CITIZENS This Is Your Rick

Total Page:16

File Type:pdf, Size:1020Kb

CITIZENS This Is Your Rick New Additions To Radio Playlists - Secondary Markets A broad view of the titles many of radio's key Top 40 stations added to their "Playlists" last week. Kansas WLOF-Orlando, Fla. WBAM-Montgomery, Ala. WPOP-Hartford, Conn. KEYN-Wichita, The World-Temptations-Gordy Games-Redeye-Pentagram Heed The Call-Kenny Rogers --Reprise Montego Bay-Bobby Bloom-L&R/MGM Unite Cry Me A River-Joe Cocker-A&M Easy Rider-Iron Butterfly-Atco Time Waits For No One-Friends Of Make It Easy On Yourself-Dionne Warwick- Lucy-Crabby Appleton-Elektra After Midnight-Eric Clapton-Atco Distinction-RCA Scepter Country Road-Merry Clayton-Ode 70 Express Yourself-Watts Band-Warner Bros. Somebody's Been Sleeping -100 Proof- Keep It Together-Paul Davis-Bang Time To Kill-Band-Capitol See Me, Feel Me-Who-Decca Hot Wax Super Bad-James Brown-King LP PICK: Montego Bay-Bobby Bloom-L&R/MGM God Love-Teegarden & Van Winkle- After Midnight-Eric Clapton-Atco Se A Cabo-Santana-Columbia PICK: Just Keep It Up-Otis Blackwell-Epic Westbound I Think I Love You-Partridge Family-Bell LP PICK: Mermaid-Flock--Columbia Do I Love You-Bill Deal & Rhondells- No Matter What-Badfinger-Apple Polydor I Believe In Music-Mac Davis-Columbia WLAV-Grand Rapids, Mich. Easy Rider-Iron Butterfly-Atco Games-Redeye-Pentagram WCRV-Washington, N.J. Unite The World-Temptations-Gordy To The Other Man-Luther Ingram-Koko King Of Rock & Roll-Crow-Ameret And, The Grass-Mark Lindsay-Columbia WSGN-Birmingham, Ala. I'm Not My Brothers Keeper-Flaming Winds Of South Chicago-Garden-Capitol Our House-Crosby, Stills, Nash & Young- WGLI-Babylon, N.Y. Embers-Hot Wax PICK: Tears Of A Clown-Smokey Robinson- Atlantic Heed The Call-Kenny Rogers-Reprise Something In You-Manitoba-RCA Tam la Come On, Say It-Grassroots-Dunhill Stoney End-Barbra Streisand-Columbia The Things Of Life-Andre Kostelanetz- Somebody's Been Sleeping -100 Proof- Cry Me A River-Joe Cocker-A&M Columbia WDRC-Hartford, Conn. Hot Wax I'm Not My Brothers Keeper-Flaming Cry Me A River-Joe Cocker-A&M As Years Go By-Mashmakahn-Epic Embers-Hot Wax A Clown-Smokey Robinson-Tamla This World-Sweet Inspirations-Atlantic Tears Of Pa. Montego Bay-Bobby Bloom-L&R/MGM WKIX-Raleigh, N.C. God Love-Teegarden & Van Winkle- WJET-Erie, Sweetheart-Engelbert Humperdinck-Parrot Heed The Call/A Stranger In My Place- Make It Easy On Yourself-Dionne Warwick- Westbound Lovin' You Baby-White Plains-Deram Kenny Rogers-Reprise Scepter Lucretia MacEvil-BS&T-Columbia Better Think Twice-Poco--Epic No Matter What-Badfinger-Apple As Years Go By-Mashmakahn--Epic Do What You Wanna Do -5 Flights Up-TA I Think I Love You-Partridge Family-Bell Stand By Your Man-Candi Staton-Fame Cry Me A River-Joe Cocker-A&M Jerusalem-Herb Alpert-A&M PICK: Unite The World-Temptations-Gordy Come On, Say It-Grassroots-Dunhill Let Me Back In-Tyrone Davis-Dakar Gone Is Love-Paul Mauriat-Phillips WKLO-Louisville, Ky. WKWK-Wheeling, W.Va. It's A Shame-Spinners-V.I.P. Come With Me-Utopia Pkwy.--U.A. Riki Tiki Tavi-Donovan-Epic Listen Here-Brian Auger-RCA Producer's Profile Animal Zoo-Spirit-Epic I Think I Love You-Partridge Family-Bell Lola-Kinks-Reprise Time Waits For No One-Friends Of As the saying goes, "Old rock and The Distinction-RCA And Grass-Mark Lindsay-Columbia never die, they just become Multitude-Atlantic After Midnight-Eric Clapton-Atco roll stars Woodstock-Assembled record producers." And so it is. Don Amos Moses-Jerry Reed-RCA This World-Sweet Inspirations-Atlantic Elektra staff producer, whose Super Bad-James Brown-King Gallucci, Unite The World-Temptations-Gordy productions now include Time To Kill-Band-Capitol It Must Be Love-Bobby Rydell-RCA Elektra Crabby Appleton and the Stooges, Super Bad-James Brown-King One Light, Two Lights-Satisfactions--Lionel started out as a teen idol. begins years WIRL-Peoria, III. WFEC-Harrisburg, Pa. The story twenty-two in Portland, Oregon where on Lucretia MacEvil-BS&T-Columbia Heed The Call-Kenny Rogers-Reprise ago October 31, Don Gallucci was born. God Love-Teegarden & Van Winkle- Cry Me A River-Joe Cocker-A&M too much about what Westbound Indian Lady-Lou Christi-Buddah Don didn't think be when he grew up, Unite The World-Temptations-Gordy Unite The World-Temptations-Gordy he wanted to but, says