Three Lectures by Jeffrey Weiss NEWSLETTER Contents

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Officers Board of Directors Committees in distinguished institutions, from the This past week we had much occasion Walters Art Gallery to the University to reflect on the great losses our President Term ending April 1, 2008 Newsletter of Michigan, and from Columbia community sustained this year. Suzanne Stratton-Pruitt Sabine Rewald Gertje Utley, Editor University to the National Gallery of With deep gratitude, admiration, [email protected] [email protected] Gabriella Befani Canfield, Coordinator Ireland. We are proud of them all. and affection, we remember Donald Marie Tanner Hansen, our remarkable archaeologist Vice-President [email protected] Contributors I am particularly pleased to report that of the ancient Near East and director Gerrit L. Lansing Gabriella Befani Canfield one of our graduates, C. D. Dickerson, of graduate studies for just over half [email protected] Term ending April 1, 2009 Marc Cincone won this year’s Dean’s Award for of the Institute’s 75 years; Craig Hugh Gertje Utley Erica Ehrenberg the Outstanding Dissertation in the Smyth, the Institute’s second and Treasurer [email protected] Sharon Ferguson Humanities from NYU’s Graduate longest-serving director; and the Allen Rosenbaum Ariella Budick Kathleen Heins School of Arts and Science. Chosen effervescent Robert Rosenblum, one [email protected] [email protected] Valerie Hillings from a field of more than 200, of the rare art historians who was Keith Kelly Dickerson’s dissertation, Bernini and equally at home in the worlds of Secretary Term ending April 1, 2010 Nita Roberts Before: Modeled Sculpture in Rome, the academy, the museum, and the Miriam Basilio Valerie Hillings Thomaï Serdari ca. 1600-25, took on the challenging world where art is made. All were topic of the status of the terracotta commemorated in moving and [email protected] [email protected] Marie Tanner model in Italian Baroque sculpture, extremely well-attended memorial Jason Rosenfeld Phyllis Tuchman approaching it from multiple angles: celebrations this past semester. Ex-Officio [email protected] Alison West I write after a week of NYU graduation artistic process, workshop conditions, Past Presidents Mariët Westermann exercises and celebrations. All offered patrons’ interests, aesthetic appeal, To ensure the success of an educational Mary Tavener Holmes fine pomp and circumstance and technological innovation, material institution such as ours, faculty have Connie Lowenthal History of the IFA nuanced reflection, not least the valuation, and artists’ identification. two crucial responsibilities. The first Ida E. Rubin Sandra Sider, Chair Institute’s own Commencement Dickerson completed much of his is the training and mentoring of Helen Evans Ceremony on June 9th. Throughout probing and beautifully written work superb graduates and citizens of the Lorraine Karafel the presentation of graduates and under the guidance of Donald Posner, scholarly, curatorial, and conservation Christopher Noey the reception afterward, the Institute who was remembered by Associate community. Each year as we gather Rebecca Rushfield family proved that the Duke House Dean Slocum during the presentation course listings for the Announcement Phyllis Tuchman was built for a good party! Graduates, of the award. of Courses, I feel the pull of nostalgia Alison West faculty, staff, friends, spouses, for my student days. What would parents, siblings, and babies filled Honors bestowed on IFA graduates I learn in Jonathan Brown’s seminar Grants the Lecture Hall, spilling over into did not end there. During the on painting in the viceroyalty of Charles Little, Chair the Seminar Room. The Institute had University Commencement, President New Spain, “with special attention on Miriam Basilio an unusually large graduating class: John Sexton conferred on Philippe de those which problematize the field,” Sabine Rewald we conferred 19 MAs, 7 of them Montebello the degree of Doctor of or in Priscilla Soucek’s course, with the Advanced Certificate in Arts honoris causa. The citation hailed The Qur’an and Material Culture? Walter S. Cook Lecture Conservation; 2 Curatorial Studies Philippe’s “abounding expertise in The feeling echoes throughout the Beth Holman, Chair Certificates; and a stunning 25 PhDs. both curatorial and fiscal managment.” year, as I hear from my colleagues Pepe Karmel That is likely to be a record in our It took special note of Philippe’s about an exciting seminar presentation Carol Herselle Krinsky history. I had the privilege of teaching expansion of the museum’s collections or read a compelling dissertation Kathy Schwab many of these students and attending and physical plant, his outstanding proposal, knowing that it germinated Anita Moskowitz a good number of the PhD defenses stewardship of profound museum from a discussion around Venturi’s and can attest to the high quality scholarship, and his advocacy for public immense table in the Seminar Room. CAA Reunion and intense, diverse interest of our education and access to the arts. Philippe The Institute faculty and its students Mary Tavener Holmes graduates’ work. Several of them have recalled with deep fondness his training continually astound and inspire me already been tapped for teaching, at the Institute and his teachers with their intellectual curiosity, their Nominating Committee curatorial and conservation positions Charles Sterling and Colin Eisler. probing thought, and their eloquent Robert Lubar, Chair 3 CONTINUED Three Lectures by Jeffrey Weiss From the Director... CONTINUED FROM PAGE 1 exposition. At the same time, I am will take up the associate professorship With the trumpets and bugles of during the 1950s) of the studio of and pictorial space in painting circa ended his lecture with riffs on Chris mindful that the faculty’s work with of Late Antique, Early Christian, and graduation still ringing in our ears, Alberto Giacometti, where – as Jean 1960. The metallic ground of Marker’s La Jetée, a French film of the most promising students in the Byzantine Art. Finbarr Barry Flood we are already preparing for a busy Genet wrote – process itself implicates the Byzantine icon was identified as 1962 comprised of black and white world is aided immeasurably by the will reinforce our program in the new academic year, our 75th! We are an experience of time that embraces one key model for this transformation; photographs and a Sci-Fi narrative. availability of full fellowship funding. arts of Islam, thanks to a fully joint expecting forty-some entering students both the archaic and the present. the icon was itself described by Weiss In an extended discussion of the Increasing those funds remains an position between the Institute and the of the highest caliber. They will arrive as a “radiator” – a source of optical legacy of the “device” in the work of urgent and standing goal for the Department of Art History downtown, to a newly refurbished Lecture Hall, Weiss noted that his approach to Frank illumination in real space, one that Jasper Johns, Weiss traced the means Institute, and we are most fortunate where he has taught the past six years. part of Phase I of a building and Stella’s less studied Aluminum paintings, bears a strange, punning relation to through which post-object sculpture to enjoy the generosity of many Barry was just promoted to tenure in renovation campaign we have planned the work that came after the infamous the radiator as an industrial object and installation addressed actual space alumni in its support. If you should the University, and will take up his for the next few years. In the following Black Stripe paintings, had been (that for which Stella’s aluminum (measuring, cutting, framing, etc.). like to help, I encourage you to let teaching with us once he has completed phase, we will build out the space influenced by experiences he had while paint was originally commercially He then returned to the “Spiral Jetty” me know. his prestigious Carnegie Endowment we own in 3 East 78th Street with bringing the Dan Flavin retrospective produced). Weiss further posited that itself as a “device”, but one through fellowship. And at the end of the a handsome and much-needed Special to the NGA. Weiss portrayed the Minimal art “traffics in the optical” which Smithson – alone among The second vital duty of faculty is to spring semester, we concluded our Collections Room, two seminar rooms, Aluminum series as objects that belong despite the denials of its practitioners his contemporaries – reintroduced appoint other first-rate faculty. We have search for a professor of Renaissance and faculty offices. Architecture Research to the age of the Duchampian ready- and its champions. the element of the pictorial or optical. never had trouble doing so, and we art with the appointment of Alexander Office, the dynamic architectural firm made. And he drew affinities between This element serves an allegorical role are enjoying great new success in this Nagel of the University of Toronto. led by Adam Yarinsky and Stephen Stella’s art and Duchamp’s “Apollinaire The third and last talk focused on in Smithson’s work, one that can be respect, filling vacant positions as well A scholar of wide-ranging interests in Cassell, has produced a very fine Enameled,” a small, manufactured Robert Smithson’s “Spiral Jetty,” an interpreted through a formal and as new faculty lines the University Italian painting and sculpture as well schematic design, and fundraising is object of 1912. With their heavy material earthwork in Utah’s Great Salt Lake thematic characterization of the has granted us for strategic faculty as the historiography of the discipline, under way. quality and the opticality of their which is better known from the film “jetty” in Marker’s film. expansion. This past year, we welcomed Nagel will start teaching at the reflective surfaces, Stella’s Aluminum the artist shot during its making than two faculty members: Clemente Institute in September 2008, when he This year’s graduates will join our paintings were characterized as from visits to the site because it was Weiss’s erudite lectures tempered art Marconi, an ancient Greek art specialist returns from a fellowship year at the alumni body that is now over 1600 sites across which play numerous, submerged under water for years. criticism with art history. who joined us from Columbia Wissenschaftskolleg in Berlin. strong. I want to thank Suzanne apparently contradictory, issues The Dia Art Foundation is involved University as the James R. McCredie Stratton-Pruitt and all the officers of pertaining to the fate of light, color, in its maintenance. Weiss began and Professor, and Hannelore Römich Many of you were able to attend the the Alumni Association for producing of the European Science Foundation, sparkling lectures of Jeffrey Weiss, our this newsletter, and for all their efforts our new Associate Professor of first Kirk Varnedoe Visiting Professor. to keep our alumni in touch and Conservation Science. Professor Sad as we are to say a temporary involved. To all of you who remain Römich’s position has been generously goodbye to Jeffrey, we are all looking committed to the Institute, I also send IFA AA History Committee endowed by the Sherman Fairchild forward to welcoming Molly Nesbit my warm thanks. Our alumni body is Foundation and the Andrew W. Mellon as our second Varnedoe Professor. a great source of institutional strength, Foundation. We are now eagerly Nesbit, a Professor of Art History at and I look forward to seeing you on awaiting the arrival of four new Vassar College, is a distinguished 78th Street and worldwide in the by Sandra Sider and students. If you have an opinion How has the IFA affected art history? appointees to the permanent faculty. scholar of French Modernism and coming year. about any of the topics below, we Thomas Crow, now director of the contemporary art and architecture. Robert Rosenblum’s interview with would be happy to interview you. What has your work contributed? Getty Research Institute, will become In the spring of 2008, she will teach Alison West is one of the recent the Rosalie Solow Professor of Modern a class on Marcel Duchamp and give projects completed by the History (We do, of course, have a few How has the IFA affected the Art. Thelma Thomas, our own graduate, a series of public lectures. Committee. In addition, some three more questions.) museum world and the art market? hours of tapes from Craig Hugh Smyth have been discovered and How has the IFA changed over Have you been involved in are currently being transcribed. In a the years? this process? future Newsletter we plan to present excerpts from those 1991 interviews. During the period of your involvement, How do you view the future of The oral history interviews began what were the important issues? the IFA, during the next ten to nearly twenty years ago, and we are twenty years? now in the process of interviewing the Were students involved in the issues? next generation of Institute teachers 4 5 CONTINUED Three Lectures by Jeffrey Weiss From the Director... CONTINUED FROM PAGE 1 exposition. At the same time, I am will take up the associate professorship With the trumpets and bugles of during the 1950s) of the studio of and pictorial space in painting circa ended his lecture with riffs on Chris mindful that the faculty’s work with of Late Antique, Early Christian, and graduation still ringing in our ears, Alberto Giacometti, where – as Jean 1960. The metallic ground of Marker’s La Jetée, a French film of the most promising students in the Byzantine Art. Finbarr Barry Flood we are already preparing for a busy Genet wrote – process itself implicates the Byzantine icon was identified as 1962 comprised of black and white world is aided immeasurably by the will reinforce our program in the new academic year, our 75th! We are an experience of time that embraces one key model for this transformation; photographs and a Sci-Fi narrative. availability of full fellowship funding. arts of Islam, thanks to a fully joint expecting forty-some entering students both the archaic and the present. the icon was itself described by Weiss In an extended discussion of the Increasing those funds remains an position between the Institute and the of the highest caliber. They will arrive as a “radiator” – a source of optical legacy of the “device” in the work of urgent and standing goal for the Department of Art History downtown, to a newly refurbished Lecture Hall, Weiss noted that his approach to Frank illumination in real space, one that Jasper Johns, Weiss traced the means Institute, and we are most fortunate where he has taught the past six years. part of Phase I of a building and Stella’s less studied Aluminum paintings, bears a strange, punning relation to through which post-object sculpture to enjoy the generosity of many Barry was just promoted to tenure in renovation campaign we have planned the work that came after the infamous the radiator as an industrial object and installation addressed actual space alumni in its support. If you should the University, and will take up his for the next few years. In the following Black Stripe paintings, had been (that for which Stella’s aluminum (measuring, cutting, framing, etc.). like to help, I encourage you to let teaching with us once he has completed phase, we will build out the space influenced by experiences he had while paint was originally commercially He then returned to the “Spiral Jetty” me know. his prestigious Carnegie Endowment we own in 3 East 78th Street with bringing the Dan Flavin retrospective produced). Weiss further posited that itself as a “device”, but one through fellowship. And at the end of the a handsome and much-needed Special to the NGA. Weiss portrayed the Minimal art “traffics in the optical” which Smithson – alone among The second vital duty of faculty is to spring semester, we concluded our Collections Room, two seminar rooms, Aluminum series as objects that belong despite the denials of its practitioners his contemporaries – reintroduced appoint other first-rate faculty. We have search for a professor of Renaissance and faculty offices. Architecture Research to the age of the Duchampian ready- and its champions. the element of the pictorial or optical. never had trouble doing so, and we art with the appointment of Alexander Office, the dynamic architectural firm made. And he drew affinities between This element serves an allegorical role are enjoying great new success in this Nagel of the University of Toronto. led by Adam Yarinsky and Stephen Stella’s art and Duchamp’s “Apollinaire The third and last talk focused on in Smithson’s work, one that can be respect, filling vacant positions as well A scholar of wide-ranging interests in Cassell, has produced a very fine Enameled,” a small, manufactured Robert Smithson’s “Spiral Jetty,” an interpreted through a formal and as new faculty lines the University Italian painting and sculpture as well schematic design, and fundraising is object of 1912. With their heavy material earthwork in Utah’s Great Salt Lake thematic characterization of the has granted us for strategic faculty as the historiography of the discipline, under way. quality and the opticality of their which is better known from the film “jetty” in Marker’s film. expansion. This past year, we welcomed Nagel will start teaching at the reflective surfaces, Stella’s Aluminum the artist shot during its making than two faculty members: Clemente Institute in September 2008, when he This year’s graduates will join our paintings were characterized as from visits to the site because it was Weiss’s erudite lectures tempered art Marconi, an ancient Greek art specialist returns from a fellowship year at the alumni body that is now over 1600 sites across which play numerous, submerged under water for years. criticism with art history. who joined us from Columbia Wissenschaftskolleg in Berlin. strong. I want to thank Suzanne apparently contradictory, issues The Dia Art Foundation is involved University as the James R. McCredie Stratton-Pruitt and all the officers of pertaining to the fate of light, color, in its maintenance. Weiss began and Professor, and Hannelore Römich Many of you were able to attend the the Alumni Association for producing of the European Science Foundation, sparkling lectures of Jeffrey Weiss, our this newsletter, and for all their efforts our new Associate Professor of first Kirk Varnedoe Visiting Professor. to keep our alumni in touch and Conservation Science. Professor Sad as we are to say a temporary involved. To all of you who remain Römich’s position has been generously goodbye to Jeffrey, we are all looking committed to the Institute, I also send IFA AA History Committee endowed by the Sherman Fairchild forward to welcoming Molly Nesbit my warm thanks. Our alumni body is Foundation and the Andrew W. Mellon as our second Varnedoe Professor. a great source of institutional strength, Foundation. We are now eagerly Nesbit, a Professor of Art History at and I look forward to seeing you on awaiting the arrival of four new Vassar College, is a distinguished 78th Street and worldwide in the by Sandra Sider and students. If you have an opinion How has the IFA affected art history? appointees to the permanent faculty. scholar of French Modernism and coming year. about any of the topics below, we Thomas Crow, now director of the contemporary art and architecture. Robert Rosenblum’s interview with would be happy to interview you. What has your work contributed? Getty Research Institute, will become In the spring of 2008, she will teach Alison West is one of the recent the Rosalie Solow Professor of Modern a class on Marcel Duchamp and give projects completed by the History (We do, of course, have a few How has the IFA affected the Art. Thelma Thomas, our own graduate, a series of public lectures. Committee. In addition, some three more questions.) museum world and the art market? hours of tapes from Craig Hugh Smyth have been discovered and How has the IFA changed over Have you been involved in are currently being transcribed. In a the years? this process? future Newsletter we plan to present excerpts from those 1991 interviews. During the period of your involvement, How do you view the future of The oral history interviews began what were the important issues? the IFA, during the next ten to nearly twenty years ago, and we are twenty years? now in the process of interviewing the Were students involved in the issues? next generation of Institute teachers 4 5 Excerpts from an Interview by Alison West CONTINUED with Robert Rosenblum at his residence at 33 West Tenth Street, April 15th, 2006. Excerpts

