Item Requested

Total Page：16

File Type：pdf, Size：1020Kb

ATTACHMENT A - RFQ 10-18-2019Q MUSICAL INSTRUMENTS Item # Item Requested - Include Model, Brand and Size Qty Unit Price 1 Cello 4/4 Klaus Meller Bucharest, Instrument Only 2 2 VC80ST44 4/4 Cello Outfit 1 3 Cello 4/4 Yuan Qin, Instrument Only 2 4 Violin 4/4 Klaus Mueller Bucharest Violin Outfit, Predude Strings, Themoplastic Case, Klaus Mueller Octagonal Bow 2 5 Violin 3/4 Klaus Mueller Bucharest Violin Outfit, Predude Strings, Themoplastic Case, Klaus Mueller Octagonal Bow 2 6 Violin - Stentor or Kniling 2 7 1/2 size violin Eastman, Klaus Mueller, or similar 2 8 Full-size violin Eastman, Klause Mueller, etc 2 9 Violin 4/4 Yuan Qin, Instrument and Case 2 10 Samuel Eastman Violin size 3/4 or any 3/4 size violin 8 11 Yamaha 3 8va Vibraphone - model # YV-520 1 12 Vssv31M Soloist 3.1 Silver Bar Vibraphone with Motor, Voyager Frame 1 13 Yamaha Alto Saxophone - Model # YAS 26 2 14 Selmer Alto saxophone 3 15 Trumpet - Eastman or Yamaha 4 16 Yamaha YTR-2330 Standard Bb Trumpet Bb Trumpet 1 17 Trumpet - Bundy BTR 300 Series 1 18 Baritone - Eastman or Yamaha 1 19 Baritone - Jupiter JBR700 Standard Series Bb Baritone Horn 1 20 Yamaha YFL-221 Student Flute 4 21 ETB221 Student Trombone Outfit 1 22 Yamaha YSL-354 Series Student Trombone Regular 1 23 Trombone - Prelude by Conn-Selmer TB711 1 24 13" viola 2 25 Yamaha YOB-241 Series Student Oboe 1 26 Yamaha YBB-105WC Series 3-Valve 3/4 BBb Tuba 1 27 Miraphone 186-4U Series 4-Valve 4/4 BBb Tuba Gold Brass 4 Valve Nickel-Silver Slides 1 28 Yamaha YCL-221 Student Bass Clarinet with Low Eb 1 29 Bb Clarinet Yamaha YCL-255 or Jean Paul CL-300 No Zonda. It is HORRIBLE 3 30 Bb Clarinet - Prelude by Conn-Selmer CL711 1 31 Musser 3.5 Octave Kelon Xylophone (M51) 1 32 Xylophone - Sound Percussion Labs 2 - 2/3 octave Paduak Wood Bars w/resonators 1 33 Silver Creek Thumper 3/4 size Upright Jazz Bass - 1 34 MP-RB710 Deluxe Resonator Bell Set with Mallets (C-C Diatonic) 2 35 Latin Percussion Matador Series Wood Bongos (Dark Brown/Chrome) 1 36 Tree Works Chimes - TRE35db 1 ATTACHMENT A - RFQ 10-18-2019Q MUSICAL INSTRUMENTS 37 Latin Percussion Wood Clave (LP261) 1 38 Adams 3.5 Octave Soloist Synthetic Xylophone W/ Field Frame (XSKF35) 1 39 Promethean Bass Amplifier by Ibanez P20-H (20W) 1 40 Yamaha 285 Series Bell Kit with Backpack 2 41 Pearl Concert Bass Drum Stand - Tilting with Casters 1 42 Hercules DS553B DS552B Tuba Instrument Stand 1 43 6 inch triangle with beater and clip Alan Abel 2 44 wood block 9 inch either Grover or Ron Vaughn 2 45 Tambourine 9 inch with head Grover or Black Swamp or Yamaha 2 46 Euphonium Jupiter JEP700 1 47 Sonor Global Beat Orff Instruments set of 6 1 48 Remo MondoDJ-0014-32 14" Key-Tuned Djembe Green Kinte 1 49 Temple Blocks Basic Beats BBTB5 1 50 Set of 5 Hand Drums 1 51 Sonor LWB 1 Wood Block 1 52 Meinl Tmt1-BK Tambourine 1 53 Boomwhackers BWGD 2 54 Basic Beat BBSL12 Rhythm Sticks 2 55 Basic Beat BB3b Jingle Bells 30 56 Basic Beat BBWB4 Wriat Jingle Bells 2 57 Basic Beat BBG14 Guiro 2 58 Wetco WMH07 Triangle 2 59 Basic Beat BBH17 Slapstick 1.

