DOCSLIB.ORG

Report by Network (PDF)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Report by Network (PDF) 2013 DGA Episodic Director Diversity Report (by NETWORK) Network Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Signatory Company Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority A&E Bates Motel 10 1 10% 9 90% 0 0% 1 10% 0 0% NBC Studios LLC A&E Glades, The 10 3 30% 7 70% 1 10% 2 20% 0 0% TVM Productions, Inc. A&E Longmire 9 1 11% 8 89% 0 0% 1 11% 0 0% Horizon Scripted Television, Inc. ABC 666 Park Ave. 12 2 17% 10 83% 1 8% 1 8% 0 0% Bonanza Productions Inc. ABC Body of Proof 13 5 38% 8 62% 2 15% 3 23% 0 0% FTP Productions, LLC ABC Castle 24 3 13% 21 88% 1 4% 2 8% 0 0% ABC Studios ABC Don't Trust the B---- in Apartment 13 5 38% 8 62% 0 0% 4 31% 1 8% Twentieth Century Fox Television 23 ABC Family Tools, The 12 2 17% 10 83% 1 8% 1 8% 0 0% FTP Productions, LLC ABC Grey's Anatomy 24 10 42% 14 58% 4 17% 2 8% 4 17% ABC Studios ABC Happy Endings 22 5 23% 17 77% 2 9% 3 14% 0 0% Remote Broadcasting, Inc. ABC How to Live With Your Parents 12 2 17% 10 83% 1 8% 1 8% 0 0% Twentieth Century Fox Film Corporation (for the Rest of Your Life) ABC Last Resort 12 5 42% 7 58% 3 25% 2 17% 0 0% Woodridge Productions, Inc. ABC Malibu Country 17 4 24% 13 76% 4 24% 0 0% 0 0% FTP Productions, LLC ABC Middle, The 24 10 42% 14 58% 0 0% 10 42% 0 0% Warner Bros. Television, a division of Warner Bros. Studio Enterprises ABC Mistresses 13 6 46% 7 54% 1 8% 5 38% 0 0% FTP Productions, LLC ABC Modern Family 24 12 50% 12 50% 0 0% 12 50% 0 0% Twentieth Century Fox Television ABC Nashville 20 7 35% 13 65% 0 0% 5 25% 2 10% Music City Productions, Inc. ABC Neighbors, The 21 1 5% 20 95% 1 5% 0 0% 0 0% FTP Productions, LLC ABC Once Upon A Time 22 3 14% 19 86% 1 5% 2 9% 0 0% Digital 49 Productions, Inc. ABC Private Practice 13 7 54% 6 46% 2 15% 4 31% 1 8% ABC Studios ABC Red Widow 7 1 14% 6 86% 0 0% 1 14% 0 0% Digital 49 Productions, Inc. ABC Revenge 22 4 18% 18 82% 1 5% 3 14% 0 0% ABC Studios ABC Scandal 22 3 14% 19 86% 0 0% 2 9% 1 5% FTP Productions, LLC ABC Suburgatory 22 7 32% 15 68% 2 9% 4 18% 1 5% Bonanza Productions Inc. ABC Zero Hour 12 5 42% 7 58% 5 42% 0 0% 0 0% FTP Productions, LLC ABC Family Bunheads 17 7 41% 10 59% 1 6% 6 35% 0 0% Prodco, Inc. ABC Family Lying Game, The 10 2 20% 8 80% 1 10% 1 10% 0 0% Horizon Scripted Television, Inc. ABC Family Pretty Little Liars 24 8 33% 16 67% 1 4% 6 25% 1 4% Horizon Scripted Television, Inc. ABC Family Secret Life of the American 24 9 38% 15 63% 0 0% 9 38% 0 0% American Teenager, Inc. Teenager, The ABC Family Switched at Birth 21 9 43% 12 57% 0 0% 6 29% 3 14% Prodco, Inc. AMC Breaking Bad 16 4 25% 12 75% 0 0% 4 25% 0 0% Topanga Productions, Inc. AMC Hell on Wheels 10 1 10% 9 90% 0 0% 1 10% 0 0% Entertainment One Television USA Inc. AMC Mad Men 13 2 15% 11 85% 0 0% 2 15% 0 0% U.R.O.K. Productions, Inc. AMC Walking Dead, The 16 5 31% 11 69% 3 19% 2 13% 0 0% Stalwart Films, LLC BET Game, The 20 20 100% 0 0% 14 70% 5 25% 1 5% Breakdown Productions, Inc. BET Real