Perusal Pack

Home , Baby I, Back Seat (of My Jeep), Die Young, Get It All, Hammer to Fall, I Want to Break Free

- PERUSAL PACK -

Music and Lyrics by QUEEN Story and Script by BEN ELTON Original Vocal Score by MIKE DIXON, BRIAN MAY, & ROGER TAYLOR Original Orchestrations by STEVE SIDWELL School Edition Prepared by STUART MORLEY

Congratulations on choosing such a great show. It offers many creative possibilities and unique performance opportunities. Whether with a large cast or small, WE WILL ROCK YOU: School Edition offers great roles for men and really great roles for women. I had a wonderful experience directing and designing the show and I would like to share some of our experiences, especially with the production elements.

There is no definitive way to design the show. However, evoking the environment of a rock concert is a good place to start. We rented four floor trusses and used them, two on each side of the stage, for lighting. A unit set of scaffolding or platforms is a helpful solution to consider. Our set was a variation on that and several platform pieces were movable. Lighting is really the key to the show, and moving lights, if available, are a big help, especially for the “Flash” and “Seven Seas of Rhye” scene as well as for the attack that kills Brit. We only rented two because of budget constraints, but more would be great.

Projections were a big part of our production (and several others I’ve seen), but they are an enhancement, not a necessity. The only projections that I highly recommend is the slide show at the very beginning during the intro of “Innuendo”. The flashing forward of the history of rock music really sets up the world of the show for the audience. We also used projections for “Radio Ga Ga” and the GlobalSoft scenes. I created our projections, but BMD now offers professional projections for WE WILL ROCK YOU (broadwaymediadistribution.com/we-will-rock-you- scenic-projections/). Our screens were on either side of the proscenium, and we mounted a third on our first electric projecting on the cyc. Rear projection can be quite effective if you have the space and proper projectors.

For other scenery, I built a large ‘ruined’ Hard Rock Café TRWguitar sign to setPerusal the scene for the Bohemians. The other important piece of scenery is the gates of Graceland. Since it was a ruin, we made only one of the Elvis figured gates but kept the two gateposts. One gatepost was rigged with the hidden guitar and some LED lights inside. We also had a GlobalSoft sign on our Notturning unit forset, but itProduction could also be flown or projected. It also helped to have the upper level for Khashoggi and Killer Queen to lord over the “Yuppies”. We had a field day with props using light sabers for canes for the Yuppies, and all manner of flashing lights for use on the helmets of pain and flashing light ray guns for the Doctors. For costumes, we made white oversized tee shirts with Ga Ga Logos that were worn with white pants, shorts or skirts. We also spent money on platinum wigs for the Ga Ga Kids to further create a generic society that stood in stark contrast to the Bohemians. Each Yuppie was put in a black jump suit with silver trim and wore safety goggles and a black wig cap with a silver “K” painted on it, and a few wore gaming headphones with microphones. The last two and most import necessities are how you choose to deal with (1) the videotape that has the Bohemian Rhapsody video on it (that is to be played in a VCR under an old tube TV) and (2) the famous statue of Freddie Mercury. For the VCR, we had the Bohemians gather around the TV set and played the video on the side screens, but you could also just play the music as they crowd in front of the TV. You could also try to use a hidden DVD to be played when the tape is inserted. I will say that seeing the video was important because one of the jokes might be lost without the visual. The Freddie statue was fairly easy. It could be another projection, but we edited an image of the statue in Photoshop and then put it into a Page Layout Program that let us tile the image and print it into a 6-foot size. We then put the puzzle pieces together, mounted the image to a board and cut out the figure. In effect we made a light weight and movable, near life size, Freddie standee cut out.

We also used the tracks versus an orchestra and it made our rehearsals go much faster. In the end, the most important advice is to have the actors study Queen songs and Freddie’s style and phrasings and just have fun. I loved working on this show. It was a memorable and rewarding experience for my staff, my students, myself and especially our audiences. I know it will be for you as well.

Good luck,

Sal Salerno TRWDirector of District Perusal Drama Program Calhoun H.S. On Tour Company Merrick, NY Not for Production ACT ONE PROLOGUE ...... 1 #1 INNUENDO ...... 1 SCENE 1 ...... 3 SCENE 2 ...... 4 #2 RADIO GA GA ...... 4 #3 I WANT TO BREAK FREE ...... 7 #4 SOMEBODY TO LOVE ...... 11 #4a THE COLONNADES ...... 14 SCENE 3 ...... 15 #5 KILLER QUEEN ...... 15 #6 NOW I’M HERE ...... 18 SCENE 4 ...... 21 #7 UNDER PRESSURE ...... 22 SCENE 5 ...... 26 #8 A KIND OF MAGIC ...... 27 SCENE 6 ...... 30 #9 I WANT IT ALL ...... 32 #10 YOU’RE MY BEST FRIEND ...... 38 #11 HEADLONG ...... 43 SCENE 7 ...... 44 SCENE 8 ...... 48 #12 NOW ONE BUT PerusalYOU ...... 55 #13 CRAZY LITTLE THING CALLED LOVE ...... 60 #14 THE FIGHT (OGRE BATTLE) ...... 64

TR ACT TWO SCENE 1 ...... 65 #15 FLASHNot ...... for Production 65 #16 SEVEN SEAS OF RHYE ...... 66 SCENE 2 ...... 69 #17 WHO WANTS TO LIVE FOREVER ...... 71 SCENE 3 ...... 74 SCENE 4 ...... 78 #18 ANOTHER ONE BITES THE DUST ...... 79 SCENE 5 ...... 81 #19 HAMMER TO FALL ...... 82 SCENE 6 ...... 85 #20 THESE ARE THE DAYS OF OUR LIVES ...... 85 #21 WE ARE THE CHAMPIONS (UNDERSCORE) ...... 89 #21a BICYCLE RACE ...... 90 #21b HEADLONG--REPRISE ...... 91 SCENE 7 ...... 93 #21c LOVE OF MY LIFE (UNDERSCORE) ...... 95 #22 WE WILL ROCK YOU ...... 96 #22a KILLER QUEEN FINAL ENTRANCE (DEATH ON ONE LEG) . 99 #22b KILLER QUEEN EXIT (TIE YOUR MOTHER DOWN--SHORT) 99 #22c WE WILL ROCK YOU (CONTINUED) ...... 100 #23 WE ARE THE CHAMPIONS ...... 101 #24 BOWS ...... 102 #25 BOHEMIAN RHAPSODY ...... 103

TRW Perusal Not for Production

WE WILL ROCK YOU School Edition

CAST OF CHARACTERS

GALILEO FIGARO (Male) A misfit, who keeps hearing voices and songs in his head delivering messages he doesn’t understand. Galileo refuses to dress like a Ga Ga kid and has been caught trying to make music. He is confused and unaware that he is the one the Bohemians have been waiting for.

SCARAMOUCHE (Female) Another misfit, who also gets into trouble with the Secret Police, Scaramouche meets Galileo in a hospital and they run away together. Her sharp wit keeps Galileo on his toes, and gradually they fall for each other.

KILLER QUEEN (Female) Killer Queen is a ruthless businesswoman in charge of Globalsoft, the worldwide corporation which is responsible for the suppression of all live music. Once a character in a Globalsoft computer game, she uploaded herself into her programmer. She’s half human, half pixelated, and all bad.

KHASHOGGI (Male) He works for Killer Queen, going after the Bohemians to eradicate all original or creative musical thoughts from the iPlanet.

SECRET POLICE (Male and/or Female) These semi-automated characters carry out the bidding of the Killer Queen and Khashoggi.

GA GA KIDS/TEEN QUEENS (Male and Female) Living in a world of consumerism and downloadable music, the Ga Ga kids don’t notice their own soulless-ness.

TRWBUDDY (Male) Buddy Perusal is a librarian and a hippy who has studied the sacred musical texts to the extent that even Globalsoft cannot entirely erase them from his mind. He’s a comic character who acts as a foil to Galileo and Scaramouche. Not for Production THE BOHEMIANS (Male and Female) A group of rebels, determined to fight against Globalsoft and its downloadable music. Their base is the Hard-Rock Cafe and they have taken the names of musical heroes from the past.

The following Bohemians have speaking lines: PAUL MC CARTNEY (Male) MADONNA (Female) SIXX (Male or Female) QUATRO (Male or Female) BRUCE SPRINGSTEEN (Male or Female) JACKSON FIVE (Male or Female) ARETHA (Female) MICK JAGGGER (Male or Female) PUFF (Male or Female)

BRIT (Male - Britney Spears) and OZ (Female – Ozzy Osbourne) Two of the Bohemians who are committed to expose the secrets of live music, and who believe that someone will come who will show the Bohemians the way. When they find Scaramouche and Galileo they are unsure at first but are eventually persuaded that Galileo does have strange musical lyrics in his head over which he has no control. When the Secret Police attack the Bohemian hide out, Brit is killed, and Oz is captured along with the other Bohemians.

SUPER YUPPIES (Male and Female)

TEACHER (Female)

DOCTORS (Male and Female)

TRW Perusal Not for Production

ACT ONE

PROLOGUE

Director’s Note: The prologue can be a voice-over, one actor, or divided between numerous actors.

The projections package from BMD includes a projection option for the prologue. If you use projections, Song #1 INNUENDO, should be the underscore. After which begin the show in Scene 1.

(Through the darkness, the legend scrolls on the screen...)

The time is the future… The place is the iPlanet once called earth… Life is lived online… No crowd gathers, no band plays… But still there are some that have not forgotten… That long ago… In a better time…

Before Globalsoft… And before internet gaga… There was real life… There was real love… And for one brief shining moment… There was Rock!!

#1 INNUENDO

(The lights fade, and the magnificent VAST music fills the air... lights, TRWsmoke, Perusal etc... the music is Innuendo ... the voice: FREDDIE’s)

FREDDIE (RECORDED) OOH,Not OHH for Production WHILE THE SUN HANGS IN THE SKY AND THE DESERT HAS SAND WHILE THE WAVES CRASH IN THE SEA AND MEET THE LAND WHILE THERE’S A WIND AND THE STARS AND THE RAINBOW TILL THE MOUNTAINS CRUMBLE INTO THE PLAIN OH

ALL (O.S.) YEAH

FREDDIE WE’LL KEEP ON TRYING

ALL YEAH

FREDDIE TREAD THAT FINE LINE

ALL OH, OH, OH TIME

FREDDIE WE’LL KEEP ON TRYIN’ YEAH TILL THE END OF TIME TILL THE END OF TIME

ALL TILL THE END

FREDDIE TILL THE END OF TIME

TRW Perusal Not for Production

SCENE 1

THE HINTERLAND

(As Innuendo concludes, there are sirens, search lights, the sound of a helicopter...a rock n’ roll rebel figure appears on the run...he is BUDDY, an easy riding, hippy kind of a dude...he holds a videotape in his hand and as the sirens fade, he stuffs it down the back of his pants...then he punches the air.)

BUDDY Long live Rock ‘n’ Roll! I must save the rebel archive! The truth must never be forgotten! I have yet to discover the exact reason why Rock ‘n’ Roll died, but my research suggests that it had something to do with an ancient entertainment phenomenon known as--American Idol! Soon new pop stars were being created at such a rate that they were famous for less time than it took to play their records! Culture imploded. Globalsoft activated its mainframe and the kids uploaded their souls.

KHASHOGGI Find the rebel dude. We must bring back the stolen tape. The kids must never know the power of Rock.

TRW Perusal Not for Production

SCENE 2

VIRTUAL HIGH SCHOOL

#2 RADIO GA GA

(The opening drumbeat of RADIO GA GA kicks in...as BUDDY disappears, ranks of clone- like KIDS appear...they have fixed smiles and move with choreographed symmetrical movements...they are dressed not quite identically, but in very similar clothes to each other...happy, kooky, and sexlessly sexy...there is something sinister about their smiles and clothes, like STEPFORD KIDS.)

GA GA KIDS WE SIT ALONE AND WATCH YOUR LIGHT OUR ONLY FRIEND THROUGH TEENAGE NIGHTS AND EVERYTHING WE WANT TO GET WE DOWNLOAD FROM THE INTERNET

NO NEED TO THINK, NO NEED TO FEEL WHEN ONLY CYBER SPACE IS REAL IT MAKES US LAUGH, IT MAKES US CRY IT MAKES US FEEL LIKE WE CAN FLY

VOCODER (ON TRACK) WE CAN FLY

GA GA KIDS A BLUEPRINT FOR OUR LIFE ON-LINE TOUCH ANY KEY, THE WORLD IS MINE WE'RE LOST IN SPACE, BUT WE DON'T CARE WITHOUT YOUR LIGHT OUR WORLD'S NOT THERE

COMPLETE CONTROL YOU ARE THE POWER TRWOUR LIVES AREPerusal PROGRAMMED BY THE HOUR GLOBAL SHOW

VOCODER (ON TRACK) GLOBALNot SHOW for Production GA GA KIDS ALL WE HEAR IS RADIO GA GA VIDEO GOO GOO INTERNET CA CA ALL WE HEAR IS CYBER SPACE GA GA MARKETING BLAH BLAH NEW

4 GA GA KIDS (CONT’D) ALWAYS SOMETHING NEW GLOBALSOFT, ALL YOUR WORLD LOVES YOU

(Dance break...a moment of brief individualism...and then the teachers regain control.)

WE WATCH OUR SHOWS, WE WATCH YOUR STARS ACROSS OUR SCREENS FOR HOURS AND HOURS WE HARDLY NEED OUR EYES OR EARS WE JUST LOG ON AND DREAMS APPEAR

VOCODER (ON TRACK) GLOBAL SHOW

GA GA KIDS WE'RE NOT ALONE, WE HAVE OUR FRIENDS ON CYBER LOVE WE CAN DEPEND SO STICK AROUND 'COS WE'D ALL MISS YOU WE NEED OUR GRAPHICS, NEED OUR VISUAL COMPLETE CONTROL, YOU ARE THE POWER YOU USE OUR LIVES UP BY THE HOUR GLOBAL SHOW

VOCODER (ON TRACK) GLOBAL SHOW

GA GA KIDS ALL WE HEAR IS RADIO GA GA VIDEO GOO GOO INTERNET CA CA ALL WE HEAR IS CYBER SPACE GA GA MARKETING BLAH BLAH NEW ALWAYS SOMETHING NEW GLOBALSOFT ALL YOUR WORLD LOVES YOU LOVES YOU

(As the song ends, the TEACHER makes the end-of-term announcement.) TRW Perusal TEACHER Hey, kids! It’s summer time! Time to go to your bedrooms! Close the curtains! Order pizza. And get online!

Not(The KIDS forcheer...a sProduction they scatter, a disaffected REBEL FIGURE appears...it is GALILEO...he is different from the GA GA KIDS...a sullen, disaffected teen, he doesn't dress in the happy kooky clothes the others wear. He is the James Dean of his time, a rebel without a cause, sensitive and confused...he has been

writing in a notebook...he hurls it down in frustration.)

GALILEO Hey, you!

GA GA KIDS Yeah. What?

GALILEO You’re all fools. Clones. GA GA sheep.

GA GA KIDS OMG. LOL. HASHTAG. LOSER.

(The KIDS just laugh and scatter, ignoring the weirdo...the TEACHER, however, tries to talk to him at his level.)

TEACHER Hey, ‘Dude’, chillax. It’s graduation. Your life is just beginning.

GALILEO Good. The sooner it begins, the sooner it’s over with.

TEACHER But you have so much potential. You could get a job with any division of Globalsoft you want. How about Music Programming?

GALILEO I don’t want to program music. I want to make music. My own music.

TEACHER (shocked and a little scared) Hey, Dude! Cool it! Now you listen to me, WWW-slash-Gordon-at- Tumbler-Face-Space-Twit-dot-com.

GALILEO TRWMy name is Galileo Perusal Figaro! I want a name not a User ID.

TEACHER Galileo Figaro? Where on the iPlanet did you come up with that? Not for Production

GALILEO I found it, in a dream. I have dreams you see. And I hear noises. Screeching, thudding, b-banging noises. And words, words drop into my head...too many words. I can’t get no satisfaction. Help! I need somebody. Help! Not just anybody! Oops, I did it again.

TEACHER Dude, I get it. I feel your pain. But you live in a perfect world. What more could you possibly want?

#3 I WANT TO BREAK FREE

(GALILEO struggles to find the answer... then it explodes from him, with I Want To Break Free.)

GALILEO I WANT TO BREAK FREE I WANT TO BREAK FREE I WANT TO BREAK FREE FROM YOUR LIES YOU’RE SO SELF SATISFIED I DON'T NEED YOU I'VE GOT TO BREAK FREE GOD KNOWS, GOD KNOWS I WANT TO BREAK FREE

I'VE FALLEN IN LOVE I'VE FALLEN IN LOVE FOR THE FIRST TIME IN LOVE WITH A WORLD THAT'S FOR REAL I'VE FALLEN IN LOVE, YEAH GOD KNOWS, GOD KNOWS I'VE FALLEN IN LOVE

IT'S STRANGE BUT IT'S TRUE HEY I KNOW I'M DIFFERENT THERE'S SO MUCH I HAVE TO DO BUT I HAVE TO BE SURE WHEN I WALK OUT THAT DOOR

OH, HOW I WANT TO BE FREE, BABY OH, HOW I HAVE TO BE FREE OH, HOW I WANT TO BREAK FREE

(During the instrumental break, GALILEO is taken over by spirit of Rock ‘n’ Roll.)

THIS EXISTENCE IS WRONG TRWI CAN'T GET Perusal USED TO LIVIN’ WITHOUT LIVIN’ WITHOUT, LIVIN’ WITHOUT HOPE IT'S ALL A LIE I DON'T WANNA LIVE ALONE BUTNot GOD KNOWS for Production GOT TO MAKE IT ON MY OWN SO PEOPLE CAN'T YOU SEE GOD KNOWS I'VE GOT TO GOD KNOWS I NEED TO GOD KNOWS I WANT TO BREAK FREE YEAH

7 (A ray of light descends on GALILEO and he finds himself immobilized in a laser cage...the TEACHER enters with KASHOGGI, the sinister Chief of Globalsoft police... it turns out the TEACHER is a police spy.)

KHASHOGGI You say this boy wants to make his own music?

TEACHER Yes. The little freak says he hears it in his dreams.

KHASHOGGI (to Galileo) You are aware, boy, that music, other than that programmed by the Globalsoft Corporation, is illegal? The act of an individual.

GALILEO I don’t care.

KHASHOGGI (to TEACHER) Has he ever tried to make an instrument?

TEACHER Once in technical studies he was caught trying to stretch plastic string across an empty lunch box.

KHASHOGGI Did he...pluck it?

TEACHER I regret to say he did. Plucked it. Twanged it. And slapped it.

(KHASHOGGI has one of GALILEO’s books...he reads from it.)

