I Am the Dslr Lineup
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NIKKOR Photoguide
Photo Guide I AM YOUR VIEW Photo is a conceptual image. Enhance your expression with interchangeable lenses Control light and shadow using Speedlights Wide-angle zoom lens Normal zoom lens Telephoto zoom lens High-power-zoom lens Daylight sync Bounce flash DX DX DX DX format format format format AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR Speedlights SB-910/SB700/SB-500/SB-300 Speedlights SB-910/SB700/SB-500/SB-300 (15-36 mm equivalent*1) (24-120 mm equivalent*1) (82.5-300 mm equivalent*1) (27-450 mm equivalent*1) 109° 83° 28°50' 76° DX 61° DX 20° DX 8° DX 5°20' Fixed-focal-length lens Micro lens Fisheye lens Auto FP high-speed sync Advanced Wireless Lighting Fast lens DX Fast lens FX-format DX DX format compatible format format AF-S DX NIKKOR 35mm f/1.8G AF-S NIKKOR 50mm f/1.8G AF-S DX Micro NIKKOR 40mm f/2.8G AF DX Fisheye-Nikkor 10.5mm f/2.8G ED Speedlights SB-910/SB700/SB-500 Speedlights SB-910/SB700/SB-500 (52.5 mm equivalent*1) (When attached to DX-format D-SLR cameras: 75 mm equivalent in 35mm [135] format) (60 mm equivalent*1) (16 mm equivalent*2) DX 44° FX 47° DX 31°30' DX 38°50' DX 180° 2 *1: When converted to 35mm [135] format. -
I Am Your D-Slr Finder the Ultimate in Image Quality
I AM YOUR D-SLR FINDER THE ULTIMATE IN IMAGE QUALITY ©Hideyuki Motegi Revered by photographers across the world, Nikon D-SLRs combine the latest imaging Whichever kind of photography you focus on, the creative freedom afforded by 90 million technology with superior ergonomics and legendary NIKKOR lenses to produce truly F-mount NIKKOR lenses along with the vast family of Nikon accessories ensure that using a incredible images. Whether you are a seasoned professional or a complete beginner, Nikon D-SLR is an enriching and liberating experience. shooting with a Nikon D-SLR is the ultimate way to capture the moments that matter. From flagship FX-format D-SLRs to the more compact DX-format models, each camera’s high-resolution image sensor is engineered to deliver rich, vibrant colours, natural depth, smooth gradations, and exquisite details in both photos and videos. Nikon’s innovative EXPEED image processors enable superior low-light capabilities, fast continuous shooting rates, flawless autofocus, and Full HD video capabilities. SELECT THE D-SLR FOR YOU SELECT YOUR CATEGORY BEGINNER ADVANCED PRoFESSioNaL if you’re new to D-SLR photography, a The photos and videos you capture with Generations of photographers have Beginner Nikon D-SLR is a powerful yet an Advanced Nikon D-SLR are nothing relied on Nikon’s professional cameras incredibly simple way to capture stunning short of exceptional. With intuitive to take some of the most iconic and results. The high-performance DX-format controls and ergonomics inspired by moving images of all time. Built to deliver image sensors at the heart of these cam- Nikon’s Professional D-SLRs, plus durable outstanding image quality in the most eras are much larger than sensors typi- yet lightweight bodies, these DX- and challenging conditions imaginable, these cally found on smartphones or compact FX-format cameras will ignite your pas- durable, fully weather-sealed cameras cameras, so the images you shoot will be sion for photography as you confidently incorporate the finest autofocus systems that much more spectacular. -
2Nd Hand List Updated on 07/10/2016 6-Month Warranty on All Items Without an Asterisk
