2016/17 International Placement Scheme Application Guidance: the Harry Ransom Center at the University of Texas at Austin

Total Page:16

File Type:pdf, Size:1020Kb

2016/17 International Placement Scheme Application Guidance: the Harry Ransom Center at the University of Texas at Austin 2016/17 International Placement Scheme Application Guidance: The Harry Ransom Center at the University of Texas at Austin INTRODUCTION The International Placement Scheme (IPS) is an annual programme, providing funded research fellowships for AHRC and ESRC*-funded doctoral students, early career researchers and doctoral-level research assistants. In 2016/17, IPS fellowships are available at seven world-leading, international partner institutions: • Harry Ransom Center (opens in a new window), The University of Texas at Austin, USA • The Huntington Library (opens in a new window), California, USA • The Library of Congress (opens in a new window)*, Washington DC, USA • National Institutes for the Humanities (opens in a new window), Japan • Shanghai Theatre Academy (opens in a new window), Shanghai, China • Smithsonian Institution (opens in a new window), Washington D.C., US • The Yale Center for British Art (opens in a new window), Connecticut, USA *ESRC-funded candidates are eligible to apply to The Library of Congress only. IPS fellows can spend up to six months at their IPS host institution, with access to their internationally renowned collections, resources, facilities and staff expertise. IPS fellowships also provide opportunities for fellows to network and meet potential research collaborators. IPS fellowships include a travel and living stipend, while the existing AHRC/ESRC stipend continues to be paid. A total of 379 IPS awards have been made to date. Rules regarding eligibility, entitlements, award duration etc., differ for each IPS host; please see the table on page 2 for an overview. Detailed, institution-specific information, including application guidance and IPS awards made to date, are published on the IPS host’s AHRC webpages (opens in a new window). IPS OVERVIEW Harry Ransom Huntington Library of National Shanghai Smithsonian Yale Center for Center Library Congress Institutes for Theatre Institution British Art the Humanities Academy Year joined IPS 2014 2012 2005 2008 2015 2014 2014 Who can apply AHRC AHRC AHRC & ESRC AHRC AHRC AHRC AHRC 2016 awards 5 10 25 11 4 5 5 available 2015 awards 23 (17 AHRC, 6 10 3 4 5 2 made 6 ESRC) 2015 30 (23 AHRC, applications 23 16 5 5 13 5 7 ESRC) received 3 - 4 months Fellowship (plus 2 weeks of 2 – 3 months 3 – 6 months 3 – 6 months 3 – 6 months 3 – 6 months 3 – 6 months duration language training if required) st st 1 Sept 2016 - 2016/ 17 st st 1 Oct 2016 – st st st st 1 Sept 2016 – 1 July 2016 – th 1 July 2016 – 31 Dec 2016 OR 1 Oct 2016 – 1 July 2016 – fellowship st th 30 Sept 2017 th st th th 31 May 2017 30 June 2017 30 June 2017 1 March 2017 - 30 Sept 2017 30 June 2017 th date cycle 30 June 2017 Travel stipend Up to £750 Up to £750 £600 £800 £600 £600 £600 Monthly £1200 £1200 £1200 £1200 £1200 £1200 £1200 stipend Application Application form Application form Application form Application form Application form Application form Application form documents 2 page CV 2 page CV 2 page CV 2 page CV 2 page CV 2 page CV 2 page CV required Second reference Candidates NO, but it is recommended must contact NO, but it is NO, but it is No, but it is (contact to be YES YES YES recommended recommended recommended IPS host before initiated by 1st Dec applying 2015) ABOUT THE HARRY RANSOM CENTER The Harry Ransom Center is a world-leading research institution, dedicated to advancing the study of the arts and humanities by acquiring, preserving, and making accessible original cultural materials. Specializing in literature, photography, film, art, and the performing arts, the Harry Ransom Center’s extensive collections include: 42 million manuscripts; nearly one million rare books; 5 million photographs – including the first ever photograph; 100,000 works of art and design; as well as major collections in film and the performing arts. The Center's collections are searchable on their website (opens in a new window). The Center’s notable holdings include: • The Magnum Photos Collection • A large collection of rare and valuable comic books • The Bob Woodward and Carl Bernstein Watergate papers • Three copies of the First Folio of William Shakespeare's plays • Paintings by Frida Kahlo; a complete set of Picasso's Vollard Suite • Extensive manuscript collections of David Foster Wallace, Lewis Carroll, Doris Lessing, Aleister Crowley, James Joyce, D. H. Lawrence, Anne Sexton and Graham Greene • Archives of Robert De Niro, Tom Stoppard, Harry Houdini and David O. Selznick - including Gone with the Wind costumes, scripts, storyboards and screen tests. The Harry Ransom Center (the Center/HRC) supports research through symposia and fellowships and provides education and enrichment for scholars, students, and the public through exhibitions and programs. The