KHASHOGGI TRWThese notebooks Perusalthat you scribble in, Galileo, so many notebooks--every day you fill another and then hurl it away. Tell me, what is the meaning of... (reads from notebook) ..."A wop bop a loo bop a lop bam boom?" Not for Production GALILEO Duh! It means "A wop bop a loo bop a lop bam boom." (shocks himself on laser cage) Ow!

KHASHOGGI Why are you so concerned with the condition of your Blue Suede Shoes?

GALILEO I don’t know!! Just don’t step on them, that’s all.

KHASHOGGI What do you want, boy?

GALILEO I’ll tell you what I want, what I really, really want. I really, really, really wanna zig a zig ah.

Director’s Note: An electric zapp SFX is useful throughout this scene. It can be heard as Galileo approaches the edge of the laser cage, or from laser guns held by the Globalsoft police. When Galileo says, “zig a zig ah,” the “ah” could coincide with a zap, giving Galileo the chance to yell “Ahhh!” in pain.

(KHASHOGGI circles GALILEO’s cage.)

KHASHOGGI Don’t play games with me! I’ll make you wish you’d never been born at all.

GALILEO Don’t you think I wish that every day?

TEACHER What is A Yellow Submarine?

KHASHOGGI Where is the Hotel California?

TEACHER TRWWhat is Gangnam PerusalStyle?

KHASHOGGI And why is everybody Kung Fu fighting!? Not for Production GALILEO I don’t know, I tell you!

KHASHOGGI Grandma got run over by a reindeer! Where do you find this rubbish, boy?

GALILEO I wish I knew! I just wrote it, that’s all! It appears in my head!

(KHASHOGGI signals for laser cage off.)

KHASHOGGI Tell me Galileo, do you know what a Bohemian is?

GALILEO Haven't you got it yet? I don't know what anything is.

KHASHOGGI Excellent! I see we've found you just in time. Take him away.

GALILEO I was born this way!!!

(COPS remove a protesting GALILEO... KHASHOGGI turns back to the TEACHER.)

KHASHOGGI Are there any other potential Bohemians across this year’s graduating classes?

TEACHER I am sorry to have to report, Commander, that there is one other, a repulsive creature, a girl.

(SCARAMOUCHE enters...another rebel, dressed in black...she is a Goth, punk, emo girl, angry and driven with self- loathing...she reprises “I Want To Break Free”)

SCARAMOUCHE I WANT TO BREAK FREE I WANT TO BREAK FREE I WANT TO BREAK FREE FROM YOUR LIES TRWYOU’RE SO SELFPerusal SATISFIED I DON'T NEED YOU I'VE GOT TO BREAK FREE GOD KNOWS, GOD KNOWS I WANT TO BREAK FREE

Not(She finds for GALILEO’ sProduction book and begins to read it...just then a bunch of bully GIRLS, Ga Ga teen queens, enter and goad her.)

TEEN QUEEN ONE Hey! Check out the loser, girls. What a weirdo.

TEEN QUEEN TWO Can’t your Mom download you any cool clothes to wear?

SCARAMOUCHE I make my own fashion statements.

TEEN QUEEN THREE What’s today’s statement then? Hello...I’m a pathetic, little zero?

TEEN QUEEN FOUR You are a disgrace to the Ga Ga Girls.

TEEN QUEENS Yeeeaaaaa.

SCARAMOUCHE I ain’t no Ga Ga Girl!

TEEN QUEEN ONE You can say that again. You’re just a sad loner.

SCARAMOUCHE Yeah. Well I’d rather be a sad loner than a perky tramp.

TEEN QUEENS (sneering) Ooooooooo...

#4 SOMEBODY TO LOVE

(SCARAMOUCHE looks at GALILEO’s book and, finding inspiration there, sings “Somebody To Love” while being mocked by the GIRLS.)

SCARAMOUCHE GIRLS CAN ANYBODY FIND ME SOMEBODY TO LOVE EACH MORNING I GET UP TRWI DIE A LITTLE Perusal CAN’T BARELY STAND ON MY FEET TAKE A LOOK TAKE A LOOK AT YOURSELF INNot THE MIRROR ANDfor ProductionIN THE MIRROR CRY AND CRY LORD WHAT YOU’RE DOIN' TO ME YEAH-EE YEAH I HAVE SPENT OOH ALL MY YEARS IN BELIEVING YOU BELIEVIN’ YOU BUT I JUST CAN'T GET NO RELIEF OOH, OOH, OOH

11 SCARAMOUCHE (CONT’D) GIRLS (CONT’D) LORD LORD SOMEBODY OOH SOMEBODY SOMEBODY SOMEBODY CAN ANYBODY FIND ME ANYBODY FIND ME SOMEBODY TO LOVE

TEEN QUEEN FOUR Somebody to love you? Yeah right.

TEEN QUEEN ONE That is so not going to happen.

TEEN QUEEN THREE Get a virtual life.

SCARAMOUCHE GIRLS I WORK HARD SHE WORKS HARD EVERY DAY OF MY LIFE I WORK TILL I ACHE MY BONES AT THE END AT THE END OF THE DAY I TAKE HOME MY BROKEN HEART ALL ON MY GOES HOME OWN GOES HOME ON HER OWN

I GO DOWN DOWN ON MY KNEES AND I START KNEES TO PRAY PRAISE THE LORD 'TIL THE TEARS RUN DOWN FROM MY EYES OOH, OOH, OOH LORD LORD SOMEBODY OOH SOMEBODY SOMEBODY PLEASE TRWCAN Perusal ANYBODY FIND ME ANYBODY FIND ME SOMEBODY TO LOVE

Not for Production SHE WORKS HARD EV’RY DAY EV’RY DAY I TRY I TRY I TRY TRY I TRY I TRY

BUT EVERYBODY WANTS TO PUT ME DOWN OOH THEY SAY I'M GOIN’ CRAZY OOH THEY SAY I GOT A LOT OF WATER AH

SCARAMOUCHE (CONT’D) GIRLS (CONT’D) IN MY BRAIN I GOT NO COMMON SENSE I’VE GOT SHE’S GOT NOBODY LEFT TO BELIEVE IN NOBODY TO BE- YAY-EE YEAH YEAH, YEAH, YEAH, YEAH

GOT NO FEEL I GOT NO RHYTHM I’LL JUST KEEP LOSING MY BEAT SHE'LL JUST KEEP LOSING AND LOSING

I'M OK, I'M ALRIGHT SHE'S ALRIGHT NO I SHE’S ALRIGHT AIN'T GONNA FACE NO DEFEAT YEAH YEAH I JUST GOTTA GET OUT OF OOH THIS PRISON CELL THIS PRISON CELL SOMEDAY I'M GONNA BE FREE LORD SOMEDAY I'M GONNA BE FREE LORD

FIND ME SOMEBODY TO LOVE FIND ME SOMEBODY TO LOVE FIND OH ME SOMEBODY TO LOVE FIND ME, FIND ME FIND ME ME FIND SOMEBODY TO LOVE OOH FIND ME ME SOMEBODY TO LOVE BO- SOME BO-BO- SOME BO-BO SOMEBODY SOMEBO- SOME SOMEBO- FIND TRW Perusal FIND ME SOMEBODY FIND ME SOMEBODY TO LOVE CAN ANYBODY FIND ME ANYBODY FIND ME SOMEBODYNot TO LOVE for Production SOMEBODY OOH OOH TO SOMEBODY TO LOVE LOVE

#4A THE COLONNADES

(As the song ends, KHASHOGGI enters clapping sarcastically with TWO POLICEMEN.)

KHASHOGGI How very touching, young lady, but surely you understand that the company loves you? Arrest her.

SCARAMOUCHE Globalsoft equals fascism!!

(SCARAMOUCHE is forcibly removed by the COPS.)

TRW Perusal Not for Production

SCENE 3

KILLER QUEEN’S BOARDROOM

(The opening clicks of KILLER QUEEN kick in as we find ourselves in the head office of Globalsoft, the vast multinational company that makes and sells everything.)

#5 KILLER QUEEN

ELECTRONIC VOICE Workers of Globalsoft! Junior executives, Senior executives, Vice Presidents, Presidents, Chairmen, Chairwomen, Chair- Gender Neutrals, and Chair-Androgynous artificially created life forms. Please prepare to welcome the Chief Executive Officer of Globalsoft Planet Wide! WWW-dot-Killer Queen-at- Globalsoft-Dot-Com-Slash-the World!

(The sinister fascistic Super YUPPIES of Globalsoft enter and sing KILLER QUEEN during which the KILLER QUEEN herself enters, a terrifying Dominatrix Dictator.)

SUPER YUPPIES SUPER YUPPIES (OFF-STAGE)

SHE KEEPS MOET ET CHANDON IN HER PRETTY CABINET LET THEM EAT CAKE, SHE SAYS FIND ME ON THE INTERNET A BUILT IN A REMEDY FOR KRUSCHEV AND KENNEDY OOH AT ANYTIME AN INVITATION YOU CAN'T DECLINE

GIRLS TRWCAVIAR AND PerusalCIGARETTES BOYS WELL VERSED IN ETIQUETTE EXTR’ORDINARILYNot for NICE! Production SUPER YUPPIES (ON & OFF STAGE) SHE'S A KILLER QUEEN GUNPOWDER GELATINE DYNAMITE WITH A LASER BEAM

SUPER YUPPIES SUPER YUPPIES (O.S.) 'N'GUARANTEED TO BLOW YOUR MIND BA, BA, BA, BA ANYTIME

SUPER YUPPIES (ON & OFF STAGE) RECOMMENDED AT THE PRICE INSATIABLE IN APPETITE WANNA TRY

KILLER QUEEN SUPER YUPPIES TO AVOID COMPLICATIONS I NEVER KEEP THE SAME ADDRESS IN CONVERSATION I E-MAIL LIKE A BARONESS MET A MAN FROM CHINA OOH WENT DOWN TO GEI- -SHA MINOR A KILLER BUT THEN AGAIN INCIDENTALLY A KILLER IF YOU'RE THAT WAY INCLINED SHE’S A KILLER QUEEN PERFUME CAME VIRT’ALY LY FROM PARIS VIRT’ALY FOR CARS I COULDN'T CARE LESS FASTIDIOUS AND PRECISE

I'M A KILLER QUEEN SHE'S A KILLER QUEEN GUNPOWDER, GELATINE GUNPOWDER, GELATINE DYNAMITE WITH A LASER BEAM DYNAMITE WITH A LASER BEAM GUARANTEED TO BLOW YOUR MIND BA, BA, BA, BA ANYTIME

(Guitar solo/dance break.)

KILLER QUEEN SUPER YUPPIES DROP OF A HAT I'M AS WILLING AS PLAYFUL AS A PUSSYCAT

OOH TRWTHEN MOMENTARILY Perusal OUT OF ACTION TEMPORARILY OUT OOH OF GAS TO ABSOLUTELY DA DA DRIVE YOU WILD DRIVE YOU WILD WILD I'M ALL OUT TO GET Not for Production KILLER QUEEN Commander Khashoggi!

(KHASHOGGI appears on the video screen.)

KHASHOGGI You screamed for me, Ma’am?

KILLER QUEEN The Globalsoft board and I have been discussing your recent security memo. You speak of a legend. Do you take it seriously?

KHASHOGGI Yes, Ma'am, I'm afraid that I do!

(The YUPPIES all gasp.)

KHASHOGGI It is said that a single musical instrument still exists somewhere on the iPlanet, hidden within the living rock, where the King sleeps and music hangs silent in the air.

YUPPIES Oh, no!!

KHASHOGGI Oh, yes!

KILLER QUEEN Does such a place exist?

KHASHOGGI Who can tell, Ma’am? The legend states that he who seeks it must first go where old Rockers never die and where a bright, bright star will show the way.

KILLER QUEEN Star! What bright star! I am the only bright star that counts. Me! The Killer Queen! I, who was once a lowly character in a Globalsoft computer game! I, who made the leap into real time! Uploading myself into my own programmer! I’m half human, half pixelated, and all bad. My one kryptonite is Rock ‘n’ Roll, which is why Rock ‘n’ Roll is dead! There is no instrument, Khashoggi, and there is no star on the iPlanet but me!

(The YUPPIES clap three times.)

TRW PerusalKILLER QUEEN Two more. That’s it.

(YUPPIES clap twice.) Not for Production KHASHOGGI Just so, Madam. But the rebels believe the legend and they remain a threat.

KILLER QUEEN The Bohemians!

KHASHOGGI Of course.

KILLER QUEEN Who are these people? What do they want?

KHASHOGGI They want it all, Ma'am. And they want it now. They want... their Rhapsody.

KILLER QUEEN That is a proscribed word, Commander. No such state of being exists.

KHASHOGGI Not yet, Ma'am.

KILLER QUEEN Not ever! The Bohemian Rhapsody is a myth! A myth, do you hear me? Have you not reported that the euphoria they seek can only be unleashed through music? Real, live, funky, get-down, booty-shakin’, bump and grind, hip-hoppin’, show-stoppin’, be- boppin’, Rock ’n’ Roll music?

KHASHOGGI That is what they believe, Ma'am.

KILLER QUEEN Then there will be no Rhapsody, for there are no instruments left on the iPlanet and the kids will never, EVER rock again! Be gone!

(KHASHOGGI disappears.)

KILLER QUEEN And now, let us return to the real business of Globalsoft. The business of the complete appropriation of the imagination of every kid on the iPlanet! They will laugh when I tell them! Cry when I tell them! And sing what I tell them to sing! Take a memo... TRW Perusal

#6 NOW I’M HERE

Not forKILLER Production QUEEN Email to all consumers Planet-wide...Surrender! Surrender your souls! For I am your whole world and you cannot escape me! Upload the Killer Queen!

KILLER QUEEN HERE I STAND LOOK AROUND, AROUND, AROUND, AROUND, AROUND BUT YOU WON’T SEE ME NOW I’M HERE NOW I’M THERE OPEN YOUR MIND TO ME

KILLER QUEEN SUPER YUPPIES BE A NEW MAN BE A NEW MAN I CAN MAKE YOU LIVE AGAIN

KILLER QUEEN A BABY YOU WERE WHEN I TOOK YOUR HAND AND THE LIGHT OF THE NIGHT BURNED BRIGHT AND THE PEOPLE ALL STARED DIDN’T UNDERSTAND BUT YOU KNEW MY NAME ON SIGHT

KILLER QUEEN & SUPER YUPPIES WHAT EVER CAME OF YOU AND ME THE CYBER-WORLD’S NEW BRIDE TO BE

KILLER QUEEN OOH

Don’t worry, baby. I’m safe and sound.

DOWN IN THE CITY KHASHOGGI AND ME

KILLER QUEEN & SUPER YUPPIES JUST A NEW MAN

KILLER QUEEN SUPER YUPPIES YES I MADE HIM LIVE AGAIN YEAH OOH A THIN MOON ME IN A SMOKE SCREEN SKY TRWWHERE THE BEAMSPerusal OF YOUR LOVE-LIGHT CHASE DON’T MOVE DON’T SPEAK DON’T FEEL NO PAIN WITH THE RAIN RUN-IN’ DOWN MY FACE

KILLER QUEEN & SUPER YUPPIES WHATNot EVER COMES for OF YOU ANDProduction ME I LOVE TO LEAVE MY MEMORY WITH YOU

KILLER QUEEN NOW I’M HERE THINK I’LL STAY AROUND

KILLER QUEEN SUPER YUPPIES THINK I’LL AROUND, AROUND, AROUND STAY AROUND, AROUND, AROUND AROUND

KILLER QUEEN DOWN IN THE CITY JUST-A YOU AND ME YOU AND ME YOU AND ME YEAH, YEAH, YEAH, YEAH...

(shouted) Surrender to your Killer Queen!

YEAH!

TRW Perusal Not for Production

SCENE 4

THE HOSPITAL

(TWO DOCTORS bring GALILEO and SCARAMOUCHE in on hospital gurneys with heads bandaged... DOCTORS exit.)

GALILEO Hey, G-G-Ga Ga Girl. Who are you?

SCARAMOUCHE I ain’t no G-G-Ga Ga Girl and I don’t like questions. Who are you?

GALILEO I’m...I don’t know who I am.

SCARAMOUCHE That must make life kinda difficult.

GALILEO (proudly) But my name is Galileo Figaro!

SCARAMOUCHE Cool name.

GALILEO Thank you.

SCARAMOUCHE I wasn’t being serious. It really sucks. Mind if I shorten it?

GALILEO Well, I guess Galileo might be...

SCARAMOUCHE So, Gal, tell me, why were you arrested? TRW Perusal GALILEO Because I hear sounds in my head, words and sounds. I'm mad, you see.

Not for SCARAMOUCHEProduction I was arrested because they don't like the way I dress.

GALILEO I think you dress beautifully.

SCARAMOUCHE That’s nice. Except you just said you were a whack job, so maybe not. Okay...what sounds do you hear? 21

GALILEO I don't know.

SCARAMOUCHE Do you know anything?

GALILEO Yes, I know that I'm different. I’m different, you see. Which is why the clones from the Boy Zone hate me.

SCARAMOUCHE The Ga Ga girls hate me.

GALILEO Do you know why they hate you?

SCARAMOUCHE Yeah. They think I’m a lesbian (weird) because I don’t wear pastels.

GALILEO They hate you because they’re scared of you because you’re different. You’re an individual. And they will never forgive you for that.

SCARAMOUCHE Never? Don’t you think maybe they’ll just give up and leave us alone?

GALILEO Don’t you see? We’re a threat.

#7 UNDER PRESSURE

GALILEO (CONT’D) A virus on their hard drive. And they won’t give up until they’ve pointed their little arrow at us... TRW PerusalSCARAMOUCHE And dragged us to trash.

(Together they sing Under Pressure while Notremoving theirfor head Productionbandages and escaping from the prison hospital.)

GALILEO & SCARAMOUCHE PRESSURE, PUSHING DOWN ON ME PRESSING DOWN ON YOU NO MAN ASKED FOR UNDER PRESSURE

22 GALILEO THAT BURNS A BUILDING DOWN SPLITS A FAM’LY IN TWO

SCARAMOUCHE PUTS PEOPLE ON STREETS BOOM BAH BAH BAY BOOM BAH BAH BAY

GALILEO DO DAY OH DO DAY OH

SCARAMOUCHE THAT'S OK

GALILEO THAT'S THE TERROR OF KNOWING WHAT THIS WORLD IS ABOUT

SCARAMOUCHE WATCHING SOME GOOD FRIENDS SCREAMING

GALILEO & SCARAMOUCHE LET ME OUT

GALILEO PRAY TOMORROW GETS ME HIGHER

GALILEO & SCARAMOUCHE PRESSURE ON PEOPLE PEOPLE ON STREETS

GALILEO DAY DAY DEP OOH OOH DA DA DA BOP BOP

SCARAMOUCHE OKAY

TRW PerusalGALILEO CHIPPIN' AROUND, KICK MY BRAINS AROUND THE FLOOR THESE ARE THE DAYS IT NEVER RAINS BUT IT POURS

Not forSCARAMOUCHE Production MMM

GALILEO DE DOH DAH DOH DE DE DOH DAH DAH MM DAH DOH BA LA LOP

GALILEO SCARAMOUCHE PEOPLE ON STREETS OH DE DAH DE DAH DAY PEOPLE ON STREETS DE DAH DE DAH DE DAH DE DAH IT'S THE TERROR OF KNOWING WHAT THIS WORLD IS ABOUT WATCHING SOME GOOD FRIENDS SCREAMING

GALILEO & SCARAMOUCHE LET ME OUT

GALILEO PRAY TOMORROW GETS ME HIGHER, HIGHER

SCARAMOUCHE GALILEO PRESSURE ON PEOPLE HIGHER PEOPLE ON STREETS TURNED AWAY FROM ALL TURNED AWAY FROM IT ALL LIKE A MAN LIKE A BLIND MAN SAT ON A FENCE SAT ON A FENCE IT DON’T WORK BUT IT DON'T WORK

GALILEO KEEP COMING UP WITH LOVE BUT IT'S SO SLASHED AND TORN

SCARAMOUCHE WHY WHY

GALILEO WHY

SCARAMOUCHE LOVE, LOVE, LOVE, LOVE

GALILEO INSANITY LAUGHS UNDER PRESSURE WE'RE CRACKING TRW Perusal SCARAMOUCHE CAN'T WE GIVE OURSELVES ONE MORE CHANCE

Not for GALILEOProduction WHY CAN'T WE GIVE LOVE THAT ONE MORE CHANCE?

