The Beatles Penny Lane in My Life Please, Please Me All My Loving I

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The Beatles Penny Lane In My Life Please, Please Me All My Loving I Saw Her Standing There I'm Happy Just To Dance With You I Want to Hold Your Hand And I Love Her If I Fell Things We Said Today A Hard Day's Night Can't Buy Me Love Twist & Shout Help I Feel Fine You've Got to Hide Your Love Away The Night Before Yesterday We Can Work It Out Don't Let Me Down Norwegian Wood I’ll Follow The Sun Nowhere Man Sgt. Pepper's Lonely Hearts Club Band With a Little Help from My Friends Lucy in the Sky with Diamonds A Day in the Life Being for the Benefit of Mr. Kite I Am The Walrus Yellow Submarine All You Need is Love Birthday The Ballad of John and Yoko Revolution Come Together Get Back Hey Jude Let It Be Something Sgt. Pepper Reprise/A Day In The Life Strawberry Fields Forever Rain Got to Get You into My Life Magical Mystery Tour Yellow Submarine Back In The U.S.S.R. Day Tripper I'm a Loser Eleanor Rigby Here Comes The Sun Obla-Di, Obla-Da When I’m 64 She's Leaving Home Lovely Rita Good Morning, Good Morning Fixing A Hole The Fool On The Hill Golden Slumbers/The End While My Guitar Gently Weeps Honey Don't Every Little Thing Baby’s In Black Imagine (Solo) It Don't Come Easy (Solo) Band on the Run (Solo) #9 Dream (Solo) Other Arists (60s/70s) Rare Earth - Get Ready The Turtles - Happy Together Buffalo Springfield - For What it's Worth Neil Young - Cinnamon Girl The Zombies - Time of the Season Iron Butterfly - In-A-Gadda-Da-Vida Moody Blues - Nights in White Satin Procol Harum - Whiter Shade of Pale The Rolling Stones - Paint It Black The Rolling Stones - Under My Thumb The Rolling Stones - Ruby Tuesday The Rolling Stones - Satisfaction The Rolling Stones - Get Off My Cloud The Rolling Stones – The Last Time The Rolling Stones - Jumpin' Jack Flash The Rolling Stones - Sympathy for the Devil The Rolling Stones - Brown Sugar The Rolling Stones – Miss You Steppenwolf - Born To Be Wild Grand Funk - American Band Mitch Ryder & Detroit Wheels - Devil With a Blue Dress The Animals – House of The Rising Sun The Bee Gees - To Love Somebody The Dave Clark 5 - Do You Love Me The Kinks - You Really Got Me The Kinks - All Day and All Night Roy Orbison – Oh Pretty Woman The Young Rascals - Good Lovin' The Kingsmen - Louie Louie Elvis Presley - I Can't Help Falling in Love The Youngbloods - Get Together The Shadows of Knight - Gloria Van Morrison - Brown Eyed Girl Van Morrison - Domino Sam The Sham & The Pharaohs - Woolly Bully The McCoys – Hang On Sloopy The Hollies - Long Cool Woman The Temptations - My Girl The Temptations - Ain't Too Proud To Beg Sam & Dave - Soul Man Commodores - Brick House The Who - My Generation Badfinger - No Matter What Steppenwolf - Magic Carpet Ride Cream – Sunshine of Your Love T. Rex - Bang a Gong Free - All Right Now .

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A Queer Aes- Thetic Is Suggested in the Nostalgia of Orton’S List of 1930S Singers, Many of Whom Were Sex- Ual Nonconformists
Orton in Deckchair in Tangier. Courtesy: Orton Collection at the University of Leicester, MS237/5/44 © Orton Estate Rebel playwright Joe Orton was part of a ‘cool customer’, Orton shopped for the landscape of the Swinging Sixties. clothes on Carnaby Street, wore ‘hipster Irreverent black comedies that satirised pants’ and looked – in his own words the Establishment, such as Entertaining – ‘way out’. Although he cast himself Mr Sloane (1964), Loot (1965) and as an iconoclast, Emma Parker suggests What the Butler Saw (first performed that Orton’s record collection reveals a in 1969), contributed to a new different side to the ruffian playwright counterculture. Orton’s representation who furiously pitched himself against of same-sex desire on stage, and polite society. The music that Orton candid account of queer life before listened to in private suggests the same decriminalisation in his posthumously queer ear, or homosexual sensibility, that published diaries, also made him a shaped his plays. Yet, stylistically, this gay icon. Part of the zeitgeist, he was music contradicts his cool public persona photographed with Twiggy, smoked and reputation for riotous dissent. marijuana with Paul McCartney and wrote a screenplay for The Beatles. Described by biographer John Lahr as A Q U E E R EAR Joe Orton and Music 44 Music was important to Joe Orton from an early age. His unpublished teenage diary, kept Issue 37 — Spring 2017 sporadically between 1949 and 1951, shows that he saved desperately for records in the face of poverty. He also lovingly designed and constructed a record cabinet out of wood from his gran’s old dresser.
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