Don, "when I was seven I We Got To Get A Woman-Runt-Ampex Day Is Done-Brooklyn Bridge--Buddah heard my friend's brother playing Somebody's Been Sleeping -100 Proof- LP PICK: he called 'the boogie' on Hot Wax Black Magic Woman-Santana-Columbia something the piano and it floored me. I knew right then that I'd just have to learn to play the piano." Don took formal lessons till the time DON GALLUCCI he was nine, but then with one thing and another, he lost interest, until "I realized that music could make on London Records, but the produc- CITIZENS 2000 feet tap all at once. Music tion wasn't up to what we were try- could make all those people happy. So ing to do, and it sounded terrible. at the age of twelve, I started piano But the real trouble with Touch was again, this time on my own, no that we were too far ahead of our Is teachers, just me. The flow had hit me, time. Music is evolutionary, not revolu- Your flow starts, revo- This and when the feeling of and we were being too tionary, you do all kinds of things you didn't lutionary. In music, everything changes plan." each year, but not in a way that it Having kept at the piano for an- shocks anybody. A cat from 1940 other four years, Don joined the Kings- hearing the music of 1970 would be Rick men at the age of sixteen. "I had been shocked. It would be a painful ex- in a few groups around town, and the perience for him." rest of the Kingsmen were all three or Following the break up of Touch, Ely four years older than I was, but that Don worked around a studio musician. didn't matter, because we cut this Vice president of Elektra Records in record called 'Louie, Louie' and six charge of west coast operations, Russ months later, we wound up number Miller, brought Don to Elektra as a one with it, and the album we made staff producer, and Don's first produc- went on to stay on the charts for 153 tion was the single hit, "Go Back" for weeks." Crabby Appleton. Don went on to pro- But Don, who played keyboards and duce the group's first Elektra album did all the arranging for the group, and current single "Lucy." O do one tour with the only got to Don then began production on "Fun Kingsmen on his Christmas vacation. House," the second Elektra album by But he wasn't through with being Iggy and the Stooges. "Producing the L a rock and roll star yet, and he formed Stooges was quite a challenge," says a band called Don and the Goodtimes, Don. "Their music is so essential and who hit in the northwest even before basic. It required a very special ap- cutting their hit Epic single, "I Could proach to capture their excitement on Be So Good To You." a disk." "It's a funny thing what happened Don, now producing a group called to us after that," Don reports. "Every- Wild Turkey for Elektra, feels that thing was going great at first, but producing records is really a matter of T those times weren't really right for simplicity and balance. As he puts it, us. It was 1967, and the San Francisco "In a time when the advances of thing was just starting to happen. electronics enable you to do virtually That sound completely took prece- anything to anything, you have to be I dence over almost every other kind of careful not to get carried away. The music being done at the time. It's answer lies in simplicity. People making good to know that nowadays, a million records often try to overcomplicate different styles can make it all at once things. Music isn't just sound. It's in the same market." also color and perfume. A bad mix O But as pop music began to grow is like a bad mix of colors. It's ugly. more sophisticated under the further Music should not be brown and influence of the Beatles, the Jeffer- muddy." son Airplane and the Doors, Don began Don's hope for the future is to N to feel that he had been playing music make what he calls "graphic music." much less than he was capable of. "We must make music a visual ex- Records "I formed a new group," Don re- perience," he says. "I would like to and Tapes members, "and we called the band create five or ten minutes video seg- RC/1 Touch. It was really HEAVY music. ments to go with the music. I feel Too heavy. I arranged and wrote all that's the direction in which we must the material for the album we made move." 34 Cash Box - October 10, 1970 www.americanradiohistory.com.