SCARAMOUCHE WHY CAN'T WE GIVE LOVE, GIVE LOVE, GIVE LOVE GIVE LOVE, GIVE LOVE, GIVE LOVE GIVE LOVE, GIVE LOVE

SCARAMOUCHE GALILEO GIVE LOVE CAUSE LOVE'S SUCH AN OLD-FASHIONED WORD

GALILEO & SCARAMOUCHE AND LOVE DARES YOU TO CARE FOR THE PEOPLE ON THE EDGE OF THE NIGHT AND LOVE DARES YOU TO CHANGE OUR WAY OF CARING ABOUT OURSELVES THIS IS OUR LAST CHANCE THIS IS OUR LAST DANCE

GALILEO THIS IS OURSELVES

SCARAMOUCHE UNDER PRESSURE

GALILEO & SCARAMOUCHE UNDER PRESSURE

(Four finger clicks.)

GALILEO & SCARAMOUCHE PRESSURE

TRW Perusal Not for Production

SCENE 5

KILLER QUEEN’S PAD

(A crash of underscore and the KILLER QUEEN and KHASHOGGI enter.)

KILLER QUEEN Well Khashoggi, how goes the rebel pursuit? Have you found this place where ‘Old Rockers’ go to die’?

KHASHOGGI Not yet, Madam. The legend it seems is a myth! Or, if you prefer, the myth is a legend.

KILLER QUEEN I like it both ways.

KILLER QUEEN Khashoggi, we've won! The Bohemians will never achieve their ‘Rhapsody’.

KHASHOGGI With respect, Ma'am, the Bohemians remain dangerous. All they need is a leader--that's all it takes. One young soul rebel. One crazy kid with a dream, a guitar and a babe to fight for.

KILLER QUEEN Could such a hero exist?

KHASHOGGI Oh, but he already does, though he doesn't know it. He does not know himself at all. But I do. I've always had a talent for spotting potential.

KILLER QUEEN And crushing it.

KHASHOGGI TRWThat is my job, PerusalMa'am.

(Both laugh.)

And with the last dream extinguished there will be nothing left onNot the iPlanet forbut entirely Production untrammeled marketing...

KILLER QUEEN Oh yes...

KHASHOGGI ...and completely uncritical consumers.

KILLER QUEEN Yes, right there.

KHASHOGGI Put them together and what do you get?

KILLER QUEEN Alchemy, Khashoggi. Pure Alchemy.

#8 A KIND OF MAGIC

(KILLER QUEEN and KHASHOGGI sing A Kind of Magic along with the massed ranks of YUPPIES.)

KILLER QUEEN ONE DREAM, ONE SOUL, ONE PRIZE, ONE GOAL ONE GOLDEN GLANCE OF WHAT SHOULD BE

MALE CHORUS IT'S A KINDA MAGIC

KHASHOGGI ONE SHAFT OF LIGHT THAT SHOWS THE WAY NO MORTAL MAN CAN WIN THE DAY

FEMALE CHORUS IT'S A KINDA MAGIC

KHASHOGGI THE BELL THAT RINGS INSIDE YOUR MIND IS CHALLENGING THE DOORS OF TIME

KILLER QUEEN CHORUS THE WAITING SEEMED E- OOH -TERNITY OOH THE DAY HAS AH TRWDAWNED OF Perusal AH SANITY OOH

KILLER QUEEN KHASHOGGI CHORUS ISNot for Production THIS AHH/GIC IS THIS A KIND A KIND OF MAGIC OF MAGIC

27 CHORUS IT'S A KIND OF MA-

KILLER QUEEN & KHASHOGGI CHORUS THERE CAN BE ONLY ONE -GIC

KHASHOGGI CHORUS THIS DREAM WILL LAST A THOUSAND YEARS AAH

KILLER QUEEN & KHASHOGGI WE WILL LIVE ON

KILLER QUEEN FLAME THAT BURNS INSIDE OF ME I'M HEARING SECRET HARMONIES

CHORUS IT'S A KIND OF MA-

KILLER QUEEN CHORUS I RING THE BELL -GIC INSIDE THEIR MINDS

KILLER QUEEN & KHASHOGGI WE'RE CHALLENGING THE DOORS OF TIME

KHASHOGGI Madam

CHORUS IT'S A KINDA MAGIC IT'S A KINDA MAGIC

KILLER QUEEN CHORUS THIS IS THIS IS A KIND A KIND OF TRW MAGIC Perusal MAGIC

KHASHOGGI CHORUS THERE CAN THERE CAN BENot ONLY ONE for Production BE ONLY ONE

KILLER QUEEN & KHASHOGGI CHORUS THIS QUEST THAT SHAPES A THOUSAND YEARS AAH

CHORUS OOH

KILLER QUEEN WILL SOON BE

KHASHOGGI CHORUS WILL SOON BE OOH

KILLER QUEEN WILL SOON BE

KHASHOGGI WILL SOON BE

KILLER QUEEN & KHASHOGGI WILL SOON BE

KILLER QUEEN & KHASHOGGI CHORUS DONE AAH

ALL NOW WE ARE ONE

TRW Perusal Not for Production

SCENE 6

THE WASTELAND

(As the KILLER QUEEN and YUPPIES disappear, two crazy rock rebels, BRIT and OZ, explode onto the stage...we are in a wasteland.)

BRIT Long live Rock ‘n’ Roll!

OZ Long live Rock ‘n’ Roll!

BRIT Whatever it is!

OZ Yeah!

BRIT So, what we got, Babes?

OZ Well, not much--mainly plastics and hydrocarbons. But we found a sheet of tin we can wobble.

BRIT Funky!

OZ And some pebbles that we can rattle...

BRIT Cool!

OZ A bottle to blow across...

TRW PerusalBRIT Now we’re rockin’.

OZ And this great piece of wire to twang. I think we just about got ourselvesNot a band! for Production

BRIT Sweet, sweet music! Now your job is to take this stuff back to Vegas, back to the Hard Rock Café.

OZ But, Brit...

BRIT No! I travel alone. You know that. I can't do the things I have to do if all I'm thinking about... (does three Kung Fu moves) ...is you.

OZ Sometimes I wish you didn’t care so much...that we’d never even heard of the ‘vibe.’

BRIT You don’t mean that.

OZ No, I guess not. But I miss you so much, Baby. It gets tougher every time you go away.

BRIT I’ll come back. I always come back. And one day... (throws out arm and looks at bicep) Babe...check out my guns!

OZ Lookin’ good, hun.

BRIT I know, right? What was I saying?

OZ One day.

BRIT And one day, I’ll bring the Dreamer with me.

OZ Maybe it's us that’s dreaming. Maybe the music really did die. TRW Perusal BRIT It's only sleeping, Baby. It's in a deep, deep sleep. It won't be me that wakes it, but some day... Not(does three for Kung Fu Productionmoves) ...I'll find the man who can.

OZ Oh, I love it when you do that.

BRIT I know you do, Baby. I love it too.

#9 I WANT IT ALL

BRIT But if I could just find the lost vibe, well then, we could share our love with the whole world. And you know what we get then don't you, Babe?

OZ What?

BRIT We’d...get it...ALL.

BRIT ADVENTURE SEEKER

OZ Yeah!

BRIT ON AN EMPTY STREET JUST AN ALLEY CREEPER LIGHT ON HIS FEET A YOUNG FIGHTER SCREAMING WITH NO TIME FOR DOUBT WITH THE PAIN AND ANGER CAN'T SEE A WAY OUT IT AIN'T MUCH I'M ASKING, I HEARD HIM SAY ALL I WANT IS A FUTURE MOVE OUTTA MY WAY I WANT IT ALL I WANT IT ALL I WANT IT ALL AND I WANT IT NOW

CHORUS I WANT IT ALL I WANT IT ALL I WANT IT ALL AND I WANT IT

OZ LISTEN ALL YOU PEOPLE TRWCOME GATHER Perusal ROUND I GOTTA GET ME A GAME PLAN GOTTA SHAKE YOU TO THE GROUND JUST GIVE ME OH WHAT I KNOW IS MINE PEOPLENot DO YOU HEARfor ME Production JUST GIVE ME THE SIGN IT AIN'T MUCH I'M ASKING IF YOU WANT THE TRUTH HERE'S TO THE FUTURE HEAR THE CRY OF YOUTH

32 BRIT, OZ & CHORUS I WANT IT ALL I WANT IT ALL I WANT IT ALL AND I WANT IT NOW I WANT IT ALL

I WANT IT ALL I WANT IT ALL

OZ CHORUS AND I WANT IT I WANT IT NOW

BRIT TWO HEARTS WITH A ONE-TRACK MIND SO MUCH TO DO IN ONE LIFE-

BRIT CHORUS -TIME PEOPLE DO YOU HEAR ME

OZ NOT A TIME FOR COMPROMISE AND WHERES AND WHYS AND LIVING LIES

BRIT SO, I'M LIVIN IT ALL

OZ YES, I'M LIVIN IT ALL

BRIT AND I'M GIVIN IT ALL

OZ AND I'M GIVIN IT ALL

BRIT Imagine it, Oz, the whole world joining in? TRW Perusal OZ Thousands of people in front of us!

Not for BRITProduction Rows and rows of them!

OZ With their hands in the air!

BRIT, OZ, & CHORUS I WANT IT ALL I WANT IT ALL

BRIT, OZ, & CHORUS (CONT’D) I WANT IT ALL AND I WANT IT NOW I WANT IT ALL

BRIT Can you see them all, Babe?

BRIT, OZ, & CHORUS I WANT IT ALL

OZ I can see them, Baby.

BRIT, OZ, & CHORUS I WANT IT ALL

BRIT People everywhere.

BRIT, OZ, & CHORUS AND I WANT IT NOW

BRIT & CHORUS I WANT IT

OZ CHORUS YES, I WANT IT ALL ALL

BRIT & CHORUS I WANT IT ALL

OZ I WANT IT ALL

BRIT & CHORUS OZ I WANT IT ALL OH

BRIT & CHORUS OZ TRWAND I WANT Perusal IT OH NOW YEAH

Not forBRIT &Production CHORUS I WANT IT ALL

OZ YES, I WANT IT ALL

BRIT & CHORUS I WANT IT ALL

OZ I WANT IT ALL

BRIT & CHORUS OZ I WANT IT OH ALL WOW YEAH

CHORUS AND I WANT IT

BRIT I WANT IT

OZ I WANT IT

BRIT & OZ I WANT IT

BRIT, OZ, & CHORUS NOW

BRIT & OZ I WANT IT

(At the end of the song they hear the voices of GALILEO and SCARAMOUCHE... BRIT and OZ hide as GALILEO and SCARAMOUCHE enter.)

SCARAMOUCHE Hey, Gal wait up! Where are we going?

GALILEO Out into the night! Down on the streets! We're rebels now, ‘cos, Baby, we were born to run.

SCARAMOUCHE TRWDon't call me Baby!Perusal

GALILEO But it’s a word I hear in my head all the time.

Not forSCARAMOUCHE Production Here’s an idea...

GALILEO What?

SCARAMOUCHE Keep it there.

GALILEO No, you don’t understand. I’ve heard these things in my head all my life--all my life I've felt that I have some sort of purpose, a special ‘heroic destiny.’ That has to mean something.

SCARAMOUCHE Maybe you’re just an arrogant, self-important jerk?

GALILEO Look, I know I talk about myself a lot but there’s just so much to talk about. It’s to do with the stuff that I dream. The phrases...they always come back to the same thing. I see gates, beautiful iron gates, decorated with strange symbols...and then come the words...

SCARAMOUCHE Like ooh...What words?

GALILEO "Cross the Seven Seas of Rhye, to where old rockers never die. There seek a bright, bright star to show the way to where the king sleeps and rock hangs silent in the air. There draw forth the mighty axe.”

SCARAMOUCHE A rock hangs in the air? So, no laws of gravity in your dreams then?

GALILEO No, it’s a dream.

SCARAMOUCHE Right you are. Go on.

GALILEO And I dreamt something else too.

SCARAMOUCHE TRWLike, oh my God, Perusal I can hardly wait.

GALILEO A name. A name...for you.

Not forSCARAMOUCHE Production Oh? How could you do that? You only met me today.

GALILEO But you see--I’ve always known that I’d meet you; that there was another Rebel-Rebel out there, another Wild Thing.

SCARAMOUCHE Alright. What do you want to call me?

GALILEO (proudly) Scaramouche.

SCARAMOUCHE Scaramouche? Wow, that’s really, really crappy.

GALILEO Well, I dreamt of some others, but frankly, I thought that one was the best.

SCARAMOUCHE What were the others?

GALILEO Honky-Tonk Woman?

SCARAMOUCHE Hate it.

GALILEO Lucy in the Sky with Diamonds.

SCARAMOUCHE Are you kidding me?

GALILEO P-P-Poker Face?

SCARAMOUCHE P-P-Piss off.

GALILEO Bare Naked Lady!

SCARAMOUCHE What!? Alright, I'll take Scaramouche. Scaramouche. TRWActually, I kind Perusal of like it. It sounds...anarchic...almost like...what I think they used to call a tune.

GALILEO A tune.Not Yes. for Production (almost dreaming) Scaramouche...Scaramouche, will you do the fandango...?

SCARAMOUCHE Are you flirting with me?

GALILEO No! I don’t think so...

SCARAMOUCHE Then what is “doing the fandango?”

GALILEO I don’t know. Maybe...it’s about being friends.

SCARAMOUCHE Friends? I gave up on those when I reached ten million.

GALILEO No. I don’t mean like on social media. I mean real friends. Not online. In reality.

SCARAMOUCHE Real friends? I...I never had one of those.

GALILEO Me neither. At school they said having real friends was delinquent. “Anti-social media behavior.”

SCARAMOUCHE (this is hard) It would be cool though wouldn’t it? Instead of ten million Facebook friends...to have just one...real friend.

GALILEO So...are we friends then?

SCARAMOUCHE (reluctant) I...I guess so...if you want.

GALILEO Oh I do. I really do.

#10 YOU’RE MY BEST FRIEND TRW Perusal SCARAMOUCHE Well, then...okay. You’re my friend. My first and only friend. Not for Production GALILEO Me too, so I guess that makes us...best friends.

SCARAMOUCHE And worst.

(GALILEO and SCARAMOUCHE sing the Vegas version of You’re My Best Friend.)

GALILEO OOH, YOU MAKE ME LIVE WHATEVER THIS WORLD CAN GIVE TO ME IT’S YOU, YOU’RE ALL I SEE OOH, YOU MAKE ME LIVE NOW HONEY OOH, YOU MAKE ME LIVE

SCARAMOUCHE WELL, YOU’RE THE BEST FRIEND THAT I EVER HAD I’VE BEEN ALONE SUCH A LONG TIME NO SUNSHINE AND I WANT YOU TO KNOW THAT MY FEELINGS ARE TRUE I THINK I LIKE YOU FRIEND

GALILEO OOH, YOU’RE MY BEST FRIEND

SCARAMOUCHE OOH, YOU MAKE ME LIVE

GALILEO SCARAMOUCHE OOH OOH, I’VE BEEN BEEN WAND- NOW ERIN’ ROUND BUT NOW THAT I’VE FOUND YOU COS

SCARAMOUCHE COME RAIN OR SHINE I’LL STAND BY YOU, BOY COS, I KNOW IN THE END

GALILEO & SCARAMOUCHE TRWYOU’RE MY BESTPerusal FRIEND OOH, YOU MAKE ME LIVE

SCARAMOUCHE WHENEVER THIS WORLD IS CRUEL TO ME I NotGOT YOU TO HELPfor ME FORGIVE Production

GALILEO OO HOO HOO

GALILEO & SCARAMOUCHE OOH, YOU MAKE ME LIVE NOW HONEY OOH, YOU MAKE ME LIVE

GALILEO OH YOU’RE THE FIRST ONE WHEN THINGS TURN OUT BAD THINGS

SCARMOUCHE I KNOW I’LL NEVER BE LONELY YOU’RE MY ONLY ONE AND I LOVE THE THINGS I KINDA LIKE THE THINGS THAT YOU DO

GALILEO & SCARAMOUCHE OOH

SCARAMOUCHE YOU’RE MY BEST FRIEND YOU’RE

GALILEO YEAH, YOU’RE MY BEST FRIEND

BOTH OOH, YOU MAKE ME LIVE NOW HONEY OOH, YOU MAKE ME LIVE OOH, YOU MAKE ME LIVE OOH, YOU’RE MY BEST FRIEND YOU’RE MY BEST FRIEND

(OZ and BRIT appear from behind the fence.)

OZ Get him, Brit!

(The air is filled with Kung Fu movie sound tracks as BRIT chucks some brilliant ninja moves.) TRW Perusal GALILEO & SCARAMOUCHE Run!

Not(They try forto escape Productionbut are caught.)

OZ Talk quick, Ga Ga Girl. How did your boyfriend find us?!

SCARAMOUCHE I ain’t no Ga Ga Girl...and he is not my boyfriend.

GALILEO Find you? I didn’t find you. I don’t know who you are.

BRIT You said go where old Rockers never die!

GALILEO So?

BRIT Vegas! You’re heading to Vegas?!

OZ Who told you to cross the Seven Seas of Rhye?

GALILEO Nobody told me. I don’t know what the Seven Seas of Rhye are!

BRIT Whiskey! Rhye Whiskey. The rocket fuel of Rock! How did you know that the water in the ruins of Vegas is 90% Bourbon?

GALILEO I didn’t!

OZ You call her Scaramouche! You’ve seen the Holy Texts!

GALILEO What Holy Texts?

BRIT "Honky-Tonk Woman," “Bare Naked Ladies,” “P-P-Poker Face.” Where did you hear this ancient and sacred poetry?

