Garbo Music Credits

Total Page:16

File Type:pdf, Size:1020Kb

Garbo Music Credits Composer Allan Zavod (Cast) Band at Burial The Happy Polka Boys Pub Band K C Funk Inc Vocals Kate Ceberano Keyboards Julian Lodge Guitar Phil Ceberano Bass Steve Hadley Drums Bruce Pawsey Music Recorded at Music And Effects Engineer - Doron Kipen Alan Eaton Studio Engineer - Robin Gray Choir David Ashton-Smith Singers Synthesiser Performances Allan Zavoid Music Tracks Co-Ordinator Bruno Charlesworth "In And Out" The Pogues The Pogues Picture This Records (Stiff Music) "Dreaming" Nemo N. Adams (Mushroom Music) Razor Records "Papio" Charlie Mauu and Les Royal Polynesians Steve Graham (Criterion Music/Yves Roche) Plage Sound/Manuiti "Mareva" Charlie Mauu and Les Royal Polynesians Eddie Lund (Criterion Music/Yves Roche) Playa Sound/Manuiti "One Fine Day" James Freud James Freud (Mushroom Music) Mushroom Records "I Want You" Kate Ceberano (MCA/Gilbey) Regular Records "Freedom" Scott Carne Carne/Nadi/Blue (Mushroom Music/Control/Essex) Mushroom Records "Not In Love" The Shivers Wendy Morrison (Mushroom Music) Mushroom Records "Treaty" Yothu Yindi M. Yunupingu, P. Kelly, P. Garrett, G. Yunupingu, M. Mununggurr, S. Kellaway, C. Williams, G. Yunupingu (Mushroom Music/Warner/Chappell/Control) Mushroom Records "Brave" Kate Ceberano Kate Ceberano & Philip Ceberano (Regular) Regular Records "Hey Boys" Mark Seymour & Paul Kelly Mark Seymour (Human Frailty/Mushroom Music) Picture This Records "Garbo" Steve Kearney Mark Seymour & Nick Seymour (Human Frailty/Mushroom Music/Control) Picture This Records The Garbo Soundtrack available on cassette and compact disc through Picture This Records Lyrics: Pre-end credits: Just before the end titles, the song, Hey Boys by Mark Seymour and Paul Kelly, can be heard. Lyrics here are as per what can be heard on the soundtrack, which mixes in garbage truck sounds and special effects as the garbo heroes return to doing their round). (The entire first verse is missing in the movie. Other sites list the lyrics as: Picking up boys start messing around Time is wasting away and so is my town Streets are full of poison, there’s blood on the ground No means of disposal has ever been found So can you get rid of it all by the end of this round?) The movie lyrics commence: Take a load And throw it away Down the road To the end of the day Out of mind out of sight Before you can say Hey boys, we’ve got a lot of dirty work to do (Two lines in the song are then redacted in the movie. Other sources list these two lines as: There’s a man (?) steaming in the road up the hill Stinks like hell yes, something in there must be dead) The film’s version continues with these lyrics: Looks like someone threw it on the back of a truck There’s so much too it that we can’t clean it up I’m up to my neck, but I couldn’t give a damn Take a load, And throw it away Down the road To the end of the day Out of mind, out of sight, Before you can say Hey boys, we’ve got a lot of dirty work to do (There are more repeats in the recorded song) Over end credits: This song, Garbo, performed by Steve Kearney, written by Mark and Nick Seymour, runs over the end credits. These contain animated images and roll in reverse order from screen top to bottom, forming a jumble of garbage letters at the bottom of the screen: Let me introduce myself I’m your garbage man I know all the secrets hidden in your garbage can I do I know what you’ve lost and I know what you’ve found Just enough to fill a hole in the ground I’m a garbo, born and bred, I know, I’m very well fed By all the junk that you leave in the street I take it away Take it away … Think of all the treasure Think of all the junk you’ve trashed Imagine my pleasure at all the pretty things I’ve stashed Yeah Throw out your pearls, Throw out your swine It’s all I can smile at I’m taking all of what you leave behind I’m a garbo, born and bred I go, I go where I’m led Leave out all your poison And I’ll take it away Just bring out your dead I know I keep my family fed With all the junk that you leave in the street I’ll take it away (Short guitar solo) Take it away … (Short piano and guitar solos) They’re building machines to take away my daily bread Better think of the future What you’re gunna do instead Early in the morning I come and lie So just remember when you hear me cry I’m a garbo, born and bred Wake up, and get out of bed I’ll be round in the morning To clean it up and take it away Just bring out your dead Woohh yeah, I keep my family fed No matter what your poison I’ll take it awayyyy Oh yeah … (Piano solo) (scat) Bedoopbedoobep … (guitar and piano) (another line of scat singing) I’m a garbo, born and bred I’m a garbo, I keep my family fed Leave out all your poison And I’ll take it away … Yeaah ... (another line of scat singing, followed by piano, as the song slowly fades down and ends with the sound of a dead dog landing on the copyright notice with a ‘sproing’ sound, and Max Cullen’s character Wal saying in voice over ‘I wish I hadn’t done that.’) Soundtrack releases: The Paul Kelly/ Mark Seymour song was released as a single: Picture This Records D11067 Single Released May 1992 ARIA chart position #71, AMR chart position #62 A side: Hey Boys (Mark Seymour/Paul Kelly) B side: In and Out (The Pogues, also heard in the film) Backing vocals Neil Finn, Tim Finn Bass Nick Seymour Drums Peter Jones Engineer Cameron Craig Engineer, mixed by Tony Espie Mandolin, violin Gerry Hale Vocals, guitar Paul Kelly Vocals, guitar, written by, producer, mixed by Mark Seymour The Pogues track - produced and written by The Pogues The full soundtrack was also released: CD Picture This D30616 1991 Soundtrack Executive Producers: Bruno Charlesworth and Stephen Kearney Music Research: Janine Kerr/Picture This Records Thanks to... the musicians, performers, writers, producers, engineers, publishers, record companies, management, Michael Gudinski, Gary Ashley, Simon F. Young, Martin Armiger, Martin Fabinyi, Vera Rizzo, Ian James, Simon Baeyertz, Janine Kerr, Stephen Kearney, Neill Gladwin, Hugh Rule, Bruno Charlesworth, Cathy Lavelle, Beyond, FFC, Hoyts Distribution, Michael Roberts, Sarah Pearson, Rob Barnham, Grant Thomas and Garbos everywhere Hey Boys (Mark Seymour) Vocals: Mark Seymour, Paul Kelly (Human Frailty/ Mushroom Music), produced by Mark Seymour, courtesy of Picture This Records Freedom (Carne/Nadi/Blue) Vocals: Scott Carne (Mushroom Music/Control/ Essex), produced by Scott Carne and Don Nadi, courtesy of Mushroom Records Garbo (Mark Seymour/Nick Seymour) Vocals: Steve Kearney (Human Frailty/ Mushroom Music), produced by Mark Seymour, courtesy of Picture This Records One Fine Day (James Freud) Vocals: James Freud (Mushroom Music), produced by Bernard Edwards, courtesy of Mushroom Records In And Out (The Pogues) Vocals: The Pogues (Festival Music), produced by The Pogues, courtesy of The Pogues Mahone Ltd. Treaty (M. Yunupingu/G. Yunupingu/M. Mununggurr/S. Kellaway/C. Williams/ W. Marika/P. Kelly/P. Garrett) Vocals: Yothu Yindi (Mushroom Music), produced by Mark Moffatt, courtesy of Mushroom Records Dreaming (N. Adams) Vocals: Nemo (Mushroom Music), produced and mixed by Ollie Olsen and Gus Til, courtesy of Razor Records I Want You (Paul Gray) Vocals: Kate Ceberano (MCA), produced by K. C. Funk Inc., courtesy of Regular Records Not In Love (Wendy Morrison) Vocals: The Shivers (Mushroom Music), produced by Mark Moffatt, courtesy of White Brave (Kate Ceberano/Philip Ceberano) Vocals: Kate Ceberano (Regular), produced and mixed by Nick Launay, co-produced and arranged by Ashley Cadell, courtesy of Regular Records In Film Appearances: Live music appears a number of times in the film. Neil Gladwin is inclined to make up drum kits and pound away, Kate Ceberano and her band appear in a pub so that Neil Gladwin can dance with Imogen Annesley, and at the burial of the garbo’s truck, The Happy Polka Boys turn up to play it into the ground. (Below: stills from the film showing some of the live appearances) Composer Allan Zavod: At one time, Allan Zavod's web site could only be found at the Wayback Machine here, with Zavod's wiki, here, replicating much of the information on his original website. Subsequently, Zavod’s eponymous website revived, and could be found here. Zavod died in late November 