Copy Link

Recommended publications

Download NOW!
Bassic Fundamentals Course Take The Next Step On Your Bass Journey A Massive 10 Hours Of Lessons Covering Every Area Of Playing “Every bass player starts with the same goal - a solid foundation Building a strong, all-round set of bass skills can be hard work, especially when there are holes in that foundation. To avoid any pit falls you need a structured study program with a clear, simple road map covering every aspect of playing. That can be hard to find! To remedy this problem, I created Bassic Fundamentals, a huge course covering the basics of every essential area from technique to bass line creation to music theory, sight reading, bass setup, effects and much, much more. It really is a one size fits all course. Bassic Fundamentals will provide you with the skills necessary to easily progress and develop your bass playing in any area or style you desire – always building on a strong core and foundation” Mark J Smith (Creator of Talkingbass) “I took the Basic Fundamentals course shortly after picking up the instrument. Nine months after picking up the instrument and 6 months after starting the course, I went to an audition.” Mark Mahoney – USA “I play in church most weeks and wouldn’t have got anywhere near the level I’m at without these lessons.” Rob P. – Australia “After about six months of getting nowhere, I bought the Bassic Fundamentals course. My playing has been turbo charged.” Matthew Ogilvie – Western Canada “Bassic Fundamentals gave me a good starting point for practising different techniques.” Alexander Fuchs – Germany Bassic Fundamentals Course Breakdown Module 1: The Core Foundation Lesson 1-1 Course Introduction In this lesson we look at the course ahead and the kind of topics we’ll be covering Lesson 1-2 Practice Tips & Warmups Here we look at how to create a simple practice routine and work through some basic warmup exercises both on and away from the instrument Lesson 1-3 Tuning In this lesson we look at several different ways of tuning the bass: Tuning to an open string; Tuning with harmonics; Using an electronic tuner.
[Show full text]
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
[Show full text]
Kxb10 Bass Guitar Amplifier
OWNER’S MANUAL KXB10 BASS GUITAR AMPLIFIER KXB10 KXB10 Congratulations on the purchase of your new Kustom bass amplifier. Your KXB Model draws on decades of amp design and manufacturing experience at Kustom. This model was built from the ground up to offer world-class tone, useful features and reliable performance. Inside this manual, you’ll find valuable information about the amp’s controls and specifications. Being familiar with its features will help you effectively dial in different tones. We wish you many years of enjoyment with your Kustom amplifier. kustom.com FCC Statements 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna. • Increase the separation between the equipment and receiver.
[Show full text]
Ludwig-Musser 2012 Concert Percussion Catalog AV8084 2012
T IMPANI AND C ON C ER T D RUMS P.O. Box 310 Elkhart, Indiana 46515-0310 U.S.A. www.ludwig-drums.com Ludwig products are available for sale through authorized Ludwig dealers. This catalog is intended as a source of general information only. Possession of this catalog does not constitute a contract, agreement or an offer to sell our products. Ludwig reserves the right to change prices or product specifications without prior notice. ©2005 Conn-Selmer, Inc. A division of Steinway Musical Instruments, Inc. P.O. Box 310, Elkhart, IN 46515 www.conn-selmer.com AV8084-1 As timpanist of the Pittsburgh Symphony, William F. Ludwig, Sr. shared a love for the classical works that was Not surprisingly, Ludwig’s earliest designs and models failed. Hydraulically operated hoses leaked. Cables stretched. But only equaled by his passion to perform them on-stage. Whether playing before a sold out symphony hall – or one he was determined and never lost heart – perfecting the music was far too important to him. Then, in 1921, after years nearly empty – Ludwig performed every note as if it were his final heartbeat. of disappointments, he struck perfection. The Balanced Action™ model he developed back then remains to this day the standard in timpani design and sound quality held around the world. You need only to hear the difference in a Ludwig In 1909, Ludwig, being the purist he was, grew rather frustrated when the hand-tuned timpani of the day made it Timpani to judge for yourself. Ludwig’s Timpani embody the heart and soul of everyone who plays or dedicates their lives difficult to play Wagnerian parts to his liking.