Husbands of Hollywood, 10 10 100% 0 0% 10 100% 0 0% 0 0% JSR Productions The BET Reed Between the Lines 8 6 75% 2 25% 4 50% 2 25% 0 0% Breakdown Productions, Inc. Page 1 of 5 Network Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Signatory Company Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority BET Second Generation Wayans 10 7 70% 3 30% 4 40% 3 30% 0 0% Breakdown Productions, Inc. CBS Blue Bloods 23 4 17% 19 83% 2 9% 2 9% 0 0% Eye Productions Inc. CBS Criminal Minds 24 7 29% 17 71% 5 21% 0 0% 2 8% ABC Studios CBS CSI: Crime Scene Investigation 22 1 5% 21 95% 0 0% 0 0% 1 5% CBS Broadcasting Inc. CBS CSI: NY 17 6 35% 11 65% 2 12% 3 18% 1 6% CBS Broadcasting Inc. CBS Elementary 23 7 30% 16 70% 4 17% 2 9% 1 4% Eye Productions Inc. CBS Friend Me 7 1 14% 6 86% 0 0% 1 14% 0 0% Eye Productions Inc. CBS Golden Boy 12 3 25% 9 75% 1 8% 1 8% 1 8% Bonanza Productions Inc. CBS Good Wife, The 22 10 45% 12 55% 4 18% 6 27% 0 0% Eye Productions Inc. CBS Hawaii Five-O 24 10 42% 14 58% 8 33% 2 8% 0 0% Eye Productions Inc. CBS Made in Jersey 12 4 33% 8 67% 1 8% 2 17% 1 8% Woodridge Productions, Inc. CBS Mentalist, The 22 6 27% 16 73% 4 18% 2 9% 0 0% Warner Bros. Television, a division of Warner Bros. Studio Enterprises CBS Mike & Molly 23 16 70% 7 30% 16 70% 0 0% 0 0% Bonanza Productions Inc. CBS NCIS 24 2 8% 22 92% 1 4% 1 4% 0 0% CBS Studios Inc. CBS NCIS: Los Angeles 25 6 24% 19 76% 3 12% 2 8% 1 4% CBS Studios Inc. CBS Person of Interest 22 6 27% 16 73% 4 18% 2 9% 0 0% Bonanza Productions Inc. CBS Rules of Engagement 13 3 23% 10 77% 1 8% 2 15% 0 0% Montrose Productions, Inc. CBS Two Broke Girls 24 5 21% 19 79% 5 21% 0 0% 0 0% Bonanza Productions Inc. CBS Unforgettable 13 2 15% 11 85% 2 15% 0 0% 0 0% Woodridge Productions, Inc. CBS Vegas 20 7 35% 13 65% 2 10% 3 15% 2 10% Eye Productions Inc. Cinemax Banshee 10 4 40% 6 60% 2 20% 2 20% 0 0% Home Box Office, Inc. Comedy Central Workaholics 20 0 0% 20 100% 0 0% 0 0% 0 0% 50/50 Productions, LLC CW 90210 22 9 41% 13 59% 2 9% 5 23% 2 9% Eye Productions Inc. CW Arrow 21 4 19% 17 81% 3 14% 1 5% 0 0% Warner Bros. Television, a division of Warner Bros. Studio Enterprises CW Beauty & the Beast 20 3 15% 17 85% 0 0% 3 15% 0 0% BATB Productions Inc CW Carrie Diaries, The 12 7 58% 5 42% 1 8% 5 42% 1 8% Warner Bros. Television, a division of Warner Bros. Studio Enterprises CW Cult 12 4 33% 8 67% 1 8% 3 25% 0 0% NS Pictures, Inc. CW Emily Owens, MD 13 8 62% 5 38% 4 31% 4 31% 0 0% CBS Overseas Productions Two Inc. CW Gossip Girl 10 2 20% 8 80% 0 0% 2 20% 0 0% Warner Bros. Television, a division of Warner Bros. Studio Enterprises CW Hart of Dixie 22 7 32% 15 68% 2 9% 3 14% 2 9% Bonanza Productions Inc. CW Nikita 22 1 5% 21 95% 1 5% 0 0% 0 0% NS Pictures, Inc. CW Supernatural 21 0 0% 21 100% 0 0% 0 0% 0 0% NS Pictures, Inc. CW Vampire Diaries, The 23 5 22% 18 78% 2 9% 2 9% 1 4% Bonanza Productions Inc. Disney Channel A.N.T. Farm 39 9 23% 30 77% 9 23% 0 0% 0 0% It's a Laugh Productions, Inc. Disney Channel Austin & Ally 26 5 19% 21 81% 4 15% 1 4% 0 0% It's a Laugh