1 of 3 2nd Hand List Updated on 07/10/2016 6-month warranty on all items without an asterisk NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO SIGMA LIST) NIKON D800 BODY (fr. 18,932) £995 NIKON D700 BODY (fr. 123,300) £449 NIKON D3 BODY (fr. 193,000) £495 NIKON TC-17E II £160 NIKON D3 BODY (fr. 215,721) £499 NIKON TC-17E II £155 NIKON D3 BODY (fr. 251,105) £525 NIKON TC-17E II £165 NIKON D3 BODY (fr. 264,050) £525 NIKON TC-20E £95 NIKON D3 BODY (fr. 182,000) £495 NIKON TC-20E III £199 NIKON D3S BODY (fr: 250,000) £795 NIKON TC-20E III £200 NIKON D3S BODY (new shutter) £895 NIKON 12-24MM F4 G AF-S DX £280 NIKON D3S BODY (fr: 502,000) £750 NIKON 12-24MM F4 G AF-S DX £275 NIKON D3S BODY (fr. 320,000) £895 NIKON 14-24MM F2.8 G N FX £895 NIKON D800 BODY (fr. 27,700) £895 NIKON 14-24MM F2.8 G N FX £950 NIKON Df KITinc 50mm LENS (fr. 24,910) £1,300 NIKON 14-24MM F2.8 G N FX £950 NIKON D4 Body (fr, 146,150) £1650 NIKON 16-35MM F4 G VR £550 NIKON D4 Body (fr,172,688) £1,699 NIKON 16-35MM F4 G VR £579 NIKON D4 Body (fr,420,597) £1,699 NIKON 16-35MM F4 G VR £595 NIKON D4S Body (fr, 291,158) £2,500 NIKON 24MM F1.4 AF-S G N £950 NIKON 24MM F2.8 AF-D £179 NIKON 24-70MM F2.8 G N AF-S £650 NIKON 35-135MM F3.5-4.5 AF £65 NIKON MANUAL LENSES £ +VAT NIKON 70-200MM F2.8 G VR £625 NIKON 70-200MM F2.8 G VR 11 £899 NIKON 70-200MM F2.8 G VR 11 £950 NIKON 24MM F3.5 PC-E £850 NIKON 200-400MM F4 G AF-S VR II £1,950 NIKON 300MM F4 AF-S D £479 NIKON 300MM F4 AF-S £595 NIKON FLASHES £ +VAT NIKON 300MM F2.8 AF-I £1,325 NIKON 300MM F2.8 G ED VR 11 £2349 NISSIN DI 622 MK II FLASH (NIK FIT) £65 NIKON 300MM F2.8 G ED VR 11 £2495 NIKON 400MM F2.8 G N VR £3,595 NIKON 400MM F2.8 G N VR £3,599 NIKON 400MM F2.8 G N VR £3,750 SIGMA & OTHER LENSES £ +VAT SIGMA 50-150MM F2.8 DC EF 11 EX APO £245 SIGMA 80-400MM F4.5-5.6 APO DG EF FIT £295 NIKON ACCS. -
Digital Slrs
DIGITAL SLRs ©Jon Ortner A Passion for Achieving Impossibly Beautiful Images Groundbreaking technology. Meticulous engineering. Precision manufacturing. Thoughtful ergonomics. They all contribute to the legendary performance of Nikon digital SLR cameras. The defining element of every Nikon digital SLR is our uncompromising passion for excellent photography. Nikon FX-format digital SLRs have redefined bundled with the 18–55mm Zoom-NIKKOR VR the power and versatility of digital photography. image stabilization lens, also includes EXPEED 2 The flagship D3X, featuring the Nikon-original and full 1080p HD movie capability, and its Guide 24.5-megapixel FX-format (35.9mm x 24.0mm) Mode makes taking great pictures easy. Featuring a CMOS imaging sensor, and the D3S, with its as- Vari-Angle LCD monitor, full HD movie capabilities, tounding ability to capture commercial-quality, a new Effects Mode, and a new HDR setting for low-noise/high ISO images and HD video, unleash great shots in high-contrast conditions, the all-new new creative possibilities. The D700 offers many of D5100 gives your imagination a powerful spring- the imaging capabilities of the already legendary board. With the D90, the first digital SLR with to D3, but in a more compact body. offer video capture, the D5000, and the D3000, there’s a Nikon DX-format camera perfectly suited Nikon DX-format digital SLRs, like the flagship to virtually any task or skill level. 12.3-megapixel D300S, also incorporate many of the D3’s advances. The new D7000 introduces Whatever Nikon digital SLR you choose, you’ll advanced EXPEED 2 image processing, full 1080p have the power, precision, and versatility to HD movies, and an all-new 2,016-pixel RGB produce breathtaking images made possible by your 3D Color Matrix Metering sensor. -
Nikon D3100 Black 14 Megapixel Digital SLR Camera Product Details