Recommended publications
  • All Shook up As Sung by Elvis Presley
    All Shook Up As sung by Elvis Presley Brass Band Arr.: Jirka Kadlec Adapt.: Bertrand Moren Elvis Presley / Otis Blackwell EMR 32315 st + 1 Full Score 2 1 B Trombone nd + 1 E Cornet 2 2 B Trombone + 5 Solo B Cornet 1 B Bass Trombone 1 Repiano B Cornet 2 B Euphonium nd 3 2 B Cornet 3 E Bass rd 3 3 B Cornet 3 B Bass 1 B Flugelhorn 1 Piano / Keyboard (optional) 2 Solo E Horn 1 Bass Guitar / String Bass (optional) 2 1st E Horn 1 Electric Guitar (optional) 2 2nd E Horn 1 Tambourine 2 1st B Baritone 1 Bongos 2 2nd B Baritone 1 Drum Set Print & Listen Drucken & Anhören Imprimer & Ecouter www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Be Happy Track Titel / Title Time N° EMR N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Big Band Concert Band 1 Hard Headed Woman (De Metruis) 2’36 EMR 12585A EMR 32310 EMR 12585B 2 Magnificat (Kadlec) 3’13 EMR 12638 EMR 32311 - 3 Sway (Molina / Ruiz) 3’18 EMR 12597A EMR 32312 EMR 12597B 4 My Way (Reveaux / François) 3’45 EMR 12150 EMR 32207 EMR 23569 5 Burning Love (Linde) 2’50 EMR 12590A EMR 32313 EMR 12590B 6 Fighting Trombones (Schiltknecht) 1’36 EMR 12547 EMR 32314 - 7 All Shook Up (Presley) 2’30 EMR 12575A EMR 32315 EMR 12575B 8 Be Happy (Reift) 2’45 EMR 12646 EMR 32316 - 9 Ocean Drive (Naulais) 3’50 EMR 12560 EMR 32317 EMR 31112 10 Hard To Say I’m Sorry (Cetera / Foster) 3’27 EMR 12636 EMR 32318 EMR 31223 11 Solitaire (Sedaka) 3’55 EMR 11405 EMR 32319 - 12 Rumba Del Amor (Reift) 2’46 EMR 12529 EMR 32320 - 13 Cubamania (Naulais) 4’44 EMR 12657 EMR 32321 EMR 31670 14 Rock And Roll Music (Berry) 2’37 EMR 12623A EMR 32322 EMR 12623B Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel.
    [Show full text]
  • Sammy Strain Story, Part 4: Little Anthony & the Imperials
    The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103).
