BARRY BERG Producer

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BARRY BERG Producer PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE OFFER Pilot & Block 1 Dexter Fletcher PARAMOUNT TV / PARAMOUNT+ Location: Los Angeles Nikki Toscano, Leslie Greif YELLOWSTONE Seasons 2 & 3 Various Directors PARAMOUNT NETWORK Location: Salt Lake City Tom Prince, Kevin Costner GONE BABY GONE Pilot Phillip Noyce FOX Location: Chicago Robert Levine, Dan Shotz THE CHI Pilot & Season 1 David Rodriguez FOX 21 / SHOWTIME / Elwood Reid Location: Chicago Various Directors Adam Glass, David Rodriguez SUN RECORDS Limited Series Roland Joffe THINKFACTORY MEDIA / CMT Co-Executive Producer Leslie Greif Location: Memphis SCREAM QUEENS Series- 2 Seasons Various Directors FOX Location: New Orleans Ryan Murphy, Brad Falchuk TEXAS RISING 10 Hour Miniseries Roland Joffe HISTORY CHANNEL Co-Executive Producer Location: Mexico Leslie Greif SIRENS Pilot & Season 1 Victor Nelli, Jr. FOX TVS Location: Chicago Denis Leary, Jim Serpico, Bob Fisher HATFIELDS & McCOYS 6 Hour Miniseries Kevin Reynolds HISTORY CHANNEL Supervising Producer Kevin Costner, Leslie Greif, Herb Nanas Nominated, Outstanding Miniseries – Golden Globe, Emmy & PGA Awards Location: Romania KINGS Pilot Francis Lawrence NBC UNIVERSAL Location: New York City Michael Green 3 LBS. Pilot & Series Davis Guggenheim CBS / Peter Ocko, Scott Kaufer Location: New York City Various Directors John David Coles LAW & ORDER: TRIAL BY JURY Series Various Directors NBC / Dick Wolf, Walon Green Location: New York Peter Jankowski DRAGNET Series Various Directors NBC / Dick Wolf, Walon Green Location: Los Angeles Peter Jankowski DOWN TO EARTH Feature Film Chris Weitz PARAMOUNT / Jim Jacks Executive Producer Location: Toronto Paul Weitz Michael Rotenberg, Sean Daniel SOUR GRAPES Feature Film Larry David CASTLE ROCK / COLUMBIA PICTURES Executive Producer Laurie Lennard Location: New York City MOTHER Feature Film Albert Brooks PARAMOUNT Co-Producer Scott Rudin, Adam Schroeder Location: San Francisco THE GREAT WHITE HYPE Feature Film Reginald Hudlin 20TH CENTURY FOX Co-Producer Location: Los Angeles Joshua Donen, Neil Leifer CLUELESS Feature Film Amy Heckerling PARAMOUNT Co-Producer / UPM Location: Los Angeles Scott Rudin, Robert Lawrence, Adam Schroeder THE BRADY BUNCH MOVIE Feature Film Betty Thomas PARAMOUNT / Alan Ladd, Jr., Co-Producer / UPM Location: Los Angeles Lloyd Schwartz, Sherwood Schwartz RAPID FIRE Feature Film Dwight Little 20TH CENTURY FOX Associate Producer / UPM Robert Lawrence Location: Los Angeles, Chicago, Thailand Mr. Berg has also worked around the world in such locations as Thailand, Hong Kong, London, Paris, Australia, Montreal, and Vancouver; and throughout the US including New Orleans, Wilmington, Atlanta, Miami, Las Vegas, and Dallas. INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

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“Can We Get a Cleanup On Aisle 2?” Previous: The Antisocial Fantasies of Jude the Obscure by Matthew Risling “Can We Get a Cleanup On Aisle 2?”: How Film Critics Mopped Up the Transgressions of Jenny McCarthy’s Dirty Love Sara Swain Pivot is published through Open Journal Systems (OJS) at York University 2 Introduction Dirty Love (John Asher, 2005) is the consequence of Jenny McCarthy’s fearless foray into the risky territory of the gross-out comedy. The film endured a long and laborious gestation period under the threat of financial ruin. The project began as a sitcom pilot that McCarthy had initially penned for Fox Television. Fox passed, deeming the project “too edgy and too controversial for TV” “Can We Get a Cleanup On (qtd. in Kevin Aisle 2?”: Williamson). But McCarthy and her How Film Critics Mopped Up the production team could Transgressions of Jenny McCarthy’s not be dissuaded. They Dirty Love bought the rights back Sara Swain from Fox and McCarthy went to work transforming the script into a feature film (Kates). She insists that she never wanted to be a writer but because of the dearth of onscreen comedic roles for women, she was forced to take matters into her own hands (qtd. in Sobczynski). Dirty Love eventually debuted at the Sundance Film Festival in late January 2005, where it was warmly received. John Cooper, the Festival’s Programming Director, lauded the filmmakers in the program notes for so brazenly travelling “across a comic minefield where few dare to tread.” Soon after the film was picked up for distribution.
