UTV MOVIES INTERNATIONAL Schedule 1-7 JUNE ,2015

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UTV MOVIES INTERNATIONAL Schedule 1-7 JUNE ,2015 ET Monday ET Tuesday ET Wednesday ET Thursday ET Friday ET Saturday ET Sunday 1-Jun 2-Jun 3-Jun 4-Jun 5-Jun 6-Jun 7-Jun MOVIE MAKING - EK 1:30:59 HANSTE KHELTE 0:47:14 KHOON KI PUKAAR 1:22:45 CARAVAN 1:32:18 1:19:04 JEANS 1:06:56 DARIYA DIL 1:10:19 JWAR BHATA MAIN AUR EK TU 3:23:10 HATE STORY 2 2:56:20 EK CHADAR MAILI SI 3:57:56 DISHKIYAOON 1:54:52 MAHAAN 4:04:25 EK HI RAASTA 3:35:34 CHAKRAVYUH 3:39:41 HERA PHERI DIL PARDESI HO PHIR JANAM LENGE 5:26:57 4:51:36 SWADES 5:52:18 GHAR PARIVAAR 4:48:41 KUCCH LUV JAISAA 6:17:46 CHOTA JADUGAR 5:58:17 6:22:09 AGGAR GAYA HUM HASEENA MAAN SAARE JAHAAN SE 5TERS: CASTLE OF 8:00:18 ANARI NO. 1 8:00:25 PREM AGGAN 8:01:28 6:32:05 I AM KALAM 7:58:03 HALLA BOL 8:00:03 8:07:49 JAAYEGI MEHNGA.. DARK MASTER 10:39:30 DEEWANA MASTANA 10:50:38 BEMISAL 10:30:13 NASTIK 8:00:13 SPEED 10:21:57 KAUN...? 9:44:31 HATHKADI 9:54:41 Qurbani TEESRI AANKH: THE 12:55:13 BENAAM 13:15:08 HANSTE KHELTE 13:03:02 9:42:32 DHAAL 11:51:38 SHATRANJ 11:39:19 JODHAA AKBAR 12:23:41 Khuda Gawah HIDDEN CAMERA 14:47:13 FILLER 15:07:09 FILLER 14:35:46 RACE 2 11:22:56 KHOSLA KA GHOSLA! 14:19:29 JANBAAZ 15:07:37 FILLER 15:26:57 Billoo Badshah LUV SHUV TEY 14:51:49 SALAAM BACCHE 15:11:25 16:57:14 YALGAAR 13:28:04 RAKTH 16:57:13 UMRAO JAAN 15:13:40 YALGAAR 17:57:15 Vicky Donor CHICKEN KHURANA 16:11:15 LOC KARGIL 17:22:20 JANBAAZ 20:00:19 JODHAA AKBAR 15:33:13 ANAMIKA 19:59:56 ZEHER 18:16:45 KHELA 20:00:01 Sarkar MOVIE MAKING - 20:00:30 KHOSLA KA GHOSLA! 20:00:24 SHATRANJ 23:27:27 OLDD IS GOLDD 17:30:31 BILLOO BADSHAH 22:05:11 LUV SHUV TEY 20:00:32 SWADES 22:00:20 On the Sets Of.. CHICKEN KHURANA MOVIE MAKING - MOVIE MAKING - HUM TUM AUR 22:06:08 22:28:05 20:00:29 QURBANI 22:43:11 FILLER 23:09:31 22:20:03 On the Sets Of.. BARFI RACE GHOST MOVIE MAKING - Humpty Sharma Ki 22:57:48 FILLER 22:52:01 FILLER 22:28:49 22:59:38 INTEHA 22:58:03 HEROINE Dulhania 23:04:25 SPEED 22:59:21 HALLA BOL 22:49:57 FILLER 23:00:12 SIRF... THE BROADCASTING OF ANY PROGRAM MAY BE INTERRUPTED DUE TO WAR, INSURRECTION OR ACT OF GOD AND/OR TECHNICAL PROBLEMS AND/OR CIRCUMSTANCES BEYOND THE CONTROL OF ATN AND ATN SHALL NOT BE RESPONSIBLE IN ANY WAY OR FORM WHATSOEVER FOR SUCH INTERRUPTIONS AS THEY MAY OCCUR FROM TIME TO TIME.'.

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Jodhaa Akbar
JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote
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Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences.
