Boston Symphony Orchestra Concert Programs, Summer, 2004
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From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Download 2018 Catalog
JUNE 23 Bing Concert Hall Joshua Redman Quartet presented by JUNE 22 – AUGUST 4 28 BRILLIANT CONCERTS STANFORDJAZZ.ORG presented by JUNE JULY FRI FRI FRI FRI SAT SAT SAT SAT SAT MON SUN SUN 22 23 SUN 24 29 30 1 6 7 7 13 14 15 16 Indian Jazz Journey JUNE 22 – AUGUST 4 with Jazz on 28 BRILLIANT CONCERTS George the Green: Brooks, Early Bird Miles STANFORDJAZZ.ORG Jazz featuring Jazz for Electric Ruth Davies’ Inside Out Mahesh Dick Kids: An Band, Kev Tommy Somethin’ Blues Night with Joshua Kale and Tiffany Christian Hyman Jim Nadel American Choice, Igoe and Else: A with Special Jim Nadel Redman Bickram Austin McBride’s and Ken and the Songbook Sidewalk the Art of Tribute to Guest Eric & Friends Quartet Ghosh Septet New Jawn Or Bareket Peplowski Zookeepers Celebration Chalk Jazz Cannonball Bibb JULY AUGUST FRI FRI SAT SAT SAT TUE WED THU THU SUN SUN WED WED MON 18 19 21 22 23 25 26 27 28 29 MON 30 31 1 3 4 SJW All-Star Jam Wycliffe Gordon, Melissa Aldana, Taylor Eigsti, Yosvany Terry, Charles McPherson, Jeb Patton, Tupac SJW CD Mantilla, Release Jazz Brazil: Dena Camila SJW CD Regina Party: Anat DeRose Jeb Patton Meza, Release Carter Caroline Cohen/ Terrence Trio with Trio and Yotam party: An & Xavier Davis’ Romero Brewer Anat Yosvany Tupac Silberstein, Debbie Evening Davis: Heart Tonic Lubambo/ Acoustic Cohen and Charles Terry Taylor Mantilla’s Mike Andrea Poryes/ with Duos and Bria and Jessica Vitor Remembering Jazz Jimmy McPherson Afro-Cuban Eigsti Trio Point of Rodriguez, Motis Sam Reider Victor Lin Quartet Skonberg Jones Gonçalves Ndugu Quartet Heath Quintet Sextet and Friends View and others. -
25995 Yamaha
Jazz piano wunderkind Taylor Eigsti has accomplished more before the age of 20 than many musicians achieve in a lifetime. In addition to sharing the stage with David Benoit at age eight and recording his first CD at thirteen, Eigsti has opened for such artists as Diana Krall, Al Jarreau and Natalie Cole. With a new album, Resonance, out on Bop City Ta ylor Eigsti: and another due out in early 2004, this is one young pianist to watch. Bending Jazz Boundaries for eiGSTi , The keY To MuSiCAl GrowTh lieS in eXPlorinG STYleS ouT - is their profoundly consistent action,” he says. “i just don’t think “I deliberately listen to music that side the standard jazz canon. “The next record will have elements there’s a piano out there that’s as consistent—it’s a balanced I hate—and often I end up finding some of hip-hop and funk,” he says. “i may even do a nirvana tune. action, it feels nice. And i really like the tone you get from Yamaha i think of myself as a jazz musician, but ideally what i do is incor - pianos. it varies from instrument to instrument, of course, but over - element in that style or genre porate and assimilate other genres, using the mechanisms all they seem very balanced—not too bright and not too mellow. that I really like.” and integrity of jazz.” i’ve used Yamaha pianos on almost everything i’ve recorded. Taylor actively seeks out new influences, sometimes from i especially like the Yamaha C7 grand—it has a great recording unexpected sources. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Master Players Concert Series 2018 - 2019 M O D E R N P I O N E E R S
master playersFESTIVAL & SCHOOL 2018 contents from the director 3 about MPF 4 5 reasons to attend MPF 5 divisions 6 little masters division 7 events 8 thursday, july 26 9 friday, july 27 10 saturday, july 28 11 sunday, july 29 12 monday, july 30 13 wednesday, august 1 14 thursday, august 2 15 friday, august 3 16 saturday, august 4 17 special programs 18 paul kantor workshop 18 karen tuttle workshop 18 american musical journey 19 faculty 20 staff 31 ticketing 32 parking 33 directions 34 local restaurants 35 UD hotel 37 master players concerts series 38 partner & sponsors 40 1 from the director Dear Friends of Music, Welcome to the 4th annual Master Players Festival & School (MPF). MPF is a 12-day international festival that offers world-class concerts, competitions, and exceptional interdisciplinary training to musicians ages 14 and up. The festival features many of today’s leading musicians in faculty concerts, master classes, and presentations that are free-of-charge and open to the public. Young orchestral musicians, pianists, vocalists, and conductors will work daily with some of the most prominent professional musicians of our time. They will join you in the audience to watch their master teachers perform and sometimes even share the stage with them. Our MPF students are the driving force of the future music scene, and I invite you to dive into the world of our young musicians to understand how they learn, process ideas, practice, and prepare performances. These dedicated students take years to perfect their craft, and I hope you will enjoy their professionalism in concert. -