ALISON WEST: Tell us something me was Walter Friedlander, with whom which violated every single principle were terribly energized by these strange fifties. At that time, in fact, it was virtually inaccessible to us Americans about your education as an art I studied seventeenth and eighteenth- of what made a work of modern art new paintings. And the world at the considered daring to talk seriously or in the thirties and forties. And in fact, historian. century painting. But my education good. And most curiously – this is time seemed to be divided between to think in art historical ways about it wasn’t until 1950 that I made my was almost exclusively before the often forgotten – this painting, those who, as an act of faith or visceral such artists as Mondrian, Picasso and first trip to Europe. But that, of ROBERT ROSENBLUM: […] When modern era. There was one very together with many other against- response, embraced all of these new Miro. […]. But all of that has changed. course, was pretty precocious, given I studied at the Institute of Fine Arts, significant exception in my case, and the-modernist-grain pictures, was images, even if, you know, they were There is really no sense of prejudice – that it was only five years after the war. which was in the first half of the that was that I was under the aegis for exhibited at the Museum of Modern not understood or if we had nothing or not so much prejudice, but But whatever. Europe then, as opposed 1950s, almost every course I took a while of Henry Russell Hitchcock, Art in the 1950s. There was an articulate to say about them, and ignorance or indifference – towards to now, seemed as remote as Camelot. dealt with the period before the French who occasionally gave a course at the exhibition there called, I think, those, the majority, who thought contemporary art, the way there was And to have images in a darkened Revolution. Now that I think about Institute. He was mesmerizing in terms Masters of British Art. And there they were ridiculous or irrelevant. in the fifties. room of European monuments of art it, I recall having taken more courses of encyclopedic knowledge, and he was a very thrilled avant-garde group was absolutely spine tingling. So I was in, say, Italian trecento, quattrocento, gave me all kinds of goals to achieve, of younger art historians who would WEST: Do you think this is WEST: Where was your education converted without actually having cinquecento painting than I did in in terms of the mastery of data. look at these paintings. They were the something that has changed, that the prior to being at the Institute? made the change officially. And then nineteenth-century art. In fact, I don’t He was also very, very avant-garde, equivalent, some of them, of the atmosphere at the Institute now in I moved from Queens College to remember taking any courses in insofar as for the 1950s, he was Victorian architecture we were told to 2006 represents a steady evolution ROSENBLUM: I got my BA at Yale, where I was supposed to study nineteenth or twentieth-century art. practically unique in embracing the detest, and they represented forbidden away from that to a much greater Queens College, where, in fact, I did musicology – which did not make me “bad” architecture of the nineteenth fruit. I think Linda Nochlin, for one, appreciation, on the whole, of not major in art history, but in music. very happy as it didn’t seem exactly century, namely historicism, Victorian was a member of this daring group of contemporary art? A curious coincidence, in terms of the right. So within my first weeks there I architecture, and all the things that my young Turks. We would be fascinated biography of Bill Rubin, who is exactly registered for a course in art history, own generation was taught to detest. by these pictures that represented ROSENBLUM: Yes, absolutely. my age and who just died recently, and with George Heard Hamilton who, I So just in terms of taste-making or everything that we were supposed to Because at the time, I mean when I who had, I discovered, a parallel track; hasten now to add, was probably the changing the status quo, he was really dislike. […] Anyway, that was really in was there, the fact of the matter is namely, he had studied music, as I had. most important influence on my own a significant influence. And I actually, the air in the 1950s […] I think this that there were very few students who And also like me, he didn’t quite know education in art history. Well, anyway, now that I think back on it, followed was really a critical period for the bothered to see a painting by Clyfford what to do with it. On the one hand, that’s another topic. But within my his path, but on the side of painting change from one reading of the history Still or Franz Kline, or even recognized he thought of being a practicing first weeks at Yale, I asked if I could rather than architecture; that is, of nineteenth- and twentieth-century their names. But there was a small musician – in his case, he was thinking change from musicology to art history. revising, reconsidering all of those art to another. group – I was one of them; Leo about being a conductor – on the And to my continued amazement, artists of the nineteenth century Steinberg was another – who in fact other hand, because like me, he was they let me do it. I can’t imagine that who had been totally buried by WEST: Was this, do you think, went out and looked at these things interested in history, he thought about happening today, but things were the modernist revolution. influenced also by what was happening and talked about them and supported musicology, which was also one of my more slack and intimate then. in the art scene in New York? them. And in fact, while I was at the options in college. But then it turned WEST: Who were you studying with? WEST: So you would say that he Institute in the last years, I began to out differently. In my case, I had a Yes, I am remembering now – this is was the major reason that you chose ROSENBLUM: Well, the sense of write, very part-time, back page art conversion syndrome in my senior year a lot of memory lane for me – that ROSENBLUM: I studied with the to change directions, with regard to rebellion was very much part of this criticism for what was then called Arts in college, which was thanks to taking although, in fact, I did not study art famous roster of German refugees the more traditional teaching and postwar mood. And the appearance in Magazine. This way I always had one two courses in art history with an past 1800 or so at the Institute, I had that included primarily Karl Lehmann, aesthetic preferences of the time? New York in the 1950s of first Abstract hand in the contemporary scene. Institute alumna, Frances Godwin who received my MA at Yale, where I was in antiquity and Richard Offner, Expressionism and then, in the later Now, all of that has changed drastically. had received her PhD with Richard for two years. I was totally transfixed by ultra-famous as a connoisseur of ROSENBLUM: […] I think it was a part of the decade, of artists like At the time, this was something that Offner. So there’s a dynastic tale at George Heard Hamilton, who, I think Italian primitives. Erwin Panofsky question of Zeitgeist. That is, in the Rauschenberg, Johns, Stella, etc., was really private. It was terribly work here. She was a Viennese refugee in retrospect – and I probably wouldn’t turned up occasionally, and I was 1950s, bright young people like myself is really part of the whole story. […] extracurricular; whereas today, I am and spoke with an adorable Viennese have said this forty years ago – had the grateful for every word he said. There and many of my fellow students at [But] the fact of the matter is that always pleased and amazed by the accent, and she smoked all through her greatest influence in molding my own was a certain Guido Schoenberger, the Institute had a twinge of rebellion then – and it’s changed drastically – then contrast and by the way in which the lectures, which even then, was illegal. approach to lecturing, writing, and with whom I studied German Baroque against the canon offered by the at the Institute, as in most places where students I have now are completely in In any case, she enchanted us all. thinking about the history of art. architecture. There was, very, very traditional histories of modern art. art history was studied, even modern touch with contemporary art. They And we sat in the dark and looked at prominently, Richard Krautheimer, I remember, for example, that there art history, students were generally go to the galleries in Chelsea, they go mainly black and white slides of things WEST: What is that approach, with whom I studied primarily Italian was a touchstone of the new and the unaware of, indifferent to, what was to the Whitney Biennale, they have like Vézelay or the Scrovegni Chapel. would you say, if you had to Renaissance and Baroque architecture. daring – namely Holman Hunt’s happening in the contemporary scene. contemporary artists visit the Institute And all of it was totally thrilling. It summarize it yourself? In one-to-one terms, the professor who “Awakening Conscience,” a Pre- But some of us at the Institute – and and talk about their work; whereas this was a faraway, exotic world, namely supervised me and cast his shadow on Raphaelite painting of the 1950s – we are talking about the early 1950s – would have been inconceivable in the Europe, which, you must recall, was

6 7 Excerpts from an Interview by Alison West CONTINUED with Robert Rosenblum at his residence at 33 West Tenth Street, April 15th, 2006. Excerpts

6 7 Excerpts CONTINUED Robert Rosenblum: A Symposium

ROSENBLUM: There were many painting with no disdain, with a total Mondrian, for example, – I won’t by Thomaï Serdari and the Square at the Kimmel Center. represented further research on a things about him, which I learned freshness and open arms. And he name the speaker – in which a Sharon Ferguson Speakers included Robert’s colleagues diverse collection of the Ph.D. topics from him. One of the most conspicuous would also be perfectly happy to talk Mondrian slide was put up on the A. Richard Turner, Paulette Goddard directed by Robert over the decades. had to do with lecture technique, about Bouguereau without smirking, screen, and then for the next thirty In October 2006 a symposium Professor of Arts and Humanities, The students who presented were (in which was that if you were giving a which at the time, the 1950s, was an minutes, we heard a discussion of honoring the 50th anniversary of Emeritus, and former director of the alphabetical order): Elizabeth Barker, lecture about art history, you must extraordinary feat, maybe even unique. Immanuel Kant and Hegel – no Robert Rosenblum’s Ph.D. from Institute; Linda Nochlin, Lila Acheson Carol Eliel, Kathy Calley Galitz, always have something to look at. His So that he really cast light on many reference to the image. the Institute of Fine Arts was held, Wallace Professor of Modern Art, IFA; Michael Marrinan Jr., William Pressly, lectures were essentially visual. They new vistas for me, when looking at the sponsored jointly by NYU’s Mariet¨ Westermann, current director Jonathan Ribner, Deborah Rothschild, spoke to you, even without the verbal nineteenth century afresh, without WEST: What other technique, or Department of Art History and of the IFA; Ken Silver, current Chair Andrew Shelton, and Reva Wolf. commentary. And above all, he had a prejudice. And he taught me that the other techniques, would you point to? the Institute. The symposium was of the Department of Art History; and Highlights included a personal marvelous habit of pointing to specific history of art had to do with, above all, co-organized by Dr. Thomaï Serdari, Edward Sullivan, Professor of Fine reminiscence by Cynthia Nachmani, details in works of art, which other- looking at things visual. He was also, I ROSENBLUM: Well, one of the Director of Research Collections in Arts and Dean for the Humanities, Robert’s very first Ph.D. advisee, wise, you would not have noticed. might add, a master of combining art things I particularly enjoyed about his the Department of Art History, and NYU, all of whom offered warm Nadia Tscherny’s “Some Cats in Art: And just simply by casting a gaze or history with all kinds of other history, lectures was that he would occasionally Dr. Sharon Ferguson, a recent advisee remembrances of their long professional Postscript to Robert Rosenblum’s Pet pointing a finger at what was going and would ask such suddenly pressing insert personal references, like the fact of Robert’s. The symposium weekend association and friendship with Robert. Projects,” and a whimsical poem on on in the lower left-hand corner – questions as, “Which work of art was that he had visited the dentist in the began with a gala evening at the the detail of a still life in a Manet, the first to represent an automobile?” morning, or that a figure in the Degas Eleven of his students, drawn from Robert and Picasso written and Institute, and continued on Saturday direct advisees of the last 50 years, delivered by Natasha Staller. or a mysterious figure who was He would ask the kind of question that looked as though she was waiting to with an all-day session downtown on camouflaged in the background of a nobody who was studying modern art see the dentist. So there would be this also delivered papers, many of which Monet – just by doing this, he made had ever thought of before. Or he unexpected interruption of the art you think that there was an infinity of would ask – this would be half a historical sequence for these private, visual data in every work of art, that century ago – what was the influence personal views. I enjoyed that. you must track down. So that it all of Charles Darwin’s Origin of Species suddenly came to life in a new way. on the representation of human beings WEST: It seems to me, now that I’ve And it’s a technique that I consciously in the second half of the nineteenth listened to you talk about both the and unconsciously use. I love pointing century? At the time, that seemed like Institute in your student days and to details, which, in fact, perks up a wacky question, from left field. And being at Yale, that two of the people people and obliges them to look – for he very often did not pursue these who seem to have had a signal the first time, in many cases – at things questions, but he left them there to influence on you were iconoclasts, in that may seem obvious. Another very percolate. And now that I think a way: George Heard Hamilton and important aspect of George Heard about it, the question, say, of Darwin’s Henry Russell Hitchcock. Hamilton’s approach – and I realize, influence on later nineteenth and early just at this moment, how important twentieth-century art has almost ROSENBLUM: That is true. I this was to me – was that he embraced become central to art historical absolutely agree, because both of them, everything without prejudice. And I discussion. So he was extraordinarily I now realize, were major prophets of remember, for instance, that he precocious. And he was also an the revisions to come, and the new was perfectly capable of discussing eloquent lecturer. And I think I’d approaches to especially nineteenth- something, which at the time would have to say I’ve learned a lot of his century art, which I followed. So they, have been so reviled, such as American speaking techniques from attending I will say, planted the seeds. I might Neoclassic sculpture for example; and his undergraduate lectures. add, by the way, about Hitchcock – he would look at it objectively and and he, again, in retrospect, looms would describe it with as much care as WEST: For example, what would larger and larger – that it was from he would describe a painting by you call a speaking technique that him that I got the idea that the study Matisse or Cézanne. In other words, he you remember, as such? of nineteenth-century art should be imposed no prejudices, no hierarchies international. Everybody in the of right or wrong, good or bad. And ROSENBLUM: Never talk about 1950s who studied nineteenth and in fact, now that I think about it, he something without referring to twentieth-century art lived in Paris – is really the first person I ever heard something you can see. I, for one, in imagination, that is – and never lecturing about one Pre-Raphaelite will always remember a lecture about continued on page 10

8 Excerpts CONTINUED Robert Rosenblum: A Symposium

8 Robert Rosenblum: A Memorial “Celebration” New IFA Faculty by Valerie Hillings Spanish masterpieces by some of Robert’s favorite On February 28, 2007, a memorial artists, including Velázquez was held in Robert Rosenblum’s honor and Picasso, who, Robert at the Solomon R. Guggenheim used to joke, was one of Museum, where he had served as the his greatest long-term Thomas Crow Clemente Marconi Thelma Thomas Stephen and Nan Swid Curator of investments. Living artists Rosalie Solow Professor of Modern Art James R. McCredie Professor in the Associate Professor of Early 20th-Century Art since 1996. The close to Robert were also Begins teaching at IFA Fall 2007 History of Greek Art and Archaeology Christian and Byzantine Art Institute of Fine Arts, the NYU present, among them Began teaching at IFA Fall 2006 Begins teaching at IFA Fall 2007 Department of Art History, and the Chuck Close, Jeff Koons, Ph.D.: University of California, Guggenheim co-organized the event, Elizabeth Murray, and Los Angeles Ph.D.: Scuola Normale Superiore, Pisa. Ph.D.: Institute of Fine Arts, NYU and those of us who had the honor Frank Stella. But art Most recent position: Director, Most recent position: Professor of Most recent position: University and pleasure to play a role in the was not the only essential the History of Art and Archeology, of Michigan: Associate Professor, planning can attest that none of it backdrop. At Jane’s suggestion, songs shared their recollections, which touched Getty Research Institute Columbia University History of Art; Associate Dean, would have been possible without from Stephen Sondheim’s musical on Robert’s scholarship, but also Selected publications: Selected publications: Rackham School of Graduate Studies; the incredible support and guidance Company greeted those in attendance, a repeatedly referred to his zest for life Painters and Public Life in Eighteenth- Associate Curator, Kelsey Museum of Robert’s wife Jane, who made sure reflection of Robert’s love of Broadway manifest in his unparalleled love for his Century Paris (1985), The Rise of the Greek Painted Pottery: Images, Contexts, that the various stages and aspects of musicals and Sondheim in particular, bull dogs Archie and Winnie and his Sixties: American and European Art in and Controversies, ed. and contributor. of Archaeology his life were incorporated into this but also oddly relevant, as one song eternal fascination with all aspects of the Era of Dissent (2004), Temple Decoration and Selected publications: celebration and remembrance. recounted various names by which the international airline travel. Kenneth (2nd ed. 2004) Cultural Identity in the Archaic Greek Late Antique Egyptian Funerary lead character Bobby was known, Silver’s remarks contained an especially World: The Metopes of Selinus Sculpture: Images for this World and The rotunda of the Guggenheim among them Robert, Bob, and Bobby fitting phrase: “He loved dogs not (2007) the Next (2000), Textiles from Karanis, Museum provided a majestic setting, baby. From beginning to end, a series dogmatism.” Robert’s longtime friends Egypt, in the Kelsey Museum of and as Guggenheim Museum director of pictures from Robert’s life filled a the artistic duo Gilbert & George Archaeology: Artifacts of Everyday Life Lisa Dennison noted, it was especially large screen, often raising laughter as provided a moving conclusion by (2001) fitting that the walls were filled with when¨ Mariet Westermann gave her re-enacting their signature performance remarks and an image of Robert with of Flanagan and Allen’s 1930s standard Liz Taylor suddenly appeared. “Underneath the Arches.” The overture Finbarr Barry Flood from Carousel brought the evening to Associate Professor of the Arts of Islam Hannelore Römich The speakers included art historians, an end, but it also testified once more Joint appointment with the Associate Professor of friends, and even Robert’s nurses to Robert’s joie de vivre, which he so Department of Art History, NYU Conservation Science Ellen Hollywood and Debbie Sempel, generously shared with all of us. Begins teaching at IFA Spring 2008 Began teaching at IFA Spring 2007 who movingly noted his quick wit even as he received chemotherapy. Ph.D.: University of Edinburgh Ph.D.: University of Heidelberg John Richardson, Kenneth Silver, Selected publications: Most recent position: Science Angela Westwater, John Ashbery, The Great Mosque of Damascus: Studies Officer for the European Cooperation The artists Gilbert & George, Alistair Mills Photography Rob Wynne, J. Patrice Marandel, on the Makings of an Umayyad Visual in Scientific and Technical Research, © The Solomon R. Guggenheim Foundation, New York Francis Naumann, and Brooks Adams Culture (2000), “Between Cult and European Science Foundation, Culture: Bamiyan, Islamic Iconoclasm, Brussels, Belgium Selected publications: CONTINUED from page 8 and the Museum,” The Art Bulletin Excerpts (Dec. 2002) “Laser Cleaning of Stained Glass Windows – Final Results of a Research Project” (with K. Dickmann, et al) realized that there were other countries Russell Hitchcock, already in the learned from him to have a Journal of Cultural Heritage, 4 (2003), in Europe. And if there were foreigners, 1950s, was just as interested in the completely United Nations view “Glass and Ceramics,” Chapter 7 they only mattered because they’d architecture in Budapest or in of the history of nineteenth and in Conservation Science – Heritage come to Paris and settled there, like Havana as he was in London or twentieth-century art. So there, Materials (eds. E. May and M. Jones) Van Gogh and Picasso. But Henry Paris. And I realize now that I too, is a seed that was planted. (2006)

10 11 Robert Rosenblum: A Memorial “Celebration” New IFA Faculty by Valerie Hillings Spanish masterpieces by some of Robert’s favorite On February 28, 2007, a memorial artists, including Velázquez was held in Robert Rosenblum’s honor and Picasso, who, Robert at the Solomon R. Guggenheim used to joke, was one of Museum, where he had served as the his greatest long-term Thomas Crow Clemente Marconi Thelma Thomas Stephen and Nan Swid Curator of investments. Living artists Rosalie Solow Professor of Modern Art James R. McCredie Professor in the Associate Professor of Early 20th-Century Art since 1996. The close to Robert were also Begins teaching at IFA Fall 2007 History of Greek Art and Archaeology Christian and Byzantine Art Institute of Fine Arts, the NYU present, among them Began teaching at IFA Fall 2006 Begins teaching at IFA Fall 2007 Department of Art History, and the Chuck Close, Jeff Koons, Ph.D.: University of California, Guggenheim co-organized the event, Elizabeth Murray, and Los Angeles Ph.D.: Scuola Normale Superiore, Pisa. Ph.D.: Institute of Fine Arts, NYU and those of us who had the honor Frank Stella. But art Most recent position: Director, Most recent position: Professor of Most recent position: University and pleasure to play a role in the was not the only essential the History of Art and Archeology, of Michigan: Associate Professor, planning can attest that none of it backdrop. At Jane’s suggestion, songs shared their recollections, which touched Getty Research Institute Columbia University History of Art; Associate Dean, would have been possible without from Stephen Sondheim’s musical on Robert’s scholarship, but also Selected publications: Selected publications: Rackham School of Graduate Studies; the incredible support and guidance Company greeted those in attendance, a repeatedly referred to his zest for life Painters and Public Life in Eighteenth- Associate Curator, Kelsey Museum of Robert’s wife Jane, who made sure reflection of Robert’s love of Broadway manifest in his unparalleled love for his Century Paris (1985), The Rise of the Greek Painted Pottery: Images, Contexts, that the various stages and aspects of musicals and Sondheim in particular, bull dogs Archie and Winnie and his Sixties: American and European Art in and Controversies, ed. and contributor. of Archaeology his life were incorporated into this but also oddly relevant, as one song eternal fascination with all aspects of the Era of Dissent (2004), Temple Decoration and Selected publications: celebration and remembrance. recounted various names by which the international airline travel. Kenneth (2nd ed. 2004) Cultural Identity in the Archaic Greek Late Antique Egyptian Funerary lead character Bobby was known, Silver’s remarks contained an especially World: The Metopes of Selinus Sculpture: Images for this World and The rotunda of the Guggenheim among them Robert, Bob, and Bobby fitting phrase: “He loved dogs not (2007) the Next (2000), Textiles from Karanis, Museum provided a majestic setting, baby. From beginning to end, a series dogmatism.” Robert’s longtime friends Egypt, in the Kelsey Museum of and as Guggenheim Museum director of pictures from Robert’s life filled a the artistic duo Gilbert & George Archaeology: Artifacts of Everyday Life Lisa Dennison noted, it was especially large screen, often raising laughter as provided a moving conclusion by (2001) fitting that the walls were filled with when¨ Mariet Westermann gave her re-enacting their signature performance remarks and an image of Robert with of Flanagan and Allen’s 1930s standard Liz Taylor suddenly appeared. “Underneath the Arches.” The overture Finbarr Barry Flood from Carousel brought the evening to Associate Professor of the Arts of Islam Hannelore Römich The speakers included art historians, an end, but it also testified once more Joint appointment with the Associate Professor of friends, and even Robert’s nurses to Robert’s joie de vivre, which he so Department of Art History, NYU Conservation Science Ellen Hollywood and Debbie Sempel, generously shared with all of us. Begins teaching at IFA Spring 2008 Began teaching at IFA Spring 2007 who movingly noted his quick wit even as he received chemotherapy. Ph.D.: University of Edinburgh Ph.D.: University of Heidelberg John Richardson, Kenneth Silver, Selected publications: Most recent position: Science Angela Westwater, John Ashbery, The Great Mosque of Damascus: Studies Officer for the European Cooperation The artists Gilbert & George, Alistair Mills Photography Rob Wynne, J. Patrice Marandel, on the Makings of an Umayyad Visual in Scientific and Technical Research, © The Solomon R. Guggenheim Foundation, New York Francis Naumann, and Brooks Adams Culture (2000), “Between Cult and European Science Foundation, Culture: Bamiyan, Islamic Iconoclasm, Brussels, Belgium Selected publications: CONTINUED from page 8 and the Museum,” The Art Bulletin Excerpts (Dec. 2002) “Laser Cleaning of Stained Glass Windows – Final Results of a Research Project” (with K. Dickmann, et al) realized that there were other countries Russell Hitchcock, already in the learned from him to have a Journal of Cultural Heritage, 4 (2003), in Europe. And if there were foreigners, 1950s, was just as interested in the completely United Nations view “Glass and Ceramics,” Chapter 7 they only mattered because they’d architecture in Budapest or in of the history of nineteenth and in Conservation Science – Heritage come to Paris and settled there, like Havana as he was in London or twentieth-century art. So there, Materials (eds. E. May and M. Jones) Van Gogh and Picasso. But Henry Paris. And I realize now that I too, is a seed that was planted. (2006)