    [Show full text]
  • Dionne Warwick Show Me The
    Show Me The Way Dionne Warwick Take the short way home You' ve been makin' up your mind And I can save you from the trouble that your heart is goin' through And I can tell you what your future's gonna be Maybe we can open up your eyes Baby, you can't leave me now There is lightenin' in the city Stranger than you ever saw Get back to your special lover And I won't ever turn on you Or tell you you should tell me where you go And take the short way home Baby, take care of your health In this world of evil I can't keep you to myself Take the short way home You'll be safe here by my side In this world of evil I can't keep you satisfied And you can make it easy on yourself Some other love will call my name when you're away and I'll be gone And there's no other who could love you more I keep talkin' to myself when I'm alone I don't wanna be alone Crazy people in the shadows Love is only what you find Come back here and you'll discover There ain't nothin' you've been searchin' for I could not give you now if you are gone Take the short way home Baby, take care of your health In this world of evil I can't keep you to myself Take the short way home You'll be safe here by my side In this world of evil I can't keep you satisfied Crazy people in the shadows Love is only what you find Come back here and you'll discover There ain't nothin' you've been searchin' for I could not give you now if you are gone Take the short way home Baby, take care of your health In this world of evil I can't keep you to myself Take the short way home You'll be safe here by my side In this world of evil I can't keep you satisfied Take the short way home Baby, take care of your health In this world of evil I can't keep you to myself Take the short way home You'll be safe here by my side In this world of evil I can't keep you satisfied Take the short way home Baby, take care of your health In this world of evil I can't keep you to myself Tištěno z pisnicky-akordy.cz Sponzor: www.srovnavac.cz - vyberte si pojištění online! Powered by TCPDF (www.tcpdf.org).
    [Show full text]
  • A Hard Days Night Angie About a Girl Acky Breaky Heart All Along the Watchtowers Angels All the Small Things Ain`T No Sunshine A
    A hard days night Angie About a girl Acky breaky heart All along the watchtowers Angels All the small things Ain`t no sunshine All shook up Alberta Alive And I love her Anna (go to him) 500 miles 7 nation army Back to you Bad moon rising Be bop a lula Beds are burnng Big monkey man Bitter sweet symphony Big yellow taxi Blue suede shoes Born to be wild Breakfast at Tiffany`s Bonasera Brown eyed girl Can`t take my eyes off of you Californication Change the world Cigarettes and alcohol Cocain blues Baby,Come back Chasing cars Come together Creep Come as you are Cocain Cotton fields Crazy Country roads Crazy little thing called love Dont look back in anger Don't worry be happy Dancing in the moonlight Don`t stop belivin` Dance the night away Dead or alive Englishman in NY Every breath you take Easy Faith Feel like making love Fortunate son Fields of gold Further on up the road Free falling Gimme all your lovin' Gimme love Gimme all your love Great balls of fire Green grass of home Happy Hello Heart-shaped box Have you ever seen the rain Hello Mary Lou Highway to hell High and dry Hey jude Hotel california Human touch Hurt Hound dog (ISun Can't is shining Get No) Satisfaction I'm yours I don't wanna miss a thing I saw her staning there I got stripes I walk the line Imagine I`m a believer It`s my life (D) Impossible Jamming Johny be goode Keep on rockin` in a free world Knockin` on the heavens door Kingston town La bamba (E) Lay down Sally Learn to fly Light my fire Let her go Let it be Love is all around Layla Learning to fly Living next door
    [Show full text]
  • Otis Blackwell: Songwriter to “The King”
    Country Music Hall of Fame® and Museum • Words & Music • Grades 3-6 Otis Blackwell: Songwriter to “The King” As the songwriter of two of Elvis Presley’s career-making hits, Otis Blackwell will always be linked to the man known as the King of Rock & Roll. But so many artists have recorded Blackwell’s songs that his work reaches far beyond Presley’s shadow. The many hits Blackwell wrote made him one of rock & roll’s most influential songwriters. Born February 16, 1932, in Brooklyn, New York, Blackwell grew up next to a movie theater and developed a passion for Hollywood’s singing cowboys and their western music. “Like the blues, it told a story,” he once said. “But it didn’t have the same restrictive construction. A cowboy song could do anything.” Blackwell began writing songs in his teens, but turned his attention to performing after winning a local talent show. He soon tired of the road, however, choosing instead to focus on songwriting while working a day job pressing clothes at a New York tailor shop. Presley soon followed this success with “All Shook Up,” which Blackwell penned after his publisher shook a bottle of soda and Blackwell’s demo tape of “Don’t Be Cruel” caught the ear of jokingly challenged him to write a song about it. Presley, who was then looking to expand his popularity from the South to the nation as a whole. Taking cues from Blackwell’s vocal Building on his early success, Blackwell continued to write phrasing, Presley turned the song into a 1956 sensation that topped for Presley, and he created a string of hit songs for other the country, R&B, and pop charts alike.