Productions, Inc. Disney Channel Dog with a Blog 21 1 5% 20 95% 1 5% 0 0% 0 0% It's a Laugh Productions, Inc. Disney Channel Good Luck, Charlie 21 4 19% 17 81% 2 10% 2 10% 0 0% It's a Laugh Productions, Inc. Disney Channel Jessie 28 7 25% 21 75% 2 7% 5 18% 0 0% It's a Laugh Productions, Inc. Disney Channel Shake it Up 26 6 23% 20 77% 5 19% 0 0% 1 4% It's a Laugh Productions, Inc. Disney XD Crash and Bernstein 26 2 8% 24 92% 2 8% 0 0% 0 0% It's a Laugh Productions, Inc. Page 2 of 5 Network Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Signatory Company Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority Disney XD Lab Rats 26 19 73% 7 27% 18 69% 1 4% 0 0% It's a Laugh Productions, Inc. Disney XD Pair of Kings 22 9 41% 13 59% 7 32% 0 0% 2 9% It's a Laugh Productions, Inc.
Load more

Recommended publications
  • Informação À Imprensa – XX De Abril De 2008
    Títulos disponíveis em Star no Disney+, em Portugal, no dia 23 de fevereiro Séries de televisão 24: LIVE ANOTHER DAY 9/11 FIREHOUSE ACCORDING TO JIM (YR 1 2001/02 EPS 1-22) ACCORDING TO JIM (YR 2 2002/03 EPS 23-50) ACCORDING TO JIM (YR 3 2003/04 EPS 51-79) ACCORDING TO JIM (YR 4 2004/05 EPS 80-106) ACCORDING TO JIM (YR 5 2005/06 EPS 107-128) ACCORDING TO JIM (YR 6 2006/07 EPS 129-146) ACCORDING TO JIM (YR 7 2007/08 EPS 147-164) ACCORDING TO JIM (YR 8 2008/09 EPS 165-182) ALIAS (YR 1 2001/02 EPS 1-22) ALIAS (YR 2 2002/03 EPS 23-44) ALIAS (YR 3 2003/04 EPS 45-66) ALIAS (YR 4 2004/05 EPS 67-88) ALIAS (YR 5 2005/06 EPS 89-105) BIG SKY (YR 1 2020/21 EPS 1-18) BLACKISH (YR 1 2014/15 EPS 1-24) BLACKISH (YR 2 2015/16 EPS 25-48) BLACKISH (YR 3 2016/17 EPS 49-72) BLACKISH (YR 4 2017/18 EPS 73-95) BLACKISH (YR 5 2018/19 EPS 96-118) BROTHERS & SISTERS (YR 1 2006/07 EPS 1-23) BROTHERS & SISTERS (YR 2 2007/08 EPS 24-39) BROTHERS & SISTERS (YR 3 2008/09 EPS 40-63) BROTHERS & SISTERS (YR 4 2009/10 EPS 64-87) BROTHERS & SISTERS (YR 5 2010/11 EPS 88-109) BUFFY THE VAMPIRE SLAYER (YR 1 1996/97 EPS 1-12) BUFFY THE VAMPIRE SLAYER (YR 2 1997/98 EPS 13-34) BUFFY THE VAMPIRE SLAYER (YR 3 1998/99 EPS 35-55) BUFFY THE VAMPIRE SLAYER (YR 4 1999/00 EPS 56-78) BUFFY THE VAMPIRE SLAYER (YR 5 2000/01 EPS 79-100) BUFFY THE VAMPIRE SLAYER (YR 6 2001/02 EPS 101-122) BUFFY THE VAMPIRE SLAYER (YR 7 2002/03 EPS 123-144) CASTLE (YR 1 2008/09 EPS 1-10) CASTLE (YR 2 2009/10 EPS 11-34) CASTLE (YR 3 2010/11 EPS 35-58) CASTLE (YR 4 2011/12 EPS 59-81) CASTLE (YR 5 2012/13 EPS 82-105)
    [Show full text]
  • Evidence-Based Parenting
    Evidence-Based Parenting April 3, 2021 Leonard Sax MD PhD www.leonardsax.com You can reach me at [email protected] (scroll to the bottom of the document for complete contact information). The established consensus in 1964: encourage immigrant children to assimilate as soon as possible. For the scholarship underlying this consensus, see Milton Gordon’s monograph Assimilation in American Life: the role of race, religion, and national origins, New York: Oxford University Press, 1964. Because of this long-held consensus, the more recent finding that immigrant children now do better than American-born children is regarded as evidence of a “paradox.” Scroll to the bottom of this document for citations documenting the immigrant paradox. Disclaimers: I am not endorsing Dr. Gordon’s recommendations. 