Center has its own Conservation Department which is charged with the care and preservation of its collections; its staff are active and expert researchers in conservation techniques. In addition to the Center’s world-class collections, facilities and scholars, IPS fellows can take advantage of the world-class resources at the University of Texas at Austin, including access to university libraries and a reduced-rate gym membership, among other privileges. More information is available in A Guide for HRC Fellows (PDF 488KB, opens in a new window) on the AHRC IPS webpage on HRC's website (opens in a new window). Short videos and blogs from past HRC fellows are available on the Ransom Center’s website (opens in a new window). THE INTERNATIONAL PLACEMENT SCHEME Aims of the Scheme 1. The aims of the International Placement Scheme are: • to provide early career researchers (ECR), doctoral level research assistants and AHRC/ESRC*- funded doctoral students, with dedicated access to the internationally renowned collections/ programmes/ expertise held at the four IPS institutions; • to enhance the depth, range and quality of research activities conducted by scholars; • to create opportunities for networking with other international scholars at those institutions. Harry Ransom Center Placement Information 2. For 2016/17, there are up to five IPS placements available at the Harry Ransom Center. 3. IPS HRC fellowships are for two to three months and must take place in one block of time. Fellows can start from 1st September 2016 and must finish by 31st May 2017. When choosing dates, applicants should consult the holiday and closure dates on the AHRC IPS page on HRC's website (opens in a new window). 4. In addition to access to HRC’s research collections, facilities and scholars, IPS fellowships include: An IPS stipend comprising: - Travel stipend of up to £750, plus visa fees paid - Living stipend of £1200 for each month of the fellowship A shared office 5. The IPS stipend will be paid as a lump sum to IPS fellows’ ROs in the financial quarter after their fellowship starts. IPS fellows will therefore need to arrange with their RO to receive their funds in advance of their placement start date to allow them to pay for flights etc prior to leaving for their placement. IPS fellows will continue to receive any stipend/salary they receive as part of any current AHRC award funding. 6. IPS fellowships are to carry out primary research; placements cannot be used for writing up. Applicants’ proposed research must be within the remit of the AHRC and, for doctoral students, must be relevant to their AHRC-funded research. 7. IPS placements must be accommodated within the funded period of a PhD student’s AHRC award. This disqualifies students, who are not ECRs, from applying in their unfunded writing up year. 8. For candidates with current AHRC funding, no additional time will be added to the AHRC award end date or submission date to compensate for time spent on the IPS. 9. Before applying, candidates must ensure that their RO/supervisor/Head of Dept/mentor etc will be content to release them for the placement should their application be successful. 10. IPS fellowships cannot be extended or reduced, so careful consideration must be given to the time required to do the proposed research. Applicants should discuss their work plan with their supervisor and the HRC to ensure that the research can be completed within a realistic timescale, and will appropriately feed into the applicant’s current research or any AHRC parent project 11. Deferred entry applications are not permitted. Applicants should only apply to HRC if they are able to accept a placement of two to three months, between 1st September 2016 and 31st May 2017. Should a successful applicant be unable to go during this time, they would have to decline their place and re-apply the following year. In this instance, their application would be re-assessed alongside all the new applications for that year and a successful outcome could not be guaranteed. 12. Applicants MUST identify the HRC collections they propose to consult. Familiarising themselves with the collections relevant to their own research, and demonstrating in their application how and why the identified collections are relevant to their proposed research should be a priority for applicants. Only after they thoroughly researched the Center’s in-depth collection descriptions and finding aids online, may candidates contact the Harry Ransom Center to discuss their application. The Center cannot support speculative requests for information where the candidate has not carried out their own research on the Center’s collections. The deadline for candidates to initiate contact with the Center is 1st December 2015. After that, the Center cannot guarantee a response before the IPS deadline. Please contact only one curator or librarian to avoid unnecessary duplication of effort. If more than one collection is involved, Center staff will ensure that your message is properly forwarded.
