How to Wire-Up an Audio Amplifier
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Switched-Mode Power Supply - Wikipedia, the Free Encyclopedia
Switched-mode power supply - Wikipedia, the free encyclopedia Log in / create account Article Discussion Read Edit Switched-mode power supply From Wikipedia, the free encyclopedia For other uses, see Switch (disambiguation). Navigation A switched-mode power supply (switching-mode Main page power supply, SMPS, or simply switcher) is an Contents electronic power supply that incorporates a switching Featured content regulator in order to be highly efficient in the Current events conversion of electrical power. Like other types of Random article power supplies, an SMPS transfers power from a Donate to Wikipedia source like the electrical power grid to a load (e.g., a personal computer) while converting voltage and Interaction current characteristics. An SMPS is usually employed to efficiently provide a regulated output voltage, Help typically at a level different from the input voltage. About Wikipedia Unlike a linear power supply, the pass transistor of a Community portal switching mode supply switches very quickly (typically Recent changes between 50 kHz and 1 MHz) between full-on and full- Interior view of an ATX SMPS: below Contact Wikipedia off states, which minimizes wasted energy. Voltage A: input EMI filtering; A: bridge rectifier; regulation is provided by varying the ratio of on to off B: input filter capacitors; Toolbox time. In contrast, a linear power supply must dissipate Between B and C: primary side heat sink; the excess voltage to regulate the output. This higher C: transformer; What links here Between C and D: secondary side heat sink; efficiency is the chief advantage of a switched-mode Related changes D: output filter coil; power supply. -
And Passive Speakers?
To be active or not to be active – that is the question... To be active or not to be active – that is the question... 1. Active, passive – the situation 2. Active and passive loudspeaker – the basic difference 3. Passive loudspeaker 4. Active loudspeaker 5. The ADAM loudspeaker: passive option, active optimum 1. Active versus Passive – the Situation In any hifi-system, the loudspeakers are the pivotal component concerning sound quality. That is not to say that the other components do not matter. Nevertheless, it is indisputable that the loudspeaker is decisive for the sound of a hifi-system. It is – besides the acoustical properties of the listening room and the recording itself – the core of any music reproduction. The history of loudspeaker development has produced a great variety of very different systems and designs. The circuit technology of the frequency-separating filter that separates the audio signal into different frequency ranges is determining the design of a loudspeaker. In this respect we distinguish between active and passive systems. