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Britain's Fastest Growing Black Newspaper
www.bigeyenews.com - email: [email protected] THE BIG EYE 1 Tel: +44 (0)207 498 4452 /+44 (0)7960 214 527 - Jamaica: 876-981-2973(Office)/ 876-575-8316(Cell) BRITAIN’S FASTEST GROWING BLACK NEWSPAPER 50p WHERE SOLD ISSUETHE 25 BIGyour views our news EYEJULY 08 WWW.BIGEYENEWS.COM - [email protected] -Tel +44 (0) 207 498 4452 / +44 (0) 7960 214 527 BIG EYE & DOMINO TOURNAMENT BRIXTON UK’S NO1 A GRAND DOMINOE CHAMPS NINJA MAN SUCCESS MARCIA GRIFFITHS t was Saturday 14th June 08 the sun was shining nedy Food Products & JWray & Nephew. Iand motor cars and coaches from around the coun- try were gearing up destined for Bristol, yes it was As the best Dominoe teams in the country made the historical day that all DOMINOE lovers had their way into Bristol followed by their loyal fans the anticipated THE BIG EYE in association with JAMA- atmosphere was guaranteed to be explosive. BY 1.30 CIA NATIONAL “One Day Knock Out Dominoe pm the Malcomn X Center was filled to it’s capacity Tournament.” The Event was held at the Malcomn X as most of the coaches had arrived. Every where you RITA MARLEY BERES HAMMOND Centre in St Paul’s Bristol and was also co sponsored looked you could see hundreds of yellow & white by Jewel Isle Rum Punch, Heineken Beer, Grace Ken- BIG EYE /JN Tshirts worn by players & spectators SEE YOUR FAVOURITE REGGAE STAR ENDORSING CONTINUED ON PAGE 4 THE BIG EYE Pages18-19 www.bigeyenews.com - email: [email protected] THE BIG EYE Tel: +44 (0)207 498 4452 /+44 (0)7960 214 527 - Jamaica: 876-981-2973(Office)/ 876-575-8316(Cell) 2 IN THIS PAPER Businesses fail to recognise the PAGE>>>8 spending power of the BME Ethnic mortality Vogue communities. -
Review - DVD - Shaggy ~ Live at Chiemsee Reggae Summer 1998
Review - DVD - Shaggy ~ Live At Chiemsee Reggae Summer 1998 http://www.reggae-vibes.com/rev_dvd/shaggylive.htm Title Live At Chiemsee Reggae Summer 1998 Artist Shaggy Date December 29 - 2008 Label Charly Films/MVD Visual Format DVD - Region Free Languages English Subtitles None Length 200 minutes (approx.) Producer/Director Jean Luc Young Shaggy's family moved to the United States from Jamaica and they settled in the neighborhood of Flatbush, Brooklyn, located in New York City. Shaggy moved to Valley Stream, New York, and made one of his own recording studios in the town. In 1988, he joined the United States Marine Corps as a Field Artillery Cannon Crewman with 5th Battalion, 10th Marines. While enlisted in the Marines he served during Operation Desert Storm during the Gulf War. It was during this time that Shaggy perfected his signature singing voice, breaking the constant monotony of running and marching cadences with his flair for inflection. It is also where he got the inspiration for his song "Boombastic." In the early 1990’s Shaggy entered the scene with his deep throaty remix of the Jamaican traditional "Oh Carolina", the first major Reggae record to come out of the dancehall underground. The same year, Shaggy appeared on Kenny Dope's hip hop album "The Unreleased Project". He worked together with producers such as Sting Intl., Don One (who cut his first track), Lloyd 'Spiderman' Campbell and Robert Livingston. Soon after, the steady dub rhythm of the platinum selling "Boombastic" solidified Shaggy as a dancehall hit-maker winning the 1996 Grammy Award for Best Reggae Album. -
In the Summertime (PDF)