2016 and so it is likely that these sites will best be found on the Wayback Machine. Googling his name also produced much information, obituaries, performances on YouTube, etc. Zavod's website provided this CV up to 2001, and a credit listing: Often described as a keyboard wizard Allan Zavod a graduate of Melbourne Conservatorium was discovered by Duke Ellington who after hearing him playing jazz piano arranged for him to study at Berklee School of Music where he later held a post as professor of music. Based in the USA for 20 years he played, recorded and toured with many music greats including Glen Miller Orchestra, Woody Herman Orchestra, Maynard Ferguson Big Band, Cab Calloway, Jean Luc-Ponty and George Benson, culminating in a 1984 world tour with the legendary Frank Zappa. America’s music bible "Downbeat Magazine" named Zavod one of the USA’s Top 10 Keyboardists of the 80’s.
Recommended publications
  • Stephen Harrington Thesis
    PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production.
    [Show full text]
  • Kate Ceberano Stages Mini I'm Talking Reunion While Curating a New
    Kate Ceberano stages mini I’m Talking reunion while curating a new festival in Daylesford Cameron Adams, National music writer, Herald Sun August 27, 2018 2:22pm KATE Ceberano is staging a mini reunion of her band I’m Talking later this year. Ceberano is a co-curator of the Live. Love. Life festival in Daylesford from November 14 to 18. The event will see Ceberano and Zan Abeyrante performing I’m Talking songs with local dance band Sex on Toast. “Zan and I haven’t sung together in 30 years, so it’s going to be ace,” Ceberano said. “It’s just a little pop-up show, we’ll do a few tunes and dance our brains out. Zan and I have reconnected since the reissue of (I’m Talking’s 1986 album) Bear Witness a few months ago. This could lead to some I’m Talking shows, we’ll see.” Kate Ceberano poses in front of a David Bromley painting. Picture: Jake Nowakowski The Live. Love. Life festival will focus on music, art, culture and wellness, with Ceberano working on the project all year with the likes of artist David Bromley, a co-curator of the event. “People are escaping to Daylesford because they’re looking to an alternative way to escape the future,” Ceberano said. “Daylesford is facing the future using every single ounce of knowledge in the history of food, culture and wellness. There’s no other place like it in Australia as far as I’m concerned.” Ceberano has curated a string of musical guests including Katie Noonan, Deborah Conway, Vika and Linda Bull, Lior, Paul Grabowsky and more.
    [Show full text]
  • Finn Revives Crowded House Music
    ARAB TIMES, SUNDAY, JUNE 6, 2021 NEWS/FEATURES 13 People & Places Television ‘Nobody can do it’ Voice of Jeopardy! keeps going at 92 LOS ANGELES, June 5, (AP): Johnny Gilbert, who decided to stick with “Jeopardy!” after Alex Trebek’s death, faced the wrenching question once again as production for next season neared. This time it would mean adjusting to the quiz show’s yet-to-be-named host, as opposed to the succession of celebrities who have been fi lling in since Trebek suc- cumbed to pancreatic cancer last November. “It’s not easy for me because I worked with Alex for 37 years, and I never thought of anybody replacing him,” he said. “Nobody can do it like he did it, you know.” No one does it like Gilbert either, who at age 92 has decided he’s not ready to call it quits on the show busi- ness career he began pursuing as a teenager. Last year, when he was re- luctant to continue after losing his admired and longtime col- league, others with the show urged Gilbert to consider his role as a comforting touchstone for viewers who also were in mourning for Trebek. “If you just listen to the way Johnny articulates each name, each word, he has a voice and Gilbert even more importantly, de- livery, unlike anyone else,” said Mike Richards, the show’s executive producer. Without Trebek, “the fact we can still rely on Johnny is obviously very impor- tant to us as well.” “This is ‘Jeopardy!’” is Gilbert’s richly booming introduction that opens each episode and belies his years.