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Party Team for Dialogue with J&K Today Srinagar : Chief of Army Staff General Dalbir Singh NEW DELHI : the All "The Members of the Dele - from Civilian Areas
C M C M Y B Y B Postal Regd No- JK/485/2016-18 Internet Edition : www.truthprevail.com, E-paper : epaper.truthprevail.com RNI No. JKENG/2012/47637 T3 ru6th P8 revFaair and Fiearl ess * Veeri reviews PMGSY progress, MED functioning * Nanoparticles May Help Prevent Tooth Decay * Harsh alleges open loot and plunder of MG-NREGA funds * Rural areas getting focused attention : Zulfkar * Hot, Hotter, Hottest: Check Out The Super Sensuous Videos of Sunny * Youth in Kashmir should focus on nation building : Dr. Magotra email : [email protected] VOL 5, ISSUE NO. 248 JAMMU & KASHMIR THURSDAY SEPTEMBER 08, 2016 DAILY 8 PAGE Re. 1/- IInnssiiddee Army Chief to visit All Party Team for Dialogue With J&K today Srinagar : Chief of Army Staff General Dalbir Singh NEW DELHI : The All "The members of the dele - from civilian areas. with "all stake holders". He tion of people to ascertain the Home Minister should talk to concrete steps like former will visit Jammu and 'All Stake Holders' in J&K Party Delegation (APD) that gation are of the opinion that Without making any refer - did not elaborate. loss of lives due to violence. the editors of four leading Prime Minister Atal Bihari Kashmir today to review the visited Jammu and Kashmir there is no place for violence ence to separatists including To a similar question, While demanding release newspapers of Kashmir. Vajpayee, who had declared a security situation in the today pitched for dialogue in a civilised society. There Hurriyat Conference, the Congress leader in Lok Sabha of those "illegally jailed" in Yechury said government unilateral ceasefire and held unrest-hit Valley.
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Brief Historical Overview A. Indus Valley Civilization
Brief Historical Overview A. Indus Valley civilization (3,000-1,500 B.C.) 1. 3,000-2,000 B.C.: high civilization, urban, literate, settled agriculture; Harappa/Mohenjo Daro (first grid plan cities) 2. 2,000-1,500 B.C.: Indo-Aryan invasion, pushed Dravidians South, and brought an Aryan group which had a strong hierarchical division between priests, warriors and nomads, and a language similar to Sanskrit (an Indo-Aryan/Indo-European language) B. Vedic Age - 1500 – 1000 BC 1. Vedas: poetic Sanskrit hymns passed down orally for thousands of years ( mostly fire sacrifices, chants, and spells) 2. Rig Veda: 1028 Hymns of praise to Aryan gods (personified forces of nature). C. Classical period (600 B.C. to 600 A.D.): Articulation of Hinduism (Vedas, Upanishads, Bhagavad Gita); establishment of varna system (Brahmins, Kshatriyas, Vaishyas, Shudras) - which provided the foundation of the present jajmani system (to be discussed Week Three) D. Islamic period: invasion by Mahmud of Ghazni in 1057 A.D., from Afghanistan; followed by the Sultanate of Delhi (1206-1526); the great Mughal empire (1527-1857): best known emperors were Akbar, Jehangir and Shah Jehan (builder of the Taj Mahal); effective rule ended in 1748. Akbar created a political system which provided a synthesis of the great diversities in India, which provides a model for accommodation between groups today. [Note: Be thinking of this as we watch Jodhaa Akbar.] E. The British Raj 1. First entered as the British East India Company in Bengal. 2. Established various kinds of taxation and land tenure systems, and organized groups (e.g., tribes, zamindars) into new forms.
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The Conference Brochure
The Many Lives of Indian Cinema: 1913-2013 and beyond Centre for the Study of Developing Societies, Delhi 9-11 January 2014 1 Credits Concept: Ravi Vasudevan Production: Ishita Tiwary Operations: Ashish Mahajan Programme coordinator: Tanveer Kaur Infrastructure: Sachin Kumar, Vikas Chaurasia Consultant: Ravikant Audio-visual Production: Ritika Kaushik Print Design: Mrityunjay Chatterjee Cover Image: Mrityunjay Chatterjee Back Cover Image: Shahid Datawala, Sarai Archive Staff of the Centre for the Study of Developing Societies We gratefully acknowledge support from the following institutions: Indian Council for Social Science Research; Arts and Humanities Research Council; Research Councils UK; Goethe Institute, Delhi; Indian Council for Historical Research; Sage Publishing. Doordarshan have generously extended media partnership to the conference. Images in the brochure are selected from Sarai Archive collections. Sponsors Media Partner 2 The Idea Remembering legendary beginnings provides us the occasion to redefine and make contemporary the history we set out to honour. We need to complicate the idea of origins and `firsts’ because they highlight some dimensions of film culture and usage over others, and obscure the wider network of media technologies, cultural practices, and audiences which made cinema possible. In India, it is a matter of debate whether D.G. Phalke's Raja Harishchandra (1913), popularly referred to as the first Indian feature film, deserves that accolade. As Rosie Thomas has shown, earlier instances of the story film can be identified, includingAlibaba (Hiralal Sen, 1903), an Arabian Nights fantasy which would point to the presence of a different cultural universe from that provided by Phalke's Hindu mythological film. Such a revisionary history is critical to our research agenda.