GALILEO TRWI don't know what Perusal you're talking about. I just hear things in my mind that's all!

BRIT Who areNot you?! for Production

GALILEO I don’t know! Why do people keep asking me that?! (words come to him unbidden) I am the Walrus! This is Major Tom to round control! I’m just a genie in a bottle, baby! I like big butts and I cannot lie! I am the Dancing Queen!

BRIT You just hear this stuff in your head?

GALILEO Yes! And it’s driving me crazy. Words! Stupid useless words! And questions. So many questions. Why do fools fall in love? What is a “tambourine man”? Who was the real Slim Shady? Do you think I’m sexy?

SCARAMOUCHE No.

GALILEO Are you lonesome tonight?

SCARAMOUCHE No!

GALILEO Who let the dogs out? Who? Who? Who? Who?

(BRIT and OZ are tense with excitement.)

BRIT Oz, we've found him. This dude is the one. He's THE Man.

OZ He still might be a spy.

BRIT No, he's the Dreamer, the one we've been waiting for. This is him. (to Galileo) You have to come with us.

OZ Not the chick. We don’t need her.

SCARAMOUCHE "The chick?" What am I now, poultry? Anyway, who says I TRWwant to go with Perusalthem? These people could be killers.

BRIT We are baby. Killers, thrillers, and Bismillahs!

Not for ProductionOZ We're the resistance. The last hope.

BRIT We are... (three Kung Fu moves) The Bohemians.

SCARAMOUCHE Does he do that ALL the time? OZ Yep. Works for me.

BRIT Works for me too.

OZ And now you have a choice! Are you ready to break free?

BRIT Do you want it all?

OZ To be a shooting star! A tiger!

BRIT Defying the laws of gravity.

OZ Are you ready to be champions?!

ALL Yeah!!

SCARAMOUCHE No!! Sounds kinda boring if you ask me!

GALILEO What?!

SCARAMOUCHE Gal, I’m just kidding. Of course, I want to go!

#11 HEADLONG

BRIT Then understand this. If you come with us, if you join the TRWBohemians, there's Perusal no way back to Ga Ga land. You'll be an outcast forever. No longer a member of the Cons-human Race!

SCARAMOUCHE Sounds Notperfect. Let's for go! Production

SCENE 7

DESCENT INTO THE UNDERGROUND

(BRIT, OZ, GALILEO, and SCARAMOUCHE journey down into the lower depths to a submerged and hidden Hard Rock Café...they sing Headlong.)

OZ AND YOU'RE RUSHIN' HEADLONG YOU GOT A NEW GOAL AND YOU'RE RUSHIN' HEADLONG OUT OF CONTROL

BRIT AND YOU THINK YOU'RE SO STRONG BUT THERE AIN'T NO STOPPING AND THERE'S NOTHING YOU CAN DO ABOUT IT

ALL NOTHIN' YOU CAN DO NO THERE'S NOTHIN' YOU CAN DO ABOUT IT

BRIT NO THERE'S NOTHIN' YOU CAN

GALILEO NOTHIN' YOU CAN

SCARAMOUCHE NOTHIN' YOU CAN

OZ DO ABOUT IT

ALL OFFSTAGE CHORUS AND YOU'RE RUSHIN' HEADLONG TRWYOU'VE GOT PerusalA NEW GOAL AND YOU'RE RUSHIN' HEADLONG OUT OF CONTROL

ANDNot YOU THINK YOU'REfor Production SO STRONG BUT THERE AIN'T NO STOPPING AND THERE'S NOTHIN' YOU CAN DO ABOUT IT

GALILEO YEAH

SCARAMOUCHE OH

OZ HEY HE USED TO BE A MAN WITH A STICK IN HIS HAND

SCARAMOUCHE, GALILEO & OFFSTAGE CHORUS HOOP DIDDY DIDDY HOOP DIDDY DO

BRIT SHE USED TO BE A WOMAN WITH A HOT DOG STAND

SCARAMOUCHE, GALILEO & OFFSTAGE CHORUS HOOP DIDDY DIDDY HOOP DIDDY DO

OZ NOW YOU'VE GOT SOUP IN THE LAUNDRY BAG

BRIT NOW YOU'VE GOT STRINGS YOU GONNA LOSE YOUR RAG

OZ YOU'RE GETTING IN A FIGHT AND IT AIN'T SO GROOVY

BRIT WHEN YOU'RE SCREAMING IN THE NIGHT

BRIT & OZ GET ME OUT OF THIS CHEAP ‘B’ MOVIE

TRW ALL Perusal OFFSTAGE CHORUS HEADLONG DOWN THE HIGHWAY AND YOU'RE RUSHIN’ Not for Production HEADLONG OUT OF CONTROL AND YOU THINK YOU'RE SO STRONG

BRIT BUT THERE AIN'T NO STOPPIN'

OZ AND YOU CAN'T STOP ROCKIN'

ALL AND THERE'S NOTHIN’ YOU CAN NOTHIN’ YOU CAN NOTHIN’ YOU CAN DO ABOUT IT

SCARAMOUCHE Hey! Where are we going?

OZ We're going down, Babe!

(Now GALILEO and SCARMOUCHE are at the center of the song, thrilled to be together and joining the resistance.)

GALILEO WHEN A RED-HOT MAN MEETS A WHITE-HOT LADY

BRIT, OZ & OFFSTAGE CHORUS HOOP DIDDY DIDDY HOOP DIDDY DO

SCARAMOUCHE SOON THE FIRE STARTS A-BURNIN' MAKES ‘EM MORE THAN HALF CRAZY

BRIT, OZ & OFFSTAGE CHORUS HOOP DIDDY DIDDY HOOP DIDDY DO

GALILEO NOW YOU START FREAKIN’ EVERYWHERE YOU TURN YOU CAN'T STOP RUNNIN’ COS YOUR FEET GOT BURNED

TRW PerusalSCARAMOUCHE IT AIN'T NO TIME TO FIGURE WRONG FROM RIGHT COS REASON'S OUT THE WINDOW BETTERNot HOLD ON forTIGHT Production

GALILEO OFFSTAGE CHORUS YOU'RE RUSHIN' HEADLONG DOWN THE HIGHWAY AND YOU'RE RUSHIN' HEADLONG

SCARAMOUCHE OFFSTAGE CHORUS OUT OF CONTROL YOU THINK YOU’RE SO STRONG

ALL BUT THERE AIN'T NO STOPPIN'

OZ AND THERE'S NOTHIN'

GALILEO NOTHIN'

SCARAMOUCHE NOTHIN'

BRIT NOTHIN'

ALL OFFSTAGE CHORUS NOTHIN' YOU CAN NOTHIN' YOU CAN NOTHIN' YOU CAN DO ABOUT IT HEADLONG

TRW Perusal Not for Production

SCENE 8

THE HARD ROCK CAFE

(There are a few tables/stools...the place is filled with broken, faded Rock memorabilia--faded rock posters, washing lines of clothes and costumes and broken gold discs...there are also larger artifacts--a rusting old Harley, a cracked TV and a smashed up juke box...as the song ends the joint is filled with more BOHEMIANS, crazy rock rebels like BRIT and OZ dressed in every confusion of ancient rock styles and iconic costume.)

Director’s Note: As it says on the cast list, the Bohemians have taken the names of musical heroes from the past, such as Paul McCartney, Madonna, Britney Spears, Bruce Springsteen… But they have no idea who these people were or their correct gender. Go for opposites when assigning character names to the Bohemians. Feel free to include the name(s) of any local rockers that your audience might appreciate.

BRIT Welcome to the Hard Rock Café!

(From among the BOHEMIANS comes a leader, BUDDY from the opening scene.)

PAUL Who’s the dude, Brit? Who’s the chick?

BRIT TRWI've found him! PerusalThe one we've been waiting for. The Dreamer!

(There is shock and awe among the BOHEMIANS...BUDDY is not so sure.)

Not for BUDDYProduction You think this kid is the Dreamer?

BRIT I know he is.

PAUL Just because he has a leather jacket doesn’t make him the wild one.

BUDDY Well, maybe.

(A tough BOHEMIAN shouts out “SIXX”)

PAUL He looks like a clone from the boy zone to me.

SIXX Dude looks like a Jonas Brother to me.

(The BOHEMIANS laugh at GALILEO derisively... another tough BOHEMIAN shouts out “QUATRO”)

QUATRO Yeah! What’s your name, Dreamer? Miley Cyrus?

(There is more laughter.)

BRIT Nobody twerks the dreamer. He calls himself...Galileo.

(This takes the BOHEMIANS back...they are genuinely shocked by this.)

PAUL Galileo? Then he must have seen the Holy Texts. You sure he ain’t a spy?

QUATRO Little Hannah Montana is a spy!

BRIT He didn’t see nothing! He dreams the words.

SIXX I say we kill him!

(The BOHEMIANS advance towards SCARAMOUCHE and TRWGALILEO Perusal.)

BRIT Anyone who tries to kill the dude has to come passed me! Not for Production (It looks like there’s going to be a fight.)

SIXX I say we don’t kill him.

PAUL Hey! Cool it! All of you! Nobody’s killin’ anyone! That ain’t our scene. It ain’t how we roll. So, let’s all just calm down here.

BUDDY (to BRIT and Oz) You say the Dude dreams the words?

OZ Yeah, he calls his chick Scaramouche.

SCARAMOUCHE What’s with this chick business? Do I have feathers? Do I lay eggs?

BUDDY Lady, let me put you wise. The texts teach us that in the Age of Rock, babes were known as chicks.

PAUL It was a mark of respect, second only to fox.

SCARAMOUCHE Something tells me you’ve got that wrong.

BUDDY Well, if I’m honest, I have always kinda wondered.

GALILEO You keep speaking of texts. What are these texts?

BUDDY Just fragments. Nothing more.

(Another BOHEMIAN speaks up, a GIRL called ARETHA.)

ARETHA We have scraps of stuff--magazines... TRW Perusal SCARAMOUCHE Mag-a-zines?

Not for ARETHAProduction Yeah, they were kind of like websites, but they were made of paper and you could touch them.

BUDDY And weird, static commercials, stuck to walls, called posters. We take our names from these clues from the Age of Rock!

(All the BOHEMIANS shout out to say their names.)

ARETHA Hey! I'm Aretha!

PAUL And I’m Paul McCartney. They call me Big Mac.

MADONNA I’m Madonna. I’m a material girl.

BRUCE Bruce Springsteen!

JACKSON Jackson Five!

MICK JAGGER Mick Jagger!

PUFF P. Puff Diddy Daddy...

BOHEMIANS Dum Diddy Doo. Whoo!!

OZ I'm Oz--Ozzy Osbourne!

BUDDY They call me Buddy. Buddy Holly and the Crickets.

SCARAMOUCHE (to BRIT) So, who are you then?

BRIT I am the biggest, baddest, meanest, nastiest, ugliest, most raging, rapping, rock and rolling, sick, punk, heavy metal, TRWpsycho killer thatPerusal ever got get down funky!! They call me...Britney Spears.

(The BOHEMIANS cheer.) Not for Production GALILEO So, tell me, Buddy Holly and the Crickets, what is this place--this Hard Rock Café?

BUDDY It's a rebel base, the last free-thinking zone on the iPlanet.

PAUL And it’s also an archive where we honor and revere the past.

ARETHA We search the global shopping mall for anything we can find from the Age of...

BUDDY Rock!

ARETHA Visiting other rebel bases, other Hard Rock Cafés, the museums of the ancient world.

PAUL Sacred, scholarly places, where the Holy Relics were kept.

GALILEO Wow. And that’s where you got all this cool stuff?

PAUL Mostly. Like this… (points to the busted motorcycle) …It was called a Hairlee--a Hairlee Dahvidsone--and it was Rock’s transport of choice.

GALILEO Very cool. And what’s this?

BUDDY It was called a teely-vy-zee-own. It is said that on just such a machine as this half a billion disciples watched as four Mop Tops reached out to hold America’s hand.

GALILEO What were Mop Tops?

SCARAMOUCHE What was America?

TRW PerusalBUDDY We don’t know. It’s all been forgotten. All we can do is keep the flame alive until we find someone who can remember.

SIXX We got Notone single glovefor owned Productionby a man who could actually walk on the moon!

QUATRO And a surfboard that belonged to some Boys called Beach who couldn’t actually surf!

GALILEO And what’s that? (points to a video tape) Is that important too?

BUDDY Oh yes. It’s a vy-day-oh. A vy-day-oh tappee. An ancient scroll of Holy Text.

GALILEO What does it say?

BUDDY We don’t know. We’ve never been able to work out how to unlock its secrets.

SCARAMOUCHE Sooo...not to be a party pooper, but how do you know it’s so Sacred and Holy?

BUDDY The vibe, Sweet Voodoo Child! I felt the vibe! Can you feel the vibe?!

SCARAMOUCHE Uhhh. Nope.

BUDDY You will!! You see, I was once a Globalsoft Archivist at the place where the Secret Histories are kept. One day I found this and felt...

GALILEO The vibe!

BUDDY Yes! So, I grabbed it and I ran! That’s how I joined the Bohemians. The vy-day-oh tappee led me here, drawing me ever closer to...him.

TRW PerusalSCARAMOUCHE And who’s he? Let me guess--you don’t know.

BUDDY Ah, butNot we do, Purple for People Eater!Production We do!

GALILEO See, not so smart.

BUDDY I saw many images of him among the histories! He was a bright, bright star. And his name was Mercury.

SCARAMOUCHE Wow, this is kind of amazing. I’ve dreamed of being part of something like this. But I could never be like you guys.

OZ Why not? You’re a Bohemian now. Hey, you wanna makeover?

SCARMOUCHE No.

(The BOHEMIANS encourage her.)

ARETHA Girlfriend, take it from Aretha. It’s time you learned to love yourself. How about some tight jeans?

SCARAMOUCHE I hate my butt.

ARETHA Short skirt?

SCARAMOUCHE I hate my legs.

ARETHA Crop top?

SCARAMOUCHE I hate my stomach.

ARETHA How ‘bout...

SCARAMOUCHE And my hips.

ARETHA How ‘bout....

TRW PerusalSCARAMOUCHE I kinda like my arms.

ARETHA Great...Not for Production

SCARAMOUCHE But not my hands.

ARETHA Girl, now get yourself back there and don’t come out ‘till you feel like a natural woman! Come on...you better think, girl.

(SCARAMOUCHE disappears behind the Hard Rock Café.)

PAUL And this place is also a shrine, a shrine to the long dead King.

GALILEO Is that him? (points to the Freddie statue)

BUDDY No. The King ruled even before Mercury.

QUATRO Before the Mop Tops and the Moonwalker.

SIXX Before the Purple Prince, the Stones that Rolled, and Bootilitious Beeyonkee.

PAUL He began it all.

GALILEO But who was he?

#12 NO ONE BUT YOU

BUDDY Little is known about him, except that his name was Pelvis. A poor boy from nowhere, who sang like an angel and danced like the devil. A teenage truck driver who broke free to become a mighty rebel, a rebel who spawned a thousand rebels.

MADONNA But he was too wild, too free. So, they took him, and they TRWcut off his hair Perusal and they put him in the army.

BRUCE Then they humiliated him. The King was forced to make foolishNot movies singing for nursery Production rhymes to gangs of grinning children.

PUFF It broke his spirit. He took refuge in drugs and pills and cheeseburgers.

SIXX Like a million kids that followed. The king was dead.

BUDDY And many kings and heroes died thereafter.

PAUL The songs have been lost, but their names live on.

BUDDY We remember those that died young, Jimi Hendrix. Kurt Cobain.

ARETHA Jim Morrison.

SIXX Janice Joplin.

JACKSON FIVE Chester Bennington.

MADONNA Amy Winehouse.

ARETHA John Lennon.

MICK JAGGER David Bowie.

BRUCE Tom Petty.

Director’s Note: Feel free to insert the name(s) of any iconic rock artists/song writers who may have passed recently.

BUDDY Marvin, Hank, Whitney, Michael... TRW Perusal OZ Freddie.

(Oz and the COMPANY sing No One But You Notduring which for the Freddie Production statue glows a little.)

OZ A HAND ABOVE THE WATER AN ANGEL REACHING FOR THE SKY IS IT RAINING IN HEAVEN DO YOU WANT US TO CRY?

OZ (CONT’D) AND EVERYWHERE THE BROKEN HEARTED ON EVERY LONELY AVENUE NO ONE COULD REACH THEM NO ONE BUT YOU

ONE BY ONE ONLY THE GOOD DIE YOUNG THEY'RE ONLY FLYIN’ TOO CLOSE TO THE SUN AND LIFE GOES ON WITHOUT YOU

ANOTHER TRICKY SITUATION I GET TO DROWNIN' IN THE BLUES AND I FIND MYSELF THINKIN' WELL WHAT WOULD YOU DO

OZ BOHEMIANS OOH YES! IT WAS SUCH AN OPERATION FOREVER PAYING EVERY DUE HELL, YOU MADE A SENSATION A SENSATION YOU FOUND A WAY THROUGH FOUND A WAY THOUGH

OZ & BOHEMIANS ONE BY ONE ONLY THE GOOD DIE YOUNG THEY'RE ONLY FLYIN’ TOO CLOSE TO THE SUN

OZ WE'LL REMEMBER FOREVER AND NOW THE PARTY MUST BE OVER I GUESS WE'LL NEVER UNDERSTAND THE SENSE OF YOUR LEAVING WAS IT THE WAY IT WAS PLANNED

OZ BOHEMIANS OOH AND SO WE'LL GRACE ANOTHER TABLE OOH AND RAISE OUR GLASSES ONE MORE TIME TRW Perusal OOH THERE'S A FACE AT THE WINDOW AND I AIN'T NEVER NEVER SAYIN' GOODBYE AND IT'S

Not forOZ & BOHEMIANSProduction ONE BY ONE ONLY THE GOOD DIE YOUNG THEY'RE ONLY FLYIN’ TOO CLOSE TO THE SUN

OZ CRYIN' FOR NOTHING CRYIN' FOR NO ONE... NO ONE BUT YOU

BOHEMIANS YOU

(When the anthem is over, SCARAMOUCHE re-enters, now dressed as a wild Bohemian.)

SCARAMOUCHE Tada! Don’t laugh.

OZ Wow! You look hot! Totally Rock ‘n’ Roll!

(BOHEMIANS cheer and show general appreciation.)

GALILEO You do, Scaramouche. You look totally Rock ‘n’ Roll! But what is Rock ‘n' Roll?

BRIT Galileo...What is Rock ‘n’ Roll? What is Rock ‘n’ Roll? It’s a pair of jeans...it’s a t-shirt...it’s a leather jacket. It’s anything you want it to be.

MADONNA It’s loving who you are!

SIXX It’s style!

JACKSON It’s rebellion!

BUDDY It’s freedom!

GALILEO Yes, but what actually is it? TRW Perusal BUDDY We don’t know. But we have always believed that one day there would arise a man who carried the spirit of the past within him. Not for Production PAUL You see, the legend tells us that somewhere on the iPlanet a mighty axe is buried.