[Show full text]
Bidders Under Bid No. 19-163, Musical Instruments and Equipment
1701 MOUNTAIN INDUSTRIAL BOULEVARD, STONE MOUNTAIN, GA 30083 http://www.dekalbschoolsga.org/solicitations June 04, 2018 TO: All Bidders under Bid No. 19-163, Musical Instruments and Equipment FROM: Purchasing Department, DeKalb County School District ADDENDUM NO. 2 Bid No. 19-163, Musical Instruments, is hereby amended as follows: 1. The deadline to submit questions is hereby revised to Monday, June 18, 2018 by 12:00 PM EST . 2. The deadline to have questions posted with answers is hereby revised to Wednesday, June 20, 2018 by 4:30 PM EST . 3. The Bid Submission Deadline is hereby revised to Tuesday, July 10, 2018 at 2:00 PM EST 4. Public Bid Opening is hereby revised to Wednesday, July 11, 2018 at 2:00 PM EST . 5. Attached is the revised Bid Sheet. Please use the attached Bid Sheet to submit pricing. 6. All other conditions remain in full force and effect. 7. If a response has been submitted and anything in this Addendum causes the offeror to change the item offered or to increase or decrease the bid price, the new price and/or change(s) will be inserted below. ___________________________________________________________________________ 8. All bidders under Bid No. 19-163, Musical Instruments and Equipment, are kindly requested to acknowledge receipt of this Addendum by signing the page below and returning with your proposal. ________________________________________________ COMPANY NAME/ CERTIFYING OFFICIAL SIGNATURE Addendum No. 2 to Bid No. 19-163 Musical Instruments and Equipment Latest Delivery Item ITEM DESCRIPTION Comparable Model Date Unit Price Total Price No. 1/2 Bass Bag (w/backpack) Heritage Cordura #HBB420 $ $ 1 1/2 Bass Outfit, Laminated top, sides and back, ebony fingerboard and 2 tailpiece, 15" endpin( rod--10mm diameter minimum), machines 1 1/4" diameter minimum, Helicore Strings, rosin, Glaesel GL-7622 Cordura bag, Glasser horsehair FRENCH Style bow Int.
[Show full text]
Lafaro DELUXE Double Bass Ampli Er IMPORTANT SAFETY INSTRUCTIONS
LaFaro DELUXE Double Bass amplier IMPORTANT SAFETY INSTRUCTIONS THE LIGHTNING FLASH WITH ARROWHEAD SYMBOL, WITHIN AN EQUILATERAL TRIANGLE, IS INTENDED TO ALERT THE USER TO THE PRESENCE OF UNINSULATED “DANGEROUS VOLTAGE” WITHIN THE PRODUCT ENCLOSURE THAT MAY BE OF A SUFFICIENT MAGNITUDE TO CONSI- THE EXCLAMATION POINT WITHIN AN EQUILATERAL TRIANGLE, IS INTENDED TO ALERT THE USER TO THE PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE INSTRUCTIONS IN TO REDUCE THE RISK OF FIRE OR WARNING ELECTRICAL SHOCK DO NOT EXPOSE THE 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. 7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat. 9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replace- ment of the obsolete outlet. 10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11) Only use attachments/accessories specied by the manufacturer. 12) Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus.