In The Summertime Ray Dorset 1970 (as recorded by Mungo Jerry) OR or INTRO: / 1 2 / 1 2 / INSTRUMENTAL VERSE: < HALF DO MELODY ON KAZOO, OTHER HALF DO CHICS > [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [D] Chic, chic-chic, uh [D] chic, chic-chic, uh [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [E] Chic, chic-chic, uh [D] chic, chic-chic, uh [A] Chic, chic-chic, uh [A] chic, chic-chic In the [A] summertime when the [A] weather is high You can [A] stretch right up and [A] touch the sky When the [D] weather’s fine You got [D] women you got women on your [A] mind [A] Have a [E] drink have a drive [D] go out and see what you can [A] find [A] If her [A] daddy's rich, take her [A] out for a meal If her [A] daddy's poor, just [A] do what you feel Speed a-[D]long the lane Do a [D] ton, or a ton and twenty-[A]five [A] When the [E] sun goes down You can [D] make it make it good in a lay-[A]by [A] We're not [A] grey people, we're not [A] dirty, we're not mean We love [A] everybody, but we [A] do as we please When the [D] weather’s fine We go [D] fishing or go swimming in the [A] sea [A] We're always [E] happy Life's for [D] living yeah that's our philoso-[A]phy [A] Sing a-[A]long with us, dee-dee [A] dee-dee-dee Da-da [A] da-da-da, yeah, we’re [A] hap-happy [D] Da da daa [D] dee da-da dee da-da da-da [A] daa [A] Da-da [E] da-da daa [D] da da daa da-da [A] daa [A] INSTRUMENTAL VERSE: < HALF DO MELODY ON KAZOO, OTHER HALF DO CHICS > [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [A] Chic, chic-chic, -
Mawazine Prend Un Aller Simple Pour La Jamaïque ! Le Prince Du Dancehall Shaggy Se Produira Sur La Scène De L’OLM Souissi Jeudi 26 Mai 2016
COMMUNIQUE DE PRESSE 15ème édition du Festival Mawazine Rythmes du Monde Mawazine prend un aller simple pour la Jamaïque ! Le prince du dancehall Shaggy se produira sur la scène de l’OLM Souissi jeudi 26 mai 2016 Rabat – le 18 avril 2016 – L’Association Maroc Cultures est heureuse d’annoncer la venue de Shaggy à l’occasion de la 15ème édition du festival Mawazine Rythmes du Monde. Unique en son genre, le chanteur fait partie, aux côtés de Bob Marley, Jimmy Cliff et Sean Paul, du cercle très fermé des artistes jamaïcains bénéficiant d’une reconnaissance mondiale. Programmé sur la scène de l’OLM Souissi le jeudi 26 mai, le concert de Shaggy promet aux festivaliers un show de pure folie avec la reprise de ses plus grands tubes, dont les immenses Boombastic et Wasn't me. Grâce à son style unique, il représente la rencontre du rap et du dancehall ; grâce à son timbre de voix, il est un crossover entre Barry White et Shabba Ranks. Bref, Shaggy est unique et le public de Mawazine est prévenu : pour sa première apparition au Maroc, le prince du dancehall va faire vibrer la scène de l’OLM Souissi comme jamais ! Dans le reggae, rares sont les carrières aussi impressionnantes que celle de Shaggy. Aucun Jamaïcain n’a sorti autant de hits internationaux au cours de ces 25 dernières années que Shaggy. Depuis vingt ans et son hit mondial Boombastic, le chanteur a vendu des dizaines de millions d'albums et gagné plusieurs Grammy Awards. Et pourtant : enfant, ce n'est pas la musique qui l'attirait. -
On Liberty It’S Our Best Best Of
On Liberty It’s Our Best Best of... Issue Ever A guide to the city’s top Sights Entertainment Restaurants Bars Important Health Warning About Playing Video Games Table of Contents Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain 02 Installation visual images, including flashing lights or patterns that may appear in video games. 04 Game Controls Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching 08 Letter from the Editor video games. 10 Places Best Sights These seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, 12 Entertainment Best Place to Chill confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking 14 Restaurants Best Burger nearby objects. 16 Bars Best Brew Immediately stop playing and consult a doctor if you experience any of these 18 Feature Dating in the City symptoms. Parents should watch for or ask their children about the above symptoms—children and teenagers are more likely than adults to experience these 20 Technology Top Gadgets seizures. The risk of photosensitive epileptic seizures may be reduced by taking the following precautions: Sit farther from the screen; use a smaller screen; play in a well- 22 Credits lit room; and do not play when you are drowsy or fatigued. 32 Warranty If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Summertime Roll!