Nikon D3100 Black 14 Megapixel Digital SLR Camera Product Details Nikon Black 14 Megapixel Digital SLR Camera - D3100 Beautiful pictures–Amazing movies–Incredibly Easy with the 14 Megapixel DX sensor and learn-as-you-grow Guide Mode. Features: 14.2 Megapixel DX-format CMOS Image Sensor delivers beautiful photographs and prints well beyond 20 x 30 inches. Full 1080p HD Cinematic Video with full-time autofocus and sound lets you record cinematic-quality movies in Full 1080p HD format (1920 x 1080 pixels). Easy-To-Use—Featuring Nikon’s Guide Mode with intuitive controls and on-board assistance helping you take better pictures every step of the way. Fast 11-point Autofocus System delivers razor-sharp pictures. 3-in. monitor with One-Touch Live View shooting and movie capture. Built-in HDMI port lets you connect directly to your HDTV using an optional HDMI cable Control Image and Movie Playback with most HDTV remote controls 6 Automatic Exposure Scene Modes Just set the Mode dial to Portrait, Landscape, Child, Sports, Close-up or Night Portrait for stunning results in otherwise challenging conditions. Picture Control lets you choose from Standard, Neutral, Vivid, Monochrome, Portrait, or Landscape to apply a personal look and feel to your pictures. Built-in pop-up flash for those times when there isn’t enough light Includes 3x 18-55mm Zoom-NIKKOR VR Image Stabilization Lens with legendary NIKKOR optical quality and fast, accurate autofocus for vivid color, striking contrast and crisp detail and VR image stabilization to ensure the sharpest hand-held pictures and movies. Compact and Lightweight Design Beautifully styled—Ready to go wherever life takes you. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar. -
D500 Uses a Dedicated AF Micro Processing Unit to Swiftly Process the Vast Amounts of Image Data Delivered by Its 153 AF Points
I AM CONCENTRATED PERFORMANCE www.europe-nikon.com • Lens: AF-S NIKKOR 70-200mm f/2.8G ED VR II • Exposure: [S] mode, 1/2000 second, f/5.6 • White balance: Auto 0 • Sensitivity: ISO 200 • Picture Control: Standard © Marcel Lämmerhirt • Lens: AF-S NIKKOR 500mm f/4E FL ED VR • Exposure: [A] mode, 1/500 second, f/5.6 • White balance: Auto 0 • Sensitivity: ISO 640 • Picture Control: Standard © Go Yamagata • Lens: AF-S NIKKOR 16-35mm f/4G ED VR • Exposure: [M] mode, 1/800 second, f/5.6 • White balance: Auto 0 • Sensitivity: Auto (ISO 400) • Picture Control: Standard © Marcel Lämmerhirt FLAGSHIP POWER— DX AGILITY. As the smaller sibling to the professional D5, this camera boasts a level of power and precision that is up to the most demanding photographic tasks. If you want a smaller, lighter alternative to a full-frame model, this camera will go as far as you want to go. And even a step further. Powerful new 153-point AF system delivers superior subject Compact, lightweight DX system offers outstanding agility, 4K/UHD (30p) video, suitable for professional productions acquisition performance across a wider range of situations especially for telephoto shooting Touch-screen, tilting 8-cm/3.2-in., 2359k-dot LCD monitor ensures Approx. 10 fps continuous shooting (up to 200 shots in New EXPEED 5 image-processing engine achieves superior comfortable shooting when composing from low or high angles 14-bit lossless compressed RAW) captures decisive, image quality and ISO sensitivity up to 51200, expandable to SnapBridge support lets you keep the camera connected to a split-second moments Hi 5 (equivalent to 1640000) compatible smart device via built-in Wi-Fi® and Bluetooth® Accurate AF: delivers superior subject acquisition performance Reliable AF performance Focus points allowing AF and electronic rangefinder when using AF-S/AF-I teleconverter All 153 focus points are compatible with AF NIKKOR lenses with an open aperture of f/5.6 or faster. -
Nikon Df Experience
Nikon Df Experience PREVIEW of Nikon Df Experience The Photographer’s Guide to Operation and Image Creation with the Nikon Df by Douglas J. Klostermann Full Stop. good writing for better photography 1 Nikon Df Experience All rights reserved. This e-book is licensed for your personal, non-commercial enjoyment only and may not be re-sold, file-shared, distributed, sub-licensed, or given away. This book can be printed for your personal use (PDF version) and read on your personal devices. Otherwise no part of this book may be reproduced or transmitted in any form or by any means, electronically