10 11 New Faces IFA Alumni Association Reunion, February 16, 2007 at the Institute’s Development and Public Affairs Office

Associate, and Christina Snylyk, Public working with the IFA Board and the By Gabriella Befani Canfield Affairs Associate. Together the three IFA’s major donor group, the bring experience from more than a Connoisseurs’ Circle, as well as with The annual IFA Alumni Association dozen art non-profits, ranging from individuals, foundations, government reunion was held at the Institute of Fine Off-Broadway Shakespeare to a agencies, and others to raise resources Arts, coinciding with the College Art grassroots youth art initiative, to the to further the Institute’s mission to Association meeting in New York. Metropolitan Opera. The team is educate the next generation of leading The party was a great success, with the further assisted by a wonderful and art historians, conservators, and reception rooms filled with faculty, past dedicated group of Institute and archaeologists and for organizing more and present, as well as students of all ages NYU students. than 70 events in the Duke House and stages. We, the “oldies,” were so happy to see our school mates of twenty, The Institute’s Development and over the course of the year. The team is responsible for: raising thirty and forty (yes, forty) years ago in Public Affairs office has three new the same rooms where we had toiled at faces this academic year. IFA alumna contributions that help the IFA Please contact the Development and our studies and nibbled our lunches: Günter Kopcke, Egbert Haverkamp-Begemann & Suzanne Stratton-Pruitt Kathleen Heins returned to the distribute more than $4 million in Public Affairs Office with your financial aid annually, outreach to the questions or comments by calling it brought back such good memories. Institute as the department’s director. Now the same rooms are filled with Institute’s 1800 alumni, and acting as 212/992-5812 or e-mailing Marc Kathy is joined by Marc Cincone, the “newbies” as you can see in these a liaison with the Alumni Association, Cincone at [email protected]. Development and Alumni Affairs photographs, all with sunny, intelligent and enthusiastic faces. It was a great joy to be able to talk with them and learn about their courses and professors.

TV’s Dirty, Sexy Money Filmed at Duke House Suzanne Stratton-Pruitt welcomed everyone, with thanks to Tav Holmes, past President of the Alumni Association, The student fellowship fund received Sutherland and Jill Clayburgh headline Duke House and more details. 100% who planned the party with Kathy a boost when spring came early to the an ensemble cast. The show has been of profits from the shoot will benefit Heins, Director of Development and Institute this year. For five days, the chosen for ABC’s fall season lineup. student fellowships. Public Affairs. Charles Little, Chair of Duke House became a film See abc.com for clips featuring the the Grants Committee, gave a report set for a new pilot produced Loeb Room on the summer stipends that the Alumni by Touchstone TV. Taking Association provides for students. inspiration from historic IFA Director Mariët Westermann photographs of the house as offered upbeat remarks about the the Duke family lived in it, 75th anniversary of the Institute and the set designer transformed announced the appointments of four the Loeb Room, Marble new members to the faculty: Clemente Room and Great Hall with Marconi as the James R. McCredie custom designed furniture Professor in the History of Greek Art and literally thousands of and Archaeology, from Columbia flowers. The show, titled University; Thomas Crow as the Rosalie Dirty, Sexy Money, Solow Professor of Modern Art, from centers on an idealistic the Getty Research Institute; and lawyer who inherits the job Thelma K. Thomas as Associate of tending to the legal, and Professor of Early Christian and sometimes illegal, needs of Byzantine Art; from the University of one of the wealthiest and Michigan. Hannelore Römich, Associate most colorful families in Professor of Conservation Science, New York. Actors Donald Nicola Courtright & Thelma Thomas from the European Science Foundation. 12 13 New Faces IFA Alumni Association Reunion, February 16, 2007 at the Institute’s Development and Public Affairs Office

Donald P. Hansen the inherent influence of the ancient pedagogical process made him ideally Karen and Arthur R. Blumenthal, by Erica Ehrenberg Near East on these wider spheres. suited to the role. He mentored, Creighton Gilbert and Dario Covi His insatiable quest for a universal advised, supported, and encouraged The books lining the shelves of understanding of early civilizations an incalculable number of students, Professor Donald Hansen’s office serve informed Professor Hansen’s reflecting his dedication to the as a testimonial to the extraordinary archaeological fieldwork as well. furtherance of art historical study on range and depth of his intellectual He excavated in Iraq, Syria, Yemen, the highest level and his commitment pursuits and expertise. So broad and Iran, Turkey, and Egypt, serving as to the mission of the IFA. diverse were the holdings that nothing field director at Abu Salabikh and short of the Library of Congress system al-Hiba in Iraq, Shibam in Yemen, Professor Hansen’s sense of equanimity was needed to organize the collection. and Mendes in Egypt. Believing in and his utter lack of pretense rendered While officially a professor of the the necessity of approaching the him a generous, approachable, and ancient Near East, Donald Hansen discipline as an “area study,” entertaining personality. Nary a day was equally conversant in Egyptology, Professor Hansen took his students went by when his office was not a the Classics and the Islamic world, to the source and exposed them to lively entrepôt of faculty, staff, and and demonstrated to his students the Middle East, both ancient and students conversing on all topics modern, ensured under the sun. And the annual they became culturally luncheon gatherings at his home aware on all levels in Cold Spring, hosted with such and trained a new elegance, were legend. When he generation of mud-brick passed away on February 15, 2007, archaeologists and art Professor Hansen left behind a historians. Every devoted, if bereaved, extended family resource at his disposal of colleagues, students, and friends. was offered to his students, including free run of his Marble Room Together with Professor Hansen’s family personal library. and friends, the Institute of Fine Arts has created the Donald P. Hansen Beyond his own coterie Student Travel Fund, designed to Allen Rosenbaum & Isabelle Hyman of student majors, support archaeological training and Professor Hansen had other travel opportunities related to contact with most the study of Ancient Near Eastern art every IFA student over for IFA students. We invite you to join more than forty years us in honoring Professor Hansen by of service, in his making a contribution. Donations, capacity of Director payable to New York University, may be of Graduate Studies, sent to: The Institute of Fine Arts, which position he held 1 East 78th Street, NY, NY. for an unparalleled thirty-eight years. The Merry Group His appreciation for all subjects and his understanding of the

Sofia Sanabrais, Jonathan Brown, Iraida Rodriguez-Negron, Michael Brown & Pamela Huckins

14 15 Reunion CONTINUED IN MEMORIAM

Sofia Sanabrais, Jonathan Brown, Iraida Rodriguez-Negron, Michael Brown & Pamela Huckins

14 15 IN MEMORIAM IN MEMORIAM

Craig Hugh Smyth and Maniera (1963) was an early challenge grant from the Andrew W. Metropolitan Museum of Art, but counseling against publishing hanging black bunting across the by Marie Tanner revision of ideas about mannerist art Mellon Foundation, which eventually Chairman of the Advisory Committee anything that was not a highly original façade of the Duke mansion as a sign and theory. He published Bronzino as became the center’s main institutional of the J. Paul Getty Research Institute scholarly contribution – a tenet he of solidarity – surely to the horror of On Sunday March 25, 2007, Craig Draughtsman in 1971. He shared with supporter. He started I Tatti Studies. for the History of Art and Humanities adhered to for himself. our neighbors. Throughout the soul Hugh Smyth was honored at a Henry Millon a lifelong dedication to Scholars who studied there during his until 1999, and a Trustee of the searching and the protests, Craig memorial at the Institute of Fine Arts, Michelangelo’s designs for St. Peter’s. tenure acknowledged their debt and Institute of Fine Arts until the end of Following the US invasion of Cambodia maintained the calm, letting students where until 1978 he served as director, Working together they published more dedication in the publication his life. In 1999 the Institute of Fine on April 25, 1970, Institute students express their resentment, but a tenure of twenty-two years. Bracketed than a half dozen key articles between Renaissance Studies in Honor of Craig Arts created the Craig Hugh Smyth mobilized in sympathy with other preventing things from getting out by the loving remembrances of his 1969 and 1983. Others talked about his Hugh Smyth, (1985). In the I Tatti professorship. Those who were his universities to stop classes and actively of hand, as they did at Columbia. children – the sculptor Ned Smyth and natural gift as a leader of institutions. fellowship that bears his name, he left a students relied on Craig for support, protest. This all culminated in the the musician Alexandra Smyth, who As director of the Institute of Fine Arts, legacy for museum personnel to do but knew him as a hard taskmaster, Kent State massacre on May 4th. sang and dedicated “The Nearness of he oversaw the move to and renovation scholarly research abroad. As Kress listening carefully, reading with care, Those of us who were here recall You” to her father’s memory – friends of the Duke House in 1958, and guided Professor at the National Gallery of Art, and colleagues contributed to a portrait the growth of the largest and most following his retirement from I Tatti, he of this extraordinary administrator and diversified graduate program in researched the history of the protection scholar, who died at 91 on December America. Encouraging many eminent of works of art during the Second spent a year at the Ecole du Louvre. the world, she also wrote articles for scholars to join the faculty, he also World War. This resulted in his book Marcia Tucker 22, 2006. Some sketched an image of by Phyllis Tuchman When she accepted her award from periodicals such as of the New York the young musician playing trombone maintained a constant flow of visiting The Repatriation of Art from the the French government as Chevalier de Times, Artforum, and Art in America. scholars of international reputation, Collecting Point in Munich after World or clarinet and at 17 leading a band on When Marcia Tucker (M.A., ‘65) died l’Ordre des Arts et des Lettres in 1997, the SS. Roosevelt bound for Europe. each bringing their special expertise War II: Background and Beginnings, with she still spoke with an impeccable Besides holding several honorary to add another approach to the study reference especially to the Netherlands. at the age of sixty-six last December, Others recorded experiences with she had been a much-admired figure accent. After college, Tucker was doctorates, Tucker was given the Tommy Dorsey’s band. of art history. He founded the first He was an Honorary Trustee of the briefly a secretary in MoMA’s print Skowhegan Governors Award for university conservation in the international arts community for decades. Tucker founded the New department. A few years later, she Lifetime Service to the Arts, 1988; Some talked of his training as a classicist department in the United catalogued the collection of Mr. and Bard College Award for Curatorial States, and developed a Museum of Contemporary Art in 1977 at Princeton, and of his mentors, and of and served as its director for more than Mrs. Alfred Barr, Jr. as well as Achievement, 1999; and the Art Table Charles Rufus Morey and Craig’s “con- highly successful museum American paintings in the Howald Award for Distinguished Service to training program, selflessly twenty years. There and earlier, as a version” to art history; he completed his curator at the Whitney Museum of Collection at the Columbus Gallery the Visual Arts, 2000. Over the years, dissertation on Bronzino studies in 1956. devoting vast amounts of of Fine Arts. she was a visiting professor at a number time to the fund-raising American Art, she championed the art of women, blacks, and the avant-garde. of institutions (Cornell, Colgate, Some recollected war stories from his that made these programs At the Whitney, Tucker was a trailblazer. Columbia, and elsewhere). An active days as a “Monument Man”– a possible. His thoughtfulness, She organized retrospectives (Joan committee member of the Association gracious manner, and Attending the Institute from 1962-69, Lieutenant in the Navy; he organized she took a variety of courses, including Mitchell, James Rosenquist, Bruce of Art Museum Directors, she also and ran the Central Collecting Point for “movie star” good looks Nauman, Richard Tuttle); small, served on the Fine Arts Advisory made the task of giving Titian, Greek Classical Art, Buddhist the repatriation of looted and displaced Art in India, Goya, and British focused solo shows (Nancy Graves, Committee of the American Civil art in Munich during 1945-6. Among easier, and many donors Jack Tworkov, Betye Saar); a few Liberties Union, 1991-93. After she became friends. Painting of the Late 18th-Century. the repatriated treasures were the Ghent She wrote her M.A. thesis on “Social Biennials (back in the day, called retired, Tucker appeared at a number altarpiece and the Bruges Madonna. Realism in America 1930-1940.” Annuals); and surveys devoted to of comedy clubs as Miss Mannerist, A moment of this time is captured in a In 1973 he assumed the young artists who are now acclaimed the “maven of more and manners directorship of I Tatti, Many fellow students will remember photograph with General Eisenhower her warmth, intelligence, and sense of masters. Some of her exhibitions at the for career-impaired artists, visually inspecting stolen art in the salt mines. Harvard’s center for Italian New Museum carried provocative titles challenged curators, and artistic… Renaissance studies in humor. She was a personable woman The German art historians and with engaging eyes and a halo of hair. such as Bad Painting or CHOICES: wanna-bees of all kinds.” Tucker is conservators Craig assembled on his Florence, from which he Making an Art of Everyday Life; and survived by her husband and her staff eventually formed the nucleus of retired in 1985. There he she continued to mount important daughter. She was a remarkable took I Tatti’s shaky finances Marcia Silverman (later Tucker) the Zentralinstitut für Kunstgeschichte. came to New York with a B.A. retrospectives. In 1984, Tucker was woman who will be missed. in hand, stabilizing them by the commissioner for the American forming the I Tatti Council, from Connecticut College where she Some talked about his scholarly graduated Phi Beta Kappa, after having pavilion at the 41st Venice Biennale. contributions – his book Mannerism and helping I Tatti meet a Besides stints as a guest curator all over

16 17 IN MEMORIAM IN MEMORIAM

16 17 IFA ALUMNI ASSOCIATION 2006 Summer Stipends Stipends CONTINUED by Keith Kelly spent in Geneva (from 1757 to 1789), view the remains of the stained glass Lorraine Karafel – “My Alumni to come. This strategy succeeded when Anna Piotrowska – Anna used her which allows her to explore Liotard’s windows, sculpture, heraldic devices, Association Summer Travel Stipends Joan, after a very successful exam, award from the Alumni Association to Contributions to the IFA Alumni career as a portraitist in Geneva in and liturgical accoutrements that once supported an exceptionally productive won an Andrew W. Mellon Fellowship fund a three-day trip to New England Association help support the Walter greater depth, and to discuss his artistic enlivened Rayonnant chapels. Lastly, trip to Paris for dissertation research at the Center for Advanced Study in to study materials related to “The S. Cook Lecture, the CAA Reunions, career in the cultural, social, and she had the opportunity to study on Raphael’s woven grotesques for the Visual Arts at the National Gallery Blinding of the Sodomites,” at the and the Newsletter, but the majority political context of eighteenth-century directly the cathedrals of Paris, Vatican Palace.” Beyond the very rare of Art for 2007-09. “Without the Fogg Museum in Cambridge and of alumni funding combines with that Geneva. “I wish to convey my deepest Amiens, Rouen, Laon, and Noyon, opportunity to view tapestries at the support of the Alumni Association, “Venus and Vulcan” at the Hood of the Rosenwald and Altman funds gratitude to the Alumni Association, whose chapels form the crux of her Mobilier National that were woven I would have had to return to Seoul to Museum in Hanover, two works central to assist the current generation of without which no such meaningful dissertation. “I am profoundly from the original Raphael Workshop seek employment last summer rather to the preparation of a dissertation students. Thanks to the generosity progress would have been possible.” grateful to the IFA Alumni cartoons and copies after original than stay in New York, and could about early Carle Vanloo paintings in of our alumni, we were able to award Association, whose generous tapestries made by the Gobelins therefore only have prepared for American collections, sponsored by more than $23,000 in assistance to “Traveling in Turkey last support made this trip possible.” Manufactory for Louis XIV, Lorraine an oral exam in December. I am Colin Bailey of the Frick Collection. ten students! The Summer Stipends summer was a wonderful was able to confer with Jean Vittet, very grateful.” These two paintings represent provide travel and research grants for experience – both productive Anne Hrychuk – Anne spent July the tapestry curator, and meet with distinctive stages of the artist’s early students to advance their dissertations, and part of August 2006 in Turkey the Mobilier’s head, Arnauld Brejan. Karen Leader – Karen undertook a career, but were known to Anna solely prepare language proficiency, study and enjoyable – and I am researching monumental Roman At the Louvre, she studied drawings five-week trip to Paris where she did through reproductions, offering only for the major oral exam, extend very thankful for the arches for her dissertation entitled in the Cabinet des Dessins. At the advanced research for her dissertation: limited glimpses into an understanding internships and pursue special projects. opportunity enabled by the “The Roman Arch: Metropolitan Bibliothèque National, she did literary “Caricature and Art in Paris, 1830- of Vanloo’s style and technique. “My Alumni Charles Little, Miriam Basilio, Alumni Summer Stipend.” Origins, Urban Setting, and Reception research, consulting early printed texts 1900.” In Paris she was able to access firsthand examination of the originals and Sabine Rewald, working in West and East,” with Katherine Welch of Italian panegyric poetry. Highlights original copies of nineteenth-century enabled me to rediscover, record, conjunction with the Institute’s –Mailan Doquang as sponsor. Anne’s research was focused of her travel were visits to two tapestry satirical journals in order to study the and analyze the aesthetic and Fellowship Committee, selected the on the unique development of the manufactories: the Gobelins, Beauvais, imagery and editorial content first technical qualities of the artist’s early grantees for the summer of 2006. Roman arch in western Asia Minor, and Savonnerie in Paris and the DeWit hand. Karen also located primary painting, which have thus far gone This is how those students used Mailan Doquang – “My fellowship which she is comparing with that of Royal Tapestry Manufacturers in source biographical information on underappreciated. I am very grateful their stipends: from the Alumni Association allowed the arches of Italy and the western Mechelin, Belgium. At the DeWit, the caricaturists she is studying, which for your assistance.” me to spend three months in France province of Gaul. A secondary focus Lorraine met with the director, Yvan deepened her understanding of the Julianna Bark – “I’m happy to report undertaking research on my dissertation of her trip was to study the role of the Maes and had the opportunity to take marginal professional and social that the research on Jean-Etienne concerning Rayonnant Funerary arch within the urban development of a close look at tapestries from major position of the graphic humorists Liotard that I performed in Geneva Chapels appended to cathedrals in the Roman city. The travel grant allowed institutions currently undergoing of the time. Of special importance “Thanks to the Alumni last summer has materialized into the Paris, Amiens, Noyon, Laon and Anne to visit many archaeological sites conservation treatments. “Thank you were visits to the Musée de la Vie Association, I was able to fifty-page draft of Chapter two of my Rouen, as well as the Abbey Church and museums throughout Turkey, again for the very generous support Romantique and the Musée Carnavalet dissertation.” Alumni Association of Saint-Denis. By May, my advisor, including Antioch in Psidia, Ariassos, that made it possible to study these to see caricatures by George Sand. internalize the amazing city funding supported Julianna’s research Marvin Trachtenberg, determined Aspendos, Attaleia, Ephesos, works of art first hand. I am deeply “Thanks to the Alumni Association, that is so crucial to my in Geneva on the eighteenth-century that I had exhausted the secondary Hierapolis, Patara, Perge, Priene, honored that my project was selected I was able to internalize the amazing dissertation. Exploring the artist Jean-Etienne Liotard’s Genevan literature available in New York and Sagalassos, Side and Xanthos, as by the Alumni Association.” city that is so crucial to my dissertation. urban experience of portraits. She consulted the Archives could only make progress by extended well as the excellent archaeological Exploring the urban experience of Paris at street level, the d’Etat and Bibliothèque Publique et travel in France. There I consulted museums of Antalya, Yalvac, and Joan Kee – Joan spent the summer in Paris at street level, the architecture, Universitaire and read through troves documents at the Centre historique Istanbul, which display important New York studying for her September monuments, and vistas, brought to life architecture, monuments, of Liotard letters, those of his wife des Archives nationales in Paris, and sculptures from nearby Roman Major Orals. Joan’s sponsor, Jonathan for me the revolutionary spirit that and vistas, brought to life and son and of his primary Genevan capitalized on the extensive holdings arches. “Traveling in Turkey last Hay, felt that by taking her exam in animated the subversive material that for me the revolutionary patron, François Tronchin. These of Parisian libraries, namely the summer was a wonderful experience early Fall, she would be then positioned I am analyzing.” Karen’s sponsor, spirit that animated the letters will be included in her appendix. Bibliothèque nationale de France and – both productive and enjoyable – to begin her dissertation research Linda Nochlin, has noted the direct Perhaps the major achievement of the Institut national d’histoire de l’art.” and I am very thankful for the concerning painting in Korea in the impact of Karen’s summer in Paris, and subversive material that Julianna’s summer research has been Mailan also visited the Musée du opportunity enabled by the Alumni 1970s at the optimal time to apply for anticipates the successful completion I am analyzing.” the re-focusing of her topic to Louvre, the Musée national du Moyen Summer Stipend.” outside fellowship support for the years of her dissertation later this year. –Karen Leader concentrate on the years Liotard Age and the Musée de Picardy to

