.,) J ~Ob tJJiscovering {jreat

"" with Dr. Thomas L. McKinley, lecturer

7:30 p.m. Wednesday, October 27, 1999

TERMS AND CONCEPTS TO BE DISCUSSED

The Ancient World...... Prior to the Sixth Century A.D. The Middle Ages (M edieval Period) ...... 500 to ca. 1420 The Renaissance...... ca. 1420 to 1600 The Baroque...... 1600 to 1750 The Gassical Era I Romantic Period...... 1750-1900 The Modern Era ...... 1900 to present

Accent (agogic, dynamic, tonic/tonal) Mensuration System Additive Mixed Meter, Changing Meter and M ulti-meter Ametric. Nonmetered and Free Rhythm Polymeter and Complex Meters Regular Meters (Duple, Triple, Quadruple) Compound and Simple Meters and Hemiola Irregular Meters (Quintuple, Septuple) Tactus Irregular Subdivisions (Triplet, Quintuplet, etc.) Isorhtyhm Upbeat and Downbeat

Unauthorized recording or photography is prohibited. ABOUT Dr. THOMAS L. McKINLEY The Harid Conservatory Thomas L. McKinley is a native of Kentucky. A busy composer School of Music at Lynn University and instructor, his teaching experience spans over a decade and includes positions previously held at Tulane University, the President Donald E. Ross College of the Holy Cross, Tufts University, and the New England Vice President Nancy A. McGinn Dean Roberta Rust Conservatory's Extension Division. He received a Ph.D. in 1999-2000 FACULTY & STAFF composition from Harvard and both bachelor's and master's Strings degrees (also in composition) from Cincinnati College Sergiu Schwartz

Michael McClelland VIOLA Conservatory. He studied at Harvard-with Leon Kirchner, Earl Johanne Perron CELLO

Kim, and Peter Maxwell Davies. Dr. McKinley has received grants, Shigeru Ishikawa DOUBLE BASS Winds awards, and commissions from the Massachusetts Council on the Laura Gilbert FLUTE Arts and Humanities (Extension Works); the James Pappoutsakis John Dee OBOE Paul Green CLARINET

Memorial Fund, Inc.; Harvard University; ASCAP (Aspen Music Arthur Weisberg BASSOON Brass School); the Wesley Weyman Fund (Boston, MA); the University Gregory Miller FRENCH HORN of Cincinnati; and the Georgia Woodwind Quintet (in residence at Richard Sroelzel TRUMPET Srephen Rawlins TROMBONE the University of Georgia). The Georgia Woodwind Quintet has Marrhew K. Brown TUBA Percussion recently recorded Dr. McKinley's Sfr Bagatelles for wind quintet on Michael Parola PERCUSSION CD. Piano

Roberta Rusr PIANO Dr. McKinley is one of the founding members of the Boston- Theory based performing group Extension Works, and served as its Thomas McKinley Professors, Instructors, & Accompanists secretary/ treasurer for five years. In October of 1986, he was Jodie DeSalvo, INSTRUCTOR AND STAFF ACCOMPANIST

Phillip Evans, ASSOCIATE PROFESSOR invited to be a guest performer at the 62nd State Convention of the Dianne Garvin, INSTRUCTOR Kentucky Federation of Music Clubs. In addition to his work as Elizaberh Holland, INSTRUCTOR AND STAFF ACCOMPANIST Claudio Jaffe, ASSOCIATE PROFESSOR AND DIRECTOR OF THE composer, teacher, and pianist, Dr. McKinley has pursued research LYN N MUSIC PREPARATORY

Tao Lin, STAFF ACCOMPANIST in music theory and analysis. His principal areas of interest are Music Librazy chromaticism in the Common-Practic·e Period and tonality in Sue Richman, MUSIC LIBRARIAN Jean Olasky, LIBRARY ASSISTANT twentieth-century music. He has recently completed a study titled Hannelore Schleu, LIBRARY ASSIST ANT Administrative Staff Dominant-Related Chromatic Third Progressions: a Reappraisal of Third Abram Kreeger, MARKETING AND SALES MANAGER Relationship in the Common-Practice Period, including a System of Paula Linder, CONCERT MANAGER Peg Marrorella, GRANTS COORDINATOR Classification. Barbara Whirr, ASSIST ANT TO THE DEAN