SCARAMOUCHE Oh my god, Gal, you so totally dreamt that.

GALILEO (half trance-like) Seek a bright, bright star to show the way to where the king sleeps and rock hangs silent in the air. There draw forth the mighty axe!

BRIT I told you the dude was the Dreamer!

GALILEO But what is this axe?

BOHEMIANS We don’t know!!

SCARAMOUCHE Why am I not surprised?

BRIT We’ve spent our whole lives trying to find out.

BUDDY All we know is that whosoever wields it will make grown men scream and girls throw their panties at him.

OZ We think the axe was a musical instrument.

BUDDY Wise words, Ozzy Osbourne. Maybe it was...and if Brit is right, you are the dude who will find it and Rock ‘n’ Roll will be reborn.

GALILEO Me, find the instrument? I don't even know what one looks like!

BRIT I do! I've been working on this for months. (produces a broom-handle bass) TRW Perusal BRIT The only problem is...I can't play it. Fortunately, Katy Perry can.

Not(A tough -lookingfor MALE Production BOHEMIAN grabs the bass and plays a line.)

BRIT Mmm...Sweet, sweet noise. You see Galileo, these days what passes for music is created only for money, which is why it has no soul. But when Rock ‘n’ Roll began, you know why they did it?

GALILEO Why?

BRIT They did it for their babies of course, like me and Oz or you and Scaramouche.

GALILEO & SCARAMOUCHE What?

BRIT They did it for a crazy little thing called love.

#13 CRAZY LITTLE THING CALLED LOVE

(BRIT, OZ, and BOHEMIANS sing and dance Crazy Little Thing Called Love...the dance involves every dance style in Rock…it ends in exultant triumph.)

BOHEMIANS AH-OOM

BRIT Play it for me, Katy Perry.

BOHEMIANS AH-OOM

BRIT Baby, you’re a firework.

BOHEMIANS AH-OOM

BRIT Let me hear you roar.

BOHEMIANS AH-OOM TRW Perusal BRIT I like it...Hey!!

THISNot THING CALLED for LOVE Production I JUST CAN'T HANDLE IT

OZ THIS THING CALLED LOVE I MUST A-GET ROUND TO IT

BRIT I AIN'T READY

BRIT & OZ CRAZY LITTLE THING CALLED LOVE

OZ BOHEMIANS THIS THING THIS THING CALLED LOVE CALLED LOVE IT CRIES LIKE A BABY IN A CRADLE ALL NIGHT

BRIT BOHEMIANS IT SWINGS OOH OOH IT JIVES OOH OOH SHAKES ALL OVER LIKE A JELLY FISH OOH OOH OOH

BRIT & OZ BOHEMIANS

I KINDA LIKE IT I KINDA LIKE IT

CRAZY LITTLE THING CALLED LOVE

BRIT BOHEMIANS THERE GOES MY BABY OOH SHE KNOWS HOW TO ROCK AND ROLL SHE DRIVES ME CRAZY OOH AAH SHE GIVES ME HOT AND COLD FEVER SHE LEAVES ME IN A COOL COOL SWEAT I GOTTA BE COOL OOH OOH RELAX OOH OOH GET HIP MAN TRWA-GET ON MYPerusal TRACKS TAKE A BACK SEAT BACK SEAT

OZ HITCHHIKENot for Production HITCHHIKE

BRIT AND OOH TAKE A LONG RIDE ON MY MOTOR BIKE VROOM

BRIT & OZ BOHEMIANS UNTIL I'M VROOM READY UH HUH CRAZY LITTLE THING CALLED LOVE CRAZY LITTLE THING CALLED LOVE

(Dance break.)

GALILEO I GOTTA BE COOL, A-RELAX GET HIP, AND GET ON MY TRACKS

SCARAMOUCHE BOHEMIANS TAKE A BACK SEAT AHMM

GALILEO BOHEMIANS HITCH HIKE AHMMM

SCARAMOUCHE AND TAKE A LONG RIDE ON MY MOTOR BIKE MM

SCARAMOUCHE & GALILEO UNTIL I'M READY ARE YOU READY

BRIT CRAZY LITTLE THING CALLED LOVE

BOHEMIANS THIS THING

BRIT THIS THING

BOHEMIANS CALLED LOVE

TRW PerusalOZ CALLED LOVE

BOHEMIANS I JUST WOAH Not for Production OZ A-CAN'T HANDLE IT

BOHEMIANS THIS THING

BRIT THIS THING

BOHEMIANS CALLED LOVE

OZ CALLED LOVE

BOHEMIANS I MUST

OZ BOHEMIANS JUST GOT- TA GET ROUND TO IT A-GET ROUND TO IT I AIN'T READY OOH

BRIT GET READY

OZ, BRIT & BOHEMIANS CRAZY LITTLE THING CALLED LOVE CRAZY LITTLE THING CALLED LOVE CRAZY LITTLE THING CALLED LOVE

BOHEMIANS CRAZY LITTLE THING CALLED LOVE

BRIT & BOHEMIANS CRAZY LITTLE THING CALLED LOVE

OZ, BRIT & BOHEMIANS CRAZY LITTLE THING CALLED LOVE

BRIT & BOHEMIANS ALRIGHT

(Sirens wail, lights flash...POLICE TRWenter Perusalwith their lasers...there are COPS everywhere...the BOHEMIANS gather together in defense...KHASHOGGI enters.)

Not forKHASHOGGI Production Oh yeah, indeed! Finally, I got my reservations to the Hard Rock Café. Incarcerate the rebels!

(The laser cell is turned on...the BOHEMIANS are trapped, but GALILEO and SCARAMOUCHE are held by COPS.)

KHASHOGGI And so, Mr. Spears, I think it’s time to hit you baby one more time.

BRIT No! You’ll never take the dreamer while I’m alive!

KHASHOGGI You’ll never escape from the laser cage.

(But BRIT uses all his strength and bursts out.)

KHASHOGGI Oh. You did.

BRIT Scaramouche. Galileo. The future of Rock lies with YOU!

#14 THE FIGHT (OGRE BATTLE)

(Ogre Battle with 4 COPS and BRIT commences...as BRIT engages the COPS, GALILEO and SCARAMOUCHE escape...BRIT is killed and falls to his knees as the curtain falls.)

GALILEO (to SCARAMOUCHE) Go!

KHASHOGGI (sees GALILEO run out) No!

END ACT ONE TRW Perusal

Not for Production

ACT TWO SCENE 1

LASER CELLS

#15 FLASH

(Opens with the sinister throb of Flash... the throb goes on in the darkness long enough to get the AUDIENCE wild...we then reveal KHASHOGGI, brain torturing the BOHEMIANS, whom he has captured.)

KHASHOGGI What do you know about the “bright star?" Where is “the place where the King sleeps and rock hangs silent in the air?"

OZ They’re freedom words, Pig, words the Dreamer used. We don't know what they mean.

KHASHOGGI Pity...hurt her anyway.

(The DOCTORS hit a button and a vast bolt of power is shot through OZ's screaming body...it is punctuated by the single hook of...)

BOHEMIANS (OFFSTAGE) FLASH AH

KHASHOGGI I would rather you did not call me 'pig.'

BUDDY I smell bacon!!

KHASHOGGI TRWHurt him also. Perusal BOHEMIANS (OFFSTAGE) FLASHNot AH for Production KHASHOGGI In fact, hurt them all.

(All the caged BOHEMIANS are zapped.)

65 BOHEMIANS (OFFSTAGE) FLASH AH

(Now the slow refrain of Flash becomes the underscore.)

KHASHOGGI For what it's worth, your 'dreamer' knows no more about the place of ‘bright star’ and the ‘silent rock’ than you or I do. He is a poor idiot, parroting phrases, which he does not understand. Still, he led me to you and for that I am grateful.

BUDDY Are you going to kill us?

KHASHOGGI Oh, please, Buddy Holly and the Crickets. Globalsoft is not some medieval inquisition. We are merely going to destroy your souls. Empty your brains of such absurd notions as real music and individual thought.

BUDDY You’re sending us to Disneyland?

KHASHOGGI Ha. Ha. Ha. That’ll be the day. No, old rockers never die. They only f-f-fade away. I’m sending you back to the Hard Rock Café...back across The Seven Seas of Rhye. Prepare the helmets!

OZ Dreamer, follow us! Bohemians, give him your power. Make your last thoughts the dream!

KHASHOGGI Goodnight, Miss Osbourne!!!

TRW Perusal#16 SEVEN SEAS OF RHYE (The music of Seven Seas of Rhye begins... the BOHEMIANS are horrified and try to fight...they struggle desperately as the NotDOCTORS forcefor helmets Production on their heads... KHASHOGGI and the DOCTORS sing as the BOHEMIANS are zapped...at the end, the rebels are zombified.)

KHASHOGGI FEAR ME YOU LORDS AND LADY PREACHERS I DESCEND UPON YOUR EARTH FROM THE SKIES I COMMAND YOUR VERY SOULS YOU UNBELIEVERS BRING BEFORE ME WHAT IS MINE THE SEVEN SEAS OF RHYE

KHASHOGGI DOCTORS & BOHEMIANS CAN YOU HEAR ME YOU PEERS AND PRIVY COUNCILLORS OOH I STAND BEFORE YOU NAKED TO THE EYES OOH I WILL DE- -STROY ANY MAN WHO DARES ABUSE MY TRUST OOH I SWEAR THAT YOU'LL BE MINE THE SEVEN SEAS OF RHYE

SISTER I LIVE AND LIE FOR YOU MISTER MISTER DO AND I'LL DIE DO AND I'LL DIE YOU ARE MINE I POSSESS YOU AH BELONG TO YOU FOREVER FOREVER EVER EVER

(Dance break...KHASHOGGI cakewalks around the writhing BOHEMIANS.)

KHASHOGGI BOHEMIANS STORM THE MASTER MARATHON I'LL FLY THROUGH BY FLASH AND THUNDER FIRE AND I'LL SURVIVE I'LL SURVIVE I'LL SURVIVE THEN I'LL DEFY THE LAWS OF NATURE I'LL SURVIVE I'LL SURVIVE I'LL SURVIVE AND COME OUT ALIVE I'LL SURVIVE TRW Perusal Then I’ll get you!

KHASHOGGI & BOHEMIANS BE GONE WITH YOU SHOD AND SHADY SENATORS GIVENot OUT THE GOODfor LEAVE OUTProduction THE BAD EVIL CRIES I CHALLENGE THE MIGHTY TITAN AND HIS TROUBADOURS

KHASHOGGI AND WITH A SMILE I'LL TAKE YOU TO THE SEVEN SEAS OF RHYE

Let’s hear you rock now.

(As the song progresses, the BOHEMIANS fight less and less and instead, twitch and writhe like automatons...by the end of the song, the BOHEMIANS have been totally subdued by the helmets and hang limply.)

BOHEMIANS OH, I DO LIKE TO BE BESIDE THE SEASIDE OH, I DO LIKE TO BE BESIDE THE SEA

KHASHOGGI Goodnight!

TRW Perusal Not for Production

SCENE 2

WASTELAND 2

(The scene fades upstage...downstage GALILEO and SCARAMOUCHE emerge on the run...they are back in the wasteland.)

SCARAMOUCHE How did Khashoggi find the Hard Rock Cafe? He must have some other way of tracking us.

GALILEO Wait!

(GALILEO gets out phone.)

GALILEO The hospital! When they operated on our heads!

(GALILEO takes hold of SCARAMOUCHE’s head and gently feels about the back of her head.)

GALILEO I think...I think I’ve found something.

(SCARAMOUCHE gets a shard of glass from the oil drums.)

SCARAMOUCHE Cut it out.

GALILEO What?!

SCARAMOUCHE Cut it out! Gal, if there are bugs in our heads then the cops will track us down in hours. Cut it out! TRW Perusal GALILEO (doubtful) Well okay. Not for Production (Reluctantly, GALILEO takes the knife and cuts into SCARAMOUCHE’s hairline.)

GALILEO He’s had us from the start. He's heard everything...

SCARAMOUCHE (into bug) Hello...Pervert! It’s a short sentence and the second word is "off!"

GALILEO Yeah! Good one, Scaramouche! (stomps on bug) What’s the first word?

SCARAMOUCHE You are such a geek. Ok your turn.

(GALILEO kneels, and SCARAMOUCHE puts the shard of glass to his neck.)

GALILEO Ahhh! (triumphant) Yes!

SCARAMOUCHE I haven’t done it yet.

GALILEO I knew that. Ok. I’m ready.

(SCARAMOUCHE takes the shard of glass and cuts into GALILEO’s head.)

GALILEO Now...crush that one!

SCARAMOUCHE What? A state-of-the-art-micro-transceiver? No way! I'll just activate the maximum negativity spectrum.

GALILEO What?

TRW PerusalSCARAMOUCHE Turn it off.

GALILEO We're allNot that's left for now, Scaramouche. Production The Bohemians are finished. The Hard Rock destroyed. Only we escaped.

SCARAMOUCHE Britney Spears died to save us.

GALILEO And Britney Spears will not have died in vain. It's up to us now, Scaramouche. We're part of the underworld. There's no going back. Not now. Not ever.

SCARAMOUCHE We never belonged anyway. And I’m glad, because for the first time in my life I don’t hate myself.

GALILEO And I don't want to die. I've found something to live for.

SCARAMOUCHE The dream?

GALILEO You. But we will be caught in the end. You know that don't you? And soon.

SCARAMOUCHE Yes. I know. And probably killed.

GALILEO I love you, Scaramouche.

#17 WHO WANTS TO LIVE FOREVER

(Music starts for Who Wants to Live Forever...for a moment they look into each other's eyes.)

SCARAMOUCHE I love you too...Gal.

GALILEO Do you think maybe just once you could use my whole name? TRW PerusalSCARAMOUCHE I love you too, Galileo. What was the second part?

GALILEO Figaro.Not for Production SCARAMOUCHE I love you too, Galileo Figaro.

GALILEO Well, if you love me, then dying doesn't matter very much at all, does it?

71 SCARAMOUCHE But what about your music?

GALILEO When I look at you, I already hear music.

SCARAMOUCHE Shut up.

GALILEO No, Scaramouche, I do! I truly believe that somewhere out there, hanging in the air, floating in the breeze, someone is playing music just for us.

SCARAMOUCHE Stop it!

GALILEO And you believe it too. I know you do.

SCARAMOUCHE Yeah...I think I do.

(Together they sing Who Wants to Live Forever...during the guitar solo a ghostly apparition appears on the screens, a heavenly guitarist playing for the young lovers from heaven.)

SCARAMOUCHE THERE'S NO TIME FOR US THERE'S NO PLACE FOR US WHAT IS THIS THING THAT BUILDS OUR DREAMS YET SLIPS AWAY FROM US WHO WANTS TO LIVE FOREVER?

GALILEO & SCARAMOUCHE WHO WANTS TO LIVE FOREVER?

TRW PerusalSCARAMOUCHE OOH ONE

GALILEO THERE'S NO CHANCE FOR US IT'SNot ALL DECIDED for FOR US Production THIS WORLD HAS ONLY ONE SWEET MOMENT SET ASIDE FOR US WHO WANTS TO LIVE FOREVER?

GALILEO & SCARAMOUCHE WHO WANTS TO LIVE FOREVER? OOH WHO DARES TO LOVE FOREVER? OH

GALILEO OOH WHEN LOVE MUST DIE

(Guitar solo.)

SCARAMOUCHE BUT TOUCH MY TEARS WITH YOUR LIPS

GALILEO TOUCH MY WORLD WITH YOUR FINGERTIPS

GALILEO & SCARAMOUCHE AND WE CAN HAVE FOREVER AND WE CAN LOVE FOREVER

SCARAMOUCHE IS

GALILEO FOREVER IS OUR TODAY

GALILEO & SCARAMOUCHE WHO WANTS TO LIVE FOREVER? WHO WANTS TO LIVE FOREVER?

SCARAMOUCHE FOREVER IS OURS

GALILEO WHO WAITS FOREVER ANYWAY

(At the end of the song the lights fade TRWto darkness Perusal as they kiss.)

Not for Production

SCENE 3

MORNING IN THE WASTELAND

(An echo of OZ’s final shout fills the darkness.)

THE VOICE OF OZ Dreamer, follow us! Bohemians! Give him your power. Make your last thoughts the dream!

(The lights come up...it is morning...in the blackout SCARAMOUCHE and GALILEO have laid down on the stage on a jacket...now GALILEO sits up.)

GALILEO The Seven Seas of Rhye!

SCARAMOUCHE (sits up, very chirpy) Well, good morning, Gal! Or maybe I should use your full name--Galileo Gigolo.

GALILEO I have to...Galileo Gigolo? You really think so?

SCARAMOUCHE Oh yeah.

GALILEO Scaramouche, I have to go! Oz was calling to me about Buddy and the others! There were cops and the cages made of lasers and...

SCARAMOUCHE Gal, believe me. There is nothing, and I mean nothing, more boring than people wanting to describe their dreams to you.

TRW PerusalGALILEO

But that’s what I do. I’m the dreamer.

SCARAMOUCHE Trust meNot on this... itfor kills relationshipsProduction stone dead. The day a guy wakes up and says, “it was so random...there was this rabbit in a bowler hat cooking an omelet.” That’s when love dies.

GALILEO Scaramouche, I’m sure of it. The Bohemians are heading back across the Seven Seas of Rhye, back to the Hard Rock Café.

SCARAMOUCHE I know.

GALILEO I think they’re...What?

SCARAMOUCHE I know. The cops have sent the Bohemians home.

GALILEO But this is incredible, Scaramouche! We’ve had the same dream! It’s like we’re soul mates, kindred spirits, split- aparts...

SCARAMOUCHE Gal, I didn’t have any dream. I’ve just reversed the polarity on one of Khashoggi’s micro transceivers. I’ve been monitoring Police Headquarters.

GALILEO Wow, you sure know how to make a guy feel inadequate.

SCARAMOUCHE Aww! Let me make it up to you. (leans across once more)

GALILEO No, Scaramouche! I have to go back to the Hard Rock Café.

SCARAMOUCHE Yeah, right. Duh. That’s clever because there’s no chance this might be a trap?

GALILEO (hadn’t thought about this) I have to risk it.

SCARAMOUCHE Don’t be dumb. There could easily be cops all over the place. I should go, not you. TRW Perusal GALILEO No, I still haven’t found what I’m looking for. This is my fight. Not for Production SCARAMOUCHE Excuse me? How do you work that out?

GALILEO Because I’m The Man! Britney Spears said so.

SCARAMOUCHE Exactly. Which is why it’s stupid for you to risk your life. I’m dispensable. You stay here. 75

GALILEO Oh yeah, like I’m really going to let my chick go fight my battles for me!

SCARAMOUCHE Let your chick? Excuse me, but at what point in this relationship did you take the sexist pill?

GALILEO Oh, come on, Scaramouche! Why does everything always have to be a fight with you? I thought you said you’d mellowed out?