Summertime Roll! 48 Count, 2 Wall, Improver (Samba) Choreographer: Joey Warren (USA)& Niels Poulsen (DK) Oct 2015 Web site: www.linedancerweb.com Choreographed to: In The Summertime by Shaggy, ft. Rayvon (3:46m) E-mail: [email protected] Intro: 16 count intro from the main beat in the music (14 secs. into track). Start with weight on L. NOTE: As the music is a samba it has a delayed syncopated beat. Try to execute all the &-steps with a slight hesitation whenever possible. Think of the &-counts as ‘a’-counts. NO TAGS – NO RESTARTS!!! … [1 – 8] Samba whisk R & L, out R L with hip pushes, chasse ¼ R 1&2 Step R to R side (1), rock back on L (&), recover on R (2) 12:00 3&4 Step L to L side (3), rock back on R (&), recover on L (4) 12:00 5 – 6 Step out R pushing hips R (5), step out L pushing hips L (6) 12:00 7&8 Step R to R side (7), step L next to R (&), turn ¼ R stepping R fwd (8) … (or turn 1 ¼ R) 3:00 [9 – 16] Step turn step, R mambo fwd, out L R into hip roll L and R with points 1&2 Step fwd on L (1), turn ½ R onto R (&), step fwd on L (2) 9:00 3&4 Rock fwd on R (3), recover back on L (&), step back on R (4) 9:00 &5 – 6 Step out L (&), step out R starting to roll hips in a counter clockwise circle from L to R (5), finish hip roll pushing hips L and pointing L to L side (6) 9:00 7 – 8 Do another full hip roll rolling hips clockwise to R then L (7), push hips R and point R to R side (8) Styling: make both circles BIG!!! 9:00 [17 – 24] R vine into ball cross & touch, full volta turn L 1 – 2 Step down on R (1), cross L behind R (2) -
NEW TOOLS for China's Counterfeit Crackdown HOUNDING OUT
GENEVA – FEBRUARY 2008 Special Edition for the Fourth Global Congress on Counterfeiting and Piracy 6 NEW TOOLS For China’s Counterfeit Crackdown 16 TALKING COPYRIGHT From Rags to Reggae 25 HOUNDING OUT PIRACY WIPO PUBLICATIONS The Enforcement of Intellectual Property Rights: A Case Book By LTC Harms, published in 2005 English No. 791E 70 Swiss francs (plus shipping and handling) An analysis of selected court decisions drawn from countries with a common law tradition. The case book illustrates different areas of IP law, focusing on matters that typically arise in connection with civil and criminal proceedings involving IP rights. L’Application des droits de propriété intellectuelle: Recueil de jurisprudence By M-F Marais, T Lachacinski French No. 626F 65 Swiss francs (plus shipping and handling) This new case book analyses IP-related court decisions in France and other countries with a civil law tradition. A valuable guide to the enforcement of IP rights for judges, lawyers and other practitioners from French-speaking developing countries. The WIPO Guide to Intellectual Property Outreach Published in 2007 English No. 1002E Free of charge The Guide offers a structure for planning IP-related awareness raising campaigns, including anti-piracy and counterfeiting campaigns. Learn from the Past, Create the Future: the Arts and Copyright Published in 2007 English No. 935E Free of charge Equipping young people with a sound knowledge and understanding of IP is critical to developing a positive IP culture for future generations. This is the second in WIPO’s series of classroom books for ages 8 – 14. Purchase publications online: www.wipo.int/ebookshop Download free information products: www.wipo.int/publications/ The above publications may also be obtained from WIPO’s Design, Marketing, and Distribution Section: 34, chemin des Colombettes, P.O. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Anglo-American Songs and Ballads AFS