or in print, without expressed permission from the author. Every effort has been made to make this e-book as accurate as possible, but no warranty of fitness is implied. The information is provided on an as-is basis. The author shall have no liability or responsibility with respect to any loss or damages arising from the information provided in this e-book including but not limited to the use of any of the materials or methods described, the products, retailers, Internet web sites, or links provided. Please read and follow all instructions and use, safety and handling precautions expressed in the manuals provided with your equipment and software, and which take precedence over any content in this work. All contents including cover design, and text, with the exception of products, brands, logos, and contents of menus and screenshots, are copyright by the author. All photographs are copyright by the author, with the exception of images of the silver Df, Nikon F2S, and vintage Nikkor lenses, copyright by Andrew Martin. -
Long Exposure Photography Lesson 1 (Of 4)
© Beth Ruggiero-York Long Exposure Photography Lesson 1 (of 4) 1) What is “Long Exposure Photography”? 2) Why use long exposures? 3) General categories of long exposure images a) Motion blur (including obscured moving subjects) b) Night landscapes c) Urban scenes d) Artificial lighting using flashlights, lanterns, strobes, etc. (light painting) 4) The technical stuff: a) Equipment needed b) Camera setup c) Focusing in low-light or at night d) Exposure settings 5) Assignment What is “Long Exposure Photography”? Let’s start with a definition of long exposure photography so that we all have a shared understanding of what it is: Long exposure photography (aka time exposure photography, from the days of film) is the use of slow shutter speeds (aka long exposure times) to capture the fixed elements of the image sharply, while blurring, obscuring, or streaking the moving elements. In this way, long exposure photography allows the photographer to convey the passage of time, something that conventional photography cannot do. If you spend some time thinking about this definition, you will come up with endless applications. That is what this course is about – learning the techniques you need to record long exposures and then finding creative ways to use them. © Beth Ruggiero-York 30 seconds, f/14, ISO 100 Lee “Big Stopper” Neutral Density filter (adds 10 stops) Nikon D810, Nikon 24-120mm f/4 lens @ 38mm This image combines the stationary elements of the foreground rocks (which act as an anchor for the image) and the dock with the moving elements of the water and the sky. -
"Agfaphoto DC-833M", "Alcatel 5035D", "Apple Ipad Pro
"AgfaPhoto DC-833m", "Alcatel 5035D", "Apple iPad Pro", "Apple iPhone SE", "Apple iPhone 6s", "Apple iPhone 6 plus", "Apple iPhone 7", "Apple iPhone 7 plus", "Apple iPhone 8”, "Apple iPhone 8 plus”, "Apple iPhone X”, "Apple QuickTake 100", "Apple QuickTake 150", "Apple QuickTake 200", "ARRIRAW format", "AVT F-080C", "AVT F-145C", "AVT F-201C", "AVT F-510C", "AVT F-810C", "Baumer TXG14", "BlackMagic Cinema Camera", "BlackMagic Micro Cinema Camera", "BlackMagic Pocket Cinema Camera", "BlackMagic Production Camera 4k", "BlackMagic URSA", "BlackMagic URSA Mini 4k", "BlackMagic URSA Mini 4.6k", "BlackMagic URSA Mini Pro 4.6k", "Canon PowerShot 600", "Canon PowerShot A5", "Canon PowerShot A5 Zoom", "Canon PowerShot A50", "Canon PowerShot A410 (CHDK hack)", "Canon PowerShot A460 (CHDK hack)", "Canon PowerShot A470 (CHDK hack)", "Canon PowerShot A530 (CHDK hack)", "Canon PowerShot A540 (CHDK hack)", "Canon PowerShot A550 (CHDK hack)", "Canon PowerShot A570 (CHDK hack)", "Canon PowerShot A590 (CHDK hack)", "Canon PowerShot A610 (CHDK hack)", "Canon PowerShot A620 (CHDK hack)", "Canon PowerShot A630 (CHDK hack)", "Canon PowerShot A640 (CHDK hack)", "Canon PowerShot A650 (CHDK hack)", "Canon PowerShot A710 IS (CHDK hack)", "Canon PowerShot A720 IS (CHDK hack)", "Canon PowerShot A3300 IS (CHDK hack)", "Canon PowerShot D10 (CHDK hack)", "Canon PowerShot ELPH 130 IS (CHDK hack)", "Canon PowerShot ELPH 160 IS (CHDK hack)", "Canon PowerShot Pro70", "Canon PowerShot Pro90 IS", "Canon PowerShot Pro1", "Canon PowerShot G1", "Canon PowerShot G1 X", "Canon -