Recommended publications
  • Guide to Austin Housing
    GUIDE TO AUSTIN HOUSING This list is provided as a courtesy to scholars. Inclusion on the list does not constitute an endorsement by the Ransom Center, nor does it provide a guarantee of the quality of a given establishment’s services. Information is thought to be accurate as of the date of compilation; the Ransom Center cannot be responsible for errors or omissions. It is the visitor’s responsibility to contact establishments to confirm current rates and other details according to his or her own needs. The Ransom Center is unable to provide assistance with reservations or arrangements. This list is organized by establishment type (private residences, bed and breakfasts, hotels, etc.). Establishments within each section of this list appear in the order of their distance from the Ransom Center, from nearest to farthest. The heading of each entry provides the establishment’s location, which may be used to determine transportation options. Please be aware that not all establishments are located on a direct bus route to campus, and some routes may have recently changed due to a 2018 update to Austin’s public transportation system. Please see the “Public Transportation” section below for further information about researching public transportation options between a particular location and the Ransom Center. PUBLIC TRANSPORTATION For complete and current information about public transportation in Austin, visit www.capmetro.org. The “Plan Your Trip” section of this website offers point-to-point directions using the public transportation system. The Ransom Center is located at 300 West 21st Street, Austin, Texas, 78712. PRIVATE RESIDENCES: LESS THAN 1.5 MILES FROM THE RANSOM CENTER 209 West 33rd Street Newly renovated 1 bed, 1 bath, 550 sq.
    [Show full text]
  • The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
    The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints.
    [Show full text]
  • June 17, 1983
    mm S THE MINUTES OF THE BOARD OF REGENTS OF THE UNIVERSITY OF TEXAS SYSTEM Meetin~ No. 793 May 11, 1983 Austin, Texas and Meeting No. 794 June 16-17, 1983 Dallas, Texas VOLUME XXX -E C O $ ili!i ~ i~ mm m am am mm ms ms mm mm am am am mm mm Meeting No. 794 THE MINUTES OF THE BOARD OF REGENTS OF THE UNI'gERSITY OF TEXAS SYSTEM i/ / Pages 1 - 100 June 16-17, 1983 Dallas, Texas R annam am m nn an n an nn Meeting No. 794 THE MINUTES OF THE BOARD OF REGENTS OF THE UNIVERSITY OF TEXAS SYSTEM Pages 1 - i00 June 16-17, 1983 Dallas, Texas r I m m B mm i i E m I mm N TABLE OF CONTENTS THE MINUTES OF THE BOARD OF REGENTS OF THE UNIVERSITY OF TEXAS SYSTEM JUNE 16-17, 1983 DALLAS, TEXAS MEETING NO. 794 JUNE 16, 1983 I. Attendance II. Recess for Committee Meetings JUNE 17, 1983 I. Welcome and Report by Charles C. Sprague, M.D., President of The University of Texas Health Science Center at Dallas 2 II. U.T. Board of Regents: Approval of Minutes of Regular Meeting on April 14-15, and Special Meeting on May ii, 1983 2 2 III. Introduction of Faculty and Student Representatives 5 IV. REPORTS AND RECOMMENDATIONS OF STANDING COMMITTEES A. REPORT OF EXECUTIVE COMMITTEE 5 PERMANENT UNIVERSITY FUND . Authorization to Employ the Firm of A. G. Becker, Inc., Houston, Texas, to Perform an Audit of Investment Performance and Appropriation Therefor (Exec.