SCARAMOUCHE Well, I haven’t!

GALILEO Well, it’s really starting to irritate me.

SCARAMOUCHE Oh no! My heart just broke.

GALILEO Oh, you are such a pain with this constant female assertion thing!

SCARAMOUCHE Fine! Then I guess we know where we stand.

GALILEO Yes, we do!

SCARAMOUCHE Which, it would seem, is not together!

GALILEO If you say so!

SCARAMOUCHE Right! From now on our relationship is purely professional; TRWwe have a job toPerusal do and we’ll do it--that’s it.

GALILEO Suits me.

Not forSCARAMOUCHE Production So...you’re breaking up with me?

GALILEO Looks that way, Babe.

SCARAMOUCHE Cause if that’s the case...we are never, ever, ever, ever getting back together. 76

GALILEO Fine! We’re fighters now--not lovers--and it’s time for me to save Rock ‘n’ Roll! I’m heading back to the Hard Rock!

SCARAMOUCHE Well, so am I! But if when we get there, you get caught and the dream is lost, and the kids are enslaved till the end of time, you’re going to feel really dumb, that’s all.

TRW Perusal Not for Production

SCENE 4

KILLER QUEEN’S BOUDOIR

(The KILLER QUEEN is triumphant as she finishes a meeting. KHASHOGGI enters... he’s very nervous.)

KHASHOGGI Madam, I bring splendid news!

KILLER QUEEN It better be. I’m in the middle of a very important meeting. (to GIRLS) Later. (to KHASHOGGI) So.

KHASHOGGI My officers have been successful in breaking up the Bohemian stronghold!

KILLER QUEEN Khashoggi, we’ve won!

KHASHOGGI Yes! Unfortunately, the Dreamer and his bad-assed babe escaped. Well, gotta go...

KILLER QUEEN You lost them!

KHASHOGGI Lost them? No, we didn’t lose them--we just don’t know where they are.

KILLER QUEEN I am sick of your excuses, Commander! And I am also sick of you. TRW Perusal KHASHOGGI Madam.

KILLER QUEEN With yourNot weary, sneery, for posey, Production schmozie “look at me, I wear my sunglasses indoors” crap. Oiling around the place with your snooty little booty in your Armani suity.

KHASHOGGI Actually, ma’am it’s Tar-gè. They’ve really raised their game lately don’t you think.

KILLER QUEEN You know what happens to people who disappoint me. I think it’s time to blow your mind.

#18 ANOTHER ONE BITES THE DUST

(KILLER QUEEN and her YUPPIES sing Another One Bites the Dust during which KHASHOGGI is consigned to the flames.)

KILLER QUEEN Hey!

KILLER QUEEN WALKS WARILY DOWN THE STREET WITH THE BRIM PULLED WAY DOWN LOW AIN'T NO SOUND BUT THE SOUND OF HER FEET MACHINE GUNS READY TO GO ARE YOU READY, HEY ARE READY FOR THIS ARE YOU HANGING ON THE EDGE OF YOUR SEAT? OUT OF THE DOORWAY THE BULLETS RIP TO THE SOUND OF THE BEAT, YEAH

ANOTHER ONE BITES THE DUST ANOTHER ONE BITES THE DUST AND ANOTHER ONE GONE AND ANOTHER ONE GONE ANOTHER ONE BITES THE DUST, YEAH HEY! I'M GONNA GET YOU TOO ANOTHER ONE BITES THE DUST

HOW DO YOU THINK I'M GONNA GET ALONG? WITHOUT YOU WHEN YOU'RE GONE I TOOK YOU FOR EVERYTHING THAT YOU HAD AND KICKED YOU OUT ON YOUR OWN

ARE YOU HAPPY, ARE YOU SATISFIED HOW LONG CAN YOU STAND THE HEAT? OUT OF THE DOORWAY THE BULLETS RIP TO THE SOUND OF THE HEAT TRWLook out! Perusal ANOTHER ONE BITES THE DUST ANOTHER ONE BITES THE DUST AND ANOTHER ONE GONE AND ANOTHER ONE GONE ANOTHERNot ONE BITES for THE DUST Production HEY! I'M GONNA GET YOU TOO ANOTHER ONE BITES THE DUST

ANOTHER ONE BITES THE DUST ANOTHER ONE BITES THE DUST OH, ANOTHER ONE BITES THE DUST

Hey, Hey!

KILLER QUEEN (CONT’D) ANOTHER ONE BITES THE DUST HEY

Ooh! Shot.

THERE ARE PLENTY OF WAYS YOU CAN HURT A MAN AND BRING HIM TO THE GROUND YOU CAN BEAT HIM, YOU CAN CHEAT HIM, YOU CAN TREAT HIM BAD AND LEAVE HIM WHEN HE'S DOWN, YEAH BUT I’M READY YES, I'M READY FOR YOU I'M STANDING ON MY OWN TWO FEET OUT OF THE DOORWAY THE BULLETS RIP REPEATING TO THE SOUND OF THE BEAT

OH YEAH ANOTHER ONE BITES THE DUST ANOTHER ONE BITES THE DUST AND ANOTHER ONE GONE AND ANOTHER ONE GONE AND ANOTHER ONE BITES THE DUST HEY, I'M GONNA GET YOU TOO ANOTHER ONE BITES THE DUST

(Music break.)

ANOTHER ONE BITES THE DUST ANOTHER ONE BITES THE DUST

Oh!

ANOTHER ONE BITES THE DUST ANOTHER ONE BITES THE DUST YEAH, YEAH, YEAH, YEAH, YEAH OW

TRW Perusal Not for Production

SCENE 5

ON THE ROAD

(GALILEO and SCARAMOUCHE are walking on the road.)

SCARAMOUCHE Hey! Slowdown will you?!

GALILEO No! You keep up!

SCARAMOUCHE I have shorter legs than you!

GALILEO Look, I don’t have time for this! We’re fighting a battle as big as the iPlanet!

SCARAMOUCHE As big as your ego, more like!

GALILEO Me? Egotistical!

SCARAMOUCHE Duh!

GALILEO Let’s get one thing straight here. You’re a girl. You’re slower than me, weaker than me...

SCARAMOUCHE Smarter than you...

GALILEO What? Just because you managed to reverse the polarity on some TRWmicro-transceiver. Perusal

SCARAMOUCHE Yeah. Maybe I should’ve stomped on it, genius. Not for Production GALILEO I have the mind of an artist. My intelligence is abstract!

SCARAMOUCHE Your intelligence is ab-sent.

GALILEO I have a world to save, so if you’re going to hold me up, then...

SCARAMOUCHE Hold you up! Listen, pal, we’re in this together. And despite the fact that you’re emotionally immature, and scared of commitment, I’m staying!

GALILEO Suit yourself!

SCARAMOUCHE Don’t worry, I will!

#19 HAMMER TO FALL

(The two warring LOVERS sing Hammer To Fall.)

GALILEO SCARAMOUCHE HU-YEAH HU-YEAH WHAT WHAT HEY HEY (Ad lib...GALILEO- “You’re driving me crazy”)

GALILEO HERE WE STAND OR HERE WE FALL HISTORY WON'T CARE AT ALL WAKE THE DEAD FIGHT THE FIGHT LADY MERCY WON'T BE HOME TONIGHT

GALILEO & SCARAMOUCHE TRWYOU DON'T WASTEPerusal NO TIME AT ALL GALILEO DON'T HEAR THE BELL BUT YOU ANSWER THE CALL Not forGALILEO &Production SCARAMOUCHE IT COMES TO YOU AS TO US ALL

SCARAMOUCHE WE'RE JUST WAITING FOR THE HAMMER TO FALL HEY

GALILEO HEY 82

SCARAMOUCHE YEAH

GALILEO YEAH THE HAMMER TO FALL

SCARAMOUCHE OH EV'RY NIGHT AND EV'RY DAY A LITTLE PIECE OF YOU IS FALLING AWAY BUT LIFT YOUR FACE THE WESTERN WAY BABE BUILD YOUR MUSCLES AS YOUR BODY DECAYS

SCARAMOUCHE & GALILEO TOE YOUR LINE AND PLAY THEIR GAME

SCARAMOUCHE LET THE AESTHETIC COVER IT ALL

GALILEO & SCARAMOUCHE TILL ONE DAY THEY CALL YOUR NAME

GALILEO YOU'LL KNOW IT'S TIME FOR THE HAMMER TO FALL YEAH THE HAMMER TO FALL

SCARAMOUCHE RICH OR POOR OR FAMOUS FOR YOUR TRUTH IT'S ALL THE SAME

GALILEO & SCARAMOUCHE OH NO, OH NO

SCARAMOUCHE LOCK YOUR DOOR BUT RAIN IS POURING THROUGH YOUR WINDOW PANE

TRW PerusalSCARAMOUCHE & GALILEO OH NO

SCARAMOUCHE BABY,Not NOW YOUR forSTRUGGLE ’SProduction ALL IN VAIN

SCARAMOUCHE & GALILEO WHAT THE HELL WE FIGHTING FOR

GALILEO JUST SURRENDER AND IT WON'T HURT AT ALL

SCARAMOUCHE & GALILEO YOU'VE JUST GOT TIME TO SAY YOUR PRAYERS

GALILEO WHILE YOU'RE WAITING FOR THE HAMMER TO...

GALILEO & SCARAMOUCHE HAMMER TO FALL

GALILEO SCARAMOUCHE AY-OH AY-OH THE HAMMER TO FALL OH YEAH, YEAH, YEAH, YEAH OH YEAH, YEAH, YEAH, YEAH

GALILEO & SCARAMOUCHE THE HAMMER TO FALL

HEY

YEAH THE HAMMER, HAMMER TO, HAMMER TO FALL

GALILEO Give it to me one more time!

SCARAMOUCHE In your dreams, pal!

TRW Perusal Not for Production

SCENE 6

THE HARD ROCK CAFÉ

#20 THESE ARE THE DAYS OF OUR LIVES

(Back in The Hard Rock Café, all the BOHEMIANS are there but listless, brain dead, washed up...BUDDY is the only one still standing...he sings Days of Our Lives.)

BUDDY SOMETIMES I GET TO THINKING I WAS BACK IN THE OLD DAYS LONG AGO WHEN WE WERE KIDS WHEN WE WERE YOUNG THINGS SEEMED SO PERFECT YOU KNOW

THE DAYS WERE ENDLESS WE WERE CRAZY WE WERE YOUNG THE SUN WAS ALWAYS SHINING WE JUST LIVED FOR FUN SOMETIMES IT SEEMS LIKE LATELY I JUST DON'T KNOW THE REST OF MY LIFE'S BEEN JUST A SHOW

BUDDY & BOHEMIANS THOSE WERE THE DAYS OF OUR LIVES THE BAD THINGS IN LIFE WERE SO FEW THOSE DAYS ARE ALL GONE NOW BUT ONE THING REMAINS

BUDDY WHEN I LOOK AND I FIND NO CHANGE YOU CAN'T TURN BACK THE CLOCK YOU CAN'T TURN BACK THE TIDE AIN'T THAT A SHAME I'D LIKE TO GO BACK ONE TIME ON A ROLLER COASTER RIDE WHEN LIFE WAS JUST A GAME TRWNO USE IN SITTING Perusal AND A-THINKING ON WHAT YOU DID WHEN YOU CAN LAY BACK AND ENJOY IT THROUGH THE KIDS SOMETIMES IT SEEMS LIKE LATELY I JUST DON'T KNOW BETTERNot SIT BACK forAND GO WITH Production THE FLOW BUDDY & BOHEMIANS COS THESE ARE THE DAYS OF OUR LIVES THEY'RE FLOWN IN THE SWIFTNESS OF TIME THESE DAYS ARE ALL GONE NOW BUT ONE THING REMAINS

85 BUDDY WHEN I LOOK, AND I FIND HOPE STILL SURVIVES OH YEAH!

(GALILEO and SCARAMOUCHE rush on.)

GALILEO Buddy, Oz, you’re here! I knew it! I dreamt it! The Bohemians are back in the Hard Rock and the revolution is on!

BUDDY They’re not really there, Dude. Their bodies found their way home, but their spirits never made the plane. They’ve been processed. They’ll end their days as washed up, brain-dead casualties, living a twilight existence on beer, bourbon, and memories. I could think of worse ways to go.

SCARAMOUCHE Khashoggi did this to you?

BUDDY Yep. We all got processed.

SCARAMOUCHE So how come you’re still standing?

BUDDY I was wondering the same thing myself, sweet lady. I think the vy-day-oh tappee protected me, cloaking me in the vibe.

SCARAMOUCHE You managed to keep it from Khashoggi?

BUDDY Sure did, crazy witch woman.

GALILEO TRWWhere did you hide Perusal it?

BUDDY Don’t ask. But it must have stayed with me for a purpose, that somehow it holds the key. But, I still have no way to unlock it. For all Notthe use it isfor I might asProduction well shove it in that slot in the box under the tee-lee-vy-zee-own.

SCARAMOUCHE Oh my God. You’re not telling me you haven’t tried that?

BUDDY No. Why?

SCARAMOUCHE Honestly...

BUDDY (to GAL) Yeah. Right. Like that’s gonna work. Chicks.

(SCARAMOUCHE takes the tape and puts it in the broken TV...magic happens...lights, etc...and QUEEN appears on the screen silhouetted in the opening moment of Bo Rhap as it begins to play on the screen.)

Director’s Note: There is a file in your digital logo pack called “Crackly Bo Rhap Video.mp4” that can be used here.

IS THIS THE REAL LIFE IS THIS JUST FANTASY CAUGHT IN A LANDSLIDE NO ESCAPE FROM REALITY OPEN YOUR EYES LOOK UP TO THE SKIES AND SEE

(The screen crackles and the faces freeze.)

SCARAMOUCHE It’s jammed. Can’t you do something?

BUDDY No way, sweet lady. Vy-day-ohs weren’t like no iCloud. They were real, physical, spinning gizmos, and when they jammed, they jammed. TRW Perusal GALILEO But what does it mean? And who were those four beautiful girls?

BUDDY Not chicksNot--but dudes! for I remember Production them from the secret histories! They were a rock freedom fighter collective known as Queen, and Mercury was one of them.

SCARAMOUCHE The guy in the statue?

BUDDY Yes! And I believe they left this scroll as a warning. “Is this the real life? Is this just fantasy?”

GALILEO Fantasy?

BUDDY I think they’re talking about cyber space! They foretold of a time when kids would be caught in a landslide of fantasy! Mobile phones and video game consoles. And computer-recorded-autotuned- pop. C-R-A-P.

GALILEO Crap.

BUDDY Exactly! The holy vy-day-oh-tappee predicted a time when crap would dominate the charts. Queen wanted kids to open their eyes, look up to the skies...

GALILEO & SCARAMOUCHE ...and see.

BUDDY Yes! That’s why they buried the axe, the last instrument! So that one day, kids would stop playing plastic pop music and stupid computer games and start playing ROCK instead!

SCARAMOUCHE But where? Where did they bury it? Where does the rock hang silent in the air?

BUDDY & SCARAMOUCHE We don’t know.

BUDDY TRWBut it ain’t here Perusal in Las Vegas, that’s for sure. Queen wanted that axe to be heard around the world and everybody knows that what happens in Vegas, stays in Vegas.

(The TV begins to fizz and sparkle once Notmore...images for of QUEEN Production seem to flash across it...)

GALILEO The vy-day-o tappee’s trying to tell us something!

#21 WE ARE THE CHAMPIONS (UNDERSCORE)

(The Freddie statue begins to crackle and fizz, glowing from within and throbbing... the BOHEMIANS stand to salute, fists in the air...the underscore of We Are the Champions fills the air.)

GALILEO It’s Mercury’s statue!

SCARAMOUCHE The bright, bright star! Gal, your dream! “A bright, bright star will show the way!” The star isn’t a star in the sky at all, but a rock star!

GALILEO But what is he trying to tell us? What does he want?

(The Freddie statue laser shines from the eyes.)

SCARAMOUCHE Oh my God! He’s showing us the way!

GALILEO To where the King sleeps and where the rock hangs silent in the air.

SCARAMOUCHE Silent rock isn’t granite and stone at all! It’s music! Rock ‘n’ Roll music!

GALILEO Then the sleeping King must be the King of Rock ‘n’ Roll!

BUDDY TRWYes, Rebel Dude! PerusalYes! The star is pointing east to the place where the King sleeps. This can mean only one thing! Queen buried their axe at the tomb of the King! The holiest shrine of Rock ‘n’ Roll! Graceland! Memphis, Tennessee! Not for Production (The Champions underscore recedes...the statue stops glowing...the BOHEMIANS return to zombie status.)

SCARAMOUCHE Gal, we have to move quickly. Now that the star has shown us the way, it can guide the police there too. There’s no time to lose.

GALILEO But we need transport! We need wheels!

#21A BICYCLE RACE

(The BOHEMIANS all leap up.)

BOHEMIANS BICYCLE, BICYCLE, BICYCLE

SCARAMOUCHE Hello!! We have to save Rock ‘n’ Roll! We can’t turn up on a bike!

BUDDY It’s very eco.

SCARAMOUCHE But it’s not very cool.

Director’s Note: If you don’t have access to a Harley Davidson, it can be offstage, using a Harley sound effect. The lines and “Headlong” can be said/sung onstage, before going offstage to ride away.

BUDDY You’re right, Crazy Lady. We’ll take the Hairlee. P. Puff Diddy Daddy Dum Diddy Doo and Shakira, help me with my hog. You Rock ‘n’ Roll zombies close up the Hard Rock--I’m taking a road trip! It’s not as fast, clean or efficient as a Japanese bike, but it sounds humungous! Thanks, zombie dudes. Go grab a brewski. TRW Perusal SCARAMOUCHE But, Buddy. It’s a museum piece. It’s rusted and beat up and also, it’s stuck to a huge, square piece of road. How could it ever getNot us to Memphis? for Production

BUDDY Excuuuuuse me, Lady Madonna. It is not stuck to the road. The road is stuck to it. Because this is a Hairlee Dahvidsone--and it lives to…

SCARAMOUCHE Rock ‘n’ Roll!

BUDDY Freakin’ A, Hot Gypsy Momma.

SCARAMOUCHE Alright!

BUDDY Okay, Rocket Man. Let’s get out there and ride!

#21B HEADLONG--REPRISE

(As the reprise of Headlong kicks in, the three of them ride the bike to Memphis.)

GALILEO Alright!!!

BUDDY Graceland or Bust!!

BUDDY We’re gonna find that axe!!

GALILEO Are we ready?

SCARAMOUCHE Let’s go.

BUDDY Somebody, find me a bat! I want to bite its head off!

