Religious Properties Religious Properties in the Documented Ethnohistorically and the Site State Register Can Be Clearly Defined

Total Page:16

File Type:pdf, Size:1020Kb

Religious Properties Religious Properties in the Documented Ethnohistorically and the Site State Register Can Be Clearly Defined 1634 DIRECTORY OF RReelliiggiioouuss PPrrooppeerrttiieess IN THE CCOOLLOORRAADDOO SSTTAATTEE RREEGGIISSTTEERR OF HISTORIC PROPERTIES Second Edition January 2005 Office of Archaeology and Historic Preservation Colorado Historical Society New Address Effective April 2010 1560 Broadway, Suite 400 Denver, CO 80202 DIRECTORY OF RReelliiggiioouuss PPrrooppeerrttiieess IN THE COLORADO STATE REGISTER OF HISTORIC PROPERTIES Includes Colorado properties listed in the National Register of Historic Places and the State Register of Historic Properties Prepared by Nicole Makinster ©2005 Office of Archaeology and Historic Preservation Colorado Historical Society 1300 Broadway Denver, Colorado 80203-2137 www.coloradohistory-oahp.org Front Cover Photograph First Baptist Church Trinidad, Colorado National Register of Historic Places The activity that is the subject of this publication has been financed in part with funds from the National Park Service, Department of the Interior. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior. The Office of Archaeology and Historic Preservation receives federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or handicap in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to: Office for Equal Opportunity U.S. Department of the Interior Washington, D.C. 20240 This activity was also partially funded by the State Historical Fund, a program of the Colo- rado Historical Society. - PLEASE - RESPECT PRIVATE PROPERTY The properties listed in this directory have been identified and recognized as significant cultural resources in Colo- rado. The majority are privately owned and may not be open to the public. Therefore, please respect the owner's privacy. Specific locational information is not included for all of the listed properties. In some cases, private owners have re- quested that such information not be published. Participating in the protection and preservation of Colo- rado's cultural resources presents an opportunity for all of us. If you have any questions, comments, or additional in- formation regarding the properties in this directory, please contact our office at 303-866-3392. HISTORIC DESIGNATION TYPES The Colorado State Register of Historic Properties includes all properties designated under the Colorado State Register nomination process and all properties listed in the National Register of Historic Places. As an aid to determining the type of resources listed, the entries in this booklet are classified by resource type and historic designation. State Register Listing for a building, structure, site, object, or district designated through the Colorado State Register nomination process. A district contains a group of related sites, buildings, structures, or objects. The elements within a district are united historically or aesthetically by plan or physical development. The first State Register listings occurred in 1991, though all previously listed National Register properties were automatically added to the State Register. National Register Listing for a building, structure, site, object or district designated through the National Register of Historic Properties nomination process. A district contains a group of related sites, buildings, structures, or objects. The elements within a district are united historically or aesthetically by plan or physical development. The first National Register listings occurred in 1966. DIRECTORY PROPERTY LISTING FORMAT Format: Example: City Delta HISTORIC NAME / NAMES FIRST METHODIST EPISCOPAL CHURCH Address or location OF DELTA Designation Type, Date Listed, Site Number 199 E. 5th St. Significance statement National Register 2/20/1991, 5DT.896 The 1910 Tudor Revival style church, of tan brick manufactured by Delta Brick and Tile Company, was designed by Samuel A. Bullard of Bullard and Bullard, an Illinois architectural firm. The numerous stained glass windows were supplied by Midland Glass Company of Omaha, Nebraska. The Akron Plan interior includes a three sided mezzanine/balcony, corner chancel, curved pews, and a sloping floor meant to permit better viewing from the rear of the sanctuary. The one-story parsonage, a 1926 Delta brick bungalow, is also located on the property. Unless otherwise noted, all photographs are from the collection of the Office of Archaeology and Historic Preservation, Colorado Historical Society. Colorado State Register of Historic Properties 1 2 Directory of Religious Properties Religious Properties in the documented ethnohistorically and the site State Register can be clearly defined. A religious property can be eligible for association with a person important in Churches and other religious properties religious history, if that significance has have long been a staple of most towns. scholarly, secular recognition or is important Often times one of the first public buildings to in other historic contexts. be built was a church. Many people are A religious property that is significant under the mistaken impression that religious architecturally is evaluated as are other properties are ineligible