    [Show full text]
  • Victorian Marathon Club Newsletter
    VICTORIAN MARATHON CLUB. WINTER 1988 Vol.20 No.2 NEWSLETTER JUNE 1988 Price $ 2- I ^1 ISSN 1030 CO MARATHON TIME IS HERE AGAIN !! ABOVE: FISHERMENS BEND IN 1187 Registered by Australia Post Publication No.VBH 0488 RUNNING GROUPS. Any regular local running groups are invited to list where and when in our page. Send details to: VMC Office, 598 High St., E.KEW 3102. The VMC gets numerous requests from our members for training advice and running contacts. Person to assist with your requests is FRED LESTER, VMC General Sec., an A.F.T.C.A. Accredited Coach Grade 2. NOTE; A runner is any person who moves faster than their walking pace, for what purpose is innaterial ! QQNCBRNINrc ATJ. MCMBJ HUNNERS - REGULAR CB BEGINNERS: The V.M.C. has a Special Women’s Task Force to assist in the development of Women’s Distance Running, for mutual enjoyment, encouragement and good health. They are endeavouring to foster the development of locality groups for running and training together, for getting to know similar groups in different areas and to develop a positive and independent attitude in their pursuit of sport. If you are having a problem in making contact with running groups or feel that you are not getting the satisfaction you are looking for, you can drop us a line for advice and assistance, together with a Stamped Self Addressed Envelope for a reply, to : 598 High Street. E. KEW 3102. REGULA RUNNERS, GREENSBQROUGH is a Women’s Running Group - all ages & abilities. Group meets on Wednesday 9.00am at Willinda Park, G’borough.Beginners welcome, child minding provided.
    [Show full text]
  • Hunters & Collectors Easy Mp3, Flac
    Hunters & Collectors Easy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Easy Country: Australia Released: 1994 Style: Alternative Rock MP3 version RAR size: 1365 mb FLAC version RAR size: 1178 mb WMA version RAR size: 1463 mb Rating: 4.3 Votes: 335 Other Formats: AU MIDI RA AA MPC AUD AAC Tracklist 1 Easy 3:45 2 Panic In The Shade 3:50 3 The Trade Off 4:03 Companies, etc. Phonographic Copyright (p) – Human Frailty Pty. Ltd. Copyright (c) – Human Frailty Pty. Ltd. Recorded At – Sing Sing Studios Mixed At – Platinum Studios, Melbourne Mastered At – EMI Studios 301 Credits Artwork – Robert Miles* Engineer – Nick Mainsbridge Engineer [Assisted] – Anthony Cook, Lawrence Maddy* Lyrics By – Mark Seymour Mastered By – Don Bartley Mixed By – Mark Freegard Mixed By [Assisted] – Kalju Tonuma Music By – Hunters & Collectors Producer – Hunters & Collectors, Nick Mainsbridge Notes Recorded at Sing Sing Studios, Melbourne Australia Mixed at Platinum Studios, Melbourne Australia Mastered at Studio's 301, Sydney Australia Barcode and Other Identifiers Barcode: 9 399601 168921 Other versions Category Artist Title (Format) Label Category Country Year Easy (VHS, Single, Ltd, Num, 11689 Hunters & Collectors White 11689 Australia 1994 Han) Related Music albums to Easy by Hunters & Collectors The Earthmen - Love Walked In Hunters & Collectors - Throw Your Arms Around Me Hunters & Collectors - Collected Works Hunters & Collectors - Living Daylight Hunters & Collectors - Demon Flower Hunters & Collectors - Human Frailty Bell Jar - Bitter Taste The Mavis's - Venus Returning Hunters & Collectors - The Way You Live Hunters & Collectors - Cut Hunters And Collectors - Judas Sheep Soulscraper - Heard It All Before.