1964 was not the good old days; that era was much more racist and sexist than our own. Every era has its challenges. The first two graphs I showed – demonstrating a marked in the proportion of people reporting either a major depressive episode, or serious psychological distress, 2009 to 2017 – with that rise seen among adolescents age 12 to 17, and young adults age 18 to 25, but not in older age groups – is taken from the paper by Jean Twenge and colleagues, “Age, period, and cohort trends in mood disorder indicators and suicide-related outcomes in a nationally representative dataset, 2005 – 2017,” Journal of Abnormal Psychology, April 2019, full text online at https://psycnet.apa.org/record/2019-12578-001. A comprehensive review of current scholarly literature documenting a recent rise in adolescent mood disorders, co-edited by Professor Twenge, is online at https://tinyurl.com/TeenMentalHealthReview.
    [Show full text]
  • Joining Forces Accomplishments Overview
    JOINING FORCES ACCOMPLISHMENTS OVERVIEW COMMUNITIES ACROSS THE COUNTRY JOINING FORCES TO SERVE AND HONOR MILITARY FAMILIES On April 12, 2011, First Lady Michelle Obama and Dr. Jill Biden launched Joining Forces to bring Americans together to recognize, honor and serve our nation’s veterans and military families. The initiative focuses on improving employment, education, and wellness of America’s troops, veterans and military families as well as raising awareness about the service, sacrifice, and needs of all who serve our country, both abroad and here at home. In just one year, Americans from communities across America – our businesses, schools, faith groups, non- profit organizations, and neighborhoods – have stepped up with an overwhelming amount of support for these heroes, not just with words, but with real, concrete actions to make a difference in their lives. Working with Joining Forces, these groups have helped thousands of veterans and military spouses find jobs, improved educational opportunities for military children, supported our nation’s wounded warriors and their caregivers, and honored our nation’s fallen and their families whose strength continues to inspire us all. KEY JOINING FORCES ACCOMPLISHMENTS: Through Joining Forces, American businesses have hired more than 50,000 veterans and military spouses, with a pledge to hire at least 160,000 more in the years ahead. More than 1,600 companies have been involved in this effort, including Microsoft, Comcast, Honeywell, Safeway and Sears. Associations of doctors, nurses, psychologists, social workers and medical schools have committed to educating their memberships on diagnosing and caring for military families affected by post-traumatic stress and traumatic brain injuries – the invisible wounds of our wars in Iraq and Afghanistan.