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PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences
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UC San Diego UC San Diego Electronic Theses and Dissertations Title Avatars of the Work Ethic: The Figure of the Classical Musician in Discourses of Work Permalink https://escholarship.org/uc/item/71g9n4gd Author Sim, Yi Hong Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SAN DIEGO Avatars of the Work Ethic: The Figure of the Classical Musician in Discourses of Work A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Communication by Yi Hong Sim Committee in charge: Professor Robert Horwitz, Chair Professor Akosua Boatema Boateng Professor Amy Cimini Professor Nancy Guy Professor Daniel Hallin Professor Stefan Tanaka 2019 The Dissertation of Yi Hong Sim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California San Diego 2019 iii EPIGRAPH On one side, the artist is kept to the level of the workingman, of the animal, of the creature whose sole affair is to get something to eat and somewhere to sleep. This is through necessity. On the other side, he is exalted to the height of beings who have no concern but with the excellence of their work, which they were born and divinely authorized to do. William Dean Howells, A Traveler from Altruria (1894) iv TABLE OF CONTENTS Signature Page ......................................................................................................................
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Ann Patchett, Bel Canto (New York: Harpercollins Publishers, 2001
133 Reviews DOI: 10.2478/abcsj-2019-0010 American, British and Canadian Studies, Volume 32, June 2019 Ann Patchett, Bel Canto (New York: HarperCollins Publishers, 2001. $16.00 paperback). Pp. 318 ISBN 0-06-093441-7 and Bel Canto (Priority Pictures/ Depth of Field/ A-Line Pictures 2018), directed by Paul Weitz. Screenplay by Paul Weitz and Anthony Weintraub, based on the novel by Ann Patchett. 1h 40min. Starring Julianne Moore, Ken Watanabe, Sebastian Koch, Ryo Kase, Christopher Lambert. When Ann Patchett’s fourth novel, Bel Canto , was published in 2001, it was met with almost universal praise from critics, also winning the prestigious PEN/ Faulkner Award for Fiction, and rightfully so: it is a modern classic infused, from the first to the last page, with the author’s scintillating prose that unfolds gradually, to the beat of an inner rhythm reminding one of the architecture of classical opera. Unfortunately, as it is often the case in classical opera, whatever rare happy end exists is decidedly more bitter than sweet. The novel is inspired by a real-life hostage crisis taking place in the Peruvian capital Lima in 1996, when members of the Tupac Amaru revolutionary guerrillas stormed the Japanese Embassy in the middle of an official reception to celebrate the Emperor’s birthday and took almost six hundred high profile guests as hostages; the crisis dragged on for months before Peruvian security forces stormed the compound and killed all the rebels, releasing the remaining prisoners. By and large, Patchett preserved all the features of this dramatic incident in her novel, but added one more ingredient that she felt such a crisis required: a world-famous lyric soprano named Roxane Coss.
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BJOERN REHBEIN Make-Up Artist IATSE 798
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Sara Isaacson
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Sept Film Discussion Grandma
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