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Summer Traditions 2020 Tour 
SLIGHTLY STOOPID SUMMER TRADITIONS 2020 TOUR BAND REVEALS FIRST ROUND OF SUMMER SHOWS, INCLUDING TWO NIGHTS AT RED ROCKS AMPHITHEATER ADDITIONAL DATES STILL TO BE ANNOUNCED TICKETS ON SALE FRIDAY, MARCH 13 March 9, 2020 (San Diego, CA) - Today, Billboard chart-toppers Slightly Stoopid unveil the first round of dates for their annual summer tour. Dubbed Summer Traditions 2020 (a nod to the outdoor summer tour-circuit the band has done annually since 2006), Slightly Stoopid and fans alike will travel the states, sharing good times with one another through music and community as they have done since the band’s inception 25 years ago. This 2020 edition of Slightly Stoopid’s summer amphitheater tour kicks off in Eugene, OR on June 11th, 2020 and routes the beloved So-Cal band throughout North America, including two nights at the legendary Red Rocks Amphitheatre in Morrison, CO on August 15-16, 2020. Joining Slightly Stoopid for their Summer Traditions 2020 tour are special guests Pepper, Common Kings, and Don Carlos. All currently announced dates are listed below, with additional dates to be announced soon. Fans gain first access to the artist presale beginning Tuesday, March 10th at 10 AM local at www.slightlystoopid.com. The local presale will run from 10 AM - 10 PM local time on Thursday, March 12th, and the general public on-sale will then take place on Friday, March 13th at 10 AM local time. Formed in the mid-90’s by founding members Miles Doughty and Kyle McDonald, Slightly Stoopid has steadily risen to the top - always fostering their dedicated fanbase.
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Pressrelease 2010 Hangout Waterkeeper
TENNESSEE RIVERKEEPER Press Release (May 13, 2010) – ## For Immediate Release Leading environmental activists band together at The Hangout Beach Music and Arts Festival (May 14th - 16th) in Gulf Shores, Ala to raise awareness for the inhabitants and habitats affected by the Deepwater Horizon oil spill in the Gulf Coast. The Hangout Beach, Music and Arts Festival has announced that environmental activists Erin Brockovich, Kathleen "Kick" Kennedy, David Whiteside, and Sierra Club Board President Allison Chin will participate in on-stage announcements, public panel discussion and press conferences about BP’s Deepwater Horizon oil disaster and the Waterkeeper Alliance and it’s affiliated organizations along the Gulf Coast and in Alabama. On-stage announcements from some of the nation’s top environmental leaders will take place throughout the weekend. The press conferences at the festival will occur on Saturday, May 15 at 3pm and the public panel discussion on Sunday, May 16 at 2:30pm. Additionally, various local Waterkeeper organizations will host an outreach table on the festival grounds, which will contain info about the Waterkeepers and will be managed by staff members and volunteers. As previously announced, all profits from The Hangout will be donated to Gulf Coast restoration and relief efforts. Many musicians who will be performing at The Hangout Beach Music and Arts Festival have starred in Riverkeeper promotional videos that were produced by David Whiteside of Alabama, Founder of Black Warrior Riverkeeper and Tennessee Riverkeeper and former MTV News correspondent. Musicians including Questlove from The Roots, Michael Franti and Spearhead, Ozomatli, Phish, and The Flaming Lips (cancelled), have appeared in public service announcement videos for Riverkeeper organizations in Alabama.
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Middle Eastern Group Uses Improv to Deal with Conflict
Matador baseball struggles Ariien to National A stronger "Mummy to stay alive. Day of Prayer. Returns." See page 16 · See page S See page 8 c DAILVolume -43 • N um ber I 12 UNDIALSince 1957 Tuesday, May 8, 200 I A financially independent student newspaper http://sundial.csun.<>du CSUN faculty joined byCSUs in Reed JIH aUXTON I ONU' SUNow.. Members of Viewpoints, an lmprov group made up of tradlllonally opposed hatives of the war-torn Middle East, act out conflict resolution. criticism By TONY SEYBERT Middle Eastern group uses SUN DIAL STAFF -he CSUN Faculty Senate passed a resolution April 19 enoouraging Charles B. Reed. improv to deal with conflict Tthe chancellor of the California State J ' • • . University system, to pursue ~tive """' By SANDY FIRTH Jordanian, all good friend s. Each actor had a story to tell between the two countries. if employee n!lations with CSU faculty SUNOlflL STAFF "We are a group that u_se_s about his·or her "-perii nccs in the they knew I am friends \li:'ith and their bargaining organization. the f'~Y some of them, it would cause improv and acting as a to show. • Cali(Qmi~ F'f!!Jtx~!'!li<Jr\ ,-..~ ••· ".,: uestion: How do an deal with conflicts," said '1a0mi Por Adceb Dcr'hittti;-· a ... major problelns."• • The reohlution affinned' thC impor- Israeli Jew and Israeli Ackerman, an Israeli Jew. "We Jordanian, very few people knew For Norman Issa. an Israeli tance of positive employee "'lalions to Arab cross the same are a co-existence group that tries he was coming to the U.S.