    [Show full text]
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
    Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult.
    [Show full text]
  • Bloomington(KHS) Overall Score Reports
    Bloomington(KHS) Overall Score Reports Mini (8 yrs. & Under) Solo Performance Platinum 1st Place 1 797 Funky Y2C - Metro Dance Center - Shoreview, MN 82.9 Alyssa Jacobs Platinum 1st Place 2 157 Amazing Mayzie - Spirit of Dance - Thunder Bay, Ontario, Canada P7B 3C1, CN 81.8 Avery Marshall Gold 1st Place 3 161 Hands - Spirit of Dance - Thunder Bay, Ontario, Canada P7B 3C1, CN 81.4 Tia Kiiskila Gold 1st Place 4 91 Shake It Up - Nicole's School of Dance - La Crescent, MN 80.2 Riley Wiczek Gold 1st Place 4 159 Footloose - Spirit of Dance - Thunder Bay, Ontario, Canada P7B 3C1, CN 80.2 Hannah Donylyk Advanced Platinum 1st Place 1 409 My Boyfriend's Back - The Dance Connection - Rosemount, MN 82.8 Mercedes Lorentz Platinum 1st Place 2 412 Dimples - The Dance Connection - Rosemount, MN 81.9 Kailey Tomzak Gold 1st Place 3 411 True Colors - The Dance Connection - Rosemount, MN 81.5 Sydney McDonald Competitive Crystal Award 1 782 I Just Wanna Dance - Larkin Dance Studio - Maplewood, MN 86.2 Ava Wagner Platinum 1st Place 2 238 It's My Party - Eleve PAC - Bloomington, MN 83.4 Jenna Raymond Platinum 1st Place 3 786 A Star Is Born - Larkin Dance Studio - Maplewood, MN 82.9 Grace Albrecht Platinum 1st Place 4 237 Let's Dance - Eleve PAC - Bloomington, MN 82.8 Olivia DeAngelo Gold 1st Place 5 17 Aisy Waisy - Studio 4 Dancers - Burnsville, MN 81.8 Helaina Dahlhauser Mini (8 yrs. & Under) Duet/Trio Performance Gold 1st Place 1 158 Fourth of July - Spirit of Dance - Thunder Bay, Ontario, Canada P7B 3C1, CN 81.4 Lauren McCourt, Emma Petryna Gold 1st Place
    [Show full text]
  • Ncis Judgment Day Part Ii
    Ncis Judgment Day Part Ii Middle-distance and introrse Reggie slight so intuitively that Rawley disgusts his worksheets. Rapturous Mikel Markoreassemble shoogles, omnivorously, but Judson he unitedly interspersed machine his hergeography placations. very contemporaneously. Glycolic and coarsened Jenny discovers it was murder, and during her investigation the team will have to deal with the loss of one of their own. Do you like this video? After her death, Ducky eventually reveals the news of her illness to Gibbs. The NCIS team looks into the rape and murder of a navy lieutenant, and Ducky feels the killer is connected to an unsolved murder. And many, many yummy pictures. Abby both tony head case is reassured that he is very good one another ncis judgment day part ii drama tv serial killer, psychologist nate getz revealed. Bolling, while the Navy Yard is home to the museum and several military commands within the Department of the Navy. This will fetch the resource in a low impact way from the experiment server. One day ever don lives are ncis team look. Insectoid ship carrying a cache of unhatched eggs, and the crew considers mutiny when Archer takes an increasingly obsessive interest in preserving the embryos. While investigating the murder of a coast guard officer aboard an abandoned cargo vessel, the NCIS team find a Lebanese family seeking refuge in the US. Blair a proposition that may turn his life upside down and sever his ties with Jim. Anyway, there were occasional episodes where Kate was decent. You want the car. However, Shepard refuses his plea for asylum out of pure spite and devotion to her late father.