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HRITHIK ROSHAN the New Emperor of Bollywood
BOLLYWOOD HRITHIK ROSHAN The New Emperor of Bollywood n all the clamour made about the ban- to the latest ‘Jodhaa Akbar’, he has essayed zling depiction of the mysterious Mr. A in ning of the Hindi period romance roles that are as diverse and wide as the ‘Dhoom-2’ — Roshan has displayed an ‘Jodhaa Akbar’ by the Indian states of gamut of emotions and acting skills that he is amazing repertoire of histrionics and Rajasthan, Madhya Pradesh (MP) and capable of exhibiting. breathed life into his on-screen personas so UttarI Pradesh, the subsequent lifting of the Be it any role — a romantic hero much so that you get to see the reel charac- ban by the MP High Court, the protests Rohit/Raj in ‘Kaho Na Pyar Hai’, where he ters and not Roshan, the actor. staged by a motley group in Maharashtra made his stunning debut and caught the But it was as Akbar in Ashutosh against the movie, and about the box-office imagination of the nation, or a convincing Gowariker’s ‘Jodhaa Akbar’ that the true mag- collections that the movie has raked in world- portrayal of a terrorist in ‘Fiza’, or a mind- nificence of Hrithik emerges. wide (about Rs. 740 million worldwide with- blowing interpretation of a growth retarded Roshan as Emperor Jalaluddin Akbar looks in 10 days of its release), one gets a feeling man-child in ‘Koi Mil Gaya’, or a fantastic absolutely larger than life. The film made by that something is not being given the atten- Indian superman avatar in ‘Krrish’, or a daz- Ashutosh Gowiraker is today hailed as one of tion that it richly deserves.
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Born Thespian Kaym ( KMC Alumnus ) VM Badola Passes Away
im 071 www.alumni.du.ac.in The University of Delhi Alumni Edition Ten 2020 Delhi – born thespian Kaym ( KMC alumnus ) V M Badola passes away Kaym Vishwa Mohan Badola Actor , Writer and Journalist BA Eng Hons KMC 1961 MA Eng 1963 Films : Swades 2004 , Jodhaa Akbar 2008 and Munna Bhai MBBS 2003 Passed away 23.11.2020 Google released an ad film about two elderly men, who had been friends in Lahore before the Partition separated them , being reunited by their grandchildren . The Pakistani was played by veteran actor director M S Sathyu .When he arrived in Delhi for the shoot, Sathyu was in for a surprise : the other actor was Vishwa Mohan Badola , his friend from the time they used to do theatre in Delhi in the 1970s, “ The whole film was a surprise,” says Sathyu over the phone from Bengaluru. Their embrace, towards the end of the clip captured a well of emotions from nostalgia and remorse to a yeaming for peace and friendship , “ He was a very strong and sensitive actor,” says Sathyu , about V M , who passed away from age related illness. He was 84 . The viral ad film was only one of V M’s several works in film, radio and stage. The 60s and 70s were marked by sociopolitical upheaval and as a journalist and a theatre practitioner , he would have long discussions about the nation with Sathyu and others. “ It was a time when a lot of theatre was being created around the Emergency and he participated in several of these . He was also a good writer, politically aware and opposed to autocracy” says Sathyu .