for the Colorado properties, within an established architectural State Register of Historic Properties or the context and if necessary compared to other National Register of Historic Places. properties of its type, period, or method of Religious properties cannot be listed solely construction. for their association with a particular religion, A religious property is eligible if it can yield but neither does that make them ineligible. important information about religious To avoid the appearance of judgement by practices of a cultural group or other historic government about the validity of any religion themes. or belief, a religious property requires Finally, all eligible religious properties justification on architectural, artistic, or must physically represent the period of time historic grounds. A religious property can be for which they are significant. eligible for the registers because of certain All the properties in this directory met one historic events that may have taken place on or more of these criteria and were officially the property. It can be eligible due to historic listed in the State Register, and in some events for three reasons; 1) it is significant cases, in National Register of Historic under a theme in the history of religion Places. having secular scholarly recognition; or 2) it is significant under another historical theme, such as exploration, settlement, social philanthropy, or education; or 3) it is significantly associated with traditional cultural values. Religious properties can be eligible due to their religious history, for example if it is directly associated with either a specific event or a broad pattern in the history of religion. The site of a convention where a significant denominational split occurred meets this requirement. Another type of religious property that is eligible under this criterion is a religious institution that had significant impact on the history of a local area. A religious property can also be eligible if is directly associated with a specific event or a broad pattern of events that are significant in another historic context. It would also qualify if it were significant in illustrating the importance of a particular religious group in Denver architect Robert S. Roeschlaub, designer of the the social, cultural, economic or political city’s Trinity Methodist Episcopal Church, used a history of the area. drawing of the construction as part of his firm’s A property or natural feature that is advertising. important to a traditional culture’s religion is Source: Colorado Historical Society eligible if its importance has been Colorado State Register of Historic Properties 3 4 Directory of Religious Properties Adams County The building, which consists of a 1926 parish hall and a 1930 sanctuary addition, is Brighton an example of the Mission Revival style as evidenced by its smooth stucco walls, curvi- PRESBYTERIAN CHURCH linear parapets, and round-arched window 147 S. 1st Ave. openings. It is one of the few religious prop- State Register 6/9/1999, 5AM.65 erties designed by the prolific Denver archi- This red brick building is a good local tectural firm of William E. and Arthur A. example of the Gothic Revival style. Con- Fisher. structed in 1886, a bell tower was added in 1890. Acknowledged to be Brighton’s first BACA COUNTY permanent religious building, and built by the same individuals who platted the town it Stonington served several congregations before being purchased by the Adams County Historical STONINGTON FIRST METHODIST Society in 1975. It was restored as a Bicen- EPISCOPAL CHURCH tennial project, and the City of Brighton as- 48854 County Rd. X sumed ownership in 1976. The building re- National Register 3/14/1996, 5BA.555 mains available for community use. The 1917 church is architecturally signifi- cant as a good, intact example of the Late ALAMOSA COUNTY Gothic Revival style as executed by a local craftsman. It is the only identified example of Alamosa this style in the county. It served as the local community meeting place prior to the
Recommended publications
  • Pevsner's Architectural Glossary
    Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 1 PEVSNER’S ARCHITECTURAL GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 2 Nikolaus and Lola Pevsner, Hampton Court, in the gardens by Wren's east front, probably c. Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 3 PEVSNER’S ARCHITECTURAL GLOSSARY Yale University Press New Haven and London Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 4 Temple Street, New Haven Bedford Square, London www.pevsner.co.uk www.lookingatbuildings.org.uk www.yalebooks.co.uk www.yalebooks.com for Published by Yale University Press Copyright © Yale University, Printed by T.J. International, Padstow Set in Monotype Plantin All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 5 CONTENTS GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 6 FOREWORD The first volumes of Nikolaus Pevsner’s Buildings of England series appeared in .The intention was to make available, county by county, a comprehensive guide to the notable architecture of every period from prehistory to the present day. Building types, details and other features that would not necessarily be familiar to the general reader were explained in a compact glossary, which in the first editions extended to some terms.