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Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play
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"Born in a Second Line": Glen David Andrews Shares New Orleans Musical Heritage with the World
COVER STORY "Born in a Second Line": Glen David Andrews shares New Orleans musical heritage with the world By Dean M. Shapiro Over a long, stellar career filled with honors, awards and international accolades, Glen David Andrews has just added another milestone to his list of accomplish- ments: his own namesake record label! The New Orleans born-and-raised trom- bonist and vocalist with possibly the most distinguished musical lineage in the city’s history, is touting his latest release, a digital album titled “Live in My Living Room” on the Glen David Andrews Records label (a subsidiary of Louisiana Red Hot Records). Recorded live in his French Quarter living room during the COVID-19 quarantine, the album is already making the rounds and available for downloading from Andrews’ Facebook page and website. Backed by the six-piece Glen David Andrews Band plus himself on vocals, Andrews penned five of the disc’s eight cuts. These include the lead track, “Treme Hideaway,” a tribute to a music club recently opened by his older brother, Grammy Award-winning drum- mer Derrick Tabb of the Rebirth Brass Band, in the city’s musically rich 6th Ward where the two of them grew up. As he explained in the accompanying liner notes, “This album was done to give you the experience of my live shows. Due to the current situation we couldn’t go in the studio to record this record, but nothing can stop the Spirit of the New Orleans musicians so we decided to record it live.” Despite being unable to perform in clubs, go on tour or play for special events, Andrews has not been idle.
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2008 State of New Orleans' Music Community Report
2008 State of New Orleans’ Music Community Report Copyright page Date, etc. Sweet Home New Orleans Board of Sweet Home New Orleans Staff Directors • Ali Abdin, Case Manager • Kim Foreman • Kate Benson, Program Director • Bethany Bultman • Aimee Bussells • Kat Dobson, Communications Director • Tamar Shapiro • Helene Greece, MSW, Social Worker • “Deacon” John Moore • Armand Richardson • Klara Hammer, Financial Director • Cherice Harrison-Nelson • Jordan Hirsch, Executive Director • Reid Wick • Lauren Anderson • James Morris, GSW, Director of Social Services • Scott Aiges • Lynn O’Shea, MNM, Director of Organizational • Tamara Jackson Development • Lauren Cangelosi • Joe Stern, Case Manager • David Freedman • Paige Royer (please alphabetize board list) (possible heading or title here) This report represents the culmination of three years of our direct service to New Orleans’ music community. Renew Our Music, founded as New Orleans Musicians Hurricane Relief Fund, began issuing relief checks to New Orleans artists while floodwaters still covered parts of the city. Sweet Home New Orleans evolved in 2006 to provide case management and housing assistance to the musicians, Mardi Gras Indians, and Social Aid & Pleasure Club members struggling to return to their neighborhoods. In 2008, these agencies merged to form a holistic service center for the music community, assisting with everything from home renovations to instrument repair. As of the third anniversary of the storm, we have distributed $2,000,000 directly to more than 2,000 of New Orleans’ cultural tradition bearers. Our case workers assess clients’ individual needs to determine how our resources, and those of our partnering agencies, can most effectively assist them in perpetuating our city’s unique music culture.
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30Th Annual Bayou Boogaloo Music and Cajun Food Festival the Most Authentic New Orleans Style Music and Cajun Food Festival North of Louisiana
120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org For Immediate Release: Media Contact: Jordan Lett E: [email protected] P: 757-441-2345 30th Annual Bayou Boogaloo Music and Cajun Food Festival The Most Authentic New Orleans Style Music and Cajun Food Festival North of Louisiana Norfolk, VA – (June 14, 2019) – Norfolk Festevents is proud to announce the 30th Annual Bayou Boogaloo Music and Cajun Food Festival Friday-Sunday, June 28-30, 2019, along the downtown Norfolk, VA waterfront at Town Point Park. The 3-day festival pays homage to the Cajun and Creole culture and traditions of New Orleans, LA with authentic food, music, arts and much more. In celebration of the 30th Anniversary of Bayou Boogaloo, the festival will offer a limited number of authentic Cajun recipe cookbooks with recipes from current and previous year’s performing artists as well as famous chefs from New Orleans. Guests can also take part in themed arts and crafts, an on-site scavenger hunt and much more. Weekend passes are available for purchase now at bit.ly/BayouTickets for $30. Single-day tickets are also available for $15. TICKET INFORMATION Weekend Package: Friday - Sunday, June 28-30, 2019: $30 Friday, June 28, 2019 (Noon – 10pm) Noon - 2pm: Free and open to the public for a special lunch time preview 2pm - 10pm: $15 (per day) Advance Boater docking fee (Does not include festival admission): $50 “Pay at the Pier” Boater docking fee (Does not include festival admission): $75 Saturday, June 29, 2019 (Noon – 10pm) Noon – 10pm: $15 (per day) Advance Boater docking fee (Does not include festival admission): $50 “Pay at the Pier” Boater docking fee (Does not include festival admission): $75 Sunday, June 30, 2019 (Noon – 6pm) Noon - 6pm: $15 (per day) Advance Boater docking fee (Does not include festival admission): $50 “Pay at the Pier” Boater docking fee (Does not include festival admission): $75 To reserve a Boater Package, email Jason Cantone at [email protected] 1 | Page 120 W.