18 19 IFA ALUMNI ASSOCIATION 2006 Summer Stipends Stipends CONTINUED by Keith Kelly spent in Geneva (from 1757 to 1789), view the remains of the stained glass Lorraine Karafel – “My Alumni to come. This strategy succeeded when Anna Piotrowska – Anna used her which allows her to explore Liotard’s windows, sculpture, heraldic devices, Association Summer Travel Stipends Joan, after a very successful exam, award from the Alumni Association to Contributions to the IFA Alumni career as a portraitist in Geneva in and liturgical accoutrements that once supported an exceptionally productive won an Andrew W. Mellon Fellowship fund a three-day trip to New England Association help support the Walter greater depth, and to discuss his artistic enlivened Rayonnant chapels. Lastly, trip to Paris for dissertation research at the Center for Advanced Study in to study materials related to “The S. Cook Lecture, the CAA Reunions, career in the cultural, social, and she had the opportunity to study on Raphael’s woven grotesques for the Visual Arts at the National Gallery Blinding of the Sodomites,” at the and the Newsletter, but the majority political context of eighteenth-century directly the cathedrals of Paris, Vatican Palace.” Beyond the very rare of Art for 2007-09. “Without the Fogg Museum in Cambridge and of alumni funding combines with that Geneva. “I wish to convey my deepest Amiens, Rouen, Laon, and Noyon, opportunity to view tapestries at the support of the Alumni Association, “Venus and Vulcan” at the Hood of the Rosenwald and Altman funds gratitude to the Alumni Association, whose chapels form the crux of her Mobilier National that were woven I would have had to return to Seoul to Museum in Hanover, two works central to assist the current generation of without which no such meaningful dissertation. “I am profoundly from the original Raphael Workshop seek employment last summer rather to the preparation of a dissertation students. Thanks to the generosity progress would have been possible.” grateful to the IFA Alumni cartoons and copies after original than stay in New York, and could about early Carle Vanloo paintings in of our alumni, we were able to award Association, whose generous tapestries made by the Gobelins therefore only have prepared for American collections, sponsored by more than $23,000 in assistance to “Traveling in Turkey last support made this trip possible.” Manufactory for Louis XIV, Lorraine an oral exam in December. I am Colin Bailey of the Frick Collection. ten students! The Summer Stipends summer was a wonderful was able to confer with Jean Vittet, very grateful.” These two paintings represent provide travel and research grants for experience – both productive Anne Hrychuk – Anne spent July the tapestry curator, and meet with distinctive stages of the artist’s early students to advance their dissertations, and part of August 2006 in Turkey the Mobilier’s head, Arnauld Brejan. Karen Leader – Karen undertook a career, but were known to Anna solely prepare language proficiency, study and enjoyable – and I am researching monumental Roman At the Louvre, she studied drawings five-week trip to Paris where she did through reproductions, offering only for the major oral exam, extend very thankful for the arches for her dissertation entitled in the Cabinet des Dessins. At the advanced research for her dissertation: limited glimpses into an understanding internships and pursue special projects. opportunity enabled by the “The Roman Arch: Metropolitan Bibliothèque National, she did literary “Caricature and Art in Paris, 1830- of Vanloo’s style and technique. “My Alumni Charles Little, Miriam Basilio, Alumni Summer Stipend.” Origins, Urban Setting, and Reception research, consulting early printed texts 1900.” In Paris she was able to access firsthand examination of the originals and Sabine Rewald, working in West and East,” with Katherine Welch of Italian panegyric poetry. Highlights original copies of nineteenth-century enabled me to rediscover, record, conjunction with the Institute’s –Mailan Doquang as sponsor. Anne’s research was focused of her travel were visits to two tapestry satirical journals in order to study the and analyze the aesthetic and Fellowship Committee, selected the on the unique development of the manufactories: the Gobelins, Beauvais, imagery and editorial content first technical qualities of the artist’s early grantees for the summer of 2006. Roman arch in western Asia Minor, and Savonnerie in Paris and the DeWit hand. Karen also located primary painting, which have thus far gone This is how those students used Mailan Doquang – “My fellowship which she is comparing with that of Royal Tapestry Manufacturers in source biographical information on underappreciated. I am very grateful their stipends: from the Alumni Association allowed the arches of Italy and the western Mechelin, Belgium. At the DeWit, the caricaturists she is studying, which for your assistance.” me to spend three months in France province of Gaul. A secondary focus Lorraine met with the director, Yvan deepened her understanding of the Julianna Bark – “I’m happy to report undertaking research on my dissertation of her trip was to study the role of the Maes and had the opportunity to take marginal professional and social that the research on Jean-Etienne concerning Rayonnant Funerary arch within the urban development of a close look at tapestries from major position of the graphic humorists Liotard that I performed in Geneva Chapels appended to cathedrals in the Roman city. The travel grant allowed institutions currently undergoing of the time. Of special importance “Thanks to the Alumni last summer has materialized into the Paris, Amiens, Noyon, Laon and Anne to visit many archaeological sites conservation treatments. “Thank you were visits to the Musée de la Vie Association, I was able to fifty-page draft of Chapter two of my Rouen, as well as the Abbey Church and museums throughout Turkey, again for the very generous support Romantique and the Musée Carnavalet dissertation.” Alumni Association of Saint-Denis. By May, my advisor, including Antioch in Psidia, Ariassos, that made it possible to study these to see caricatures by George Sand. internalize the amazing city funding supported Julianna’s research Marvin Trachtenberg, determined Aspendos, Attaleia, Ephesos, works of art first hand. I am deeply “Thanks to the Alumni Association, that is so crucial to my in Geneva on the eighteenth-century that I had exhausted the secondary Hierapolis, Patara, Perge, Priene, honored that my project was selected I was able to internalize the amazing dissertation. Exploring the artist Jean-Etienne Liotard’s Genevan literature available in New York and Sagalassos, Side and Xanthos, as by the Alumni Association.” city that is so crucial to my dissertation. urban experience of portraits. She consulted the Archives could only make progress by extended well as the excellent archaeological Exploring the urban experience of Paris at street level, the d’Etat and Bibliothèque Publique et travel in France. There I consulted museums of Antalya, Yalvac, and Joan Kee – Joan spent the summer in Paris at street level, the architecture, Universitaire and read through troves documents at the Centre historique Istanbul, which display important New York studying for her September monuments, and vistas, brought to life architecture, monuments, of Liotard letters, those of his wife des Archives nationales in Paris, and sculptures from nearby Roman Major Orals. Joan’s sponsor, Jonathan for me the revolutionary spirit that and vistas, brought to life and son and of his primary Genevan capitalized on the extensive holdings arches. “Traveling in Turkey last Hay, felt that by taking her exam in animated the subversive material that for me the revolutionary patron, François Tronchin. These of Parisian libraries, namely the summer was a wonderful experience early Fall, she would be then positioned I am analyzing.” Karen’s sponsor, spirit that animated the letters will be included in her appendix. Bibliothèque nationale de France and – both productive and enjoyable – to begin her dissertation research Linda Nochlin, has noted the direct Perhaps the major achievement of the Institut national d’histoire de l’art.” and I am very thankful for the concerning painting in Korea in the impact of Karen’s summer in Paris, and subversive material that Julianna’s summer research has been Mailan also visited the Musée du opportunity enabled by the Alumni 1970s at the optimal time to apply for anticipates the successful completion I am analyzing.” the re-focusing of her topic to Louvre, the Musée national du Moyen Summer Stipend.” outside fellowship support for the years of her dissertation later this year. –Karen Leader concentrate on the years Liotard Age and the Musée de Picardy to

18 19 Stipends CONTINUED IFA STUDENTS WHO HAVE WON OUTSIDE FELLOWSHIPS FOR 2005-2006

Lindsey Schneider – Lindsey bronze figure of Vishnu, one of the Erin Jue – Erin worked in the Patrick Amsellem Blair Fowlkes Kerith Koss traveled around the United States most important monuments of Khmer Department of Scientific Research Morse Academic Plan Preceptorship Hagop Kevorkian Fellowship, Kevorkian Fellowship in Conservation for dissertation research on “The Late culture to survive. In addition, of the Metropolitan Museum of Art Metropolitan Museum of Art and Career of Pietro da Cortona and she assisted in the training of local in order to help develop a spectral Kerry Barrett Antonina S. Ranieri International Liliana Leopardi Roman Baroque Painting After 1650.” database of the Forbes Collection Morse Academic Plan Preceptorship Scholars Fund Award, Center for Samuel H. Kress Lindsey was able to study many of “Without the assistance of Pigments on a recently installed Ancient Studies, NYU Foundation Travel Fellowship Cortona’s paintings by traveling from of the Alumni Association, Raman spectroscopy instrument. Mark Benford Abbe Boston/Cambridge (Madonna and The outcome of this project was two Annette De La Renta Fellowship in Amy Hamlin Heather McCarthy Child with Two Saints, Study for Flying I would never have had the user-friendly electronic libraries for Objects Conservation Morse Academic Plan Preceptorship Professional Development Fellowship Angel) to Toledo/Minneapolis/Detroit privilege of learning this the benefit of MMA personnel during for Art Historians, CAA (St. Bernard with the Virgin, St. Jerome novel technique under the analytical studies. The experience of Emily Bills Anne Hrychuk in the Desert, Portrait of Cardinal Pietro guidance of Marco Leona, working on this project strengthened Henry Luce/ACLS Dissertation Antonina S. Ranieri International Abby McEwen Marina Borghese), and then on to Fort the David H. Koch Scientist Erin’s conservation education by Fellowship in American Art and Scholars Fund Award, Center for Ailsa Mellon Bruce Predoctoral Worth and to Los Angeles (Madonna teaching her new analytical techniques Citation Special Recognition, Ancient Studies, NYU Fellowship for Historians of American and Child with St. Martina, Study for in Charge of the Department on an innovative instrument and will Graham Foundation Art to Travel Abroad, CASVA Christ on the Cross, Study of a Male of Scientific Research.” be of special importance to her work Pamela Huckins Figure with Raised Right Arm). Lindsey –Erin Jue on pigments and binding media in Denise Birkhofer Maynard Geiger Fellowship Kalliopi Minioudaki and her dissertation sponsors, Keith medieval polychromy. Erin, an Joseph E. and Ursil I. Callen Prize, Onassis Foundation Fellowship Christiansen and Jonathan Brown, advanced student in conservation, University of Iowa Karen Hung were very pleased with the success of museum staff in the proper care and plans to continue the study of artists’ Summer Internship, Elizabeth Monti her trip and all three thank the Alumni preservation of their heritage, a portion pigments and materials. “Without the Rosina Buckland National Gallery of Art Morse Academic Plan Preceptorship Association for making it possible. of the project that fulfilled an urgent assistance of the Alumni Association, Japan Foundation Fellowship and need since there is no conservation I would never have had the privilege of Japan Society for the Promotion of Lauren Jacobi Camille Moore Tara Hornung – Tara, a first-year training program in Cambodia. “I am learning this novel technique under the Science Fellowship Morse Academic Plan Preceptorship Dedalus Fellowship in Conservation conservation student, used her award so grateful to the Alumni Association guidance of Marco Leona, the David and American Numismatic Society to help underwrite a unique trip to for enabling me to have this first hand H. Koch Scientist in Charge of the Amy Calvert Fellowship Kathryn Moore Phnon Penh where she studied the experience with the issues surrounding Department of Scientific Research.” Kress Predoctoral Fellowship in Jack Kent Cooke Foundation care of Southeast Asian metals at the the preservation of international Egyptian Art and Architecture, Kenji Kajiya Fellowship National Museum of Cambodia. cultural heritage.” American Research Center in Egypt Predoctoral Fellowship, Smithsonian The study program is administered American Art Museum Xiomara Murray by the Freer Gallery of Art and the Jacquelyn Coutré Patricia and Philip Frost Predoctoral Arthur M. Sackler Gallery of Art at Zomercursus Nederlandse Taal & Yumiko Kamdak Fellowship, Smithsonian American the Smithsonian. To work with the Cultuur 2005, Gent Japanese Government Art Museum Freer’s conservator in Phnom Penh was Study Abroad Fellowship an unparalleled opportunity and gave Örgü Dalgic Mika Natif Tara the chance to work on a colossal Residential Fellowship, Anatolian Laura Klar Phillips Hagop Kevorkian Fellowship, Civilizations Institute, Koç Bothmer Fellowship in Greek Metropolitan Museum of Art University, Istanbul and Roman Art, Metropolitan Museum of Art Elizabeth Nogrady C.D. Dickerson Elinor Wardle Squier Townsend Fondazione Lemmermann Fellowship Abby Kornfeld Fellowship, Vassar College and Robert R. Wark Fellow at the Wexner Graduate Fellowship Huntington Library and Art Collections Alison Nogueira Theodore Rousseau Fellowship Metropolitan Museum of Art