    [Show full text]
  • A Journey Through Sacred Space: Medieval Tree and Cross Symbolism in the Apse Mosaic and Floor of San Clemente in Rome Joe Hartm
    1 A Journey through Sacred Space: Medieval Tree and Cross Symbolism in the Apse Mosaic and Floor of San Clemente in Rome Joe Hartman PhD candidate, Art History, Southern Methodist University Introduction: Cross, Tree, and Vine Symbolism in the Church of San Clemente In medieval Rome, the cross – also called the lignum vitae (tree or wood of life) – represented a Christian belief that the sins of humankind, associated with the tree of knowledge, were overcome through Christ’s sacrifice.1 The cross and vine in the apse mosaic of the twelfth- century church of San Clemente in Rome are a case in point (Figs. 1-2). In the center of the mosaic, on top of a gold inlaid background, Christ appears crucified on a black cross. A lush, green acanthus plant grows beneath him. Sinuous vines surround the cross on either side. The mosaic’s theme follows a typical fourth- or fifth-century configuration, which likens the emblematic cross to the paradisiacal “Tree of Life.”2 The visually literate laity of the twelfth century would have understood the image as a symbol of redemption and renewal. As such, the apse mosaic also depicts the cross as the Vine of Christ that abundantly provides the wine of the Eucharist and represents Christ’s sacrificial blood.3 The ornament and furnishings of San Clemente emphasize this central tree and vine motif. For example, San Clemente’s iconographic 1 All translations are the authors’ own. For more on the semiotics of the Tree of Life and the Tree of Knowledge, see Gerhart Ladner’s influential article “Medieval and Modern Understanding of Symbolism: A Comparison.” Speculum 54/ 2 (1979), 223-256.
    [Show full text]
  • Pentecostalism As Religion of Periphery: an Analysis of Brazilian Case
    Pentecostalism as religion of periphery: an analysis of Brazilian case Dissertation zur Erlangung des akademischen Grades Doctor philosophae (Dr. phil.) eingerichtet an der Philosophischen Fakultät III der Humboldt Universität zu Berlin Von Master of Science Brand Arenari Präsident der Humboldt Universität zu Berlin Prof. Dr. Jan-Hendrick Olbertz Dekanin der Philosophen Fakultät III Prof. Dr. Julia von Blumenthal Gutachter: 1: Klaus Eder 2: Jessé Freire Souza Tag der mündlichen Prüfung: 12.12.2013 1 Abstract All the analyses we have developed throughout this dissertation point to a central element in the emergence and development of Pentecostalism, i.e., its raw material – the promise of religious salvation – is based on the idea of social ascension, particularly the ascension related to the integration of sub-integrated social groups to the dynamics of society. The new religion that arose in the USA focused on the needs and social dramas that were specific of the newly arrived to the urban world of the large North-American cities, those who inhabited the periphery of these cities, those that were socially, economically, and ethnically excluded from the core of society. We also analysed how the same social drama was the basis for the development of Pentecostalism in Latin America and, especially, in Brazil. In this country, a great mass of excluded individuals, also residents of urban peripheries (which proves the non-traditional and modern characteristic of these sectors), found in Pentecostalism the promises of answers to their dramas, mainly the anxiety to become integrated to a world in which they did not belong before. Such integration was embedded in the promise present in the modernity of social ascension.
    [Show full text]
  • The First Roman Catholics in Alcoholics Anonymous
    CHESNUT — FATHER ED DOWLING — PAGE 1 September 3, 2011 The First Roman Catholics in Alcoholics Anonymous Glenn F. Chesnut Alcoholics Anonymous was founded in 1935 by two men, Bill Wilson and Dr. Bob Smith, who had been brought up as Protestants, and specifically, as New England Congregationalists. In spite of the fact that Congregationalism’s roots had lain in seventeenth and eighteenth-century Puritanism (the world of Jonathan Edwards’ “Sinners in the Hands of an Angry God” and Nathaniel Hawthorne’s The Scarlet Letter) this was a denomination which had developed and changed to the point where they very strongly took the liberal side—not the fundamentalist side—in the great fundamentalist-liberal debate which arose within early twentieth-century American Protestantism. In 1957 (two years after AA’s “coming of age” at its St. Louis convention) the Congregationalists united with another modernist mainline American denomination to form the extremely liberal United Church of Christ. At the time they first met, in 1935, Bill W. and Dr. Bob had both recently become involved with a controversial Protestant evangelical association called the Oxford Group, and initially worked with alcoholics under its umbrella. Nevertheless, both of them (as well as the majority of the alcoholics whom they sobered up during the first few years) came from liberal Protestant backgrounds, so a kind of generalized liberal Protestant influence rapidly became just as important as that of the Oxford Group. And contact with the New Thought movement (especially Emmet Fox) introduced an even more radical form of liberal Protestantism which was also a force in early AA.