    [Show full text]
  • Strategic Plan Updated: September 2018
    Harry Ransom Center Strategic Plan Updated: September 2018 TABLE OF CONTENTS Vision, Mission, and Values Page 1 From The Director Page 3 Goals Page 7 Goals, Strategies, and Action Steps Goal 1: Collections Page 8 Goal 2: Research, Scholarship, and Teaching Page 10 Goal 3: Public Engagement Page 12 Goal 4: Organizational Culture Page 15 Goal 5: Facility and Infrastructure Page 17 Goal 6: Resources Page 19 Acknowledgements Page 21 VISION The Ransom Center strives to be the leading research library and museum for the study and greater understanding of the literature and culture shaping our time. MISSION The Ransom Center encourages discovery, inspires creativity, and advances understanding of the humanities for a broad and diverse audience through the preservation and sharing of its extraordinary collections. ABOUT THE RANSOM CENTER The Ransom Center is an internationally renowned humanities research library and museum at The University of Texas at Austin. Its extensive collections provide unique insight into the creative process of writers and artists, deepening our understanding and appreciation of literature, photography, film, art, and the performing arts. Visitors engage with the Center’s collections through research and study, exhibitions, publications, and a rich variety of program offerings including readings, talks, symposia, and film screenings. VALUES Collection Development and Stewardship The Ransom Center is committed to building collections of enduring cultural value and caring for them in accordance with the highest standards of preservation and access. Public Service and Engagement The Ransom Center aspires to engage the broadest possible audience with its diverse and internationally renowned collections. Ransom Center Strategic Plan: Updated September 2018 1 Creativity and Innovation The Ransom Center values creativity and innovation in the materials we preserve, in the interpretation of these materials, and in our service to the public.
    [Show full text]
  • Department of History
    THE UNIVERSITY OF TEXAS AT AUSTIN COLLEGE OF LIBERAL ARTS VOL. 1 ISSUE 1 Department of History ALUMNI NEWSLETTER The History saints’ lives; Toyin Falola was elected President of Department is the Nigerian Studies Association; and Brian Levack located at the geograph- and Toyin Falola joined five other department faculty ICHELLE BRYANT ical and intellectual heart M when they were appointed to the university’s of the campus. The Academy of Distinguished Teachers. department serves the The number of students majoring in history has entire university, because grown as well. In 2000, we had around 800 under- almost all UT students graduate history majors; that number has grown to take a history course over 1100. Impressively, over half of all our current during their undergrad- history majors maintain at least a 3.0 grade point uate years. For some ALAN TULLY, CHAIR average. To accommodate our growing number of students, their history course is something to be majors, the department’s undergraduate advising endured and survived. But not our history majors. office now includes three full-time academic advisors. p.7 You are the students who chose history because you The History Honors program continues with seven found it interesting, because probing the vast labora- students who completed an honors’ thesis graduating Inside: tory of human endeavors is a quest—a quest for with honors in May 2006. Phil Alpha Theta welcomed some understanding of the great varieties of human 117 members this year, and the Normandy Scholar experience and changes in those experiences over Program shepherded 21 to Europe last summer to HISTORY PROFESSOR WINS PULITZER PRIZE FOR time.