20 21 Stipends CONTINUED IFA STUDENTS WHO HAVE WON OUTSIDE FELLOWSHIPS FOR 2005-2006

20 21 IFA STUDENTS CONTINUED IFA STUDENTS CONTINUED

Jeremy Ott Leah Sweet Peter DeStaebler (Jan. 2007) Jongwoo Kim (Jan. 2007) Mika Natif (Sept. 2006) Seema Srivastava (Jan. 2006) American School of Classical Foreign Language and Area Studies “The City Wall of Aphrodisias “Royal Academicians and the Crisis “Explaining Early Mughal Painting: “Fashioning the Decorative Body Studies at Athens Fellowship Fellowship, Center for European and Civic Identity in Late Antique of Masculinity in Modern England” The Anvar-i-Suhayli Manuscripts” in Late Nineteenth Century English Studies, NYU Asia Minor” Sponsor: Linda Nochlin Sponsor: Priscilla Soucek and French Painting: Artifice, Eric Ramirez-Weaver Sponsor: Christopher Ratté Color and Style” Jane and Morgan Whitney Art History Denise Teece Laura Klar Phillips (Sept. 2006) Ellen Prokop (May 2006) Sponsor: Linda Nochlin Fellow, Metropolitan Museum of Art Theodore Rousseau Fellowship, C. D. Dickerson (Sept. 2006) “The Architecture of the Roman “Fray Juan Andrés Ricci and the Metropolitan Museum of Art “Bernini and Before: Modeled Theater: Origins, Canonization, Commissions at San Millán de la Philip Stinson (Jan. 2007) Edmund Ryder Sculpture in Rome, ca. 1600-25” and Dissemination” Congolla and the Cathedral of Burgos” “The Civil Basilica of Aphrodisias A.G. Leventis Foundation Travel Grant Rosemarie Trentinella Sponsor: Mariet¨ Westermann Sponsor: Katherine Welch Sponsor: Jonathan Brown in its Local and Wider Settings” And Dumbarton Oaks Summer Leopold Schepp Foundation Fellowship, (for Donald Posner, deceased) Sponsor: Christopher Ratté and Fellowship and Elinor Wardle Squier Townsend Anna C. Knaap (Jan. 2007) Anna Russakoff (Jan. 2006) Katherine Welch Graduate Fellowship, Vassar College Theresa Flanigan (Jan. 2006) “Seeing in Sequence: Rubens and “Imaging the Miraculous: Margaret Samu “The Ponte Vecchio: Building the Jesuit Church in Antwerp” Les Miracles de Notre Dame, Paris, Karen Stock (Jan. 2006) GSAS Summer Predoctoral Fellowship Allison Unruh an Urbanized Bridge in Early Sponsor: Egbert Haverkamp-Begemann BnF, n.acq.fr 24541” “Bonnard, Vuillard, and Vallotton: Foreign Language and Area Studies Modern Florence” Sponsor: Jonathan Alexander Masculinity in Question” Daniel Savoy Summer Award Sponsor: Marvin Trachtenberg Yeewan Koon (Sept. 2006) Sponsor: Linda Nochlin Gladys Krieble Delmas Foundation “Literati Iconoclasm: Violence and Nuno Senos (May 2006) Fellowship and Renaissance Society of Murtaza Vali Laurel Flentye (Jan. 2006) Estrangement in the Art of Su Renshan “Franciscan Art and Architecture in Deborah Vischak (Jan. 2006) America Fellowship Morse Academic Plan Preceptorship “The Decorated Elite Mastaba and (1814-c. 1850)” Colonial Brazil (1650-1800)” “Locality and Community in Rock-Cut Tomb in the Eastern and Sponsor: Jonathan Hay Sponsor: Jonathan Brown Old Kingdom Provincial Tombs: Lindsey Schneider GIS Cemeteries at Giza and their The Cemetery at Gubbet el Hawa” Solow Art and Architecture Foundation Relationship to the Development of Cora Michael (Jan. 2006) Julie Sheen (Jan. 2007) Sponsor: David O’Connor Intern, Metropolitan Museum of Art Ph.D. Graduates Art During the Fourth Dynasty” “‘As Much as the Light:’ The “Models of Virtue: Images and January 2006-January 2007 Sponsor: David O’Connor Importance of Shadows in the Saint-Making in Colonial Puebla Andrew Weinstein (May 2006) Nuno Senos Art of Camille Pissarro” (1640-1800)” “After Adorno: The Essayistic Dissertation Fellowship, American Lisa Banner (Jan. 2006) Amy Hamlin (Jan. 2007) Sponsor: Linda Nochlin Sponsor: Jonathan Brown Impulse in Holocaust-Related Art” Academy of Franciscan Studies “The Religious Patronage of “Between Form and Subject: Sponsor: Robert Lubar Kelly Sidley (Sept. 2006) the Duke of Lerma” Max Beckmann’s Critical Reception Seema Srivastava Sponsor: Jonathan Brown and Development, ca. 1906-1924” “Beyond Self-Portraiture: the Morse Academic Plan Preceptorship Sponsor: Robert Lubar Fabrication of Andy Warhol, Emily Bills (May 2006) 1960-1968” Philip Stinson Michelle Hobart (May 2006) “The Telephone Shapes Los Angeles: Sponsor: Robert Lubar American Research Institute in Turkey Communications and Built Space, “Sardinian Medieval Churches and : Architecture Embedded Fellowship, and Antonina S. Ranieri 1880-1950” their Bacini with Archaeology” International Scholars Fund, Center Sponsor: Jean-Louis Cohen for Ancient Studies, NYU Sponsor: Marvin Trachtenberg Olga Bush (Sept. 2006) er Eve Straussman-Pflanz “Architecture, Poetic Texts and Rena Hoisington (Jan. 2006) Theodore Rousseau Fellowship, Textiles in the Alhambra” “Maurice-Quentin de la Tour Metropolitan Museum of Art Sponsor: Priscilla Soucek and the Triumph of Pastel Painting in Eighteenth-Century France” Jennifer Sudul Sponsor: Mariët Westermann Grey Gallery Graduate Assistantship (for Donald Posner, deceased)

22 23 IFA STUDENTS CONTINUED IFA STUDENTS CONTINUED

22 23 FACULTY NEWS FACULTY NEWS CONTINUED

Jonathan J. G. Alexander Buccaro, Giancarlo Mainini, Luigi Century Architecture and World Colin Eisler Cultural Identity in the Archaic Greek Cosenza oggi 1905/2005, Naples, Heritage, Russian Academy of Robert Lubar World: The Metopes of Selinus Conferences: Respondent at the CLEAR (2006); “Leuchtturm” and Architecture, Moskomarkhitektura, Talks: “The enigmatic inscriptions (Cambridge and New York: conference “Facing the Middle Ages,” “Die Leuchtende Stadt,” in Marion 17-19 April. on the Francesco da Sangallo Publications: “Notes on Cubism and Cambridge University Press. 2007); Metropolitan Museum of Art, Ackermann, Dietrich Neumann, dir., Lectures: The Politics of Architectural Annameterzza at Or San Michele,” the Body,” in Picasso. Musas y Modelos, “Mito e autorappresentazione nella New York, 14-15 October 2006; Leuchtende Bauten : Architektur der History, Society of Architectural at the Or San Michele Conference (Málaga: Museo Picasso, October decorazione figurata dei thesauroí di Session chair at the conference on Stadt, Stuttgart, Hatje Canz/ Historians, New York Chapter, in Florence (with the help of Alison 2006); “Art and Anarchism in the età arcaica,” in A. Naso, ed., Stranieri Romanesque Art at the Index of Kunstmuseum Stuttgart (2006); 28 November 2006; The Politics of Strauber and Abbey Kornfeld); ‘City of Bombs’;” “Painting in e non cittadini nei santuari greci. Christian Art, Princeton University, “Des mains qui…voient, les cours du Memory: Monuments to Legitimacy, “The work of Mansueti” at the the Shadow of Death: Dalí, Miró Atti del convegno internazionale 26-27 October 2006. CNAM (1958-1971),” in Catherine Berlage Institute, Rotterdam, Venice and the Islamic World and the Spanish Civil War,” and (Firenze: Le Monnier 2006); “I Theoroi Publications: “One Hundred Years Dumont d’Ayot, Bruno Reichlin, dir., 17 October 2006; France/Germany : Symposium at the Metropolitan “Art and Anti-Art: Miró, Dalí and di Eschilo e le antefisse sileniche of the Study of Netherlandish Jean Prouvé, la poétique de l’objet Architectural Interaction 1871-1990, Museum (with the help of IFA the Catalan Avant-Garde,” catalogue siceliote.” Sicilia Antiqua 2 [2006]. Manuscripts,” in E. Morrison, T. Kren, technique, Weil/Rhein, Vitra Design Collins/Kauffmann Forum for Modern students Trinita Kennedy, Christopher essays in Barcelona and Modernity eds., Flemish Manuscript Painting in Museum (2006); “Architecture History Architectural History, Columbia Corradino, and Matt Hays). (Cleveland: The Cleveland Museum of Context. Recent Research (J. Paul Getty and the Colonial Question : University, New York, 10 October Summer 2006, research on Art, and New York: The Metropolitan Linda Nochlin Museum, Los Angeles, 2006). “Albinia Casablanca, Algiers and Beyond,” 2006 (with Hartmut Frank); Netherlandish and German art Museum of Art, 2006- 2007). Catherine de la Mare 1932-2001,” Architectural History, vol. 49 (2006). Frankreichs Hochhäuser: problems at the Prado, Madrid, Talks: “Contested Spaces: The Fight Awards: Charles Homer Haskins Prize in Proceedings of the British Academy, Participation in Conferences: Architekturexperimente zwischen Utopie together with several IFA graduates. for Barcelona” at the Annual Meeting awarded by American Council of Biographical Memoirs of the Fellows, Concrete Reborn, organization of a und sozialen Unruhen, Technische Publications: “Giacometti’s studio,” of The American Philosophical Society, Learned Societies, September, 2007; V, 138 (2006). roundtable, Graduate School of Universität, Berlin, 21 June 2006; in Storia dell Arte (March 2007); Philadelphia, April 3, 2007; “The College Art Association Lifetime Talks: “Visual Representation of Architecture, Planning and Casablanca: Colonialism, ‘Flying Carpets’: the role of tapestries Spanish Tradition?” The Solomon R. Award for Distinguished Writing, Commerce and the Market in Medieval Preservation, Columbia University, Multiculturalism and Modernité, toward inter-European pictorial Guggenheim Museum, New York, Boston, February 2006; Clark Prize Art,” plenary lecture at the University New York, 22 January 2007; American University of Beirut, Beirut, unification in the fifteenth and February 27, 2007; Session Chair: for excellence in writing art criticism, of Indiana, Bloomington, Indiana, “France/Allemagne/France: porosités et 19 May 2006; Le Corbusier et le sixteenth centuries (Brepols). “Reframing Modernism,” The College 2006 ($25,000); Woman of Vision conference, 30 March-1 April, 2007. étanchéités 1918-1930,” paper at the deuxième souffle du moderne en France, Art Association of America, New York, Award, Moore College of Art, 2006; Honors: Presentation of the Festchrift, conference Nancy 1926, Le Printemps cycle de conférences “Le Corbusier y la February 14, 200; Symposium´ Distinguished Scholar Session Tributes to Jonathan J.G. Alexander du Style International, École nationale síntesis de las artes,” Circulo de Bellas Margaret Holben Ellis organized in conjunction with the Honoring Linda Nochlin, College (Susan l’Engle and Gerald Guest, eds.) supérieure d’architecture de Nancy, Artes, Madrid, 16 May 2006; Mythical exhibition “Barcelona and Modernity,” Art Association, New York Hilton, at the Institute of Fine Arts. 12 January 2007; “Le voyage aérien et Space: Urban Landscape and Narrativity Planning the storage and exhibition The Cleveland Museum of Art. February, 2007. les métaphores volantes,” paper at across the Mediterranean, Department spaces of the Morgan Library & November 11, 2006; “Cubism: Desire Publications: Moments biographiques, XIVe of Art History, Visual Art and Theory, Museum, 2005-2007 in the reopened in Vision,” Museo Picasso, Malaga, Books and Catalogues: Bathers, Jonathan Brown rencontre de la Fondation Le Corbusier, University of British Columbia, (April 2006) Renzo Piano Building October 5, 2006; Moderator of panel Bodies, Beauty: the Visceral Eye, Paris, 9 December 2006; “European Vancouver, 2 March 2006; Casablanca: and settling into the Thaw on “Picasso en Gósol: El Próleg de The Charles Eliot Norton Lectures Exhibitions: Co-curator, with IFA ‘Chicagoism’ and the Reception of Colonialism, Multiculturalism and Conservation Center. Work on l’Avantguarda,” Museu Picasso, (Cambridge, Mass: Harvard University alumna Susan Grace Galassi, of Goya’s Sullivan,” keynote address at the Modernity, College of Architecture reopening exhibitions. Barcelona. July 11, 2006. Press, 2006); Global Feminisms: Last Works, The Frick Collection, NYC. conference Louis Sullivan at 150, and Urban Planning Lecture Series, Committees: AIC Awards Committee, New Directions in Contemporary Art. Chicago History Museum, Chicago, University of Washington, Seattle, the Editorial Board of Reviews in Ed. with Maura Reilly. Exhibition 13-15 October 2006; “Manfredo 3 March 2006; Metropolitan Planning Conservation; Supervision of Clemente Marconi catalogue (Brooklyn, NY: Brooklyn Jean-Louis Cohen Tafuri and the Russian Avant-Garde,” and Suburban Revolt in Paris, Center conservation students at Villa La Museum, and London: Merrell, 2007); paper at the conference The Critical for European Studies, Harvard Pietra during summers, and New Position: James McCredie Courbet (London: Thames & Publications: Above Paris, the Aerial Legacies of Manfredo Tafuri, GSAPP, University, 16 February 2006. surveying of the works on paper Professor at the Institute of Fine Arts Hudson, forthcoming 2007) Survey of Roger Henrard, New York, Columbia University, Irwin S. Chanin in the Acton collection. Publications: Temple Decoration and Articles: “Cecily Brown: The Erotics Princeton Architectural Press (2006); School of Architecture, Cooper Union, Liquid Stone, New Architecture in New York, 20-21 April 2006; “Modern Concrete, New York, Princeton Architecture and its Preservation in Architectural Press (2006); “La Villa Casablanca,” paper at the conference Oro, o tre miti moderni,” in Alfredo Heritage at Risk, Preservation of 20th

24 25 FACULTY NEWS FACULTY NEWS CONTINUED

24 25 FACULTY NEWS CONTINUED FACULTY NEWS CONTINUED

of Touch” in Cecily Brown, exh. cat. Z. Hawass, S. Bedier, K. Daoud, eds., Dickmann, K.; Hettinger, G.; Staatliche Museen zu Berlin, Germany Art Museum, 2006; “Fernando Botero: Society of America in San Francisco, (Des Moines, Iowa: Des Moines Art Studies in Honor of Ali Radwan, Annales Bornschein, F.: Comparison of (4-5th September 2006); Römich, H.: Critical Strategies” in exhibition February, March 2006. Chair and Center, 2006); “Unholy Postures: Kiki du Service des Antiquités de l’Egypte, Cleaning Methods for Stained Glass Challenges in glass conservation and catalogue The Baroque World of commentator at the International Smith and the Body” in Kiki Smith: Cahier 34 (Cairo: SCA, 2006) Windows LACONA V Proceedings, analytical approaches. “New lights on Fernando Botero (New Haven: Yale Interdisciplinary Conference of the A Gathering, 1980-2005, exhibition Excavation and conservation work: Lasers in the Conservation of ancient materials”, European training University Press and Arts International, Society for Textual Scholarship catalog (Minneapolis: Walker Art Center, Abydos, Egypt (recently reported on Artworks, Springer-Verlag Berlin, school on the analysis of ancient 2007); “The Black Hand: Notes on (March, April 2007); Chair, organizer 2006); “Women Artists Then and Now: in the New York Times; Science Heidelberg (2005), eds.: K. Dickmann, artefacts using synchrotron radiation, the African Presence in the Colonial and commentator on two sessions on Painting, Sculpture and the Image Times, Jan. 9, 2007) with Matthew C. Fotakis, J. Asmus (ISBN 3-540- Synchroton SOLEIL, Saint-Aubin, Arts of Brazil & the Caribbean” in “Art North and South of the Alps of the Self,” in Global Feminisms: Adams as Associate Director. 22996-5); Römich, H.: “Glass and France, 14 (March 2007). exhibition catalogue the Arts of Latin around 1500” for the Renaissance New Directions in Contemporary Art, Ceramcis.” Chapter 7 for the book Member of the organizing committee America 1492-1820 (Philadelphia: Society of America (Spring 2007). exhibition catalog, ed. Linda Nochlin Hannelore Römich ConservationScience – Heritage for conferences: Experts meeting on Philadelphia Museum of Art, 2006). Summer research projects: Work on and Maura Reilly (Brooklyn, NY: Materials (eds E. May and M. Jones), enamel conservation Château de the conservation of Michelangelo’s Brooklyn Museum, 2007). Publications: M. Bacci, C. Cucci, the Royal Society of Chemistry Germolles, France (1-2 July 2006); Pauline Chapel in the Vatican; Talks: “Pissarro, Cezanne and the S. Gerlach, H. Römich, A.-L. Dupont, Publishing, Cambridge, UK (2006); European forum on nanosciences: a Kathleen Weil-Garris Brandt research in Italy, Germany and Eternal Feminine,” Museum of B. Lavedrine, G. Martin,”Un Sistema Gerlach, S., Römich, H., Lopez, E., converging approach across disciplines, England (2005); work at the Vatican Modern Art, New York, July 2005; per la Segnalazione Precoce del Danno Zanini, F., Mancini, L., Rigon, L.: Brussels, 19-(20 October 2006); Talks: “Imaging Technologies in the in Rome; research in Florence and “Courbet and his Territory: How Fotoindotto in Ambiente Museale,” Phase contrast microtomography for Past – present – prediction: about Light of Editorial Theory” at the Munich (2006). Landscape Means,” Los Angeles, LUCE 43/1 (2005); Kostka-Rick, archaeological glasses. In “COST simulation techniques, dosimeters, Annual meeting of the Society for Boards and Committees: Board of Getty Museum, July 2006;” R., Hahn, H.-U., Römich, H., Action G8 – Non-destructive testing sensors in conservation research and Textual Scholarship, New York, 2005; the Society for Textual Scholarship; Dislocating Tradition: Contemporary “Glassensoren zur Erfassung and analysis of museum objects,” application, Ohrid, Former Yugoslav “Leonardo and Michelangelo’s Use of work for Vassar on the Board of the Women Artists, Painting and umweltbedingter Korrosionspotenziale,” Fraunhofer IRB Verlag, Stuttgart, Republic of Macedonia (FYROM), sculptural models in the composition Friends of the Frances Lehmann Sculpture,” the Courtauld Institute, 34. Tagungsband der Gesellschaft für Germany (2006). (31 May - 2 June 2007); The 41st of paintings” at a University of Loeb Art Center. London, 2006; Moderator, Symposium Umweltsimulation (GUS) 02. – 04. Presentations: Römich, H.: World Chemistry Congress, session 3 Pennsylvania conference on the murals Fellowships: Fellow at NYU’s The New Woman, International Center März 2005 (Pfinztal bei Karlsruhe: Archaeological glass: degradation “chemistry protecting cultural heritage”, designed by Leonardo and Michelangelo Remarque Institute (January to June of Photography, New York, January, Fraunhofer ICT, 2005); M Bacci, phenomena and conservation Turin, Italy (5-11th August 2007). for the Palazzo della Signoria, Florence, 2006) to work on implications of 2007; Respondent, Lecture, “Feminist C. Cucci, A.-L. Dupont, B. Lavedrine, challenges. Special project week April 2005; “The Body as ‘Vera recent developments in neuro-imaging Futures, Past and Present,” Feminist L. Loisel, S. Gerlach, H.B. Römich, “Archeologie” at the Hogeschool Effigies’ in Michelangelo’s art: the for spectator responses to ‘art works’. Futures Symposium, Museum of G. Martin, “LightCheck: new disposable Antwerp, Belgium (28. January 2005); Edward J. Sullivan Minerva Christ,” in the Vatican With the Mellon Foundation examining Modern Art, New York, January, 2007; indicators for monitoring lighting Römich, H.: Potential for interdisciplinary Library’s Studi e Testi series (2006). Ghiberti’s newly cleaned ‘Gates of Respondent, CAA Session Now Really: conditions in museums,” Proc., research. COST and cultural heritage: Publications: The Language of Objects Chair and discussant at the Washington Paradise’ in Florence; Judge for the Art and Theory of 19th-century Realist 14th Triennial Meeting of ICOM, crossing borders. Strategic workshop, in the Art of the Americas (London: Yale National Gallery symposium on their inaugural Mortimer Zuckerman Art, February 2007. The Hague (2005); N. Carmona, Florence, Italy (20-22 October 2005); University Press, 2007; Continental exhibition of fifteenth-century debates at NYU. M. Oujja, E. Rebollar, H. Römich, Römich, H.: Research Infrastructures Shifts: The Art of Edouard Duval sculptures from Or San Michele; Projects: Participation in a study day M. Castillejo, “Analysis of corroded meets Cultural Heritage: why and Carrie, as editor and author of main “Michelangelo’s newly cleaned Taddei on Renaissance sculpture and its David O’Connor glasses by laser induced breakdown how? “RICH (Research Infrastructures essay (Miami and Buenos Aires: Arte al Tondo” at the IFA Symposium in collectors at the Boston Museum of spectroscopy,” Spectrochimica Acta Part for cultural heritage)”, International Dia, 2007); “Lost in Translation: Juan Honor of Marilyn Lavin; “ Ghiberti’s Fine Arts, April 2007; and then it’s Publications: B 60 (2005); H. Römich, E. Lopez, workshop at the Abdus Salam Luna between Manila & Madrid” in Visual Narrative Strategies”. Session off to the Vatican and Italy again. Books: Tuthmosis III: A New Biography, F. Mees, P. Jacobs, E. Cornelis, International Centre for Theoretical exhibition catalogue Pioneers of chair at the annual meetings of the co-edited with E. Cline (Ann Arbor: D. Van Dyck, T. Domenech Carbo, Physics. Trieste, Italy, (12-13 December Philippine Art, (San Francisco: Asian CAA in Boston and the Renaissance University of Michigan Press, 2006). “Microfocus x-ray computed 2005); Römich, H., Gerlach, S., Articles/Essays: “Thutmose III: An tomography (mCT) for archaeological Dupont, A.-L., Lavedrine, B., Cucci, Enigmatic Pharaoh” in D. O’Connor glasses” in Cultural Heritage C., Bacci, M., Martin, G.: and E. Cline (eds.) Thutmose III: Conservation and Environmental Impact Development of LightCheck as a new A New Biography (Ann Arbor: Assessment by NonDestructive Testing tool for lighting control in museums University of Michigan Press, 2006); and Micro-Analysis (London: Taylor & and exhibitions. International seminar “The ownership of elite tombs at Francis Group, 2005); Römich, H.; “Impact of loan traffic on works of Saqqara in the First Dynasty,” in Mottner, P.; Hildenhagen, J.; art”, Rathgen Forschungslabor,