    [Show full text]
  • 3.1 the Virgin and Child Mosaic, Apse, Hagia Sophia, Istanbul. Dedicated 867. the Traditional View. Photo: Liz James
    SENSES AND SENSIBILITY IN BYZANTIUM 3.1 The Virgin and Child mosaic, apse, Hagia Sophia, Istanbul. Dedicated 867. The traditional view. Photo: Liz James. 522 & ASSOCIATION OF ART HISTORIANS 2004 SENSES AND SENSIBILITY IN BYZANTIUM LIZ JAMES The mosaic of the Virgin and Child in the apse of the church of Hagia Sophia in Istanbul, dedicated on 29 March 867, is positioned 30 m above the floor of the church (plate 3.1). The figure of the Virgin is more than 4 m tall, and that of the Child just less than 2 m.1 The artist is unknown and the only names associated with the mosaic are those of the two emperors in whose reign it was put up and the patriarch Photios, who celebrated its unveiling with a homily.2 The mosaic was the first monumental work of figural art to be installed in the most public church in the capital of the Byzantine empire after the end of the period known as Iconoclasm.3 It is an image that has been approached in a variety of ways. It has been discussed in terms of its formal qualities of style and iconography; in terms of how it fits into the art-historical schema of the decorative programme of the Byzantine church; in terms of its social, cultural, theological and political history; and, most recently, in terms of its visuality.4 These are all methodologies practised within art history and they all share one underlying theme. They discuss the mosaic as a work of art, that is, as a conscious creation, something set apart and different, noted for certain formal qualities, and located within an historical and cultural context.
    [Show full text]
  • Vv\ / «£C&V$> VA Piiliiiitiniffl^
    f STATE: Form 10-300 UNITED STATES DEPARTMENT OF THE INTERIOR (Rev. 6-72) NATIONAL PARK SERVICE Colorado COUNTY: NATIONAL REGISTER OF HISTORIC PLACES Pitkin INVENTORY - NOMINATION FORM FOR NPS USE ONLY ENTRY DATE (Type all entries complete applicable sections) 3SAY 1 2 1975 C OMMON : ^ *^ \"i^Lj / ''^v ASPEN COMMUNITY CHURCH , ^ ^ .,; ^ X\)> "^^<^y\ AND/OR HISTORIC: vV\ FIRST PRESBYTERIAN CHURCH / «£C&V$> VA !1;:^lf^lli;lil^^ STREET AND NUMBER: 200 NORTH ASPEN STREET CITY OR TOWN: CON GRESSION^L DISTRICT: mMAV- A1"- ASPEN STATE CQDE COU ^ NTY: ''"•. ;<CVpEi » COLORADO U8 P ITKIN x ... ; ., ^^^i £/$&£ :- :;•':;;, :: 1 £. l: « '^'^ V ' ! : ^, I ?' • '• '& Hiii:H$$l| ':'-. :-\'<-:'^'-\:''<'-''^'<'<'-:' ^ STATUS ACCESSIBLE uo CATEGORY OWNERSHIP (Check One) TO THE PUBLIC Z [ | District ra Building CD Public Public Acquisition: 53 Occupied Yes: O .. , Fl Restricted G Site Q Structure H Private Q ln Process D Unoccupied dered r— i D • i CD Unrestricted n object n B°th n Bein9 c°ns UBFBU u Preservation work — 1- in progress 1 — 1 u PRESENT USE (Check One or More as Appropriate) ID \ | Agricultural [ | Government [~1 Park I | Transportation CD Comments O£ |~1 Commercial CD Industrial [~1 Private Residence Fl Other (Specifv) 1- CD Educational CD Military J£] Religious oo | 1 Entertainment 1 1 Museum [ | Scientific z |ll|i|ii;|?::iiiP;R:iF>|.i?iT Y :. :'• i; • f . : f| i:i :• •'. 3i:' vP;: . '•; •• ; i : ••"' ; ?f p -ill. •• •:";ll!||| OWNER'S NAME: STATE' Rocky Mountain Conference of United Methodist Church Colorado 1LI STREET AND NUMBER: LU U)
    [Show full text]
  • First Presbyterian Church State Register Nomination, 5PE.489 (PDF)