[Show full text]
Cymande Equipment Requirements
CYMANDE EQUIPMENT HIRE REQUIREMENTS DRUMS (DW Drums or equivalent) 1 22” x 18” Bass Drum 1 12” x 10” Tom 1 13” x 12” Tom 1 16” x 16” Floor Tom 1 14” x 5” Snare CYMBALS (Sabian) 1 21” AA Raw Bell Dry Ride 1 14” AA X-Cellerator Hats 1 16” AAXplosion Crash 1 17” AAXplosion Crash 1 18” AAXplosion Crash HARDWARE 1 DW 7000 or 9000 Hi-Hat 1 DW 7000 or 9000 Series Bass Drum Pedal 4 Cymbal Boom Stands 1 Snare Drum stand 1 Drum Throne or Roc ‘n’ Soc preferred KEYBOARDS 1 Nord Stage Mk2 HA88 (Hammer action 88 keys). *** Please ensure the Nord has the latest firmware installed and the standard sound set! 2 Yamaha sustain pedals (or similar) 2 Yamaha FC7 Expression pedals (x2) 1 M-Audio Axiom 61 or M-Audio Axiom Air with dedicated or USB power supply (Artist will bring a configured Macbook running Main Stage and Nord software and a Focusrite Scarlet 24 audio interface) 1 Double-braced 2-tier keyboard stand (Quik Lok preferred) 1 Quik Lok BX17 stool, adjustable ACCESSORIES 4 Output leads to DI boxes – balanced ¼” jack to jack, 2m (2 stereo pairs) 2 USB leads for digital audio interface 3m 1 Standard midi lead 3m V1.14 July 2017 Page 1 of 3 CYMANDE EQUIPMENT HIRE REQUIREMENTS BASS Artist to bring own bass guitar Artist to bring own Line 6 RELAY G55 system – works on 2.4Ghz band. AMPLIFICATION 1 Markbass Big Bang 500W Bass Amp Head 1 Markbass Standard 104HF 10 x 4 Cabinet ___________________________________________________________________________ PERCUSSION – seated during performance 1 11” wooden Remo Conga (Latin Percussion) with LOW LEVEL stand, rubber
[Show full text]
Design Approach for a MERUS™ MA12070 Based Musical Instrument Bass Amplifier DEMO BASSAMP 60W MA12070
AN_2005_PL88_2005_091616 Design approach for a MERUS™ MA12070 based musical instrument bass amplifier DEMO_BASSAMP_60W_MA12070 About this document Scope and purpose This document describes the practical and electrical design of a wall-adapter or battery-powered, 60 W, professionally featured and ultraefficient pocket-sized bass instrument amplifier. It is modeled after classic vacuum-tube bass amplifier topology. It utilizes the exceptional audio quality and best-in-class efficiency of Infineon’s MERUSTM amplifier technology to amplify every nuance of a genuine vacuum-tube pre-amplifier. Intended audience This document is for musical audio amplifier design engineers, audio system engineers and portable audio design engineers. Table of contents About this document ....................................................................................................................... 1 Table of contents ............................................................................................................................ 1 1 Introduction .......................................................................................................................... 2 2 Features and performance ...................................................................................................... 3 3 User interface ........................................................................................................................ 5 4 Amplifier topology ................................................................................................................
[Show full text]
Bass Amplifier
BASS AMPLIFIER RUMBLE STAGE 800 RUMBLE STUDIO 40 ADDENDUM TO EXPANDED OWNER’S MANUAL FIRMWARE V2.0 SEPTEMBER 2018 AMPLIFIER AND EFFECTS MODELS AMPLIFIERS Recently added Rumble Studio 40/Stage 800 amplifier models: • ’66 FLIP-TOP: Based on the beloved mid-’60s Ampeg B-15NF. • SUPER BASSMAN OD: Fender’s present-day flagship bass amp, with blendable tube overdrive. • ACOUSTASONIC: For use with upright bass and piezo-equipped electric/acoustic instruments. Based on the preamp of Fender’s award-winning Acoustasonic amps; flexible string-dynamics feature with selectable notch frequency. • ACOUSTIC SIM: Six distinctive acoustic instrument simulations for transforming electric bass with great-sounding acoustic tone. Paired with Acoustasonic preamp for additional tone shaping. EFFECTS Recently added Rumble Studio 40/Stage 800 effects models: • METAL GATE: Inspired by the ISP Technologies Decimator II G String pedal. Especially ideal for high-gain metal, with a very fast attenuation curve. • MOD SMALL HALL REVERB: Builds on Fender’s Small Hall Reverb by adding lush modulation to internal reverb structure. Added high- and low-frequency cut controls further expand creative possibilities. • MOD LARGE HALL REVERB: Similar to Mod Small Hall Reverb above, with modulation added to internal structure of Fender Large Hall Reverb. • MYTHIC DRIVE: Inspired by the ’90s-era Klon Centaur; a germanium-diode overdrive with smoothly subtle color and character from a complex gain structure that blends clean and distorted signals without significantly altering guitar tone. • SUSTAIN: Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with a particularly strong compres- sion effect and a short attack time.
[Show full text]
TC 1-19.30 Percussion Techniques
TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................