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Euphoria Brass Band, a San Diego Music Award 3 P.M
Summer Brass Funk Explosion! Saturday, July 27 Euphoria Brass Band, a San Diego Music Award 3 p.m. Winner, is an exciting and unique San Diego-based musical collective serving up a contemporary mix Library Lawn of old school New Orleans traditional brass band jazz, funky street beats and new school edginess with a West Coast feeling! Embracing the exciting spirit of jazz improvisation with hard edge funk, Limited seating is available, the critically acclaimed and award-winning feel free to bring your own lawn Euphoria Brass Band has become known for their chairs to enjoy the concert. incendiary high-energy shows! This Summer Festival Event is made possible by the Friends of the Library. ABOUT THE BAND Euphoria Brass Band is a critically acclaimed and award winning San Diego based musical collective that serves up a contemporary mix of old school New Orleans traditional brass band jazz, funky street beats and new school edginess with a West Coast feeling! Euphoria Brass Band has become a Southern California favorite, playing many high profile music venues, festivals, and parades. Euphoria Brass Band was awarded the 2019 San Diego Music Award in the Best Jazz category! EBB was created in 2011 by two New Orleans transplants, Ron Bocian and David Bandrowski and local jazz radio DJ, Drew Miller. They quickly assembled a top notch, hard-hitting horn section: Steve Ebner (trumpet), April West (trombone), David Jackson (tenor sax), JP Balmat (baritone & alto sax, clarinet) and Wayne Rice (sousaphone). Euphoria Brass Band is proud to have been nominated 5 years in a row for various San Diego Music Awards since their inception in 2011! EBB always leaves ‘em wanting more! Euphoria Brass Band has had the honor of sharing the stage with some of New Orleans music’s royalty: Dr.
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bonnoroo anade A cure for the summertime blues Erin Hall like Robert Randolph, Medeski Martin senior staff writer & Wood, Disco Biscuits, Mike Gor- don (formerly of Phish), Umphrey's With final exam week beginning at McGee, moe, Oysterhead (including universities nationwide, crunch time former Phish singer Trey Anastasio) has officially knocked on our doorstep. and Phil Lesh (of the Grateful Dead) After a flurry of all-nighters, complete will all be present. with copious amounts of caffeine and A small sampling of some of the note cards, the academic year will draw other artists at the festival include Cat to a close. And whether it comes in Power, Gomez, Stephen Malkmus the form of graduation or merely a (formerly of Pavement), Ben Folds, few months' break, the sweet taste of Beck, Bonnie Raitt, Radiohead, Buddy freedom that can only come with the Guy, Cypress Hill, Matisyahu and My close of another school year will fall Morning Jacket. This year's lineup may upon us. well be one of the greatest and most time out to talk with college editors to enhance the Bonnaroo community Some students may have jobs or genre-encompassing lineups in recent across the nation through a telephone in a special way this year. He is work- internships waiting for them. Others history. press conference. Jim James of My ing with Bonnaroo coordinators to fly may have three months of sloth in In light of the year's events in our Morning Jacket, Nick Harmer of Death in a team of Hasidic rabbis to observe mind. But even the busiest of us can own beloved city, the New Orleans Cab for Cutie and Matisyahu all shared Shabbot during the time of the Jew- find a way to take off three days and vibe at this year's Bonnaroo will be their thoughts about this year's festival ish Sabbath that weekend.
