KNOW-HOW ing up to Warren Street Playground that Saturday night. -
Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*. -
Young Choreographer 1920 Press Release
January 2020 The Royal Ballet announces continuation of Emerging Choreographer Programme The Royal Ballet to continue its commitment to developing choreographic talent with the recruitment of new resident Emerging Choreographer. Closing date for applications Monday 22 March 2020. The Royal Ballet is delighted to announce the continuation of its Emerging Choreographer Programme for 2020. An opportunity for emerging choreographic talent, the role is based at the Royal Opera House, and offers the successful applicant the chance to work alongside some of the world’s leading choreographers and with dancers of The Royal Ballet on developing their own choreographic projects. Inaugural Royal Ballet Emerging Choreographer Charlotte Edmonds trained at The Royal Ballet School where she was a finalist in the Ninette de Valois Junior Choreographic competition for three consecutive years. She also won the Kenneth MacMillan Senior Choreographic Competition in 2011 and 2012. During her time at The Royal Ballet, Edmonds created a number of original works including Meta, Piggy in the Middle and Sink or Swim, an innovative dance film which shines a light on the effects of depression and mental health. Edmonds has also created works for Dutch National Ballet Juniors, Norwegian National Ballet 2, Rambert School and The Grange Festival. Her most recent works include Words Fail Me, a project exploring the relationship between dance and dyslexia, and Wired to the Moon, created for Ballet Cymru. Director of The Royal Ballet, Kevin O’Hare, comments: ‘I’m thrilled to be able to open our Emerging Choreographer Programme for a second time in 2020. This is a wonderful opportunity for aspiring and emerging choreographers to hone their talent with the support For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of the fantastic team at The Royal Ballet, as well receiving mentorship from some of the most respected and prolific choreographers working in the world today.’ Applications for the role of Royal Ballet Emerging Choreographer close on Monday 22 March 2020. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
People Feature Premieres
ROYA L 2018.2019 SWEDISH BALLET From Classics to Cutting Edge PREMIERES TRINITY Works by Kylián and Preljocaj team up with all-new piece by Timulak for a unique triple bill. People ww DANCING | FORWARD Igone de Jongh The elegant beauty of Litar’s 10 Dutch National Ballet - Daniel Camargo and Wende in Annabelle Lopez Ochoa's Last Resistance. © Emma Kauldhar »Suite en blanc« meets cutting edge DEBORAH WEISS in conversation with choreography by Bélingard. Dutch National Ballet's principal dancer Premieres AN EVENING WITH EKMAN Alexander Ekman returns to the 34 Koen Kessels Royal Swedish Ballet after successes AMANDA JENNINGS meets The 26 Catherine I MIKE DIXON reviews Thomas Edur's such as »Midsummer Night’s Dream«, Royal Ballet's Music Director »Play« and »A Swan Lake«. new creation for the Estonian National Ballet THE TRIAL Dancers who take pictures Jiří Bubeníček takes on Kafka in a 54 Roman Novitzky new full-length ballet. 32 Mid Century Modern EMMA KAULDHAR touches base with LUKE BRADSHAW is impressed by ALSO NEXT SEASON the multi-talented artist Richard Alston's latest programme Sleeping Beauty The Nutcracker Dutch Doubles Meet the Choreographer Sessions Adieu Marie-Agnès Gillot 42 64 SUSAN POND weighs up artistic A Day in a Dancer’s Life Sessions FRANÇOIS FARGUE bids farewell to one marriages at Dutch National Ballet of the Paris Opera's most charismatic étoiles 46 Voices of America AMANDA JENNINGS savours 68 Stina Quagebeur an exhilarating new Forsythe in ENB's GERARD DAVIS meets Myrtha in bill of American choreographers Akram Khan's -
Agnes De Mille' by Carol Easton (Little, Brown, £18.99)
Daily Telegraph July 12 1997 A choreographer with attitude Photo Karsh/Camera Press Ismene Brown wants more than just a diligent biography of a lovable monster Book Review: 'No Intermissions: the Life of Agnes de Mille' by Carol Easton (Little, Brown, £18.99) IN dance heaven, poor Agnes de Mille is resigned to being jostled by nobler colleagues. "Sprightly but peripheral" was her own assessment of her work, yet, with her 1942 ballet Rodeo and her musicals Oklahoma!, Carousel, Brigadoon and more, she invented a genre of popular stage dance that came to dominate the Western public's theatre-going for half the century. She swept away swans and fairies, and gave us new heroines: cowgirls. This was too folksy for the stern electors of modern dance or classical ballet, and yet, both then and now, debts are owed to Miss de Mille in high places. Antony Tudor, one of the great ballet innovators, was influenced by their early friendship when he made his pre-War psychological works at Ballet Rambert - works which opened the way for Kenneth MacMillan. Today Matthew Bourne's vernacular rewrites of ballet classics glance back at de Mille. But how colourless this dance generation seems in comparison. What is the equivalent nowadays of growing up in a desert called Hollywood where your Uncle Ce and his friend Samuel Goldfish (later Goldwyn) are rounding up extras fro the main street to put in front of their camera? Agnes's father, the playwright William, described Cecil B's first effort, 'The Squaw Man' (1914) as "the first really new form of dramatic storytelling that had been invented for some 500 years.. -
Alvin Ailey American Dance Theater Launches 23-City North American Tour with Nearly 90 Performances: February 4 – May 11
ALVIN AILEY AMERICAN DANCE THEATER LAUNCHES 23-CITY NORTH AMERICAN TOUR WITH NEARLY 90 PERFORMANCES: FEBRUARY 4 – MAY 11 Tour Repertory Features 2013-14 Season Premieres and New Productions from a Wide Range of Choreographic Voices as Artistic Director Robert Battle Continues to Expand Diverse Repertory and Gives Ailey’s Extraordinary Dancers New Ways to Inspire Season World Premieres LIFT by In-Demand Choreographer Aszure Barton and Four Corners by Celebrated Dance Maker Ronald K. Brown Company Premiere of Chroma Marks First Time a Work by the Multi Award-Winning British Choreographer Wayne McGregor Appears in Repertory and Modern Dance Innovator Bill T. Jones’ Joyful Tour-De-Force D-Man in the Waters (Part I) Celebrates the Resilience of the Human Spirit 25th Season Since the Passing of Legendary Founder Features Ailey/Ellington Program with New Productions of Alvin Ailey’s The River and Pas de Duke Set to Duke Ellington’s Music Announcement of 2014 15-Performance Engagement at Lincoln Center’s David H. Koch Theater June 11 – 22 NEW YORK – February 4, 2014 — Alvin Ailey American Dance Theater, beloved as one of the world’s most popular dance companies, will travel coast to coast on a 23-city North American tour with almost 90 performances from February 4th through May 11th, following a record-breaking season launch at New York City Center where Ailey is the Principal Dance Company and its performances are a year-end tradition. In addition, today Artistic Director Robert Battle announced that the Company would return to Lincoln Center’s David H. Koch Theater from June 11th to 22nd for a 15-performance engagement.