Dorothy Delay, Historic Violin Instructor, Neodesha
Dorothy DeLay - Historic Violin Instructor This is Kansas Profile. I'm Ron Wilson, director of the Huck Boyd National Institute for Rural Development at Kansas State University. She taught the masters. She became one of the most famous, sought-after teachers of professional violinists in the world. Her name was Dorothy DeLay, and she came from rural Kansas. It’s today’s Kansas Profile. Dorothy DeLay was born in 1917 in Medicine Lodge. Her parents were musicians and educators. She later described her upbringing as strict and religious. The family moved to Neodesha where her father became school superintendent, and Miss DeLay grew up there. Her musical talents surfaced early. She began studying the violin at age 4 and did a recital at her church at age 5. She was such an advanced student that she graduated from Neodesha High School at age 16 and enrolled at the Oberlin Conservatory in Ohio. Miss DeLay later transferred to Michigan State. Dorothy DeLay was an outstanding violinist. After her graduation in 1937, she moved to New York to continue her violin studies at Juilliard. She also used her musical talents as part of a musical group that she formed called the Stuyvestant Trio. This consisted of a pianist, Dorothy on the violin, and her sister Nellis on the cello. Dorothy toured Latin America as a member of Leopold Stokowski's All- American Youth Orchestra. After that tour, on the cross-country train trip back home, she met a young writer named Edward Newhouse. Apparently it was true love. Four months later they were married. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Boston Symphony Orchestra Concert Programs, Summer, 2004
2004, Tanglewood to SEIJI O ZAWA HALL Prelude Concert lOth ANNIVERSARY SEASON Friday, August 27, at 6 Florence Gould Auditorium, Seiji Ozawa Hall TANGLEWOOD FESTIVAL CHORUS JOHN OLIVER, conductor with FRANK CORLISS and MARTIN AMLIN, pianists FENWICK SMITH, flute ANN HOBSON PILOT, harp Texts and Translations Translations by Laura Mennill and Michal Kohout RHHr3 LEOS JANACEK (1854-1928) !!2£9@& Three Mixed Choruses P£yt£fr&iMi Pisen v jeseni Song of Autumn Nuz vzhuru k vysinam! Then up at heights! Cim jsou mi vazby tela? Whose is my textured body? HfMM Ja neznam zhynuti. I don't know death. V*$R 9 Ja neznam smrti chlad, I don't know cold death, A4S&2I Mne jest, )ak hudba sfer I feel like a sphere of music by nad mou hlavou znela, sounds above my head. Ja letim hvezdam vstric na bile peruti. I fly to meet the star on white wings. Ma duse na vlnach jak kvet buji, My soul on waves as flowers grow wild, z ni vune, laska ma se vznasi vys a vys, from its odor, my love floats higher and higher, kol moje myslenky se toci, poletuji, how much my thoughts roll, fly, jak pestfi motyli, like a colorful butterfly, ku hvezdam bliz a bliz! towards the star nearer and nearer! Ma duse paprsek, My soul beams, se v modrem vzduchu houpa, in the blue air sways, vidi, co sni kvet see, what dreams flower na dne v svem kalichu, at the bottom of its goblet, cim trtina zastena, what reeds shield, kdyz bfe hu vlna skoupa as the waves hit the shores ji usty vlhkymi chce zlibat potichu. -
View Commencement Program
THOSE WHO EXCEL REACH THE STARS FRIDAY, MAY 10, 2019 THE RIVERSIDE CHURCH MANHATTAN SCHOOL OF MUSIC NINETY-THIRD COMMENCEMENT Processional The audience is requested to rise and remain standing during the processional. ANTHONY DILORENZO “The Golden Palace and the Steamship” from The Toymaker (b. 1967) WILLIAM WALTON Crown Imperial: Coronation March (1902–1983) (arr. J. Kreines) BRIAN BALMAGES Fanfare canzonique (b. 1975) Commencement Brass and Percussion Ensemble Kyle Ritenauer (BM ’11, MM ’15), Conductor Gustavo Leite (MM ’19), trumpet Changhyun Cha (MM ’20), trumpet Caleb Laidlaw (BM ’18, MM ’20), trumpet Sean Alexander (BM ’20), trumpet Imani Duhe (BM ’20), trumpet Matthew Beesmer (BM ’20), trumpet Olivia Pidi (MM ’19), trumpet Benjamin Lieberman (BM ’22), trumpet Kevin Newton (MM ’20), horn Jisun Oh (MM ’19), horn Eli Pandolfi (BM ’20), horn Liana Hoffman (BM ’20), horn Emma Potter (BM ’22), horn Kevin Casey (MM ’20), trombone Kenton Campbell (MM ’20), trombone Julia Dombroski (MM ’20), trombone David Farrell (MM ’20), trombone Morgan Fite (PS ’19), bass trombone Patrick Crider (MM ’19), bass trombone Mark Broschinsky (DMA ’11), euphonium Logan Reid (BM ’20), bass trombone Emerick Falta (BM ’21), tuba Brandon Figueroa (BM ’20), tuba Cooper Martell (BM ’20), percussion Hyunjung Choi (BM ’19), percussion Tae McLoughlin (BM ’20), percussion Hamza Able (BM ’20), percussion Introduction Monica Coen Christensen, Dean of Students Greetings Lorraine Gallard, Chair of the Board of Trustees James Gandre, President Presentation of Commencement Awards Laura Sametz, Member of the Musical Theatre faculty and the Board of Trustees Musical Interlude GEORGE LEWIS Artificial Life 2007 (b. 1952) Paul Mizzi (MM ’19), flute Wickliffe Simmons (MM ’19), cello Edward Forstman (MM ’19), piano Thomas Feng (MM ’19), piano Jon Clancy (MM ’19), percussion Presentation of the President’s Medal for Distinguished Service President Gandre Joyce Griggs, Executive Vice President and Provost John K. -
FILM WEEK at the PHILHARMONIC Alec Baldwin, the ART of the SCORE Artistic Advisor
UPDATED April 29, 2016 CHRONOLOGICAL LISTING 2015–16 SEASON THE ART OF THE SCORE: FILM WEEK AT THE PHILHARMONIC Alec Baldwin, THE ART OF THE SCORE Artistic Advisor ON THE WATERFRONT Avery Fisher Hall at Lincoln Center Friday, September 18, 2015, 7:30 p.m. David Newman, conductor Robert Osborne, special guest BERNSTEIN On the Waterfront (World Premiere–live score with complete film) THE ART OF THE SCORE: FILM WEEK AT THE PHILHARMONIC Alec Baldwin, THE ART OF THE SCORE Artistic Advisor THE GODFATHER Avery Fisher Hall at Lincoln Center Saturday, September 19, 2015, 8:00 p.m. Monday, September 21, 2015, 7:30 p.m. Justin Freer*, conductor Paul Sorvino, special guest (September 19) ROTA The Godfather (New York Premiere–live score with complete film) * denotes New York Philharmonic debut 2 ALAN GILBERT CONDUCTS: OPENING GALA CONCERT WITH LANG LANG David Geffen Hall at Lincoln Center Thursday, September 24, 2015, 7:30 p.m. Live From Lincoln Center Alan Gilbert, conductor Lang Lang, piano GRIEG Piano Concerto BEETHOVEN Symphony No. 7 ALAN GILBERT CONDUCTS: COMPOSER-IN-RESIDENCE ESA-PEKKA SALONEN’S LA VARIATIONS David Geffen Hall at Lincoln Center Friday, September 25, 2015, 8:00 p.m. Saturday, September 26, 2015, 8:00 p.m. Alan Gilbert, conductor Esa-Pekka SALONEN LA Variations R. STRAUSS Ein Heldenleben Frank Huang, violin ALAN GILBERT CONDUCTS: BRAHMS WITH EMANUEL AX David Geffen Hall at Lincoln Center Wednesday, September 30, 2015, 7:30 p.m. Alan Gilbert, conductor Emanuel Ax, piano BEETHOVEN Symphony No. 7 BRAHMS Piano Concerto No. 2 3 ALAN GILBERT CONDUCTS: WORLD PREMIERE BY MARC NEIKRUG David Geffen Hall at Lincoln Center Thursday, October 1, 2015, 7:30 p.m. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
Hamlet Hub (USA)
US-CT Source: HamletHub Retrieved from https://news.hamlethub.com/wilton/events/51122-wilton-library-streams-hot-cool-jazz-concert-april-30 on 24 June, 2021 Wilton Library streams Hot & Cool Jazz concert April 30 Published on Thursday, 08 April 2021 11:39 Written by Janet Crystal The iconic piano bursts to life when Taylor Eigsti performs in Wilton Library’s first recorded Hot & Cool Jazz concert of the year on Friday, April 30, from 7 to 8:30 p.m. The day chosen for the concert’s release is fitting as it is International Jazz Day. Eigsti, long a favorite of the library’s Hot & Cool Jazz series having been its opening musician in 2007, performed this concert at Millstone – then the long-time home of jazz legend Dave Brubeck. The concert was recorded this past December, with Eigsti working his magic on Dave’s grand piano in the dramatic two-story music room where Dave composed so much of his famous music. Wilton resident Chris Brubeck, an award-winning composer and superlative trombonist and bassist, also sat in and jammed with Taylor on a few tunes. This will be a very special one-time concert broadcast. New York-based pianist and composer Taylor Eigsti started playing the piano when he was four years old and was quickly labeled a prodigy. He has since released seven albums as a bandleader, in addition to appearing on over 50 albums as a sideman. On May 21, 2021, Eigsti will be releasing his eighth album as a leader (and his first brand new album in eleven years), called Tree Falls on GSI Records.