26 27 FACULTY NEWS CONTINUED FACULTY NEWS CONTINUED of Touch” in Cecily Brown, exh. cat. Z. Hawass, S. Bedier, K. Daoud, eds., Dickmann, K.; Hettinger, G.; Staatliche Museen zu Berlin, Germany Art Museum, 2006; “Fernando Botero: Society of America in San Francisco, (Des Moines, Iowa: Des Moines Art Studies in Honor of Ali Radwan, Annales Bornschein, F.: Comparison of (4-5th September 2006); Römich, H.: Critical Strategies” in exhibition February, March 2006. Chair and Center, 2006); “Unholy Postures: Kiki du Service des Antiquités de l’Egypte, Cleaning Methods for Stained Glass Challenges in glass conservation and catalogue The Baroque World of commentator at the International Smith and the Body” in Kiki Smith: Cahier 34 (Cairo: SCA, 2006) Windows LACONA V Proceedings, analytical approaches. “New lights on Fernando Botero (New Haven: Yale Interdisciplinary Conference of the A Gathering, 1980-2005, exhibition Excavation and conservation work: Lasers in the Conservation of ancient materials”, European training University Press and Arts International, Society for Textual Scholarship catalog (Minneapolis: Walker Art Center, Abydos, Egypt (recently reported on Artworks, Springer-Verlag Berlin, school on the analysis of ancient 2007); “The Black Hand: Notes on (March, April 2007); Chair, organizer 2006); “Women Artists Then and Now: in the New York Times; Science Heidelberg (2005), eds.: K. Dickmann, artefacts using synchrotron radiation, the African Presence in the Colonial and commentator on two sessions on Painting, Sculpture and the Image Times, Jan. 9, 2007) with Matthew C. Fotakis, J. Asmus (ISBN 3-540- Synchroton SOLEIL, Saint-Aubin, Arts of Brazil & the Caribbean” in “Art North and South of the Alps of the Self,” in Global Feminisms: Adams as Associate Director. 22996-5); Römich, H.: “Glass and France, 14 (March 2007). exhibition catalogue the Arts of Latin around 1500” for the Renaissance New Directions in Contemporary Art, Ceramcis.” Chapter 7 for the book Member of the organizing committee America 1492-1820 (Philadelphia: Society of America (Spring 2007). exhibition catalog, ed. Linda Nochlin Hannelore Römich ConservationScience – Heritage for conferences: Experts meeting on Philadelphia Museum of Art, 2006). Summer research projects: Work on and Maura Reilly (Brooklyn, NY: Materials (eds E. May and M. Jones), enamel conservation Château de the conservation of Michelangelo’s Brooklyn Museum, 2007). Publications: M. Bacci, C. Cucci, the Royal Society of Chemistry Germolles, France (1-2 July 2006); Pauline Chapel in the Vatican; Talks: “Pissarro, Cezanne and the S. Gerlach, H. Römich, A.-L. Dupont, Publishing, Cambridge, UK (2006); European forum on nanosciences: a Kathleen Weil-Garris Brandt research in Italy, Germany and Eternal Feminine,” Museum of B. Lavedrine, G. Martin,”Un Sistema Gerlach, S., Römich, H., Lopez, E., converging approach across disciplines, England (2005); work at the Vatican Modern Art, New York, July 2005; per la Segnalazione Precoce del Danno Zanini, F., Mancini, L., Rigon, L.: Brussels, 19-(20 October 2006); Talks: “Imaging Technologies in the in Rome; research in Florence and “Courbet and his Territory: How Fotoindotto in Ambiente Museale,” Phase contrast microtomography for Past – present – prediction: about Light of Editorial Theory” at the Munich (2006). Landscape Means,” Los Angeles, LUCE 43/1 (2005); Kostka-Rick, archaeological glasses. In “COST simulation techniques, dosimeters, Annual meeting of the Society for Boards and Committees: Board of Getty Museum, July 2006;” R., Hahn, H.-U., Römich, H., Action G8 – Non-destructive testing sensors in conservation research and Textual Scholarship, New York, 2005; the Society for Textual Scholarship; Dislocating Tradition: Contemporary “Glassensoren zur Erfassung and analysis of museum objects,” application, Ohrid, Former Yugoslav “Leonardo and Michelangelo’s Use of work for Vassar on the Board of the Women Artists, Painting and umweltbedingter Korrosionspotenziale,” Fraunhofer IRB Verlag, Stuttgart, Republic of Macedonia (FYROM), sculptural models in the composition Friends of the Frances Lehmann Sculpture,” the Courtauld Institute, 34. Tagungsband der Gesellschaft für Germany (2006). (31 May - 2 June 2007); The 41st of paintings” at a University of Loeb Art Center. London, 2006; Moderator, Symposium Umweltsimulation (GUS) 02. – 04. Presentations: Römich, H.: World Chemistry Congress, session 3 Pennsylvania conference on the murals Fellowships: Fellow at NYU’s The New Woman, International Center März 2005 (Pfinztal bei Karlsruhe: Archaeological glass: degradation “chemistry protecting cultural heritage”, designed by Leonardo and Michelangelo Remarque Institute (January to June of Photography, New York, January, Fraunhofer ICT, 2005); M Bacci, phenomena and conservation Turin, Italy (5-11th August 2007). for the Palazzo della Signoria, Florence, 2006) to work on implications of 2007; Respondent, Lecture, “Feminist C. Cucci, A.-L. Dupont, B. Lavedrine, challenges. Special project week April 2005; “The Body as ‘Vera recent developments in neuro-imaging Futures, Past and Present,” Feminist L. Loisel, S. Gerlach, H.B. Römich, “Archeologie” at the Hogeschool Effigies’ in Michelangelo’s art: the for spectator responses to ‘art works’. Futures Symposium, Museum of G. Martin, “LightCheck: new disposable Antwerp, Belgium (28. January 2005); Edward J. Sullivan Minerva Christ,” in the Vatican With the Mellon Foundation examining Modern Art, New York, January, 2007; indicators for monitoring lighting Römich, H.: Potential for interdisciplinary Library’s Studi e Testi series (2006). Ghiberti’s newly cleaned ‘Gates of Respondent, CAA Session Now Really: conditions in museums,” Proc., research. COST and cultural heritage: Publications: The Language of Objects Chair and discussant at the Washington Paradise’ in Florence; Judge for the Art and Theory of 19th-century Realist 14th Triennial Meeting of ICOM, crossing borders. Strategic workshop, in the Art of the Americas (London: Yale National Gallery symposium on their inaugural Mortimer Zuckerman Art, February 2007. The Hague (2005); N. Carmona, Florence, Italy (20-22 October 2005); University Press, 2007; Continental exhibition of fifteenth-century debates at NYU. M. Oujja, E. Rebollar, H. Römich, Römich, H.: Research Infrastructures Shifts: The Art of Edouard Duval sculptures from Or San Michele; Projects: Participation in a study day M. Castillejo, “Analysis of corroded meets Cultural Heritage: why and Carrie, as editor and author of main “Michelangelo’s newly cleaned Taddei on Renaissance sculpture and its David O’Connor glasses by laser induced breakdown how? “RICH (Research Infrastructures essay (Miami and Buenos Aires: Arte al Tondo” at the IFA Symposium in collectors at the Boston Museum of spectroscopy,” Spectrochimica Acta Part for cultural heritage)”, International Dia, 2007); “Lost in Translation: Juan Honor of Marilyn Lavin; “ Ghiberti’s Fine Arts, April 2007; and then it’s Publications: B 60 (2005); H. Römich, E. Lopez, workshop at the Abdus Salam Luna between Manila & Madrid” in Visual Narrative Strategies”. Session off to the Vatican and Italy again. Books: Tuthmosis III: A New Biography, F. Mees, P. Jacobs, E. Cornelis, International Centre for Theoretical exhibition catalogue Pioneers of chair at the annual meetings of the co-edited with E. Cline (Ann Arbor: D. Van Dyck, T. Domenech Carbo, Physics. Trieste, Italy, (12-13 December Philippine Art, (San Francisco: Asian CAA in Boston and the Renaissance University of Michigan Press, 2006). “Microfocus x-ray computed 2005); Römich, H., Gerlach, S., Articles/Essays: “Thutmose III: An tomography (mCT) for archaeological Dupont, A.-L., Lavedrine, B., Cucci, Enigmatic Pharaoh” in D. O’Connor glasses” in Cultural Heritage C., Bacci, M., Martin, G.: and E. Cline (eds.) Thutmose III: Conservation and Environmental Impact Development of LightCheck as a new A New Biography (Ann Arbor: Assessment by NonDestructive Testing tool for lighting control in museums University of Michigan Press, 2006); and Micro-Analysis (London: Taylor & and exhibitions. International seminar “The ownership of elite tombs at Francis Group, 2005); Römich, H.; “Impact of loan traffic on works of Saqqara in the First Dynasty,” in Mottner, P.; Hildenhagen, J.; art”, Rathgen Forschungslabor,

26 27 ALUMNI NEWS ALUMNI NEWS CONTINUED

Jan Ernst Adlmann Miriam Basilio Visual Culture, Tourism and Cultural and the Modern Life of the Soul, Rob Chirico sculpture en Occident: Etudes offertes a M.A. 1965 M.A. 1995, Ph.D. 2002 Identity Construction from 1898 to exhibition catalog, New York: Publications: Field Guide to Cocktails Jean-René Gaborit, (Paris: Musée Awards: Artist in residence at Vienna’s Position: Assistant Professor/Faculty the 1960’s Boom,” workshop organized Museum of Modern Art (2006), (Quirk/Chronicle, 2005); “More than du Louvre, 2006). “Museum Quarter,” Leopold Ludwig Fellow, Program in Museum Studies, by Prof. Estrella de Diego, Art History in Livskraft: Vitalismen som kunstnerisk Meets the Bun,” Gastronomica Exhibitions and installations: Modern Art and Kunsthalle Museums; New York University, Graduate School Department, Universidad Complutense, impuls 1900-1939, exhibition catalog, (spring 2006). Reinstallation and reinterpretation of Knight’s Cross, First Class, from the of Arts and Science Madrid, 2006); “Goya at War: Oslo: Munch Museum (2006), Francis M. Celentano European galleries, Detroit Institute Republic of Austria for furtherance of Publications: “Esto lo vió Goya, esto Historical Memory, Propaganda and in New Perspectives on Edvard Munch, Exhibitions: Columbus Museum of Arts, 2003-07 (re-opening scheduled Austrian art in the United States. lo vemos nosotros: Goya en la Guerra Visual Culture,” Border Zones: Oslo: Unipub (2006). of Art (Columbus, Ohio, 2007); for November, 2007); reinstallation Civil Española,” Actas (forthcoming, Art History in an Age of Visual Culture Fellowships: Fulbright Foundation; Jacobson Howard Gallery (New York, and interpretation of medieval through Madrid: Museo Nacional Centro de symposium, 2006, New York University; American Philosophical Society. 2007); Laura Russo Gallery (Portland, 19th-century European sculpture, Jennifer L. Ball Arte Reina Sofía, 2007); “Catalans! “Catalans! Catalunya: Posters and Oregon, September 2007). decorative arts and textiles; “Camille Publications: “A Double-Headed Catalunya: Posters and Propaganda in Propaganda in Catalonia during the Claudel and Rodin: Fateful Encounter,” Eagle-Embroidery: From Battlefield Catalonia During the Spanish Civil Spanish Civil War,” College Art Arthur R. Blumenthal The Detroit Institute of Arts, The Musée to Altar,” The Metropolitan Museum of War,” in W. H. Robinson, J. Falgàs, Association Conference, Boston, 2006. M.A. 1966, Mus.Trg. 1968, Claude Cernuschi National des Beaux-arts du Quebec, Art Bulletin, 41 (2006). and C. Belen Lord, eds., Barcelona & Ph.D.1984 Publications: “Freudian Themes in Fondation Pierre Gianadda, Martigny, Modernity: Gaudí, Picasso, Miró, Dalí Kim de Beaumont Position: Director, Cornell Fine Arts the Symbolist Work of George (May 2005 - June 2006). William Barcham (New Haven and London: Yale New Position: Guest curator (May 2005 Museum, Rollins College, Winter Minne,” in Jeffery Howe, ed., A New Talks: “Donatello and Terracotta Talks: “Rosalba Carriera e Anton University Press, 2006); “Field Notes through December 2007), The Frick Park, Florida Key: Modern Belgian Art from the Sculpture in the Italian Renaissance”, Maria Zanetti,” to be delivered at the from a ‘Native Informant’,” in None of Collection, for the exhibition Gabriel Projects: Member of scholarly Simon Collection (McMullen Museum Kimbell Art Museum, Fort Worth, International Congress on Rosalba the Above, Contemporary Work by de Saint-Aubin (1724-1780), The Frick committee organizing an exhibition of Art, Boston College, 2007); “Adolf (December, 2006); “The Collection Carriera, Giorgio Cini Foundation, Puerto Rican Artists (Hartford: Real Art Collection, October 30, 2007 through at the Uffizi on Cosimo Rosselli. Loos, Alois Riegl, and the Debate on of Early Doccia Porcelain Sculpture Venice, April 2007, in conjunction Ways in collaboration with the January 27, 2008 and the Musée du Awards: Petters International Initiative Ornament in Vienna 1900,” in Sheila from the Detroit Institute of Arts: with the 250th Commemoration of Museo de Arte de Puerto Rico, 2005); Louvre, February 27, 2008 through Grant for research on Francesco de Blair and Jonathan Bloom, eds., Sources, Context and Influence,” Rosalba’s Death in 1757. “The Alcazar of Toledo: Ritual, May 26, 2008. Mura for an exhibition at the Ringling Cosmophilia: Islamic Art from the Baroque Luxury Porcelain International Publications: “Bernardino da Feltre, Tourism and Propaganda in Franco’s Projects: Lecture and international Museum in Sarasota, Florida in 2007; David Collection (Chestnut Hill: Conference, Liechtenstein Museum, the Monte di Pietà and the Man of Spain, 1936-1940,” Architecture and symposium at The Frick Collection in Award from Rollins College for McMullen Museum of Art, 2006). Vienna, Austria, (January, 2006); Sorrows: Activist, Microcredt and Logo,” Tourism: Spectacle, Performance and conjunction with the above exhibition. Outstanding Service to the Central Talks: “Adolf Loos, Alois Riegl, and “Camille Claudel and Rodin: (co-authored with C. Puglisi), Artibus et Space, D. Medina Lasansky, B. Publications: “Poussin’s Holy Family on Florida Community. the Debate on Ornament in Vienna Fateful Encounter,” Palm Beach Historiae (forthcoming, 2007). McLaren, eds. (Oxford: Berg, 2004; the Steps,” in Masterpieces of European Publications: Loving Art: A Path to 1900,” McMullen Museum, Boston International Art Fair and Conference, Exhibitions: Member of organizing Barcelona: Gustavo Gili, 2006). Painting from The Cleveland Museum of Astonishing Pleasures, with Karen Love College (Fall 2006); “The Subversion Palm Beach, Florida (February, 2006); committee, 2006-2007, for The Talks: “Latin American Art in MoMA’s Art (New York: The Frick Collection, Blumenthal (forthcoming, 2008-09). of Gravity in Jackson Pollock’s “Twenty-Five Years of Collecting Splendor of Venice exhibition to be Permanent Collection Galleries: Alfred November, 2006 to January, 2007); Abstractions,” College Art Association European Ceramics at the Detroit held in Beijing, China, 2008. H. Barr’s Installations, 1943-1955” entries and biographical essay for Annual Conference, Boston (Spring 2006). Institute of Arts,” International (forthcoming, 2007, University of Gabriel de Saint-Aubin (1724-1780) Lisa R. Brody Ceramics Conference, London Illinois, Urbana-Champlaign School exhibition catalogue. Publications: Aphrodisias III: (June, 2006); “Reconsidering Italian Beryl Barr-Sharra of Art and Design); “Esto lo vió Goya, The Aphrodite of Aphrodisias Alan P. Darr, Sources for Pietro Torrigiani’s Publications: The Derveni Krater: esto lo vemos nosotros: Goya en la (Mainz: Philipp von Zabern, 2007). M.A. 1975, Ph.D. 1980 Sculpture in England in the Early Masterpieces of Classical Greek Guerra Civil Española.” in Magazines, Patricia G. Berman Position: DIA organizing curator Sixteenth Century,” in “The Migration Metalwork, (Princeton: The American Modernity and War symposium, Museo Ph.D. 1989 and member of the international of the Italian Renaissance to School of Classical Studies at Athens, Nacional Centro de Arte Reina Sofía, Position: On sabbatical from Monica (Ziskind) Case Scientific Committee England in the 16th century” session, forthcoming 2007). Madrid, 2006; “Ritual, Tourism and Wellesley College, visiting scholar New Position: Senior Project Publications: “Two newly acquired Renaissance Society of America Annual Awards: Grant from the National Propaganda During the Spanish Civil at the University of Oslo. Specialist for Communication, sculptures by Rude and Rodin in Meeting, Cambridge University, Endowment of the Humanities. War,” in “Spanishness” as Masquerade: Publications: Several Essays in Munch the Getty Foundation. the Detroit Institute of Arts,” in La England (April, 2005).