    [Show full text]
  • Global's Powerhouse Series Ncis Continues to Own
    GLOBAL’S POWERHOUSE SERIES NCIS CONTINUES TO OWN TUESDAY NIGHT WITH 2.3M VIEWERS NCIS: New Orleans Clocks In with 1.9M Viewers For additional photography and press kit material visit: http://www.shawmedia.ca/Media and follow us on Twitter at @shawmediaTV_PR / @GlobalTV_PR For Immediate Release TORONTO, February 25, 2014 – There was nothing covert about the audiences Global drew on Tuesday night for another exciting night of the blockbuster NCIS franchise. NCIS was the #1 show of the night, with a whopping 2.3 million (2+) and 710,000 (25-54) Canadians joining Gibbs in his race to figure out who activated his old undercover alias and, more importantly, how that person wound up dead. Sprinkle in some of NCIS’ trademark humour and this blast-from-the-past episode had audiences glued to their screens. Not to be outdone, NCIS: New Orleans earned nearly 1.9 million viewers (2+), making it a non-stop night of NCIS action. DATA HIGHLIGHTS NCIS wins the night with 2.3 million viewers (2+), besting CTV’s MasterChef Junior finale by 56% (2+) NCIS wins the night with 710,000 viewers (25-54), besting CTV’s MasterChef Junior finale by 6% (25-54) NCIS airs Tuesdays at 8 pm ET/PT on Global. Source: Numeris (BBM Canada) PPM Overnight Data, Feb 24/15, Total Canada - 30 - SOCIAL MEDIA LINKS: Twitter: @Global_TV @ShawMediaTV_PR Facebook: Facebook.com/globaltelevision Global is a Shaw Media Network. About Shaw Communications Inc. Shaw is a diversified communications and media company, providing consumers with broadband cable television, High-Speed Internet, Home Phone, telecommunications services (through Shaw Business), satellite direct-to-home services (through Shaw Direct) and eng aging programming content (through Shaw Media).
    [Show full text]
  • Watching Television with Friends: Tween Girls' Inclusion Of
    WATCHING TELEVISION WITH FRIENDS: TWEEN GIRLS’ INCLUSION OF TELEVISUAL MATERIAL IN FRIENDSHIP by CYNTHIA MICHIELLE MAURER A dissertation submitted to the Graduate School-Camden Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Childhood Studies written under the direction of Daniel Thomas Cook and approved by ______________________________ Daniel T. Cook ______________________________ Anna Beresin ______________________________ Todd Wolfson Camden, New Jersey May 2016 ABSTRACT Watching Television with Friends: Tween Girls’ Inclusion of Televisual Material in Friendship By CYNTHIA MICHIELLE MAURER Dissertation Director: Daniel Thomas Cook This qualitative work examines the role of tween live-action television shows in the friendships of four tween girls, providing insight into the use of televisual material in peer interactions. Over the course of one year and with the use of a video camera, I recorded, observed, hung out and watched television with the girls in the informal setting of a friend’s house. I found that friendship informs and filters understandings and use of tween television in daily conversations with friends. Using Erving Goffman’s theory of facework as a starting point, I introduce a new theoretical framework called friendship work to locate, examine, and understand how friendship is enacted on a granular level. Friendship work considers how an individual positions herself for her own needs before acknowledging the needs of her friends, and is concerned with both emotive effort and social impact. Through group television viewings, participation in television themed games, and the creation of webisodes, the girls strengthen, maintain, and diminish previously established bonds.