    [Show full text]
  • Barrier Truth – Saturday July 10Th
    Saturday, July 10, 2021 No. 32,873 $2.50 Firefighters honour late Captain South 239 Broken Hill Fire Station almost 41 years and served as the Captain “He always came down to our Open Day’s Firefi ghters (from left) Jake Trengove, Sophie of the 239 South Station for 21 years before after he retired and he loved meeting the new Milne, Captain Kristy Ramsay, Paige Cuy, Jake retiring in 2002. recruits and asking them ‘Why did you want to Benton and David Bearman prior to attending “Everyone has said he was a caring, fi rm but be a fi refi ghter?’” she said. “We missed him at the funeral of former 239 Captain, Allen ‘Dicky’ fair Captain,” said Captain Ramsay. “Everyone is the Open Day this year, he couldn’t make it.” Elliot on Thursday. sad that he is gone. “He was a beautiful man and a true 239 Captain, Kristy Ramsay spoke highly “He was a really great Captain, who gentleman.” of Elliot who was in the Fire Brigade for dedicated a lot of years. PICTURE: Emily Ferguson Will COVID trash The Bash? By Cherie von Hörchner “The team are working very been exposed so far, but we who is more worried about the closely with NSW to ensure all are mindful of the impact resident communities than the COVID safety protocols are met the disease would have attendees of the festival. With the Mundi Mundi and patrons have a fun and safe particularly in areas with limited “My concern is the amount Bash only weeks away, and event experience.” healthcare access.
    [Show full text]
  • James Valentine
    James Valentine Versatile MC, Speaker and Entertainer with a Quirky Edge James Valentine is a man of many talents. As a broadcaster and writer he is renowned for his quirky social commentary and sense of humour. As a fine jazz musician, he leads his own band, The James Valentine Quartet, and is admired for his sensuous saxophone playing and mellow vocals. James has presented Afternoons on 702 ABC Sydney since the ’90s and has appeared on live television for Sunrise, It Takes Two, Midday and Good Morning Australia. Since 2010 James has narrated the Australian version of Come Dine With Me, offering his witty observations and unique style of commentary. With more than thirty years’ experience in daily live radio and entertaining, James is an ideal choice for live events as an MC, speaker, bandleader or entertainer. His easy-going wit and humour make him a popular choice with a wide range of audiences. James began his career as a musician, studying jazz in Melbourne before going out on tour with some of the leading Australian bands of the early 1980s, including Joe Camilleri, Kate Ceberano, The Models, Absent Friends and Wendy Matthews. Today, with his quartet or his pianist, James provides the perfect entertainment for corporate events – either as a show or as background accompaniment. As an MC he has hosted such diverse events as the Telstra Small Business of the Year, Engineers Australia Awards, the Australian Animators and Special Effects Awards, the Australian Book Design Awards and the Sydney Film Festival. And as a speaker, James has appeared at the Sydney and Melbourne Writers Festival and regularly addresses schools, community groups, seminars and conferences on everything from media, to writing and his own career.