28 29 ALUMNI NEWS ALUMNI NEWS CONTINUED

28 29 ALUMNI NEWS CONTINUED ALUMNI NEWS CONTINUED

Andria Derstine Sheila Dillon Parma, London, Lisbon and Berlin. Bolívar, Spring 2007); “ÅgCubism” Common Ground: Archaeology, Art, Darboven’s Hommage à Picasso,” M.A. 1996, Ph.D. 2004 New Position: Andrew W. Mellon Talks: On Arts of Asia: 1500-1900, and “Impressionism,” Encyclopedia Science, and Humanities, Proceedings Hanne Darboven: Hommage à Picasso, Position: Curator of Western Art, Assistant Professor of Art, Art History Victoria and Albert Museum; on of the Modern World (Oxford of the XVIth International Congress exhibition catalogue, Ostfildern Allen Memorial Art Museum, Oberlin & Visual Studies, Duke University, Classical and Decorative Arts of the University Press, 2008). of Classical Archaeology, Boston and New York: Hatje Cantz College (Oberlin, OH), July 2006. Durham, NC, 2006-2007. Islamic World, British Museum. Talks: “The Polarization of American (August 2003), (Oxford: Oxbow, 2006; Verlag and Solomon R. Guggenheim Publications: “Louis XV (1710-1774),” Publications: Ancient Greek Portrait Modernism at the ‘American Art Today’ “Collecting Antiquities in America,” Foundation (2006). in Great Lives from History: The Sculpture: Contexts, Subjects, and Styles, Carina Fryklund Exhibition at the 1939 New York with Marie Svoboda and Richard Eighteenth Century, 1701-1800 (Cambridge University Press, 2006); M.A.1985, Ph.D. 2000 World’s Fair,” College Art Association, Newman, Rupert Wace Ancient Art (Salem Press, May 2006); review of Representations of War in Ancient Rome, New Position: Research Curator, NY (2007); “From Matta to Gego: (London: Herbert Marcuson, 2005; Margaret Iacono exhibition Canaletto in England: edited with Katherine Welch, the National Museum of Fine Arts, Modes of Abstraction in Latin America,” “The Sphinx: Sculpture as a New Position: Assistant Curator, A Venetian Artist Abroad, 1746-1755, (Cambridge University Press, 2006). Stockholm, a position instituted by Art Museum of the Americas, Theological Symbol in Plutarch and The Frick Collection Yale Center for British Art, New Talks: “Women as Subject and the Swedish Royal Academy of Letters, Organization of American States (2006). Clement of Alexandria,” Anthony Haven, CT, (October-December 2006) Object,” the Norwegian Institute, History, and Antiquities. Hilhorst and George H. van Kooten Anna Indych-López and Dulwich Picture Gallery, London, Rome, (June 2007); “Portraits as Publications: Forthcoming: Catalogue (eds.), The Wisdom of Egypt: Jewish, Publications: “‘None of Those Little (January-April 2007), The Burlington Exchange: Women and the System raisonné of the Flemish 17th-century Ellen Schwartz Harris Early Christian and Gnostic Essays in Donkeys for Me’: Tamayo, Cultural Magazine, (February 2007). of Statuary Honors in Ancient paintings in the collection; catalogue New Position: Executive Director, Honour of Gerard P. Luttikhuizen Prestige, and Perceptions of Modern Exhibitions: New Frontiers: American Greece,” Columbia University’s of 15th-17th Netherlandish Master Aperture Foundation, NYC, non- (Leiden: Brill, 2005, co-authored Mexican Art in the United States,” Art Since 1945, Allen Memorial Art Center for the Ancient Mediterranean, drawings in the collection, in profit organization dedicated to with Annewiesvan den Hoek. Tamayo: A Modern Icon Reinterpreted, Museum, Oberlin College, (August- New York, (April 20th 2007). collaboration with Dr. Börje Magnusson, furthering fine art photography. Talks: “Epic Warfare and Greek exhibition catalogue, Santa Barbara December 2006); Greek, Cypriot, former Head of the Department of Vase-painting,” at the symposium Museum of Art, (2007); “Between the Etruscan and Roman Art from the Leslie M. Freudenheim Prints and Drawings. The Art of Warfare, Michael C. National and Transnational: Aspects of AMAM’s Collection, Allen Memorial Talks: “Building with Nature,” Exhibitions: On the two known John J. Herrmann, Jr. Carlos Museum, Emory University, Exhibiting Modern and Contemporary Art Museum, Oberlin College, Graduate Theological Union, Berkeley, versions of Anthony van Dyck’s New position: The John F. Cogan, Jr. January 26-27, 2007 Mexican Art at the Americas Society,” (March 2007-ongoing); installation California, February 22nd 2007; “St. Jerome with an Angel” scheduled and Mary L. Cornille Curator of A Principality of its Own: Forty Years of of three exhibitions: The Cultured Alameda Museum, Alameda, for the fall of 2008, in collaboration Classical Art, Emeritus. Visual Arts at the Americas Society, eds. Landscape in China and Japan, Ca: March 29th 2007; Yosemite with the Museum Boijmans-van Exhibitions: “Games for the Gods: Valerie Hillings Gabriela Rangel and José Luis Falconi, Expressions of the Literati in Suzhou Association meeting, Yosemite Valley, Beuningen, Rotterdam. The Greek Athlete and the Olympic Exhibitions: “Hanne Darboven: Americas Society, distributed by and Illuminated Manuscripts from March 31st 2007; Oakland Heritage Spirit,” Museum of Fine Arts, Boston Hommage à Picasso,” Deutsche Harvard University Press (2006); the 13th through 16th Centuries, Alliance, Chapel of the Chimes, (2004), co-authored with Christine Guggenheim, Berlin, February 2006; “Mexican Curios: Rivera, Orozco, Allen Memorial Art Museum, Oakland, April 12th 2007. Michele Greet Kondoleon, with contributions by “RUSSIA!,” Guggenheim Museum Siqueiros and The Mexican Arts Oberlin College, (February-June 2007). Awards and honors: Hazel Junior Bill Littlefield and Lisa Buboltz. Bilbao, March 2006; “The Guggenheim Exhibition of 1930-32,” Latin Talks: “Piranesi and Vedute in Faculty Award, George Mason Grants: Grants from the American Collection,” Kunst-und American Essays, MACLAS (Middle 18th-century Rome,” Grinnell College, Aimée Froom University, (Fall 2007); Summer Institute of Maghreb Studies and the Ausstellungshalle, Bonn, July 2006; Atlantic Council of Latin American Grinnell, Iowa, (February 2007). Publications: “Adorned Like a Rose: Research Funding, George Mason Samuel H. Kress Foundation for Upcoming: “Guggenheim Collection: Studies) XIX (Summer 2006); the Persian Connection in the Muraqqa University (2007); Alan and Gwen research in Algeria have been awarded 1940s to Now,” National Gallery of “Between Worlds: Anita Brenner, for the Ottoman Sultan Murad III Nelson Award, George Mason jointly to Annewies van den Hoek, Victoria, Melbourne, June 2007. Transcultural Identity, and Mexican Stephanie S. Dickey (Austrian National Library, Cod. University (2006). Harvard Divinity School for research Publications: “Die Geografie Der Art in New York,” Anita Brenner: Ph.D. 1994 Mixt. 313)” Artibus Asiae (2007); Publications: “Transatlantic Encounters: in Algeria on Roman marble trade, Zusammenarbeit: Zero, Nouvelle Visión de una época, Mexico: Editorial New Position: Bader Chair in “A Kaleidoscope of Colours: Ceramics of Latin American Artists in Paris in the sculpture and architectural decoration. Tendance, und das Gruppenphänomen RM, (2007). Northern Baroque Art, Queen’s the Islamic World,” Transactions of the 1920s,” Global Studies Review (Fall 2006); Publications: “Koronis in Greek Vase der Nachkriegzeit,” in ZERO Zone, Awards: James Street Prize for best University, Kingston, Ontario. Oriental Ceramic Society (2006-2007); Pintar la nación indígena como una Painting,” “The Interpretation and exhibition catalogue, Ostfildern and article; “Mural Gambits: Mexican Publications: Rembrandt Face to Splendours at Court, catalogue, estrategia modernista en la obra de Conservation of a Roman Marble Düsseldorf: Hatje Kantz Verlag Muralism in the United States and Face, (Indianapolis: Indianapolis in conjunction with the Aga Khan Eduardo Kingman,” Revista de Historia Mythological Relief,” C. Mattusch, and Museum Kunst Palast (2006); the ‘Portable’ Fresco’ ,” Art Bulletin, Museum of Art, 2006). Museum, of exhibition shown in Procesos (Universidad Andina Simón A. Donohue, and A. Brauer (eds.) “A Portrait of the Artists; Hanne (June 2007); Wegman Brothers Faculty

30 31 ALUMNI NEWS CONTINUED ALUMNI NEWS CONTINUED

Fellow, 2006-2007; PSC-CUNY 37 journal of the Koussevitzky Recordings Projects: Research related to Session, “Does the Art World Have Emerging Scholars Travel Stipend, for Talks: A paper based on the above Research Award; 2006-2007; Jean Society, Inc. 2006. Jan van Eyck and his followers. a Political Bias?,” College Art Society of Architectural Historians book was delivered at the session on Charlot Foundation Fellowship, Exhibitions: Curator, Photographs Lecturing for the Eldridge Street Association (2007). 59th Annual Meeting, Savannah, GA; “The Unethical Art Museum” at the 2006-2007; President’s Professional by Charles Henri Ford, Fred Jones Jr. Project and other audiences, and Faculty Fellowship Publications 2007 CAA conference in New York. Development Award, CCNY, 2006. Museum of Art, University benefiting from a sabbatical. Program, Humanities Group, of Oklahoma, Norman Barbara Larson Office of Compliance and Diversity, (Oct. 14-Dec. 31, 2006). New position: Associate Professor CUNY (2005-2006). Meghan Thumm Mackey Victoria Jensen Talks: “Degas: His Artistic Genius,” Susan L’Engle of Art History, University of Talks: “Claiming a City Corner: New position: Recently opened a Projects: Researching the career of Del Mar College, Corpus Christi, Publications: “Outside the Canon: West Florida. The Medieval Transformation of Piazza private Art Conservation studio in NYC ceramist Carol Janeway Texas, (2006). Graphic and Pictorial Digressions by Publications: The Dark Side of Sant’Apollinare, Florence,” Panel: Middleton, Wisconsin with a specialty (1913-1989) and seeking to locate Awards: Listed in 2006 Marquis Artists and Scribes,” Tributes to Nature: Science, Society and the “Spatial Negotiation in Medieval and in Objects Conservation. Clients Janeway’s work as well as any anecdotes. Who’s Who in the World. Jonathan J.G. Alexander: The Making Fantastic in the Work of Odilon Renaissance Cities, 1200-1600. include private collectors, museums Photography: The Andy Warhol and Meaning of Illuminated Medieval Redon (Penn State Press, 2005); and art foundations. All fellow alumni Museum; Photography acquired in & Renaissance Manuscripts, Art & “The Artist as Ethnographer: Cordier Roger Lipsey are invited to visit or inquire at Patricia Eichenbaum Karetzky 2006 by: Beinecke Rare Book and Architecture, ed. Susan L’Engle and and Race Theory in Mid-Nineteenth M.A., 1966; Ph.D. 1974 [email protected]. Talks: “The Image of Xian in Medieval Manuscript Library, Yale University; Gerald B. Guest (Turnhout, Harvey Century France,” The Art Bulletin Publications: Angelic Mistakes: Chinese Art,” Taoist Conference, The Harry Ransom Center for the Miller: Brepols, 2006); book review: (2005); “From Botany to Belief: The Art of Thomas Merton Zhejiang University, Hangzhou, Humanities, University of Texas at Marta Madero, Tabula picta: La peinture Odilon Redon and Armand Clavaud,” (Shambhala/New Seeds), followed up Roxana Marcoci (May 2005); “The Transformation of Austin; The State Art Collection of et l’écriture dans le droit medieva, (Paris, Odilon Redon: Wie im Traum, with two articles around the same New position: Curator, Department Xuanwu, Guardian of the North,” Oklahoma, Oklahoma City; Photograph Éditions de l’École des Hautes Études exhibition catalogue, Schirn material, one of which appeared in of Photography, The Museum of Third International Conference on of Harold Stevenson published in en Sciences Sociales, 2004), Speculum Kunsthalle, Frankfurt (2007); the most recent Merton Annual; the Modern Art Daoism and the Contemporary Michael Duncan’s High Drama: Eugene 81 (2006); book review: Andrew H. “Mapping the Body and Brain: second is to appear later this year in a Exhibitions: New Photography 2006: World, Frauenwörth Monastery, near Berman and the Legacy of the Melancholic Hershey, Drawings and Sketches in the Rodin and Localization Theory,” volume on Merton and Buddhism Jonathan Monk, Barbara Probst, Munich, Germany, (May 2006). Sublime, McNay Art Museum and Plea Rolls of the English Royal Courts Revue d’art canadienne, forthcoming. Exhibitions: Co-curator in 2004 of Jules Spinatsch (2006), MoMA. Publications: “Time and Hudson Hills Press (2005). c. 1200-1300, List and Index Society Awards: National Endowment for The Invisible Thread: Buddhist Spirit Thomas Demand (2005), MoMA; Biochronology in the Work of Chen Special Series Volume 31, 2002. the Humanities summer stipend to in Contemporary Art, at Snug Harbor Projects 82: Mark Dion Rescue Lingyang,” Paradoxa (London) vol. 15 Studies in Iconography 26 (2005). research Monet’s cathedrals (2006). Cultural Center. Archaeology (2005), MoMA. (2005); “Portrait of a Beijing Artist: Rachel Kousser Talks: Fourteenth-century Illumination Conferences: Chair, International Talks: March 2007 participated in a Co-curated (with Klaus Biesenbach) Yang Jinsong,” Eastern Art, issue 49, New position: Assistant Professor, in Northern Italy: Pictorial Narrative symposium,”Darwinism and its panel at the Rubin Museum of Art Worlds and Views: Contemporary Art (2005); “Zhang Dali: The Face of Brooklyn College and at the CUNY and the Depiction of Daily Life, Center Discontents,” New York, (2006). for the opening of The Missing Peace: from the Collection (2006), MoMA. China,” Yishu, ( December 2005); Graduate Center. for Theoretical Study, Charles Artists Consider the Dalai Lama. Comic Abstraction: Image-Breaking, “The Origins and Evolution of Publications: “Hellenistic and Roman University, Prague (2006); Moderator Projects: a book on the mind and Image-Making; and Projects 83: Portrayals of the Death of the Buddha ideal sculpture: The Allure of the for the session “Deciphering Gestures Anne Leader methods of Dag Hammarskjold, under Dan Perjovschi, both opening at in India,” Oriental Art , vol. LV, (2006). Classical,” Cambridge University Press, in Visual Images;” International Ph.D. 2000 the working title Mr. Hammarskjold: MoMA in 2007. forthcoming. Medieval Congress, University of Publications: “Michelangelo’s Last The Spirit in Public Life. Awards: Postdoctoral fellowship at Leeds, England and presented paper Judgment: The Culmination of Papal Victor Koshkin-Youritzin the German Archaeological Institute, All the Court’s a Stage: Acting out Propaganda in the Sistine Chapel,” Anna Marguerite McCann M.A. 1965 Berlin, for research on iconoclasm the Law in the session “Emotion Studies in Iconography 27 (2006); Alisa Luxenberg Talks: June 2006 and June 2007: Position: Vice-President, Koussevitzky in the ancient world. and the Law.” “1814: Goya Paints Third of May Ph.D. 1991 lectures for the Summer School in Recordings Society,Inc. 1808: Execution of the Citizens of Position: Associate Professor of Art Roman Pottery in honor of the Publications: Exhibition catalogue, Madrid,”; “1863: Salon des Refusés,” History, University of Georgia late Prof. Howard Comfort at the Photographs by Charles Henri Ford, Carol Herselle Krinsky Stephen Lamia Great Events from History: The 19th Publications: The Galerie Espagnole American Academy in Rome: The Fred Jones Jr. Museum of Art, Talks: Architecture and Engineering Exhibition: “Milton Resnick: The Century, 1801-1900., 4 vols., ed. John and the Museo Nacional: Saving Spanish “Trade and Roman Pottery” and University of Oklahoma, Norman, college, Madurai; Architecture School, Life of Paint” October, The Anthony Powell, Pasadena: Salem Press (2006). Art, or The Politics of Patrimony “The Roman Port and Fishery of (2006); “Memories of Koussevitzky: Kazan, Tatarstan (Russia); Eldridge Giordano Gallery, Dowling College. Awards: Scott Opler Endowment for (Ashgate, 2008). Cosa;” “Underwater Archaeology: Interview with Attilio Poto,” on-line Street Project. Conferences: Co-chair, ARTspeak