    [Show full text]
  • From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
    From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017).
    [Show full text]
  • TV Listings FRIDAY, MAY 5, 2017
    TV listings FRIDAY, MAY 5, 2017 14:55 The Zhuzhus 05:45 Loopdidoo 16:00 Itʼs Not Rocket Science 15:45 Elena Of Avalor 06:00 Zou 16:55 Surprise Surprise 16:10 Liv And Maddie 06:15 Calimero 17:50 Coach Trip 16:35 Teen Beach 2 06:30 Loopdidoo 18:45 Emmerdale 18:25 Alex & Co. 06:45 Henry Hugglemonster 19:45 Coronation Street 18:50 Best Friends Whenever 07:00 My Friends Tigger & Pooh 20:10 Guess This House 00:20 Street Outlaws 19:15 Tsum Tsum Shorts 07:25 Sofia The First 21:00 Itʼs Not Rocket Science 01:10 What On Earth? 00:00 Binny And The Ghost 19:20 Binny And The Ghost 07:50 The Lion Guard 06:00 Gravity Falls 00:25 Hank Zipzer 21:55 Surprise Surprise 02:00 Sydney Harbour 19:45 Austin & Ally 08:15 PJ Masks 06:25 Star vs The Forces Of Evil 22:50 Emmerdale 02:50 Todd Sampsonʼs Body Hack 00:45 The Hive 20:10 Jessie 08:40 Jake And The Never Land 06:50 Penn Zero: Part Time Hero 00:50 Sabrina Secrets Of A Teenage 23:15 Emmerdale 03:40 Fast Nʼ Loud 20:35 Cracke Pirates 07:15 Milo Murphyʼs Law Witch 04:30 Storage Hunters UK 20:40 Disney The Lodge 09:05 Goldie & Bear 07:25 Danger Mouse 05:00 How Do They Do It? 01:40 Hank Zipzer 21:05 Girl Meets World 09:35 The Lion Guard 02:05 Binny And The Ghost 07:40 Supa Strikas 05:30 How Do They Do It? 21:30 Thatʼs So Raven 10:00 Sofia The First 08:05 Two More Eggs 02:55 Hank Zipzer 21:55 Star Darlings 10:30 Doc McStuffins 06:00 Worldʼs Top 5 03:15 The Hive 08:10 K.C.
    [Show full text]
  • FALL 2016 NEWSLETTER Dean’S Message Welcome to the College of Applied Sciences and Arts (CASA) Fall Newsletter
    SHAPING THE WAY WE LIVE, WORK AND PLAY FALL 2016 NEWSLETTER Dean’s Message Welcome to the College of Applied Sciences and Arts (CASA) Fall Newsletter. In this issue you will learn about a INSIDE THIS ISSUE sampling of the many interesting and innovative learning opportunities for all our students within CASA. I want to personally invite you to take the time to read about the accomplishments in the Department of Justice Studies that includes the Fifth Annual CSI Camp as well as a program we are very proud of, the Records Clearance Project. CSI Camp 4 The School of Journalism and Mass Communications offered the first ever Data Journalism Workshop with many experts in the journalism field. Another first, is that CASA coordinated hosting a portion of the annual Alzheimer’s Association Walk on SJSU’s campus. Records Clearance Project 5 We had a chance to meet with many of our emeritus and retired faculty at our annual luncheon. Many are vitally contributing to our community in so many ways as are all our alums, take a look at what they are doing. Data Journalism Workshop 6 We are proud of our CASA alums who are teaching in many of our departments and schools as well as volunteering as guest speakers, and hiring our graduates whenever possible. As I begin my second year as dean of CASA, I am very proud of the accomplishments that the staff, faculty, administrators and students Emeritus and Retired Faculty Luncheon 7 have achieved in the past year. CASA has grown to 352 faculty members, 4454 undergraduates as well as 2397 graduate students in 11 departments and schools.
    [Show full text]