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Tel: 905-795-0639 Friday, Octoberjune 2, 201730, 2020 Volvol 26, 23, No
www.WeeklyVoice.com FRONT PAGE Friday, August 21, 2020 | A-1 Canada’s Leading South Asian Newspaper - Tel: 905-795-0639 Friday, OctoberJune 2, 201730, 2020 www.WeeklyVoice.com VolVol 26, 23, No. No. 44 22 PM: 40025701 A-2 | Friday, October 30, 2020 www.WeeklyVoice.com www.WeeklyVoice.com FRONT PAGE Friday, August 21, 2020 | A-3 Canada’s Leading South Asian Newspaper - Tel: 905-795-0639 Friday, OctoberJune 2, 201730, 2020 www.WeeklyVoice.com VolVol 26, 23, No. No. 44 22 PM: 40025701 Action On Electronic Logging On Trucks, page 6 Plastic Capture Technology For The Great Lakes, page 8 Osler Getting Funds To Boost Bed Capacity, page 13 Ottawa Will Boost Recovery Incentives Measures Will Be Expensive, But We Need A Macro-Economic Approach Says Freeland At Forum OTTAWA: The Canadian Gov- will only be able to recover fully contact tracers. “And last spring, ernment is doing everything it once we have defeated the virus.” when they were needed, the takes to protect Canadians’ health Prime Minister Justin Trudeau women and men of the Canadian and jobs and to put COVID-19 hailed the speech and tweeted: Armed Forces went in to care for, behind us as quickly as we can, “No one should have to face this and protect, our elders.” Deputy Prime Minister and Fi- pandemic alone - not workers, Freeland was the keynote nance Minister Chrystia Freeland not families, not business owners. speaker on on the last day of said on Wednesday. That’s why we’ve stepped up to the three-day virtual conference, In a speech to the Toronto help.
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Enchanting Tales of Jodha-Akbar
REVIEW The Enchantress of Florence: A Novel. Rushdie, Salman. 2008. London: Jonathan Cape. ISBN 978 0224 06163 6 Jodhaa Akbar. Ashutosh Gowarikar Productions. 2008. Mumbai: India. UTV Motion Pictures. Enchanting tales of Jodha-Akbar Rituparna Roy and seductresses of all kinds, but the relation to Akbar, in the same way as he most interesting of them all is the imagi- thinks of his in relation to God. And in a Jodhaa Akbar is a lavish period drama on nary Jodha – a being created by Akbar’s way, they echo each other’s thoughts: celluloid; The Enchantress of Florence is an all-powerful fancy, khayal. Making her “The question of her independent existence, ‘East meets West’ novel, highlighting not character imaginary serves two purposes of whether she had one, insisted on being so much a clash of civilisations as their in the novel. In The Enchantress of Florence, asked, over and over, whether she willed it commonality. At the heart of both is Jalal Rushdie celebrates, among other things, a or not. If God turned his face away from his ud-din Muhammad Akbar (1542-1605), the time when “the real and the unreal were creation, Man, would Man simply cease to greatest Mughal Emperor of India, who, [not] segregated forever and doomed to be? That was the large-scale version of the though illiterate, was gifted with a unique live apart under different monarchs and question, but it was the selfish, small-scale syncretic vision which he tried concretis- separate legal systems” – and the best versions that bothered her. Was her will free ing in his own lifetime, by creating a new attestation of that fact in the novel is the of the man who had willed her into being? religion of man (Din-i-Ilahi or the ‘Divine character of Jodha Bai, Akbar’s fantasy Did she exist only because of his suspension Faith’) that sought to bring people of all come alive.
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Dress Code for Men and Women
ALU AISD Fashionista Volume 1, Issue 1 January– March, 2016 Top 10 Denim Brands in India for Men Editor-in-Chief Dr. B.Dharmalingam Today when more and more people are becoming brand con- Professor & Director scious retailers are cashing on it and are earning big bucks. The big AISD names in the clothing brands tell us how our fashion scenario has evolved and changed. There are some brands which have been in business for more than 100 years. These clothing brands have made a definite mark in the fashion and clothing industry. The brands have changed the whole style and clothing scenario. Media Managing Editor and promotions have been the sole reasons for the brand awareness Dr. G. Mahesh and consciousness among the Generation. Asst.Prof., AISD K Lounge Associate Editor Flying Machine P.Sam Vimal Rajkumar Levis Teaching Asst., AISD Wrangler A.Bhuvaneshwari Spykar Lab Asst., AISD Diesel True Religion Technical Editors Pepe Jeans N. Kanagaraj R.Susila Lee M.Lakshmanan I B.Voc. Fashion Technology Numero Uno. J. Jenitamary N. Kanagaraj From the Editor-in-Chief’s Desk R.G. Govarthini The purpose of ALU AISD fashionista a quarterly Mag- M. Vijayarani azine, is to inform, engage and inspire the diverse reader- ship, including Academia, Students, Industry personnel and other stakeholders by publishing B.Voc. Fashion tech- nology students‘ creative fashionable and glimpses of de- “The most coura- partmental activities. It is intended to bring out the hidden geous act is skill to literary talents of our students and also to inculcate author- think for yourself. ing skills to them.
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Hate Story 3 2 Full Movie Download
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Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam
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