    OAHP1414 (Rev. 1/2005) COLORADO HISTORICAL SOCIETY COLORADO STATE REGISTER OF HISTORIC PROPERTIES NOMINATION FORM SECTION I Name of Property Historic Name First Presbyterian Church Other Names N/A Address of Property address not for publication Street Address 220 West 10th Street City Pueblo County Pueblo Zip 81003 Present Owner of Property (for multiple ownership, list the names and addresses of each owner on one or more continuation sheets) Name First Presbyterian Church Address 220 West 10th Street Phone City Pueblo State Colorado Zip 81003 Owner Consent for Nomination (attach signed consent from each owner of property - see attached form) Preparer of Nomination Name Rev. William B. Munroe Date 2/19/2007 Organization First Presbyterian Church Address 220 West 10th Street Phone City Pueblo State Colorado Zip 81003 FOR OFFICIAL USE: Site Number 5PE489 2/23/07 Nomination Received Senate # House # 5/11/2007 Review Board Recommendation 5/31/2007 CHS Board State Register Listing Approval Denial Approved Denied Listing Criteria A B C D E Certification of Listing: President, Colorado Historical Society Date COLORADO STATE REGISTER OF HISTORIC PROPERTIES Property Name First Presbyterian Church SECTION II Local Historic Designation Has the property received local historic designation? [ X ] no [ ] yes --- [ ]individually designated [ ] designated as part of a historic district Date designated Designated by (Name of municipality or county) Use of Property Historic Religion / religious facility Current Religion / religious facility Original Owner Presbytery of Colorado Source of Information The Skyline Synod: Presbyterianism in Colorado and Utah by Andrew Murray Year of Construction 1889-1890 with 1926 addition Source of Information Church records, newspaper accounts Architect, Builder, Engineer, Artist or Designer Frederic A.
    [Show full text]
  • Father Ed Dowling — Page 1
    CHESNUT — FATHER ED DOWLING — PAGE 1 May 1, 2015 Father Ed Dowling CHESNUT — FATHER ED DOWLING — PAGE 2 Father Ed Dowling Bill Wilson’s Sponsor Glenn F. Chesnut CHESNUT — FATHER ED DOWLING — PAGE 3 QUOTES “The two greatest obstacles to democracy in the United States are, first, the widespread delusion among the poor that we have a de- mocracy, and second, the chronic terror among the rich, lest we get it.” Edward Dowling, Chicago Daily News, July 28, 1941. Father Ed rejoiced that in “moving therapy from the expensive clinical couch to the low-cost coffee bar, from the inexperienced professional to the informed amateur, AA has democratized sani- ty.”1 “At one Cana Conference he commented, ‘No man thinks he’s ug- ly. If he’s fat, he thinks he looks like Taft. If he’s lanky, he thinks he looks like Lincoln.’”2 Edward Dowling, S.J., of the Queen’s Work staff, says, “Alcohol- ics Anonymous is natural; it is natural at the point where nature comes closest to the supernatural, namely in humiliations and in consequent humility. There is something spiritual about an art mu- seum or a symphony, and the Catholic Church approves of our use of them. There is something spiritual about A.A. too, and Catholic participation in it almost invariably results in poor Catholics be- coming better Catholics.” Added as an appendix to the Big Book in 1955.3 CHESNUT — FATHER ED DOWLING — PAGE 4 “‘God resists the proud, assists the humble. The shortest cut to humility is humiliations, which AA has in abundance.