Visual Representation of Windfarms
Visual Representation of Windfarms Technical Session 1: Getting the pictures into the camera Ian McAulay [email protected] Choice of Camera ‘Full frame’ sensor = the same size as 35mm film Limited choices Canon: 3 models Nikon: 5 models Sony Alpha 7: 3 models Sony Alpha 99: 1 model Anatomy of an SLR Lens Body Sony Alpha 7 Not an SLR Megapixels (How many can I get?) Canon EOS 1D X 18.1 EOS 5D Mark III 22.1 EOS 6D 20 Nikon Df 16.2 D4S 16.2 D610 24.3 D750 24.3 D810 36.3 Sony Alpha 99 24.3 Alpha 7S 12.2 Alpha 7 24.3 Alpha 7R 36.4 Megapixels (How many do I want?) More for: Fewer for: • Resolution • Dynamic range • Image robustness • ISO range • Pixel charge capacity • Noise Choice of Lens Choice of Lens • Fixed focal length lens • Prime lens • NOT a zoom lens Focal Length Focal length Focal Length Nodal point Focal length Horizontal Field of View (HFOV) HFOV depends on sensor size Equivalent Focal Length Please avoid using this term! A 33.3mm focal length lens on a camera with an APS-C size sensor would have an ‘Equivalent Focal Length’ of 50mm. Vertical Field of View (VFOV) VFOV = 27° in centre of frame Vertical Field of View (VFOV) VFOV = 25.4° at edges of frame Available (edge) VFOV Lens Available VFOV 50mm Landscape 25.4° 50mm Portrait 38.6° 35mm Landscape 33.9° 35mm Portrait 51.9° 28mm Landscape 39.6° 28mm Portrait 61.2° Distortion Pincushion distortion Distortion Barrel distortion Anatomy of an SLR (again) Flange distance Retrofocus Wide-Angle Lens Field Setup Panoramic Tripod Head Landscape or portrait orientation Position camera over axis of rotation Indexed rotation Finding the Nodal Point Levelling Location • Good quality GPS • EGNOS (WAAS) improves resolution • Some models offer GLONASS as well as GPS • Galileo will be operational by 2019 Focussing Focussing • Always use manual focus • Always focus on infinity Autofocus woes.. -
AF-S DX ZOOM-NIKKOR 18-55Mm F/3.5-5.6G ED
AF-S DX ZOOM-NIKKOR 18-55mm f/3.5-5.6G ED Ideal as a normal lens designed exclusively for Nikon DX format SLRs, this ultra-compact 18-55mm* 3X zoom provides superb versatility in a wide variety of shooting situations. New compact rod-type Silent Wave Motor (SWM) enables ultra-high speed autofocusing with exceptional accuracy and super-quiet operation. ED glass element achieves minimized chromatic aberration and superior optical performance. Hybrid aspherical element ensures high resolution and contrast. Nikon Super Integrated Coating minimizes ghosting and flare to provide even higher contrast and more vivid mages, even in challenging light conditions. Focus Mode switch enables quick-switching between A (Autofocus) and M (Manual Focus). 7-blade rounded diaphragm for more natural out-of-focus highlights. PRODUCT DETAIL *For comparative purposes only, the practical picture angle of an 18-55mm lens on a Nikon DX format digital SLR will provide a picture angle equivalent to that produced by a 27-82.5mm lens on a 35mm format camera. AF-S DX ZOOM-NIKKOR 18-55mm f/3.5-5.6G ED AF-S DX ZOOM-NIKKOR 18-55mm f/3.5-5.6G ED SPECIFICATIONS PRODUCT # 2158 Focal Length Minimum Focus Distance 18-55mm (35mm equivalent 27-82.5mm) 0.28m (11.4 inches) Maximum Aperture Maximum Reproduction Ratio f/3.5-5.6 1:3.2 Minimum Aperture Filter/Attachment Size f/22-32 52mm Lens Construction Dimensions 7 elements in 5 groups (with 1 ED glass Approx. 69mm x 75mm long (2.7 in. x 2.9 in.) element and 1 hybrid aspherical lens element) Weight AF G-Type Approx.