SCARAMOUCHE, GALILEO, & BUDDY TRWAND YOU'RE RUSHIN'Perusal

SCARAMOUCHE, GALILEO, BUDDY, & OFF-STAGE ENSEMBLE HEADLONG Not for Production GALILEO DOWN THE HIGHWAY

SCARAMOUCHE, GALILEO & BUDDY AND YOU'RE RUSHIN'

SCARAMOUCHE, GALILEO, BUDDY, & OFF-STAGE ENSEMBLE HEADLONG

SCARAMOUCHE OUT OF CONTROL

SCARAMOUCHE, GALILEO & BUDDY YOU THINK YOU’RE

SCARAMOUCHE, GALILEO, BUDDY, & OFF-STAGE ENSEMBLE SO STRONG

BUDDY BUT THERE AIN'T NO STOPPIN'

SCARAMOUCHE & GALILEO AND THERE'S

SCARAMOUCHE, GALILEO, BUDDY, & OFF-STAGE ENSEMBLE NOTHIN' YOU CAN, NOTHIN' YOU CAN, NOTHIN' YOU CAN, NOTHIN' YOU CAN, NOTHIN' YOU CAN, NOTHIN' YOU CAN, NOTHIN' YOU CAN DO ABOUT IT!

HEADLONG

(They Exit. Repeat #21A, BICYCLE RACE as needed for the scene change.)

TRW Perusal Not for Production

SCENE 7

GRACELAND

(As the song ends, BUDDY, SCARAMOUCHE, and GALILEO find themselves in a ruined beat-up Graceland.)

BUDDY Oh no! Man, we ran outta gas.

SCARAMOUCHE Guys! Guys! We were here already!

GALILEO This is them, Scaramouche. The gates--the gates I saw in my dreams. The ones decorated with strange symbols. But what could they mean?

SCARAMOUCHE I don’t know.

BUDDY It’s music, young rebel dude. Notes. I remember them from the secret histories. These symbols are how tunes were written long, long ago.

SCARAMOUCHE Then this is the place--the place where "rock hangs silent in the air."

BUDDY Rock music!!

SCARAMOUCHE This is Graceland, where the King sleeps.

TRW PerusalBUDDY A-huh-huh.

SCARMOUCHE Except...there's nothing here. Not for Production BUDDY Bummer man.

SCARAMOUCHE No mighty axe, no instruments.

BUDDY Not even any Rock.

SCARAMOUCHE Maybe we failed, Gal. Maybe your dream will never come true and the kids will never hear the mighty riffs.

GALILEO You’re wrong, Scaramouche. There is something here.

SCARAMOUCHE What?

GALILEO Us! We’re here.

SCARAMOUCHE Whoopie-doo!

GALILEO And we don't need some old, secondhand instruments to make music either! We can do it ourselves!

SCARAMOUCHE What, a cappella?

BUDDY No!!

GALILEO If necessary!

BUDDY It’s never necessary.

SCARAMOUCHE TRWYou’re right, Gal. Perusal Wasn’t that what it was about in the beginning? Kids making music for themselves--playing in the streets...

BUDDY In theirNot garages... for Production

SCARAMOUCHE You can do this thing, Gal.

GALILEO Yes, I can.

BUDDY Hello, (Name of current city)!

GALILEO But there’s still something missing.

SCARAMOUCHE What?

GALILEO You.

SCARAMOUCHE Me?

#21C LOVE OF MY LIFE (UNDERSCORE)

GALILEO Remember what Britney Spears said before he died? Making music is about love. You do it for your baby. And I can only do it for you. I love you, Scaramouche, with all my heart. I know I was stupid and we broke up, but you have to give me another chance. Because if you don't, I can’t do this thing, and Rock ‘n’ Roll will never be reborn.

SCARAMOUCHE God, talk about emotional blackmail. Do it for your baby, Baby.

(They kiss.)

BUDDY Dude looks like a lady.

GALILEO Oh yeah. TRW Perusal SCARAMOUCHE Now, let’s rock!

Not(GALILEO isfor trying, desperatelyProduction seeking to summon up inspiration from within... he is truly ready, but it is not easy.)

GALILEO I don’t know where to start.

SCARAMOUCHE Come on...Buddy?

BUDDY You’re a boy...

SCARAMOUCHE Make a big noise!

BUDDY Playing in the street!

SCARAMOUCHE Gonna be a big man.

BUDDY Someday.

GALILEO Hey! Hey that’s it!!

SCARAMOUCHE What is? (Tentatively, GALILEO echoes their words, but as a chant...)

#22 WE WILL ROCK YOU

GALILEO What you just said.

BUDDY...BUDDY YOU’RE A BOY MAKE A BIG NOISE PLAYING IN THE STREET GONNA BE A BIG MAN SOMEDAY

BUDDY TRWWhat a curiously Perusalexhilarating collection of words. (Now GALILEO is really summoning it up... he pauses, then begins to stamp the ground to Notgather his forstrength andProduction continues) GALILEO YOU GOT MUD ON YOUR FACE YOU BIG DISGRACE KICKING YOUR CAN ALL OVER THE PLACE

96 (Something magical happens...in the distance, the drumbeat begins.)

GALILEO Listen, Scaramouche! It's the beat. The beat is returning.

SCARAMOUCHE The beating of our hearts!

GALILEO Hearts of solid Rock!!

BUDDY YOU'RE A BOY MAKE A BIG NOISE PLAYING IN THE STREET GONNA BE A BIG MAN SOMEDAY YOU GOT MUD ON YOUR FACE YOU BIG DISGRACE KICKING YOUR CAN ALL OVER THE PLACE

BUDDY SINGING

GALILEO WE WILL WE WILL ROCK YOU

GALILEO & SCARAMOUCHE WE WILL WE WILL ROCK YOU WE WILL WE WILL ROCK

(As GALILEO sings, magic happens... thunder flashes...from the pillars of the gates of Graceland, there emerges a guitar half embedded in the rock.)

GALILEO TRWScaramouche! Look! Perusal The axe! The axe is hidden in the stone!

BUDDY Thunderbolt and lightning. Very, very frightening.

Not for GALILEOProduction Look, an instrument--a musical instrument.

SCARAMOUCHE Then it does exist.

BUDDY The dream machine--the most powerful weapon of freedom known to man--an electric guitar. Seize it, Galileo Gigolo. For none but the just shall play the mighty axe--none but the kids.

(Huge music as GALILEO takes the guitar from the stone.)

SCARAMOUCHE Oh my God! You are so my guitar hero!

GALILEO Yes I am, Baby! And now, let’s rock!

(He tries to play it, but is terrible.)

BUDDY Oh no, man! The rebirth of modern jazz!

(GALILEO goes to smash the guitar.)

SCARAMOUCHE Noooo! You were good, Gal. You were really good.

(SCARAMOUCHE grabs the guitar and rips off a couple of huge killer chords and a bit of diddling, at the conclusion of which she lies on her back with her legs in the air, revealing Old Glory pants)

SCARAMOUCHE So, I’ll play, you sing.

BUDDY And I’ll be a groupie. Anyone want to see my Hooters?

SCARAMOUCHE TRWBuddy. Not cool! Perusal

BUDDY Message received and understood. But first...

Not for GALILEOProduction Buddy, what are you doing?

BUDDY What does it look like I’m doing? I’m hacking into the Globalsoft mainframe and emailing the power of Rock to every Ga Ga kid on the iPlanet. Soon they’ll all be Bohemians.

SCARAMOUCHE Buddy...won’t the Killer Queen get your email too? But you thought of that, right?

BUDDY Nope, never did.

#22A KILLER QUEEN FINAL ENTRANCE (DEATH ON ONE LEG)

(Dramtic chords...the KILLER QUEEN appears on a screen or on a platform upstage as if on a screen.)

KILLER QUEEN Who dares play live rock music on the iPlanet?

(If there is a live band, the BAND is revealed. Otherwise, GALILEO and SCARAMOUCHE say the following:)

THE BAND/GALILEO AND SCARAMOUCHE We do Killer Queen. Okay.

KILLER QUEEN Who?

THE BAND/GALILEO AND SCARAMOUCHE Galileo Gigolo’s band!

GALILEO Did you hear that, Scaramouche? I’ve got a band. Now the kids can see the true power of Rock. Boys, unleash the Mighty Riffs and tie that mother down!

TRW Perusal #22B KILLER QUEEN EXIT (TIE YOUR MOTHER DOWN--SHORT)

Not(Zap sounds for as SCARAMOUCHE Production and/or the band plays a power riff from Tie Your Mother Down as the KILLER QUEEN is destroyed.)

KILLER QUEEN Oh no!!! Rock ‘n’ Roll! I’m pixelating!!

(Screen or pixelating light effect on KILLER QUEEN fades out.)

GALILEO Buddy, bring me my mic.

BUDDY I’m a groupie and a roadie! Guess I’ll have to date myself! So, no change there then!

SCARAMOUCHE Buddy. Not cool.

(BUDDY collects mic stand for GALILEO.)

#22C WE WILL ROCK YOU (CONTINUED)

BUDDY Mic check. Mic check. One, two. One, two.

GALILEO And now let’s Rock!

(BOHEMIANS appear in a state of ecstatic grace...they have been drawn by the music...it is almost like some pagan religious gathering...GALILEO smashes back into the song.)

GALILEO BUDDY YOU'RE A BOY MAKE A BIG NOISE PLAYING IN THE STREET GONNA BE A BIG MAN SOMEDAY YOU GOT MUD ON YOUR FACE TRWYOU BIG DISGRACE Perusal KICKING YOUR CAN ALL OVER THE PLACE

BUDDY SINGINGNot for Production

ALL WE WILL WE WILL ROCK YOU WE WILL WE WILL ROCK YOU

100

GALILEO BUDDY YOU’RE A YOUNG MAN HARD MAN SHOUTING IN THE STREET GONNA TAKE ON THE WORLD SOMEDAY YOU GOT BLOOD ON YOUR FACE YOU BIG DISGRACE WAVING YOUR BANNER ALL OVER THE PLACE

ALL WE WILL WE WILL ROCK YOU

BUDDY Ev’rybody!

ALL WE WILL WE WILL ROCK YOU

GALILEO BUDDY YOU’RE AN OLD MAN POOR MAN PLEADING WITH YOUR EYES GONNA MAKE YOU SOME PEACE SOME DAY YOU GOT MUD ON YOUR FACE YOU BIG DISGRACE SOMEBODY BETTER PUT YOU BACK INTO YOUR PLACE

ALL WE WILL WE WILL ROCK YOU

BUDDY SING IT, MM

ALL WE WILL WE WILL ROCK YOU

BUDDY EV’RYBODY TRW PerusalALL WE WILL WE WILL ROCK YOU WE WILL WE WILL ROCK YOU

(During the guitar solo the music changes to NotWe Are the forChampions. Production)

#23 WE ARE THE CHAMPIONS

101 GALILEO I'VE PAID MY DUES TIME AFTER TIME I'VE DONE MY SENTENCE BUT COMMITTED NO CRIME AND BAD MISTAKES I'VE MADE A FEW I'VE HAD MY SHARE OF SAND KICKED IN MY FACE BUT I'VE COME THROUGH

COMPANY AND I MEAN TO GO ON AND ON AND ON AND ON

WE ARE THE CHAMPIONS MY FRIENDS AND WE'LL KEEP ON FIGHTING TO THE END WE ARE THE CHAMPIONS WE ARE THE CHAMPIONS NO TIME FOR LOSERS CAUSE WE ARE THE CHAMPIONS

GALILEO OF THE WORLD

COMPANY WE ARE THE CHAMPIONS MY FRIENDS

PRINCIPALS & COMPANY AND WE’LL KEEP ON FIGHTING TILL THE END WE ARE THE CHAMPIONS WE ARE THE CHAMPIONS NO TIME FOR LOSERS CAUSE WE ARE THE CHAMPIONS

GALILEO COMPANY OF THE WORLD AH WORLD AH

TRW Perusal #24 BOWS

COMPANY WE NotWILL WE WILL forROCK YOU Production WE WILL WE WILL ROCK YOU ROCK YOU ROCK YOU ROCK YOU WE WILL WE WILL ROCK ROCK YOU

END OF BOWS

102

(Screen lights up saying--DO YOU WANT BOHEMIAN RHAPSODY? OH, ALRIGHT THEN...it’s as if they are alone on stage once more...GALILEO begins to sing Bohemian Rhapsody...SCARAMOUCHE joins him)

#25 BOHEMIAN RHAPSODY

GALILEO MAMA JUST KILLED A MAN PUT A GUN AGAINST HIS HEAD PULLED MY TRIGGER NOW HE'S DEAD MAMA LIFE HAD JUST BEGUN BUT NOW I'VE GONE AND THROWN IT ALL AWAY MAMA OOH DIDN'T MEAN TO MAKE YOU CRY IF I'M NOT BACK AGAIN THIS TIME TOMORROW CARRY ON CARRY ON AS IF NOTHING REALLY MATTERS

SCARAMOUCHE TOO LATE MY TIME HAS COME SENDS SHIVERS DOWN MY SPINE BODY'S ACHING ALL THE TIME GOODBYE EV’RYBODY I'VE GOT TO GO GOT TO LEAVE YOU ALL BEHIND AND FACE THE TRUTH

GALILEO FEMALE COMPANY MALE COMPANY

MAMA OOH OOH ANYWAY THE WIND BLOWS I DON'T WANNA DIE OOH I SOMETIMES WISH OOH OOH OOH OOH I'D NEVER BEEN BORN OOH OOH OOH OOH AT ALL OOH TRW(Solo musicPerusal break.) KHASHOGGI I SEENot A LITTLE SILHOUETTOfor ProductionOF A MAN COMPANY SCARAMOUCHE, SCARAMOUCHE WILL YOU DO THE FANDANGO THUNDERBOLT AND LIGHTENING

FEMALE COMPANY MALE COMPANY VERY, VERY FRIGHT’NING ME VERY, VERY FRIGHT’NING ME GALILEO 103 GALILEO FEMALE COMPANY MALE COMPANY GALILEO GALILEO GALILEO GALILEO GALILEO FIGAR- O-MAGNIFI CO OH OH OH GALILEO I'M JUST A POOR BOY NOBODY LOVES ME

COMPANY HE'S JUST A POOR BOY FROM A POOR FAMILY SPARE HIM HIS LIFE FROM THIS MONSTROSITY

GALILEO EASY COME, EASY GO WILL YOU LET ME GO?

COMPANY BISMILAH-NO WE WILL NOT LET YOU GO LET HIM GO BISMILLAH WE WILL NOT LET YOU GO LET HIM GO BISMILLAH WE WILL NOT LET YOU GO

GALILEO FEMALE COMPANY MALE COMPANY LET ME GO LET ME GO WILL NOT LET YOU ME NEVER NEVER LET ME GO NEVER NEVER WILL NOT LET YOU GO WILL NOT LET YOU GO LET ME GO GO OH OH OH TRW Perusal OH OH OH COMPANY NO, NO, NO, NO, NO, NO, NO

GALILEO COMPANY OH NotMAMA MIA, MAMA for MIA Production MAMA MIA LET ME GO

GALILEO COMPANY BEELZEBUB HAS A DEVIL BEELZEBUB HAS A DEVIL PUT ASIDE FOR ME PUT ASIDE FOR ME FOR ME FOR ME FOR ME FOR ME

104

KILLER QUEEN SO YOU THINK YOU CAN STONE ME AND SPIT IN MY EYE SO, YOU THINK YOU CAN LOVE ME AND LEAVE ME TO DIE

COMPANY OH BABY CAN'T DO THIS TO ME BABY JUST GOTTA GET OUT JUST GOTTA GET RIGHT OUTTA HERE YUH

(Music break.)

COMPANY OOH OOH YEAH OOH

GALILEO NOTHING REALLY MATTERS

SCARAMOUCHE ANYONE CAN SEE NOTHING REALLY MATTERS

GALILEO NOTHING REALLY MATTERS

GALILEO & SCARAMOUCHE TO ME

GALILEO ANYWAY, THE WIND BLOWS

TRW PerusalFINAL COMPANY CURTAIN CALL

END ACT 2 Not for Production

105

- SCORE SAMPLER -

Music and Lyrics by QUEEN Story and Script by BEN ELTON

Original Vocal Score by MIKE DIXON, BRIAN MAY, & ROGER TAYLOR Original Orchestrations by STEVE SIDWELL School Edition Prepared by STUART MORLEY

TRW Perusal Not for Production TRW Perusal Not for Production We Will Rock You Piano/Vocals Queen/Ben Elton Ensemble (Ga Ga Kids / Teachers) Radio Ga Ga 2 Words & Music by Roger Taylor

KHASHOGGI: The kids must never know the power of Rock.