    [Show full text]
  • 2020 Carols by Candlelight Song Book
    Vision Australia presents Carols by Candlelight 2020 SOUVENIR SONG BOOK THIS CHRISTMAS EVE DONATE givetocarols.com DEC 24TH Christmas Eve 8pm AEST, Channel 9 Broadcast Partner DEC DEC DEC 24TH 24TH 24TH Carols by Candlelight 2020 3 Season’s greetings elcome to Vision Australia’s WCarols by Candlelight. Each year Carols by Candlelight brings families together to share in the joy of Christmas, something more important than ever this year. While 2020 has been full of surprises, one thing that hasn’t changed is the support Vision Australia provides to children who are blind or have low vision and their families. We’ve again been there for thousands of children across Australia, helping them to succeed at school, develop important life skills, learn to use technology to be independent, and enjoy all the wonders childhood has to offer. This year, we hope you can join The sounds the spirit of Christmas by enjoying Carols by Candlelight and helping us to raise funds so we can continue to provide our services for children. of Your generosity will help Vision Australia make the future as bright as possible for children who are blind or have low vision and their Christmas families. Merry Christmas! ince its inception in Ron Hooton, Vision Australia CEO 1938, Vision Australia’s Changing lives for more than 80 years SCarols by Candlelight hannel 9 is proud to be has become a much-loved Banks MBE, a veteran of radio. included special messages from Hobson, Lucy Durack, Debra Cpartnering once Christmas tradition and this On Christmas Eve in 1937, he the lord mayors of London and Byrne, Delta Goodrem, Rob again with Vision year is no exception.
    [Show full text]
  • Kate Ceberano Anastasia Marinakou
    VANILLA CAKES & Lounge Magazine – SERVED FREE ISSUE 22 VANILLA AUTUMN 2017 KATE CEBERANO ANASTASIA MARINAKOU LIANNA PERDIS 169 Chapel Street Windsor www.dukescoffee.com.au FOR ALL YOUR BUILDING MATERIALS Greg Lloyd | General Manager | 0426 986 595 | [email protected] NO PROJECT IS TOO SMALL VICTORIA'S MOST COMPETITIVE SUPPLIER RESIDENTIAL | COMMERCIAL | RETAIL VANILLA | 3 EDITOR‘S LETTER Welcome to the 22nd issue of Vanilla Magazine! This autumn we encourage you to explore the beautiful wineries in the Yarra Valley where we shot our latest campaign. So grab your picnic basket, and on your way swing by Vanilla to stock up on your favourite treats and coffee. A big shout out to St Huberts Winery in Coldstream for their great hospitality during our autumn campaign photoshoot: www.sthuberts.com.au This issue we focus on Health and Beauty and the importance of getting prepped for winter before the dreaded cold seeps in and weakens our immune systems. We are proud to feature our globally gorgeous Greek cover girl, Lianna Perdis, this issue. Lianna spoke to us about family life and her new cosmetics line under the Napoleon Perdis brand. We also caught up with her legendary father, Napoleon, who sung the praises of the five treasured women in his life and how they influence his work. 17–21 Eaton Mall, Oakleigh, VIC, 3166 Sticking with the Greek family theme, athletics powerhouse, Anastasia Marinakou, joined us for lunch at Vanilla Upstairs OPEN 7AM – 1AM 7 DAYS A WEEK and spoke to Maria Avgoulas and the Vanilla family about Fully Licensed – Table Service – Catering Available her move from Greece to Melbourne, and her time with TAKE Away SERVICE AvailaBLE Usain Bolt at Nitro Athletics.
    [Show full text]
  • KATE CEBERANO SECOND EVENING by Popular Demand….THE LAST ONE WAS FANTASTIC!
    Beaumaris Books In association with Hachette Australia Proudly presents an evening with KATE CEBERANO SECOND EVENING By popular demand….THE LAST ONE WAS FANTASTIC! When: Thursday 1st May 7.30pm Where: MALT CAFÉ, 23-25 South Concourse, Beaumaris Cost: $50 includes admission, finger food. AND a copy of ‘I’m Talking’ Beverages at bar prices. **Phone credit card bookings accepted** Phone: 9589 4638 E-mail: [email protected] Bookings Essential For the first time, Kate Ceberano, one of Australia’s best-loved entertainers, shares her story In her own unmistakable voice, Kate Ceberano takes us on a very personal journey from her suburban childhood, her immersion in the Melbourne club scene of the eighties and her rise to stardom at the age of seventeen when she fronted the wildly popular funk band I’m Talking, to the life of a female performer and recording artist in London, Los Angeles and New York. With parallel careers as a pop and jazz singer and songwriter, Kate has received the highest awards in the Australian music industry including the ARIA for Best Female Artist. She has delighted audiences in Harry M. Miller’s hugely successful ‘Jesus Christ Superstar’, won a legion of fans when she won ‘Dancing with the Stars’, and made a triumphant debut for Opera Australia in ‘South Pacific’. Now she reveals, for the first time, just what that was like. People have been talking about Kate Ceberano since she was a teenager: Hugh Jackman described her as having ‘truly one of the great voices this country has produced’; for Rolling Stone she is ‘pure, soulful and powerful’.
