ZARAGOZA) José María Enguita Utrilla1 Universidad De Zaragoza

LA RELIGIOSIDAD Y SU REPRESENTACIÓN POPULAR. A PROPÓSITO DEL DANCE DE MAINAR (ZARAGOZA) José María Enguita Utrilla1 Universidad de Zaragoza

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BIBLIOGRAFÍA

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$/9$50DQXHOFRQ ODFRODERUDFLyQGH$QWRQLR //25(17( 7RPiV %8(6$\ (OHQD $/9$5 Atlas Lingüístico y Etnográfico de Aragón, Navarra y Rioja YROV 0DGULG 'HSDUWDPHQWRGH*HRJUDItD/LQJtVWLFDGHO&6,& =DUDJR]D ,QVWLWXFLyQ©)HUQDQGRHO &DWyOLFRª &LWDGRFRPR$/($@H

$/9$50DQXHOEl dialecto aragonés0DGULG*UHGRV

%(/75É10$57Ì1(=$QWRQLRIntroducción al folklore aragonésYROV=DUDJR]D(GLWRULDO *XDUD «El dance aragonés=DUDJR]D&DMDGH$KRUURVGHOD,QPDFXODGD «©7UDGLFLyQ RUDO FRVWXPEUHV \ OLWHUDWXUD SRSXODU HQ $UDJyQª HQ Localismo, costumbrismo y literatura popular. V Curso sobre lengua y literatura en AragónHQ0$,1(5-RVp &DUORV \ (1*8,7$ 875,//$ -RVp 0 HGV =DUDJR]D ,QVWLWXFLyQ ©)HUQDQGR HO &DWyOLFRªSS

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%8(6$2/,9(57RPiV©3DUWLFXODULGDGHVGHOHVSDxROKDEODGRHQ$UDJyQªHQ(1*8,7$ 875,//$ -RVp 0 HG Jornadas de Filología Aragonesa. En el L aniversario del Archivo de Filología AragonesaYROV=DUDJR]D,QVWLWXFLyQ©)HUQDQGRHO&DWyOLFRªYRO,SS

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)2= < 321= 9LFHQWH Prontuario del buen hablista o novísimo consultor prosódico ortográfico. Primera parte=DUDJR]D7LSRJUDItDGH0(VFDU>FRQWLHQH©9XOJDULVPRVYLFLRVGH GLFFLyQSURYLQFLDOLVPRVYRFHVIDPLOLDUHV\DUFDtVPRVFRPXQHVHQ$UDJyQªSS@

*$5&Ì$$5,67$*UHJRULRDiccionario de la lengua española en su variedad aragonesa>ILFKHUR OH[LFRJUiILFRK@(GGH-RVp0(1*8,7$875,//$HQSUHSDUDFLyQ

*($vid*5$1(1&,&/23J',$$5$*21(6$ La religiosidad y su representación popular... José M.ª Enguita Utrilla 179

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3$5'2$662-RVpNuevo diccionario aragonés etimológico (voces, frases y modismos usados en el habla de Aragón)=DUDJR]D,PSUHQWDGHO+RJDU3LJQDWHOOL

5($/$&$'(0,$(63$f2/$Diccionario de la lengua española0DGULG(VSDVD&DOSH HG>KWWSZZZUDHHVUDHKWPO@

521&2 /$5,2 $QWRQLR Campo de Romanos, subcomarca con entidad propia 0DLQDU $\XQWDPLHQWRGH0DLQDU

6,(662'(%2/($-RVpBorrador de un diccionario de voces aragonesas>@(GLFLyQ\ HVWXGLR GH -RVp /XLV $/,$*$ -,0e1(= =DUDJR]D *DUD G·(GL]LRQV3UHQVDV 8QLYHUVLWDULDVGH=DUDJR]D,QVWLWXFLyQ©)HUQDQGRHO&DWyOLFRª

620(521'Ð1Texto del dance de EncinacorbaHQCuadernos de EncinacorbaQ~P >HQOtQHDKWWSHQ]LQDFRUEDEORJVSRWFRPHVFXDGHUQRVWH[WRGHOGDQFH@ 180 Tradición e interculturalidad. Las relaciones entre lo culto y lo popular (siglos XIX-XX)

Dance de Luceni. Mayoral y rabadán.

Dance de Luceni. Paloteado.