Angular & Electronic q=114 TRACK 2 4 &b 4 ∑ ∑ ∑ ∑ (synth bass/drums) 4 ?b 4 Œ ‰ Œ ‰ œ. œ. œ œ œ œ. œ. œ œ œ { œ..œ œ. œ. œ. œ œ œ œ..œ œ. œ. œ. œ œ œ 5 F(„ˆˆ9) G‹7

∏

∏ w

∏

∏ w &b w w w w ww ww w ? ‰ ‰ b œ œ œ œ œ œ œ œ { œ œ œ œ œ œ œ œ œ œ 9 GA GA KIDS: ° &b ∑ ∑ ∑ ∑ ÓŒ‰ j Weœ œ ? ∑ ∑ ∑ ∑ ÓŒ‰ J ¢ b

TRWB¨ PerusalG‹7 B¨/F F G‹/F F j &b w w œ™ œ ˙ w w w wœ™ œ ˙ œ™ œ ˙ Not forw Production™ Jœ ˙ ? ‰ ‰ b œ œ œ œ œ œ œ œ œ œ { œ œ œ œ œ œ œ œ œ œ œ œ

School Edition (US) 5/4/17 Piano/Vocals 2 - Radio Ga Ga

14 ° j &b ‰ j ‰ j ‰ j ‰ œ œ™ œ œ œ œ œ œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ sit a lone and watch your light Our on - ly friend through teenage nights And œ œ™ œ œ œ œ œ œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? ‰ J ‰ J ‰ J ‰ J ¢ b F(„ˆˆ9) G‹7

&b w w w w ww ww w w ? ‰ ‰ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

{18 j ° b ‰ ‰ j œ œ œ œ ŒÓŒ‰ j & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ev - 'ry thing we want to get we down - load from the in- ter net. No œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? ‰ J ‰ J ŒÓŒ‰ J ¢ b

B¨ G‹7 B¨/F F b & w w w wœ w w w w œ™ œ ˙ ˙ Ó w w œ™ Jœ ˙ ˙ ? ‰ ‰ œ œ b œ œ œ œ œ œ œ œ œ œ . œ . œ œ œ œ œ œ . . . œ œ œ œ œ œ œ. œ. œ. {23 ° TRW Perusal j &b ‰ j ‰ j j ‰ œ œ™ œ œ œ œ œ œ™ œ œ œ œ œ œ œ œ œ™ œ œ œ œ œ œ need to think, no need to feel when on - ly cy - ber space is real It œ œ™ œ œNotœ œ œ œfor™ œ œ œ œ Productionœ œ œ œ œ™ œ œ œ œ œ œ ? ‰ J ‰ J J ‰ J ¢ b F(„ˆˆ9) G‹7 &b Œ Œ w ˙ ™ w ˙™ ww ˙˙™ w ˙™ ? ‰ ‰ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 5/4/17{ 2 School Edition (US) Piano/Vocals 2 - Radio Ga Ga

Vocoder - Track GA GA KIDS: 27 ° j j j &b œ ‰ œ œ ‰ j j j Œ œ™ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ™ œ œ œ makes us laugh It makes us cry It makes us feel like we can ﬂy. We can ﬂy A

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? ‰ J ‰ J J J ŒÓŒ‰ œ ¢ b J B¨ G‹7 B¨/F F F(“4) F b & w w w w w w w w œ™ œ ˙ wœ™ œ ˙ w w w J ™ Jœ ˙ ? ‰ ‰ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

{32 ° b ‰ ‰ ‰ j ‰ j & œ™ œ œ œ œ j œ™ œ œ œ œ j œ™ œ œ œ œ œ œ œb œ œ œ œ blue print for ourœ life on - line Touchœ a - ny key Theœ world is mine We're œ œ j œ œ j œ œ œ œb œ œ ? œ™ œ œ ‰ œ œ™ œ œ ‰ œ œ™ œ œ ‰ œ œ œ ‰ œ ¢ b J J F F‹6/A¨ ˙ ˙ ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ ˙ ˙ b˙˙ ˙ & ˙ ˙ ˙ b˙ ˙ ˙ ˙

? ‰ ‰ b œ œ œ œ œb œ œb œ œ œ œ œ œ œb œ œb œ œ

{36 ° TRWj Perusalj &b œn ™ œ œ œ œ ‰ œ œ™ œ œ œ œ ‰ œ œ™ œ œ œ œ ‰ j œ œ œb œ ‰ j lost in space but we don't care œ With-out your light ourœ world's not there. Comœ œn ™ Notœ ™ for Productionœ™ œb j ? œ œ œ œ ‰ œ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ œ œ ‰ œ ¢ b J J J B¨ G/B ˙ ˙ ˙ b ˙ ˙ ˙˙ ˙ n˙ ˙ n˙ ˙ & ˙ ˙ ˙ ˙ ˙ ˙ ˙˙ ˙

?b œ œ ‰ œ œ œn œ ‰ œn œ œ œ œ œ œ œn œ œn œ œ School{ Edition (US) 3 5/4/17 Piano/Vocals 2 - Radio Ga Ga

40 ° &b œn œ œ œ ‰ j œ œ œ œ ‰ j œ œ œ œ œ œ œ œ Œ œ œ œ œ plete control You are the power Our lives are pro grammed by the hour œn œ œ œ j œ œ œ œ j œ œ œ œ œ œ œ œ ? ‰ œ ‰ œ œ œ Œ ¢ b F/C C(“4) C C(„ˆˆ2) C w w ˙ ˙ ˙ &b w w ˙ ˙ ˙˙ ˙

?b œ œ ‰ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ

{44 Vocoder - Track ° j j &b œ™ œ œ Œ œ™ œ œ Œ œ œ œ œ Œ œ œ œ œ Œ œ œ œ œ Œ œ™ Jœ œ œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Glo- bal show Glo - bal show All we hear is Ra-di-o ga ga Vi-de-o goo goo œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? J Œ ∑ œ Œ œ Œ œ Œ ¢ b B¨/F F G‹/F F F/E¨ B¨ F B¨ F œ j j &b œ™ œ ˙ œ™ œ ˙ œ™ œ ˙ œ™ œ ˙ ˙™ œ œ ˙ œ œ ˙ ™ ˙™ œ œ œ œ ˙ œ œ œ ˙ > > ? ‰ œb ‰ œ œ™ j ‰ j ‰ j b œ œ œ œ bœ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > > œ œ œ > >

{49 ° TRW Perusal &b œ œ œ œ œ Œ œ œ œ œ œ Œ œ œ œ œ œ Œ œ œ œ œ œ œ Œ In-ter-net ca caœ All we hear isœ Cy-ber-space ga gaœ Mar- ket-ing blah blahœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? œ œ œNotœ Œ œ forœ œ œ Œ Productionœ œ œ œ Œ œ œ œ œ œ Œ ¢ b B¨ F F/E¨ B¨ F B¨ F b & œ œ ˙ ˙™ œ œ ˙ œ œ ˙ œ œ œ ˙ ˙™ œ œ œ œ ˙ œ œ œ ˙ > > ? œ ‰ j œb ‰ œ œ™ j œ ‰ j œ ‰ j b œ œ œ œ bœ J œ œ œ œ œ œ œ œ œ œ œ œ > > œ œ œ > > œ œ œ > > 5/4/17{ 4 School Edition (US) Piano/Vocals 2 - Radio Ga Ga

53 ° &b j j Œ œ œ œ œ Œ ˙ ˙ œ œ œ œ ˙™ œ œ ˙ Alœ -waysœ some - thing new Glo- bal soft All your œ œ œ œ œ œ œ ˙™ œ œ ˙ ˙ ? œ J J Œ Œ ¢ b

E¨ B¨ C D‹ F/C C b œ œ & bœ œ œ œ œn œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ œ ? b ˙b œ™ j œ ‰ j œ ‰ j ˙ œ™ j œ ‰ j ‰ j b˙ œ œ œ œ œ ˙ œ œ œ œ œ

{57 ° &b ˙ ˙ w Ó Œ‰ j world˙ loves you. Weœ

˙ ˙ w œ ? w Ó Œ‰ J ¢ b C(“4) C F &b Œ ˙ œ w ˙™ ˙ œ œ w ˙™ j ?b œ ‰ œ œ ‰ j ‰ j Œ œ. œ. œ. œ. œ. œ œ œ œ œ œ œ œ. œ. œ. œ. œ. { œ œ. œ. œ. œ. œ. œ. 60 TRW Perusal ° b ‰ j ‰ j ‰ j & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ watch our shows We watch your stars Ac - ross our screens for œ Notœ œ œ forœ œ œProductionœ œ œ œ œ œ œ œ ? ‰ J ‰ J ‰ J ¢ b F(„ˆˆ9) G‹7 b Œ & w ˙ ™ w ww ˙˙™ w ? ‰ ‰ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ School{ Edition (US) 5 5/4/17 Piano/Vocals We Will Rock You Queen/Ben Elton Full Company We Will Rock You (continued) 23c Words & Music by Brian May

SCARAMOUCHE: Buddy. Not cool.

TRACK 34 (gtrs) # 4 & 4 ∑ ∑ ∑ w w> ?# 4 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 4 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

{5 GALILEO: # œ œ œ ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢& ‹ Bud- dy, you're a boy, make a big noise, playing in the street, gon-na be a big man some day. You got

# & ∑ ∑

?# ¿ ¿ ¿ ¿ { ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 7 BUDDY: # ° œ œ œ œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢& œ œ œ œ ‹ mud on your face, you big disgrace, kicking your can all o - ver the place. Sing- ing # & TRW∑ Perusal ∑ ?# ¿ ¿ ¿ ¿ { ¿ ¿ Not¿ for¿ Production¿ ¿ ¿ ¿

School Edition (US) 5/4/17 Piano/Vocals 23c - We Will Rock You - continued

9 GALILEO: ° # œ œ œ œ œ œ œ œ œ œ & œ ŒÓ œ ŒÓ ‹ We will, we will rock you, We will, we will rock you FULL COMPANY: # & œ œ œ œ œ ŒÓ œ œ œ œ œ ŒÓ We will, we willœ rock you We will, we willœ rock you œ œ œ œ œ œ œ œ œ œ œ œ ?# œ œ œ œ œ œ ŒÓ œ œ œ œ œ œ ŒÓ ¢

# & ∑ ∑ ∑ ∑

?# ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

{13 # œ œ œ ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢& ‹ Bud- dy, you're a young man,hard man, shout-ing in the street,gon-na take on the world some day. You got # & ∑ ∑

?# ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

{15 # ° TRWœ œ œ œ™ œPerusalœ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ ¢& ‹ blood on your face, you big disgrace, waving your ban-ner all o - ver the place. # & Not∑ for Production∑

?# ¿ ¿ ¿ ¿ { ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

5/4/17 2 School Edition (US) Piano/Vocals 23c - We Will Rock You - continued

BUDDY: 17 "Ev'rybody" ° # œ œ œ œ œ œ œ œ œ œ ˙ & œ ŒÓ œ ™ ‹ We will, we will rock you We will, we will rock you. # ŒÓ & œ œ œ œ œ œ œ œ œ œ ˙™ We will, we willœ rock you We will, we willœ rock you

œ œ œ œ #œ œ ˙™ œ œ œ œ œ œ œ œ œ œ ˙ ?# œ œ œ œ œ œ ŒÓ œ œ ™ ¢ # & ∑ ∑ ∑ ∑ ?# ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ { ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 21 # œ œ œ ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢& ‹ Bud- dy, you're an old man, poor man, pleading with your eyes, gon-na make you some peace some day. You got # & ∑ ∑

?# ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

{23 # ° œ œ œ œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢& TRW Perusal œ œ ‹ mud on your face, you big disgrace, some - bo - dy bet - ter put you back in- to your place. # & Not∑ for Production∑ ?# ¿ ¿ ¿ ¿ { ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

School Edition (US) 3 5/4/17 Piano/Vocals 23c - We Will Rock You - continued

BUDDY: 25 BUDDY: "Sing it, mm" "Ev'rybody" ° # œ œ œ œ œ œ œ œ œ œ & œ ŒÓ œ ŒÓ ‹ We will, we will rock you We will, we will rock you # & œ œ œ œ œ ŒÓ œ œ œ œ œ ŒÓ We will, we willœ rock you We will, we willœ rock you

œ œ œ œ œ œ œ œ œ œ œ œ ?# œ œ œ œ œ œ ŒÓ œ œ œ œ œ œ ŒÓ ¢

# & ∑ ∑ ∑ ∑ ?# ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ { ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 29 ° # œ œ œ œ œ œ œ œ œ œ ˙ & œ ŒÓ œ ™ ∑ ‹ We will, we will rock you We will, we will rock you! # ŒÓ ∑ & œ œ œ œ œ œ œ œ œ œ ˙™ We will, we willœ rock you We will, we willœ rock you

œ œ œ œ œ œ œ œ œ œ œ œ ˙™ ?# œ œ œ œ œ œ ŒÓ œ œ œ œ œ œ ˙™ ∑ ¢

# & ∑ ∑ ∑ w w TRW Perusal w w > Drum ﬁll ?# ¿ ¿ ¿ ¿ ¿ ¿ w œ œ œ œ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Not for Productionw> >œ >œ >œ >œ

{34 # & Œ ≈ ‰ ‰ j ≈ œ œ œœ# œ œ œ œ œ œ œ œ œ œ œ# œ œ œ œ™ œ œ œœ# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ™ œ œ œ œ œ œ œ œ œ œ œ ?# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 5/4/17{ 4 School Edition (US) Piano/Vocals We Will Rock You Galileo Queen/Ben Elton Scaramouche Khashoggi Killer Queen Full Company Bohemian Rhapsody 26 Words & Music by Freddie Mercury

SCREEN CUE: "Do you want Bohemian Rhapsody? ... Oh alright then" q=72 TRACK 37 GALILEO: ° b 4 œ œ ˙ œ œ œ ˙ œ œ œ &b 4 ∑ ∑ œ œ ¢ Ma ma justkilled a man Put a

B¨ B¨ G‹ b œ œ œ œ œ œ œ œ b 4 œ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? b 4 b 4 w w w w w w w w

5 { œ œ™ œ ° b œ œ œ œ œ œ œ œ œ œ ˙ œ &b œ œ œ œ ˙ ™ ¢ gun a gainst his head Pulled my trigger now he's dead Ma ma life had C‹ œ œ C‹ F7 B¨ b œ œ b œ Perusalœ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œProductionœ œ œ œ œ œ ˙ ?bb w ˙ w w for˙ ˙ w 8 œ œ œ œ œ { b œ™ œ ˙ œ ™ œ œ ° &bTRW ‰ J ™ œ ˙™ Œ ¢ just be-gun but now I've gone and thrown it all a- way G‹ C‹ C‹/B C‹/B¨ A‹7(b5) A¨ E¨/G b Notœ œ &b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ bœ œ œ bœ œ ? b b w ˙ œn œb œ ‰ j œb œ { w ˙ nœ bœ œ œ bœ œ

School Edition (US) 5/4/17 Piano/Vocals 26 - Bohemian Rhapsody

11 ° b œ œ™ ˙ œ œ œb ˙™ œ œ œ œb ™ œ œ œ œ œ™ &b ≈ œ ¢ Ma ma Ooo did n't mean to make you cry IfR

E¨ B¨/D C‹ F‹ F‹/E F‹/E¨ D‹7(b5) œ œ b œ œ &b œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ bœ œ œ œ œ j ?bb ˙™ œ w ‰ œn œb œ ˙™ œ w œ nœ bœ œ

{14 œb œ œ œ œ œ ° b œ œ œ œ œ œ œ œ ™ œ œ œ œb œ 2 &b œ ™ œ œ œb œ œ 4 ¢ I'm not back a- gain this time to mor - row car-ry on car-ry on as if nothing real ly mat B¨ B¨7 E¨ B¨/D C‹ A¨‹ b œ 2 &b œ œ œb œ œ œ œ œ œ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ bb˙ ? b 2 b œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙ ˙ ˙b 4 œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙ ˙ b˙ {17 ° bb 2œ œ œ 4 ∑ ∑ ∑ ¢& 4 4 Perusal - ters Production E¨ A¨/E¨ E¨ E¨º7 F‹7/E¨ B¨ œ œ bb 2 œ œ 4 œ œ œ œ œ œ œn œ & 4 œ œ œ 4 œb œ # œœn n œœb œ œ œ œ œ œ œ œ œ œn œ œ œ œ œ œ œ œ ? 2 4 for bb 4 ˙ 4 w w w TRW˙ w w w {21 SCARAMOUCHE: ° b &b ‰ j ¢ œ œ ˙ Not œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ Too late myœ time has come Sends shiv-vers down my spine Bo dy's™ B¨ G‹ C‹ œ œ b œ œ œ œ b œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? b b w w w w w w 5/4/17{ 2 School Edition (US) Piano/Vocals 26 - Bohemian Rhapsody

24 ° b &b ‰ j œ œ ˙ ‰ œ ¢ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ ™ œ aching all the time Good bye ev-'ryœ-bo-dy™ I've got to go Got to

C‹ F7 B¨ G‹ b œ œ œ œ b œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

? b ˙ ˙ b ˙ w w ˙ w w

{27 ° b &b œ œ œ œ œ œ œ Œ ¢ œ œ œ ˙™ leave you all be - hind and face the truth

C‹ C‹/B C‹/B¨ A‹7(b5) A¨ E¨/G b &b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ bœ œ œ bœ œ ? b b ˙ œn œb œ ‰ j œb œ ˙ nœ bœ œ œ bœ œ { PerusalProduction 29 GALILEO: ° b œ œ ˙ œ œ œb w œb ™ œ œ œ œ œ™ œ &b J Ma- ma ooo for I don't wan-na die I FULL COMPANY: TRWb ˙™ &b œ ww wwb Ooo Ooo œ œ œ œ ?bb Not∑ œ œ ∑ ¢ An - y way the wind blows

E¨ B¨/D C‹ F‹ F‹/E F‹/E¨ D‹7(b5) œ œ b œ œ œ &b œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ bœ œ œ œ j ?bb ˙™ œ w œ ‰ œn œb œ ˙™ œ w œ nœ bœ œ School{ Edition (US) 3 5/4/17 Piano/Vocals 26 - Bohemian Rhapsody

32 œ ° b œ œ œ œ œb œ œ œ œ œ™ &b œ J Ó ∑ some-times wish I'd ne-ver been born at all.

b œ ˙™ &b œ œ œ. ˙ œ ˙™ Œ œ œ œ œ. . ™ ˙™ ooo . ooo ooo ooo Ooo œ œ. ? b œ œ œ. b œ œ œ. ∑ ∑ ¢ ooo . ooo ooo ooo

B¨ B¨7 E¨ B¨/D C‹ b œ œ œ œ &b œ œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ (play RH freely!) ? bb œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ j œ œ œ™ ≈ rœ œ { œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ™ œ œ F‹ F‹/E F‹/E¨ F‹/D B¨7 E¨ B¨/D 35 3 bœ œ œ œ œb œ œ b œ œ œ œ œ œ œ œœœœœœœœœœœœ œ &b bœ œ œ œ œ œ œ œ œPerusalœ œ œ œ œ œb œ œ œœœ 7Productionœ œ œ œ œ œ œ œ œ œ ? j bb œ ‰ œn œb œ œ œ œ œ œ œ œ œ œ { œ nœ bœ œ œforœ œ œ œ œ œ œ œ TRWC‹ F‹ F‹/E F‹/E¨ F‹/D D¨ D¨/C D¨/C¨ D¨/B¨ 38 œ bœ œ b œ™ bœ œ œ b œ œ œ œ œ œ œ œ œ œ œ œ œ bœ™ œ œ œ œ œ œ ### &b œ œ œ œ œ œ œ bœ œ œ œ œ b œ™ œ œ œ C œ œ œ œ œ œ 3 bœ œ œn œb œn Not 3 3 3 ? b ‰ j œ ‰ œ œn œb œ œb ‰ œ # # b œ œ œ œ œ œb œ # C { œ œ œ œ œnœbœ œ bœ œ œ bœ œ

5/4/17 4 School Edition (US) Piano/Vocals 26 - Bohemian Rhapsody

41 q=144 KHASHOGGI: ° # # & # C ∑ ∑ œ œ œ œn œ œ# œ œ œ œ œ œn Œ I see a little sil-hou - et - to of a man

# # & # C ∑ ∑ ∑ ÓŒ œ œ Scar-- a œ œ ?### C ∑ ∑ ∑ ÓŒ ¢ A DA Aº ADA Aº A # ## C & œ œ œ œ œ œ œ œ œ œ œn œœ# #œ nœ œ œn œœ# #œ œ œ...... œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ?# # # C œ ŒÓ ∑ ∑ ∑ œ

{45 # # ° # œ œ œ & œ œ œ œ œ œ nbœ œ#nœ œ œ bnœ œ œ œ nbœ œ nnœ œ œ œ n#œ œ mouche, Scar a-mouche will you dothe Fan dan- go Thun-der-bolt and lightning very very fright- ning

œ œ œ œ œPerusalœ œ œ œ œ œ œb œ œ œ œ œ n œ œ œ œ œ œ ?### nœ œ œ œ œ œ ¢ Production

DADA Aº A D A D¨/A¨ A¨ C/G E7 ### & œ œ œ œn œ œ œ œn œ œ œ œ# œ nœ œ œ œ œ œ forn œœ# œœ#œ n œ œ bb œ œ œ œ n œœb œ nn œ œ œ œ n œ œ ?# # ∑ ∑ TRW# œb œ œ œ œ œ œn œ œ œ bœ œ œ œ œ œ œ œ { Not nœ œ œ œ

School Edition (US) 5 5/4/17