    [Show full text]
  • EMR 12467A Don't Be Cruel (B = Big Band) MS = 8M
    Don’t Be Cruel As sung by Elvis Presley Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare 6 Arr.: Jirka Kadlec Elvis Presley / Otis Blackwell EMR 12467A st 1 Score 2 1 Trombone + nd 8 Flute 2 2 Trombone + rd 1 Oboe (optional) 1 3 Trombone + th 1 Bassoon (optional) 1 4 Trombone + 1 E Clarinet (optional) 2 Baritone + st 5 1 B Clarinet 2 E Bass nd 4 2 B Clarinet 2 B Bass rd 4 3 B Clarinet 1 Tuba 1 B Bass Clarinet (optional) 1 Piano / Keyboard (optional) 1 B Soprano Saxophone (optional) 1 Bass Guitar / String Bass (optional) 2 1st E Alto Saxophone 1 Electric Guitar (optional) 1 2nd E Alto Saxophone 1 Tambourine 2 1st B Tenor Saxophone 1 Congas 1 2nd B Tenor Saxophone 1 Drum Set 1 E Baritone Saxophone (optional) 1 E Trumpet / Cornet (optional) Special Parts Fanfare Parts st 2 1 B Trumpet / Cornet st 2 1st Flugelhorn nd 1 1 B Trombone 2 2 B Trumpet / Cornet nd nd 2 2 Flugelhorn rd 1 2 B Trombone 2 3 B Trumpet / Cornet rd 1 3rd B Trombone 2 3 Flugelhorn 2 4th B Trumpet / Cornet 1 4th B Trombone 2 1st F & E Horn 1 B Baritone 2 2nd F & E Horn 1 E Tuba 1 B Tuba Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Streets Of San Francisco Track Titel / Title Time N° EMR N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Big Band Concert Band 1 Streets Of San Francisco (Williams) 2’56 EMR 12381A EMR 32038 EMR 12381B 2 Whose Side Are
    [Show full text]
  • WDAM Radio's History of Dionne Warwick
    WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S.
    [Show full text]
  • Interview Innerworld
    w interview innerWORLD What drives artists like Ray Char- les with Nathalie Cole or Celine Dion (both in 2004) or Bette Mid- dler (2005) to record their versions of Fever - a song that was already covered by just about everybo- dy in the music business - from Kari Nevalainen Elvis Presley, Peggy Lee, James “Never know how much I love you Brown, Buddy Guy, The Doors, El- vis Costello, Burt Bacharach, Nina Never know how much I care Hagen, Madonna, Bill Wyman, Shirley Horn, Chaka Khan, Greatful When you put your arms around me Dead, The Jam, The Neville Brot- hers, Tom Jones, Amanda Lear, I get a fever that’s so hard to bear Tina Turner, Isaac Hayes, Boney m., Suzy Quatro, Eno, T-bone Wal- You give me …” ker, David Cassidy, Quincy Jones, Bobby blue bland, Sonny Stitt, Sa- rah Vaughan, Herbie Mann, Ken- ny Burrell or Jimmy Smith - just to name a few? Did they all think that Christian Rintelen: the fi nal, the ultimate version of fever has not yet been recorded? And why does a plethora of les- ser-known musicians believe they IWA: Fever’s been subject to count- CR: What an easy question to start with could actually really improve the less cover songs, but it’s not in Top 10, … ! Believe me, if I knew how to make a work of the great artists named many Beatles songs e.g. being cove- hit out of a song — I’d certainly not tell above - and risk to fail miserably? red even more frequently. Would you you, or anybody else! It’s well known, FEVER specialist Christian say that the popularity of Fever is of that today, hits are made.