    [Show full text]
  • Spring 2019 H Volume 23 No
    SAVING THE GOOD STUFF Spring 2019 h Volume 23 No. 2 J oin us for “The Art of the Craftsman Style,” our 27th Annual 20th century. Creative updates show their seamless adaptation to Homes Tour! This year’s event celebrates seven stunning modern life today. Craftsman style homes citywide in coordination with the Harry Ransom Center exhibition The Rise of Everyday Design: The Arts This is Preservation Austin’s biggest event of the year, as well as our and Crafts Movement in Britain and America, on view now. most important fundraiser. Our members receive special pricing on tour During the late 19th century Britain’s Arts and Crafts Movement tickets and some membership levels include free tickets as well. We emphasized handmade domestic goods and honest design to hope you’ll join us, and bring along some friends, to spend a beautiful combat the more dehumanizing effects of the Industrial Revolution. Austin day celebrating these incredible homes, their homeowners, and Here in America, magazines and pattern books diffused the all the good work our nonprofit does year-round! h movement’s principles into the wildly-popular Craftsman style, embracing its picturesque aesthetic and democratic spirit to produce quality housing (albeit with machine-made components) Saturday, April 27 nationwide. 10am to 4pm Our tour explores the Arts and Crafts Movement’s impact here Home Base: Preservation Austin in Austin. Featured homes show a wide range of Craftsman style 500 Chicon, Texas Society of Architects Building influences, from pattern-book houses built by middle-and working- $30 for Preservation Austin Members class families to those designed by architects for families of more $40 for Non-Members means.
    [Show full text]
  • Parking Map for UT Campus
    Garage Parking n Visitors may park in garages at the hourly rate n All parking garages are open 24/7 on a space-available basis for visitors and students and do not require a permit Garage Parking Rates* 0-30 minutes No Charge 30 minutes - 1 hour $ 3 1 - 2 hours $ 6 2 - 3 hours $ 9 3 - 4 hours $12 4 - 8 hours $15 8 - 24 hours $18 * Rates and availability may vary during special events. Parking Meters n Operational 24 hours a day, 7 days a week n Located throughout the campus n 25¢ for 15 minutes n Time limited to 45 minutes. If more time is needed, please park in a garage Night Parking n Read signs carefully for restrictions such as “At All Times” Bob B n ulloc After 5:45 p.m., certain spaces Texas k State Histo M ry useum in specific surface lots are available for parking without a permit n All garages provide parking for visitors 24 hours a day, 7 days a week Parking Lots n There is no daytime visitor parking in surface lots n Permits are required in all Tex surface lots from 7:30 a.m. to as Sta Ca te pitol 5:45 p.m. M-F as well as times indicated by signs BUILDING DIRECTORY CRD Carothers Dormitory .............................A2 CRH Creekside Residence Hall ....................C2 J R Public Parking CS3 Chilling Station No. 3 ...........................C4 JCD Jester Dormitory ..................................... B4 RHD Roberts Hall Dormitory .........................C3 CS4 Chilling Station No. 4 ...........................C2 BRG Brazos Garage .....................................B4 JES Beauford H. Jester Center ....................B3 RLM Robert Lee Moore Hall ..........................B2 CS5 Chilling Station No.
    [Show full text]
  • Capital Expenditure Plans FY 2021
    Strategic Planning and Funding Capital Expenditure Plan Report Fiscal Years 2021-2025 September 2020 Texas Higher Education Coordinating Board Stuart W. Stedman, CHAIR Houston Fred Farias III, O.D., VICE CHAIR McAllen Ricky A. Raven, SECRETARY OF THE BOARD Sugar Land S. Javaid Anwar Midland Cody C. Campbell Fort Worth Emma W. Schwartz El Paso R. Sam Torn Houston Donna N. Williams Dallas Welcome W. Wilson, Jr. Houston Levi D McClenny, STUDENT REPRESENTATIVE College Station Harrison Keller, COMMISSIONER OF HIGHER EDUCATION Agency Mission The mission of the Texas Higher Education Coordinating Board (THECB) is to provide leadership and coordination for the Texas higher education system and to promote access, affordability, quality, success, and cost efficiency through 60x30TX, resulting in a globally competitive workforce that positions Texas as an international leader. Agency Vision The THECB will be recognized as an international leader in developing and implementing innovative higher education policy to accomplish our mission. Agency Philosophy The THECB will promote access to and success in quality higher education across the state with the conviction that access and success without quality is mediocrity and that quality without access and success is unacceptable. The Coordinating Board’s core values are: Accountability: We hold ourselves responsible for our actions and welcome every opportunity to educate stakeholders about our policies, decisions, and aspirations. Efficiency: We accomplish our work using resources in the most effective manner. Collaboration: We develop partnerships that result in student success and a highly qualified, globally competent workforce. Excellence: We strive for preeminence in all our endeavors. The Texas Higher Education Coordinating Board does not discriminate on the basis of race, color, national origin, gender, religion, age or disability in employment or the provision of services.