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Friends of WWOZ Board of Directors Meeting May 9, 2012 General Manager's Report
Friends of WWOZ Board of Directors Meeting May 9, 2012 General Manager's Report 1. 2012 New Orleans Jazz & Heritage Festival Coverage. Once again, WWOZ provided start-to-finish broadcast and webcast coverage of this year’s New Orleans Jazz & Heritage Festival. And once again, the station’s remote production krewe headed by Program Director Dwayne Breashears and Chief Engineer Damond Jacob provided live feeds to seventeen stations around the country, including KUVO (Denver), KVJZ (Vail), WUSM, Hattiesburg, MS, KPOV, Bend, OR, KDHX, St Louis, MO, CIUT, Toronto, Canada, KFCF, Fresno, CA, WNCU, Durham, NC, WCLK, Atlanta, GA, KMUD, Garberville, CA, KMUE, Eureka ,CA, KLAI, Laytonville/Shelter Cove, CA, WPFW, Washington, DC, KGOU, Norman, OK, KROU Spencer/Oklahoma City, KOUA, Ada, OK, KWOU, Woodward, OK. A small broadcast crew and more than 100 volunteers handled WWOZ’s multiple Jazz Fest activities ranging from broadcast, to membership/brass pass distribution, WWOZ Mango Freeze sales, Piano Night, and night time broadcasts from local clubs. Broadcast Krewe: The broadcast crew included George Ingmire, Bradley Blanchard, Jerry Lenaz, SherriLynn Colby-Bottel, David Kunian, Dimitri Apessos, Linda Santi, Olivia Greene, and many more. Engineering Krewe: The engineering crew included Tony Guillory, Robert Carroll, Khalid Hafiz, and Susan Jacob. Volunteer Power: Veronica Cromwell, Bill Insley, Leslie Cooper, Elsie Bunny Walker, Mary Lambert, Marie MacAdory, Paige Patriarca, Ruth Marinello, Jerry Lenaz, Heather McGlynn, Linz Adams, Mary Naughton, Christy Grimes, Ron Clingenpeel, Lance Albert, Rick Wilkof, Eric Ward, Duane Williams, Melissa Gemeinhardt, Christy Carney, Duane Williams, Betty Schlater, Melissa DeOrazio, Matthew De Orazio, Craig Christopher, Steve Daub, and many more.
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6 Unique Nights & Collaborations
SYMPHONY CENTER PRESENTS JUNE 10-12 & 16-18 a journey through musical roots New York City FRIDAY, JUNE 10, 8:00 BILL CHARLAP piano Th is portrait of New York’s rich and varied musical Kurt Elling vocals history focuses on two distinct and important eras. Ken Peplowski clarinet First, Bill Charlap directs an all-star ensemble, Jeremy Pelt trumpet including Chicago native and jazz vocalist Kurt Jimmy Greene tenor saxophone Elling, on a journey through the music of the Roaring Peter Washington bass Twenties, Broadway, Ellington, Bernstein, Sinatra and Kenny Washington drums be-bop. In the second half, accomplished singer-songwriter Suzanne Vega and guests Richard Julian and legendary folk singer SUZANNE VEGA guitar and vocals and Chicago native Tom Paxton celebrate the New York folk music Tom Paxton guitar and vocals scene of the 1950s, ‘60s and beyond. Richard Julian guitar and vocals Gerry Leonard guitar Mike Visceglia bass Route 66 SATURDAY, JUNE 11, 8:00 ARLO GUTHRIE guitar and vocals Inspired by America’s “Mother Road,” this performance CHICAGO SYMPHONY ORCHESTRA Vance Gilbert guitar and vocals is directed by legendary folk singer Arlo Guthrie, and SYMPHONY CENTER PRESENTS Eliza Gilkyson guitar and vocals showcases the nostalgic songs and music of an era when 220 South Michigan Avenue Chris Smither guitar and vocals this famous highway was the path of choice through the Chicago, IL 60604-2559 American west, uniting people on their journey from Chicago to Los Angeles. With its starting point adjacent to Symphony Center at the corner of Michigan and Adams, Route 66 celebrates its 85th anniversary in 2011.
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The Historical and Cultural Meanings of American Music Lyrics from the Vietnam War
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 The historical and cultural meanings of American music lyrics from the Vietnam War. Erin Ruth McCoy University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation McCoy, Erin Ruth, "The historical and cultural meanings of American music lyrics from the Vietnam War." (2013). Electronic Theses and Dissertations. Paper 940. https://doi.org/10.18297/etd/940 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE HISTORICAL AND CULTURAL MEANINGS OF AMERICAN MUSIC LYRICS FROM THE VIETNAM WAR By Erin Ruth McCoy B.A., Wingate University, 2003 M.A., Clemson University, 2007 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the degree of Doctor of Philosophy Department of Humanities University of Louisville Louisville, KY May 2013 Copyright 2013 by Erin R. McCoy All Rights Reserved THE HISTORICAL AND CULTURAL MEANINGS OF AMERICAN MUSIC LYRICS FROM THE VIENTAM WAR By Erin Ruth McCoy B.A., Wingate University, 2003 M.A., Clemson University, 2007 A Dissertation Approved on April 5, 2013 by the following Dissertation Committee: _______________________________________________________ Dr.
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