32 33 ALUMNI NEWS CONTINUED ALUMNI NEWS CONTINUED

Exploring the Deep with SCUBA, Deborah M. Deliyannis, eds. (Mainz, Medieval Painting in Northern Europe: Jason Rosenfeld Publications: “Bared: The Writing and Curating an Art Quilt Exhibition: Robots and SUBS,” Kendal on the 2005) ; (with others) “L’église Notre- Technique, Analysis, Art History. M.A. 1993, Ph.D. 1999 Bear in the British Library Bohun Choices and Voices,” Kean Hudson, April, 2007. Dame de Jumièges,” Congrès Studies in Commemoration of the New Position: Associate Professor of Psalter,” in Tributes in Honor of University, 2006 Conferences: AIA meeting, San Diego, Archéologique de France, Rouen et Pays 70th Birthday of Unn Plahter, Art History (tenured) at Marymount Jonathan J. G. Alexander, Susan L’Engle Exhibitions: (as curator) Juror and 2007: Introduction for Gold Medal de Caux, 161, 2003 (2005/6) ; (with (Archetype Publications, London); Manhattan College. and Gerald Guest, eds. (Turnhout, guest curator for Surface Tension: Award for Prof. Larissa Bonfante; Jacques Le Maho) “Saint-Pierre de Nadolny, Jilleen, “‘All that’s Burnished Publications: Monograph on Millais 2006), 269-80; “Bedford in Brooklyn,” Contemporary Quilt Art, Kean “A Case Study in the Ethics of Jumièges: les vestiges préromans,” isn’t Bole’. Reflections on Medieval (Phaidon Press Ltd. Forthcoming, in Tributes in Honor of James H. University, 2006; juror for Archaeology in International Congrès Archéologique de France, Rouen Water Gilding Part 1: Early Medieval fall 2008). Marrow: Studies in Painting and Transformations 2007: Reverberations Waters,” round table discussion. et Pays de Caux, 161, 2003 (2005/6). to 1300,” pp. 148-162; Nadolny, Talks: “Degas: His Artistic Genius,” Manuscript Illumination of the Late (international art quilt exhibition). Project: Preparation of a monograph Jilleen and Roy, Ashok, “The Original Del Mar College, Corpus Christi, Middle Ages and Northern Renaissance Exhibitions and Publications: (as on the church of Nôtre-Dame at Technique of the Westminster Abbey Texas,March 23, 2006. (London, 2006), 431-40; “‘Illuminated artist) “Going Home” cyanotype quilt, Tom McDonough Jumièges with colleagues. Portrait of Richard II,” pp. 137-147, Exhibitions: Co-curator of Sir John in the British Isles’: French Influence Surface Design Journal, vol. 31, no. 1, New position: Associate Professor of both in the anthology above. Everett Millais (1829-96), retrospective and/or the Englishness of English Art, 10; solo show “Photography and Quilt Art History, Binghamton University at Tate Britain, London (September 1285-1345,” Gesta 45 (2006), 177-88. Art,” Denver National Quilt Festival, Publication: “The Beautiful Language Anita Moskowitz 2007 - January 2008), the Vincent Talks: “The Weingarten Office 2007; “Going, Going, Gone” cyanotype of My Century”: Reinventing the M.A. 1971, Ph.D. 1978 Margaret Oppenheimer van Gogh Museum, Amsterdam Lectionary and Passionale in New York quilt, New Art from an American Language of Contestation in Postwar Publications: “The case of Giovanni Publications: “The Charming (February - May 2008), the Kitakyushu and St.Petersburg,” at conference, Tradition (juried), 2007; “Boogie-down France, 1945-1968 ( MIT Press). Bastianini - II: A Hung Jury?,” artibus Spectacle of a Cadaver’: Anatomical Municipal Museum of Art, Fukuoka, “Romanesque Art and Thought in the Kitchen” cyanotype quilt, et historiae. “Monkey See Monkey Do: and Life Study by Women Artists in Japan (June - August 2008), and the Twelfth Century” in honor of Walter Transformations: Artists Working with Janson’s Leaping Monkey,” in press, Paris, 1775-1815,” Nineteenth-Century Bunkamura Museum of Art, Tokyo Cahn [IFA Ph.D.], Index of Christian Fiber (juried competition), 2006 Derek A. R. Moore Source: notes in the history of art Art Worldwide 6, no. 1 (Spring 2007). (August - October 2008). Art, Princeton University, October 2006. M.A., Ph.D. Talks: “Biography of a Research Available at: http://www.19thc-art- Project: Associate at Skidmore, Project - The ‘Other’ Italian Gothic worldwide.org/ David M. Sokol Owings & Merrill. Led the design team Sculpture,” Distinguished Lecturer, Talks: “Discovering Girodet,” Deborah Rothschild Sandra Sider Publications: Otto Neumann: His Life that has completed the master plan for Kreitman Foundation, Ben Gurion Mid-Manhattan Library, June 6, 2006. Exhibitions: “Making it New: M.A., 2004 and Work (Prologue Press, 2006). the cultural district of Saadiyat Island University in the Negev, Beer Sheva, The Art and Style of Sara and Gerald Publications: Handbook to Life in in Abu Dhabi for the Guggenheim Israel; “Pulpit and Preacher: Stage and Murphy” opens on July 8, 2007 at the Renaissance Europe (paperback edition), Foundation, integrating five major arts Performance in Late Medieval Italy,” Lisa Rafanelli Williams College Museum of Art. Oxford University Press (2007); Suzanne Stratton-Pruitt institutions and a Biennale Park into a conference on Art, Liturgy and Publications: “Seeking Truth The exhibition will travel to the Yale “Michel Alexis: Poetic Gestures,” Ph.D. 1983 new residential and mixed use district Religious Cult in Late Antiquity and Bearing Witness: The ‘Noli University Art Galleryand the Dallas essay for exhibition catalogue, Stephen Exhibitions: Collaborated with of Saadiyat Island. The exhibition and the Middle Ages, Ben Gurion Me Tangere’ and ‘Incredulity of Museum of Art. The late Robert Haller Gallery, New York, 2006; Joseph J. Rishel on the exhibition documenting the master plan and University in the Negev, Beer Sheva, Thomas’ on Tino di Camaino’s Rosenblum was a consultant and “My mother was not a quilter,” “Treasures/Tesoros/Tesouros. The Arts the concept designs for the major Israel; “Bastianini in Context: Petroni Tomb, (1315-1317),” supporter of this exhibition. IFA essay for exhibition catalogue Jean Ray in Latin America 1492-1820” that buildings by Frank Gehry, Zaha The Delight of Deception – from Comitatus 37 (2006), 32-65. graduate Dorothy Kosinski has Laury: A Life by Design, San Jose opened at the Philadelphia Museum Hadid, Jean Nouvel and Tadao Ando Michelangelo’s Amorino to Giovanni Conferences: Session Chair and contributed an essay to the catalogue Museum of Quilts and Textiles, 2006; of Art (September 20- December 31). is on display through May 2007 at Dupre’s Cofano,” Renaissance Society organizer, “The Thematization of the and NYU Professor Art History “Femmage: The Timeless Fabric Additional venues include the Antiguo the Emirates Palace Hotel, Abu Dhabi. of America annual meeting; “A Leap Senses in Sixteenth-Century European Kenneth E. Silver is also participating Collage of Miriam Schapiro,” Fiberarts, Colegio de San Ildefonso in Mexico of Imagination: Monkey See Monkey Art.” College Art Association in this project. Summer 2005 City and the Los Angeles County Do,” College Art Association 95th Annual Conference, New York, Talks: “Nativity Scenes in Venetian Museum of Art. The accompanying James Morganstern annual meeting. February 14-17, 2007. Painting, ca. 1400-ca. 1460,” catalogue, The Arts in Latin America Publications: (with Minott Kerr) Talks: “Thematizing Vision in the Lucy Freeman Sandler Renaissance Society of America 1492-1820, published by the “Reconstructing Medieval Design and Renaissance: The Case of the Ph.D. 1964 National Conference, 2007; Philadelphia Museum of Art, is Building Practices: The Evidence from Jilleen Nadolny ‘Noli Me Tangere’,” Renaissance Position: Helen Gould Sheppard “Behind the Scenes: The Making of distributed by Yale University Press; Notre-Dame at Jumièges,” Archaeology Publications: Jilleen Nadolny (ed.) Society of America Annual Professor of Art History, emerita, MetroTextural,” Museum of European Curated the exhibition “The Virgin, in Architecture: Studies in Honor of with Kaja Kollandsrud, Marie Louise Conference, San Francisco, New York University Cultures, Berlin, 2006; “Jurying Saints and Angels. South American Cecil L. Striker, Judson J. Emerick and Sauerberg and Tine Froysaker, March 23-25, 2006.

34 35 ALUMNI NEWS CONTINUED ALUMNI NEWS CONTINUED

34 35 ALUMNI NEWS CONTINUED ALUMNI DONORS

Paintings 1600-1825 from the Thoma Bill Travis Phoebe Dent Weil The Institute of Fine Arts would like to express its gratitude to all of its alumni who have made a donation during the past Collection,” organized with the Cantor Exhibitions (as artist): “Labels,” solo Workshop on Rembrandt’s painting year. We are proud to have so many devoted alumni who choose to invest in the future of the Institute. Listed below are Center for Visual Arts of Stanford show of his art photography, San materials and techniques, St. Louis alumni who have generously given $100 or more between 4/2006 and 3/2007. University. Venues: Iris & Gerald Francisco Public Library Art Museum, 2 December 2006. Cantor Center for Visual Arts, Stanford (October 2006 - January 2007); “The James M. Fitch Resident in Historic $5000 or more $200 to $499 Carolyn Loessel Connor Ronald Y. Otsuka University (9/20-12/31/2006); Tucson Intimate Portrait,” two-person show, Preservation/ Conservation at the Suzanne Deal Booth Nancy E. Ash Wanda Marie Corn Elizabeth A. Oustinoff Museum of Art (1/20-4/29/2007); Castel Gandolfo, Italy (Summer 2006). American Academy in Rome, Catherine C. Brawer Suzanne P. Fredericks Rachel Danzing Joan H. Pachner Museo de Arte de Puerto Rico, San Publications: Along the Appian Way, March-April 2007. Katherine F. Brush Patricia Mosle Friedman Emily M. Darrow Barbara J. Parker Juan (5/24-8/5/2007); University of monograph featuring his work (Rome: Talks: Lecture/workshop on the Noel S. Frackman Janne J. Gallen-Kallela-Siren Joan Udovitch Diamond Elizabeth Crawford Parker Toronto Art Center (9/4/2007-12/9/07); Mercanti Editore (December 2006). drawing and painting materials and Gerrit Lansing Gregory S. Hedberg Eugene J. Dwyer Suzanne Meek Pelzel Jack S. Blanton Museum of Art, techniques of Claude Lorrain, Clark Anna Marguerite McCann William E. Hood Carol S. Eliel Paul N. Perrot University of Texas, Austin Art Institute, Williamsburg, MA, Alexandra Munroe Michael Jacoff Christine M. Faltermeier Bridget J. Quinn (1/19-3/18/2008); Co-curated with Marina Vidas 29 April 2007. Phoebe Dent Weil Norman L. Kleeblatt Beatrice Farwell Beatrice C. Rehl William Jeffett, Curator of Exhibitions, Publications: The Christina Psalter: A Mariët Westermann Linda Konheim Kramer Roni D. Feinstein Valrae Reynolds Salvador Dalí Museum, Saint Study of the Images and Texts in a Eric Zafran Richard S. Lanier Eric M. Frank Joan T. Rosasco Petersburg, FL,”Salvador Dalí and the French Thirteenth-Century Illuminated Publications: Faith and Fantasy: $1000 to $4999 Jay A. Levenson Jasper Gaunt Enid K. Rubin Spanish Baroque: From Still Life to Manuscript, Museum Tusculanum The Art of Gustave Dore (London: Mary Braman Buchan Lucy Lim Creighton Gilbert Teresa M. Russo Velázquez.” On view February 2- (Copenhagen: University of Yale University Press, March 2007); Margaret Holben Ellis Alison Lonshein Esta S. Goldin Sofia Sanabrais June 24, 2007. Copenhagen Press, 2006); “Norway’s “Bouguereau in America: A Roller- Beatrice H. Guthrie Barbara G. Mathes Emilie E.S. Gordenker Charles C. Savage Publications: Entries and essays French Connection: The Intended Coaster Reputation,” in The Studios Patricia E. Karetzky Leatrice Mendelsohn Adina Gordon Norma H. Schlesinger for the above mentioned exhibition Reader and Subsequent Owners of the of Paris: William Bouguereau & Michele D. Marincola Christopher A. Noey Shary E. Grossman Kent John Severson catalogues. Christina Psalter,” in Tributes to His American Students (Tulsa, 2006); Miranda McClintic Judith Oppenheimer Steven R. Haas Andrew Shelton Talks: “The Virgin, Saints and Angels. Jonathan J.G. Alexander: The Making “Monet in America: A History of Charles S. Moffett Barbara E. Pollard Kathryn Moore Heleniak Sandra Carol Sider Who painted them and what were they and Meaning of Illuminated Medieval Collecting,” in Claude Monet Anne Litle Poulet Sabine Rewald Valerie Lynn Hillings Kathryn Ann Smith for?” at Stanford University 9/21/06 and Renaissance Manuscripts, Art and (1840-1926) (New York: Wildenstein Deborah M. Rothschild Allen Rosenbaum Beth L. Holman Sharon Dunlap Smith and at the Tucson Museum of Art on Architecture, Gerald B. Guest and & Co., April 2007). Lisa Anne Rotmil Julie M. Saul Anne Hoene Hoy Jack Soultanian 1/21/2007; “The Legacy of Velázquez” Susan L’Engle, eds. (London/Turnhout: Christine M. Singer Katherine A. Schwab Isabelle Hyman Mary Stofflet at the National Gallery, London Harvey Miller/Brepols Publishers, Joan Troccoli Paul E. Stanwick Carolyn Kane Elizabeth Rosen Stone (11/19/07). 2006) 203-212. Dale G. Zaklad Gertje Utley Anna D. Kartsonis Suzanne L. Stratton-Pruitt Walter Alexander Vergara Charles J. Katz Cecil L. Striker Anna Swinbourne $500 to $999 Walter M. Widrig William C. Kimmel James W. Sykes New Position: Assistant Curator of Marcia E. Brocklebank Shelley Elizabeth Zuraw Dorothy M. Kosinski Carol Forman Tabler Painting and Sculpture, The Museum Judith C. Fox Juliana Kreinik Marie C. Tanner of Modern Art. Myron Laskin $100 to $199 Albert Floyd Lattin Thelma K. Thomas Susan Douglas Marcus Brooks Adams Ursula Lee Janet Diehl Thorpe Mary B. Moore Lynne D. Ambrosini Roger William Lipsey Margaret Kelly Trombly Anne McGee Morganstern Carla Caccamise Ash Linda Lourie Deborah Lee Trupin James Morganstern Theodora Wheeler Ashmead Alisa Luxenberg Phyllis R. Tuchman Cynthia Wolk Nachmani Sussan Babaie Vivian B. Mann Emily Trevor Van Vleck Janice Carlson Oresman Mary Lee Baranger Deborah Markow Stefanie Walker Lucy Freeman Sandler Susan Johnston Barnes Jerry D. Meyer Alison E. West Stephen K. Scher Jane Rachel Becker Michael Mezzatesta Marina D. Whitman Betty Selly Smith Celia Jane Bergoffen Naomi Miller Carolyn C. Wilson Pari Stave Peter Bornstein Priscilla Elkow Muller Tom M. Wolf Claire Svetlik-Mann Mary Katherine Brantl Won Yee Ng Bonnie E. Yochelson Joannah Wilmerding Emma Bunker Andrea Spaulding Norris Eric M. Zafran Gabriella B. Canfield Jo Anne C. Olian Alice M. Zrebiec

36 37 ALUMNI NEWS CONTINUED ALUMNI DONORS

36 37 Lost IFA Alumni ANNUAL FUND FOR IFA ALUMNI

We know that all these IFA alumni are not “lost,” but we don’t know how to find them. Please, if you have contact Alumni giving has always played a vital role in supporting many areas of the Institute. With a contribution of $50 or information for someone, or at least an idea of where he or she might be, let us know how we can get them on our more, you secure a year of IFA Alumni Association membership, and enjoy access to both the IFA library and NYU’s mailing list, where they belong! Send information, no matter how scant, to the Office of Development and Public Bobst library, continued invitations to IFA events, and the annual Alumni Newsletter. Thank you in advance for your Affairs, attention Marc Cincone at [email protected] or by phone at 212/992-5812. Your help is much appreciated. support and for staying involved with your alma mater. Suzanne Stratton-Pruitt, President, IFA Alumni Association NAME: ______Allam, Ismail Hutchison, George Nogueira, Alison Manges Angevine, Olga E. Iacono, Margaret Louise Papageorgiou, Lizabeth Ward ADDRESS: ______Baharlou, Negar Jacobson, Beatrice Parker, Catherine L. Barbino, Eileen M. Janson, Anthony F. Perrins, Mabeth Manly PHONE: ______EMAIL: ______Barker, Willette S. Johnson, Christopher Phelan, Ellen I McGeehan Barton, Lucy Johnson, Nancy A. Pier, Eldredge C. AMOUNT OF GIFT: Ì $100 Ì $250 Ì$500 Ì $1,000 Ì $5,000 Ì Other $ ______Beachdel, Richard Jones, Elizabeth M. Pohle, Gabrielle Verena Berstein, Gerald Kaplan, Wanda S. Ramamrutham, Usha Ì Beyer, Barbara, Ives Kelman, Donald Roberts, Elizabeth E. DESIGNATION: Please designate my gift toward the IFA Annual Alumni Fund. (43120-10-89540) Boggild, Ingeborg P. Kim, Youngja L. Robertson, Thomas Burns Contributions to the Alumni Fund help support alumni outreach like the Walter S. Cook Lecture, Bolton-Smith, Robin L. Kinnaird, Susan B. Roth, Belinda Suzanne reunions, newsletters, as well as summer stipends for travel and research, and more. Bresky, Bernard Solman Kolm, Claude F. Rutenburg, Nina Rae Brooke, Leora Caroline Kortchmar, David Saporiti, Evanthia Ì Please designate my gift as fellowship support for IFA students. (43120-10-89540-AF001) Bruch, Bella Gisser Kortun, Vasif Karaca Schaefer, Mary Martina Contributions to the Alumni Fellowship Fund exclusively support student financial needs. Bryer, Victoria B. Kraak, Deborah E. Schifrin, Frances Raden Carter, Edwin F. Lehrer, Ruthann R. Schimmel, Julie A. PAYMENT METHOD: Ì Check enclosed (made payable to New York University) Chien, Ling-Yi Lenning, Henry Schwadron, Rita Z. Cohen, Jennifer S. Lewis, Katherine M. Schwartzbaum, Elizabeth Ì Transfer of securities (please call Kathleen Heins at 212/992-5804) Conrad, Andree Lichtenfeld, Rosalie L. Schwerzler, Regina M. Davidson, Carol F. Liebling, Roslyn B. Shapiro, Mary Ì VISA Ì MasterCard Ì AMEX Ì Discover Denmark, Roma Cohen Liebowitz, Harold Alter Sharfin, Marvin Jacob Diamant, William H. Lodge, Suzanne Shell, Janice Evans CREDIT CARD #: ______EXPIRATION DATE: ______Evans-Clark Phillip Lomax, David A. Shure, Mildred Evelyn Barbe, Nathalie J. Lord, Eileen A. Smith, Lisa Hyun-Ji NAME ON CARD (please print): ______Federico, Thomas A. Margowsky, Constance Spiro, Marie

Fletcher, Shelley Margowsky, Yitzhak Squilla, Doreen Elizabeth SIGNATURE: ______Fraad, Irma L. Martin, Elisabeth Stein, Donna Michele Frank, Mary Ames Martone, Mario T. Straeten, Judith E. CREATE A LEGACY: Galban, Beverley M. Matera, Emanuel Joseph Thau, Marjorie Goldman, Phyllis A. McCann, Dorothy Cochlin Thompson, James P.W. In addition to making a gift now, you can create your own legacy to the IFA. By providing for the Institute in your will, Goodman, Martin McCoy, Margaret Dingman Uluc, Lale H. or making it the beneficiary of your retirement savings plan, you can help assure continued excellence at the Institute. Haletsky, John T. McGee, Ian H. Vance, Alice Williams We welcome the opportunity to provide individual assistance and information, in confidence and without obligation. Hartwig, Melinda K. Meyer, James S. Vance, Jeannette M. Hayes, Marian Michaelow, Michael Varady, Elaine Kushner Ì I want you to know, in confidence, that I have included the IFA in my will. Helman, Elizabeth A. Mikosch, Elisabeth Von Groschwitz Gustave Herbert, Cynthia D. Moody, Kelly S. Wallach, Nancy Cole Ì Please send me information on how I can include the IFA in my will or through my retirement plan. Herz, Alexandra Morin, Cathleen Kappes Wang, Teh-Yu Ì Please send me information about how I can make a gift to the IFA that will pay me income for life. Hilberry, Harry H. Moser, Alison J. Wasser, Beth Hoffman Honore, Ellen Stone Munnich, Violet Kuehner Wilson, Suzanne J. The Institute is part of the Graduate School of Arts & Sciences at New York University, a not-for-profit 501(c)(3) organization. Howard, Loretta E. Myers, Paul Winstead, Adelaide C. All gifts to NYU, including the Institute of Fine Arts, are tax-deductible to the full extent of the law. Hudson, Jeriann Nahas, Dominique F. Winston, Rosamay Freund Humphrey, Effingham P. Newman, Suzanne M. Yardley, Michael Rutledge PLEASE MAIL THIS PAGE TO: The Institute of Fine Arts, 1 East 78th Street, New York, NY 10021 Husson, Anne F. Nizen, Susan A. APPEAL CODE IOK07 38 39 Lost IFA Alumni ANNUAL FUND FOR IFA ALUMNI