    [Show full text]
  • See, Eat, Drink, and Do
    SEAFOOD/SUSHI Easy Tiger 709 E 6th St., Austin, TX 78701 Quality Seafood 512-614-4972, easytigeraustin.com 5621 Airport Blvd, Austin, TX 78751 512-452-3820, qualityseafoodmarket.com Contigo Austin WHAT TO 2027 Anchor Ln., Austin, TX 78723 Perla’s 512-614-2260, contigotexas.com 1400 S Congress Ave, Austin, TX 78704 See, Eat, 512-291-7300, perlasaustin.com Driskill Bar 604 Brazos St., Austin, TX 78701 AND Do Kome 512-391-7162, driskillgrill.com 5301 Airport Blvd #100, Austin, TX 78751 Drink, 512-712-5700, kome-austin.com Hopfi elds IN AUSTIN, TEXAS 3110 Guadalupe St suite #400, Austin, ITALIAN TX 78705 512-537-0467, hopfi eldsaustin.com Homeslice Pizza 501 E 53rd St, Austin, TX 78751 House Wine (512) 707-7437, homeslicepizza.com 408 Josephine St, Austin, TX 78704 512-322-5210, housewineaustin.com Juliet Italian Kitchen 1500 Barton Springs Rd. Austin TX 78704 512-479-1800, juliet-austin.com BBQ/BURGERS Red Ash Zilker Botanical Gardens Blacks BBQ Colorado Tower, 303 Colorado St #200, 2220 Barton Springs Rd., Austin, TX 3110 Guadalupe St. Austin TX 78705 Austin, TX 78701 78746 888-632-8225, blacksbbqaustin.com 512-379-2906, redashgrill.com 512-477-8672, zilkergarden.org LBJ Presidential Library Dirtys INDIAN Texas State Capitol 2313 Red River St., Austin, TX 78705 2808 Guadalupe St, Austin, TX 78705 1100 Congress Ave., Austin, TX 78701 512-721-0200, lbjlibrary.org 512-477-3173, dirtymartins.com Clay Pit 512-463-0063, tspb.texas.gov 1601 Guadalupe St, Austin, TX 78701 Umlauf Sculpture Garden BRUNCH 512-322-5131, claypit.com Texas Sports 605 Azie Morton Rd., Austin, TX 78704 512-471-3333, texassports.com/tickets 512-445-5582, umlaufsculpture.org Ciclo (Four Seasons Hotel) MEXICAN 98 San Jacinto Blvd, Austin, TX 78701 Mayfi eld Park Bullock Texas State History 512-685-8300, cicloatx.com El Naranjo 3505 W.