    [Show full text]
  • Otis Blackwell: Songwriter to “The King”
    Country Music Hall of Fame® and Museum • Words & Music • Grades 7-12 Otis Blackwell: Songwriter to “The King” As the songwriter of two of Elvis Presley’s career-making hits, Otis Blackwell will always be linked to the man known as the King of Rock & Roll. But many other artists gave voice to Blackwell’s work, leaving behind a legacy that reaches far beyond Presley’s shadow. Indeed, Blackwell is considered one of rock & roll’s most influential songwriters. According to the Songwriters Hall of Fame, “Blackwell is without question one of the select songwriters whose songs literally helped redefine America’s popular music in the early and mid-1950s.” Born February 16, 1932, in Brooklyn, New York, Blackwell grew up next to a movie theater and developed a passion for Hollywood’s singing cowboys and their western music. “Like the blues, it told a story,” he once said. “But it didn’t have the same restrictive construction. A cowboy song could do anything.” Blackwell began writing songs in his teens, but turned his attention to performing after winning a local talent show. He soon tired of the road, choosing instead to focus on songwriting while working a day job pressing clothes at a New York tailor shop. Blackwell’s demo tape of “Don’t Be Cruel” caught the ear of Presley, who had just signed with RCA Records in November 1955 and was looking to Presley’s manager, Colonel Tom Parker, insisted that Blackwell share expand his southern regional popularity to national stardom. Taking cues writing credit with Presley to increase the artist’s profit—a common from Blackwell’s distinctive vocal phrasing, Presley turned the song into a practice at the time among stars.
    [Show full text]
  • All Shook Up: the Shakespeare Connection
    English/Language Arts Info Sheet All Shook Up: The Shakespeare Connection "Gosh, running away is so romantic, we’re just like Romeo and Juliet except we’re not dead." —Lorraine, from All Shook Up "The course of true love never did run smooth…" —- from A Midsummer Night’s Dream, by William Shakespeare Let yourself go! ike a play by Shakespeare seen Shakespeare’s day was going Lthrough a fun-house mirror, All through extreme changes. In Shook Up tips its hat to the Bard, Shakespeare Alive!, his book on especially his magical comedies the Elizabethan era, Joseph Papp such as Twelfth Night and A wrote, "Anxiety gripped individu- Midsummer Night’s Dream. Again als, families and the entire socie- and again, All Shook Up’s dialogue ty…The more things seemed to be refers to Shakespeare, whether it's teetering on the brink of chaos, the Lorraine's longing for the forbidden more Elizabethan society empha- love of Romeo and Juliet, Miss sized old concepts of order." In Sandra quoting Romeo’s, "O! I terms of marriage, that meant am fortune’s fool!" or Dennis establishing a hierarchy that winning Sandra’s heart with a looked a lot like the English Shakespearean sonnet. But beyond simple references monarchy: one ruler (the man) and his "subjects" (the or quotations, All Shook Up is inspired by the magical woman and children). But in plays such as A atmosphere of Shakespeare’s romantic comedies, the Midsummer Night’s Dream, As You Like It, and Twelfth idea of getting "letting yourself go" as Chad says, or Night, Shakespeare tests the idea of order by removing losing control in the midst of love.
    [Show full text]
  • Entertainment Plus Karaoke by Title
    Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J.
    [Show full text]
  • Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International Jazz News Jazz Stories Remembering Bert Wilson
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International jazz news jazz stories Remembering bert wilson Volume 39 Number 3 July Aug Sept 2013 romhog records presents random access a retrospective BARRY ROMBERG’S RANDOM ACCESS parts 1 & 2 “FULL CIRCLE” coming soon www.barryromberg.com www.itunes “Leslie Lewis is all a good jazz singer should be. Her beautiful tone and classy phrasing evoke the sound of the classic jazz singers like Ella Fitzgerald and Sarah aughan.V Leslie Lewis’ vocals are complimented perfectly by her husband, Gerard Hagen ...” JAZZ TIMES MAGAZINE “...the background she brings contains some solid Jazz credentials; among the people she has worked with are the Cleveland Jazz Orchestra, members of the Ellington Orchestra, John Bunch, Britt Woodman, Joe Wilder, Norris Turney, Harry Allen, and Patrice Rushen. Lewis comes across as a mature artist.” CADENCE MAGAZINE “Leslie Lewis & Gerard Hagen in New York” is the latest recording by jazz vocalist Leslie Lewis and her husband pianist Gerard Hagen. While they were in New York to perform at the Lehman College Jazz Festival the opportunity to record presented itself. “Leslie Lewis & Gerard Hagen in New York” featuring their vocal/piano duo is the result those sessions. www.surfcovejazz.com Release date August 10, 2013. Surf Cove Jazz Productions ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S.
    [Show full text]