    [Show full text]
  • 8 Heaven on Earth
    Heaven on Earth The Eastern part of the Roman empire from the mid 5th century to the mid 15th century is referred to as the Byzantine Empire [62] but that term 8 would not have meant anything to the people living either in the Eastern or the Western parts of the Roman Empire at the time. The residents of the East thought of them- 62 selves as “Romans” as Map of the maximum extent much as the residents of of the Byzantine Empire (edited map: xenohistorian.faithweb.com/ the West did. In fact, Con- europe/eu08.html) stantine the Great had The Byzantine Empire expanded moved the capital of the and contracted many times from Roman Empire in 330 476, when the last emperor of the from “old” Rome in the Western Roman Empire abdi- West to what he called cated, until its demise in 1453. The “New” Rome (Nova map gives us some idea of the core of the Byzantine Empire’s Roma) in the East. There political and cultural influence. was already a city in the new location, Byzantion, and that is where the term Byzantine comes from. The name Constantinople was given to the new capital after the death of Constantine. Constantinople grew in power, cultural, and diplo- matic influence while old Rome was repeatedly plundered by barbarians. By the end of the 5th century the Western Roman Empire was out of busi- ness. So it was that the citizens in the East saw themselves as simply the continuation of the Roman Empire. We call that remnant of the old em- pire in the east, Byzantium, in recognition of the changed political situa- tion centered on Constantinople between 476 and 1453.
    [Show full text]
  • 1 Classical Architectural Vocabulary
    Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice.
    [Show full text]
  • Introduction to Late Medieval Pilgrimage Architecture
    Peregrinations: Journal of Medieval Art and Architecture Volume 1 Issue 4 2004 Introduction to Late Medieval Pilgrimage Architecture Gerhard Lutz Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Lutz, Gerhard. "Introduction to Late Medieval Pilgrimage Architecture." Peregrinations: Journal of Medieval Art and Architecture 1, 4 (2005). https://digital.kenyon.edu/perejournal/vol1/iss4/2 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Lutz 1 Introduction to Late Medieval Pilgrimage Architecture By Gerhard Lutz In recent years studies on the functional and liturgical aspects of late medieval churches have evolved as a central topic of historical and art-historical scholarship. The fur- nishings of a church, such as panels, sculptures, tapestries, and precious books are no longer understood as separate artistic expressions, but are placed into a context of contemporaneous piety and theology. One recent focal point for such scholarship was female monasticism,1 but the scattered scrutiny of pilgrimage architecture has not yet been subject to this kind of syn- thesis.2 This introduction seeks to outline the reasons for this significant absence of research and to develop some possible questions for further studies in this field. An art historical ap- proach to late medieval pilgrimage architecture requires attention to several "hurdles": The majority of pilgrimage churches combine other functions as well, such as cathedrals (Co- logne), collegiate monasteries (Aachen) or abbeys (Weingarten).
    [Show full text]
  • The Byzantine Empire (Eastern Roman Empire) Latin
    The Byzantine Empire (Eastern Roman Empire) Latin Greek 667 BCE: Greek colonists founded Byzantium 324 CE: Constantine refounded the city as Nova Roma or Constantinople The fall of Rome in 476 ended the western half of Portrait of Constantine, ca. the Roman Empire; the eastern half continued as 315–330 CE. Marble, approx. 8’ the Byzantine Empire, with Constantinople as its 6” high. capital. Early Byzantine Art 6-8th c. The emperor Justinian I ruled the Byzantine Empire from 527 until 565. He is significant for his efforts to regain the lost provinces of the Western Roman Empire, his codification of Roman law, and his architectural achievements. Justinian as world conqueror (Barberini Ivory) Detail: Beardless Christ; Justinian on his horse mid-sixth century. Ivory. The Byzantine Empire , ca 600 Theocracy Government by divine guidance or by officials who are regarded as divinely guided. Justinian as world conqueror (Barberini Ivory), mid-sixth century. Ivory, 1’ 1 1/2” X 10 1/2”. Louvre, Paris. In Orthodox Christianity the central article of faith is the Christ blesses equality of the three aspects the emperor of the Trinity of Father, Son and Holy Spirit. Personificati All other versions of on of Christianity were considered Victory heresies. Personification of Earth Justinian as world conqueror (Barberini Ivory), mid-sixth Barbarians bearing tribute century. Ivory, 1’ 1 1/2” X 10 1/2”. Louvre, Paris. Comparison: Ara Pacis Augustae, Female personification (Tellus; mother earth?), panel from the east facade of the, Rome, Italy, 13–9 BCE. Marble, approx. 5’ 3” high. Comparison: Equestrian statue of Marcus Aurelius, from Rome, Italy, ca.
    [Show full text]