    [Show full text]
  • Visiting Scholar Guidelines
    VISITING SCHOLAR GUIDELINES The following guidelines have been designed to inform current and prospective Harry Ransom Center Visiting Scholars, including Arts and Humanities Research Council (AHRC) International Placement Scheme (IPS) fellows, about our visiting scholar program. These guidelines are updated regularly in accordance with University and federal procedures. Individuals who have been offered a Visiting Scholar appointment or AHRC IPS fellowship for research at the Ransom Center must review these guidelines before accepting their appointment and should save these guidelines for reference before and during their residency. Questions or concerns that are not addressed here should be directed to [email protected]. Updated 6/2020 TABLE OF CONTENTS ACCEPTING THE VISITING SCHOLAR APPOINTMENT ………........................................................................ 3 Visiting Scholar Guidelines Your Appointment with The University of Texas at Austin Your UT EID Acceptance Materials Submitting Acceptance Materials to the Ransom Center Criminal Background Check and J-1 Visa Application Publicity and Social Media PREPARING FOR YOUR RESIDENCY …................................................................................................................ 6 Selecting a Residency Period Housing and Transportation Research Preparations ARRIVING AT THE RANSOM CENTER ……........................................................................................................... 9 Before You Leave Home Getting to the Ransom Center
    [Show full text]
  • Elizabeth Chiles CV
    ELIZABETH CHILES 512-487-0152 | [email protected] | www.elizabethchiles.com | Studio 205 at Canopy EDUCATION SAN FRANCISCO ART INSTITUTE, MFA Photography, San Francisco, CA, 2005 COLUMBIA UNIVERSITY, BA Art History, New York, NY, 1997 TEACHING UNIVERSITY OF TEXAS AT AUSTIN, Austin, TX, Lecturer, Art Theory, 2011 – 2015 SOUTHWESTERN UNIVERSITY, Georgetown, TX, Assistant Professor of Photography, 2012 – 2015 TEXAS STATE UNIVERSITY, San Marcos, TX, Lecturer, Art, Art History and Honors, 2009-2013 LESLEY UNIVERSITY, Art Institute of Boston, Low Residency MFA, Graduate Mentor, 2010 SOLO EXHIBITIONS ON WATER, Central Library, Austin, July/August 2019 WEAVE, Architectural Digest Design Show, New York, NY, March 2019 WEAVE, Grayduck Gallery, Austin, 2018 ON MY MIND, AGAIN, Southwest School of the Arts, San Antonio, TX, 2016 OVER TIME, Pump Projects, Austin, TX, 2016 ON MY MIND, AGAIN, Canopy, Austin, TX 2014 BOOK OF PRAISE, testsite, Austin, TX 2010 VISIBILITY, Spartan, Austin, TX 2009 TWO AND THREE PERSON EXHIBITIONS LUMENS & CURRENTS, Elizabeth Chiles and John Swanger, Grayduck Gallery, Austin, 2017 IN THE SPACE OF SUMMER (w/Karen Cleveland and Olivia Valentine), Whitespec, Atlanta, GA, 2016 BEAUTY IS EVERYWHERE OR WE’LL BREAK YOUR BONES, Installations and Experiences by Elizabeth Jean Chiles and Beverly Jane Bajema, Pleasure Palace, Austin, 2013 SELECT GROUP EXHIBITIONS Winter Garden, Houston Center for Photography, Fall 2020 INFOCUS v. 2, Phoenix Art Musuem, AZ, 2017 POST HUDSON, Frontispiece Hudson, Coxsackie, NY, 2016 UT AUSTIN
    [Show full text]
  • HRC Exhibition Loans
    EXHIBITION LOAN POLICY CONDITIONS FOR LOANS Staff Contact Mailing Address Ester Harrison, Registrar, Loans and Exhibits Harry Ransom Center 512-471-9127 office The University of Texas at Austin 512-471-9646 fax P.O. Box 7219 [email protected] Austin, TX 78713-7219 I. Loan Program Overview The Harry Ransom Center supports requests loans from its collections. The Center balances the task of preparing materials for loan with its own exhibition program. All requests are considered on merit and contribution to the humanities. Accordingly, all loan requests are subject to a formal approval procedure. This document outlines the request and approval procedure for borrowing works from the Center, and establishes the conditions that a borrower must meet in order to receive loan approval. II. Initial Inquiries T he Center welcomes exploratory discussions, and urges the exhibition organizer to visit the Center to view and research the works under consideration. Preliminary research concerning a loan should be carried far enough in advance so that the formal request can be made w ithin the one to two year lead time. Please note that the lead time is calculated from the d ate the Formal Loan Request is received. III. Approvals Procedure 1 . A Formal Loan Request must be received by the Director at least twelve months before the opening date of the exhibition, depending on the type of material requested (see the “Deadlines” and “Formal Loan Request” sections below). 2. All prospective borrowers are required to submit the AAM Standard Facilities Report form or provide equivalent information which must meet the Center’s standards.
    [Show full text]