[Show full text]
Music and Art Equipment Anderson, Boyd H
Section 3: Music and Art Equipment Anderson, Boyd H. Senior High School 299,969.90 Instrument Qty Unit Price Total Vendor Acoustic Cabinet-Wenger-255A002.102 2 1,491.00 2,982.00 Wenger Acoustic Cabinet-Wenger-255A004.102 5 1,358.00 6,790.00 Wenger Acoustic Cabinet-Wenger-255A005.101 3 2,030.00 6,090.00 Wenger Acoustic Cabinet-Wenger-255A008.101 1 791.00 791.00 Wenger Acoustic Cabinet-Wenger-255A010.101 2 1,026.00 2,052.00 Wenger Acoustic Cabinet-Wenger-255A011.101 3 1,082.00 3,246.00 Wenger Acoustic Cabinet-Wenger-255A013.101 1 910.00 910.00 Wenger Acoustic Cabinet-Wenger-255A014.101 2 1,026.00 2,052.00 Wenger Acoustic Cabinet-Wenger-255A912.102 1 1,358.00 1,358.00 Wenger Alto Saxophone Performing-Selmer-AS42M 2 2,296.63 4,593.26 All County Music Alto Saxophone Training-Yamaha-YAS200AD 20 955.80 19,116.00 All County Music Baritone Saxophone-Conn-Selmer-SBS280R 1 4,314.94 4,314.94 All County Music Bass Clarinet-Yamaha-YCL221II 1 1,663.93 1,663.93 All County Music Bass Drum Marching 18"-Yamaha-MN8318FWC 1 613.44 613.44 All County Music Bass Drum Marching 20"-Yamaha-MB8320FWC 1 642.24 642.24 All County Music Bass Drum Marching 22"-Yamaha-MB8322FWC 1 683.52 683.52 All County Music Bass Drum Marching 24"-Yamaha-MB8324FWC 1 720.00 720.00 All County Music Bass Drum Marching 26"-Yamaha-MB8326FWC 1 748.80 748.80 All County Music Bass Drum Marching 28"-Yamaha-MB8328FWC 1 776.64 776.64 All County Music Bass Trombone-Yamaha-YBL620G 1 2,759.75 2,759.75 All County Music Cello 4/4-Eastman-VC80ST 6 669.00 4,014.00 All County Music Cello Rack-Wenger-148J002.104
[Show full text]
Bass Amplifieramplifier
OwnersOwners GuideGuide forfor thethe BassBass AmplifierAmplifier Made with Pride in the U.S.A. by Ampeg® SVT-5 PRO Bass Amplifier TABLE OF CONTENTS Introductions . .3 Features . .3 Important Safeguards and Precautions . .3 The Front Panel Controls and Their Use . .4 The Rear Panel . .5 Connections: Mono Bridged . .6 Dual Mono . .6 Biamp - Full Range and Lows . .6 Biamp - Highs and Lows . .7 Biamp With a Second Amplifier . .7 Some Suggested Settings . .8 Rack Mounting . .9 Troubleshooting . .9 System Block Diagram . .10 Technical Specifications . .back cover Declaration Of Conformity #32, Effective 01-01-2001 Manufacturer’s Name: SLM Electronics Production Facility: 11880 Borman Drive, St. Louis, MO 63146, USA Production Facility: 700 Hwy 202 W, Yellville, AR 72687, USA Shipping Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA Office Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA Product Type: Audio Amplifier Complies with Standards: LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWG Safety: EN60065 EMC: EN55013, EN55020, EN55022, EN61000-3-2, & EN61000-3-3 Supplementary information provided by your local Sales & Services Office or: SLM Electronics - R & D Engineering 1901 Congressional Drive, St Louis, MO 63146, USA Tel.: 314-569-0141, Fax: 314-569-0175 CAUTION PRECAUCION ATTENTION RISK OF ELECTRIC SHOCK RIESGO DE CORRIENTAZO RISQUE D'ELECTROCUTION DO NOT OPEN NO ABRA NE PAS OUVRIR WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE PRECAUCION: PARA REDUCIR EL RIESGO DE INCENDIOS O DESCARGAS ELECTRICAS, NO PER- ATTENTION: PROTÉGEZ CET APPAREIL DE LA PLUIE ET DE L'HUMIDITÉ AFIN D'ÉVITER TOUT THIS APPARATUS TO RAIN OR MOISTURE.
[Show full text]