    [Show full text]
  • Dusting Off Social Change
    Dusting off Social Change An Evaluation of Hubcap Production’s Musical Theatre Project Written and Directed by Donna Jackson Composer Mark Seymour Media Artist Malcolm McKinnon Adelaide and Brisbane Seasons 2013 This report prepared by Lindy Allen July 2015 Dusting off Social Change LIVING PROOF Living Proof has been recently established by Lindy Allen to assist small to medium arts practitioners, organisations and event managers to document and evaluate their projects. Many grant recipients struggle to meet the increasingly complex acquittal requirements of multiple stakeholders and balance the expense of this with their own need to evaluate the success of the project on their own terms and document what was actually produced. Living Proof aims to produce work that is beautiful, accessible and useful using digital photographic/video production to capture project development and outcomes to produce short videos that can be made easily available to a wide audience. These videos are designed to capture the aspirations and the outcomes of the project from the perspective of those directly involved or engaged. This work is supplemented by a written evaluation report. Lindy Allen has worked in a variety of roles in the arts since the mid‐1970s. These have included performer and musician (The Whittle Family, Olympic Sideburns, Dust on the Bible), festival General Manager and Artistic Director (Mallacoota and Mildura), Sponsorship Manager for Melbourne Theatre Company and Chief Executive Officer of both Regional Arts Victoria (2004‐2012) and Regional Arts Australia (on contract, 2012‐2013). Lindy has been Executive Producer for a number of major multi‐site cultural projects across regional Australia including Common Ground (2008), Illuminated by Fire (2010‐2011) and One River (2013), the largest community engagement project for the Centenary of Canberra, covering four states and a territory.
    [Show full text]
  • Two Hands Music Credits
    Composer Cezary Skubiszewski Music Supervision Chris Gough, Mana Music Music Editor Lee Smith Music performed by Guitars Shane O'Mara, Barry Palmer, Gregor Jordan Sax and Bass Clarinet Tony Hinks Bass Steven Hadley Drums Peter Jones Vibraphone Craig Beard Beatmaster Andy Baldwin Victorian Philharmonic Orchestra (Members of Melbourne Symphony Orchestra) Orchestration & Conducting Daryl McKenzie Recorded and Mixed by Michael Letho at Sing Sing/Platinum Studios, Melbourne Orchestra Recorded by Robin Gray at Allan Eaton Studios, Melbourne Additional Recordings Engineered by Adam Rhodes at C-Zee Studios Love Theme Composed by Cezary and Jan Skubiszewski 'Score' © 1998 by Warner/Chappell Music Australia Pty Ltd SONGS 'Belter' (Powderfinger/Fanning) Polygram Music Publishing Performed by Powderfinger Courtesy of Polydor Records Australia Under License for Polygram 'Heavenly Sublime' (Tracky Dax) Control Performed by Tracky Dax 'Dark State of Mind' (Skerik/Harwood/Martin) Polygram Music Publishing/Control Performed by Tuatara Courtesy of Sony Music Entertainment 'Stadium' (Scott/Larkin/Sutherland/Sutherland/ Searies) Sony Music Publishing Performed by Skunkhour Courtesy of Velvet Sound Recordings 'What Does It Matter' (Mitchell/Fonti) Control Performed by Primary Courtesy of Warner Music Australia '24-7' (Scott/Larkin/Sutherland/Sutherland/ Searies) Sony Music Publishing Performed by Skunkhour Courtesy of Velvet Sound Recordings 'This Guy's In Love' (Bacharach/David) New Hidden Valley Music/ Rondor Music/Casa David Administered by Rondor Music/
    [Show full text]