Recording Laboratory AFS L20 Anglo-American Songs and Ballads From the Archive of Folk Song Edited by DUNCAN EMRICH , LIBRARY OF CoNGRESS WASHINGTON 1947 Library ofCongress Catalog Card Number R53-580 rev Avai/Qble from the Library ofCongress Music Division, Recorded Sound Section Washington, D.C. 20540 ANGLO-AMERICAN SONGS AND BALLADS AI-A3-CRIPPLE CREEK, GIT ALONG DOWN TO Her head looked like a coffee pot, TOWN, and KICKING MULE. Sung with five Her nose looked like the spout, string banjo by Henry King accompanied by the Her mouth looked like the fire place King family on guitar, mandolin, and bass, at With the ashes all raked out. Chorus. Visalia, Calif., 1941. Recorded by Charles Todd and Robert Sonkin. I wouldn't have a yaller gal, Now here's the reason why, Her neck's so long and scrangy The three songs on this record, played and sung She'd make them biscuits fly. Chorus. by the King family, belong to the broad group of native songs from the southern mountains. They are Boss he had an old gray mare, without any European antecedents and in subject He rode her down in town, matter are purely American. The mandolin and Before he got his trading done, guitar accompaniment, and the very tempo of the The buzzards had her down. Chorus. pieces, again are distinctive of the pure strain of American folk music. Originating in the South, they Boss he had an old gray mare, have spread widely throughout the United States. Her name was Brindly Brown, Every tooth in that mare's head CRIPPLE CREEK Had sixteen inches 'round. -
In the Summertime (3 Semitones Below Track) Start Note G Mungo Jerry D X Ud X
In the Summertime (3 semitones below track) Start Note G Mungo Jerry https://www.youtube.com/watch?v=wvUQcnfwUUM D x ud x [C] D ud [C] D ud [C] D ud [C] D ud In the [C] summertime when the weather is high You can stretch right up and touch the sky When the [F] weather’s fine You got women, you got women on your [C] mind / / | / / / Have a [G7] drink have a drive / [F] Go out and see what you can [C] find / / / [C] / / / If her [C] daddy’s rich take her out for a meal If her daddy’s poor / just do what you feel Speed a-[F] long the lane Do a ton or a ton and twenty-[C] five / / / | / / / When the [G7] sun goes down You can [F] make it, make it good in a lay-[C] by / / / [C] / / / We’re no [C] threat / people, we’re not dirty, we’re not mean We love everybody but we do as we please When the [F] weather’s fine We go fishin’ or go swimmin’ in the [C] sea / / | / / / We’re always [G7] ha - / ppy Life’s for [F] livin’ yeah that’s our philoso-[C] phy / / / [C] / / / Sing a-[C] long with us, dee dee dee-dee dee Dah dah dah-dah dah, yeah we’re hap-hap-happy / Dah / dah [F] dah Dee - da - do dah Dee - da - do dah [C] DAH / / / | / / / Da-de-[G7] dah - / dah Dah - dah [F] da-da - de - da - da-da-de-da- [C] DAH / / / [C] / / / When the [C] winter’s here, yeah it’s party time Bring your bottle, wear your bright clothes, it’ll soon be summertime And we’ll [F] sing again We’ll go drivin’ or maybe we’ll settle [C] down / / | / / / If she’s [G7] rich, if she’s nice Bring your [F] friends / and we’ll all go into [C] town / / / [C] / / / In the [C] summertime when the weather is high You can stretch right up and touch the sky When the [F] weather’s fine You got women, you got women on your [C] mind / / | / / / Have a [G7] drink have a drive / [F] Go out and see what you can [C] find / / / [C] / / / <[F]> <[C]>.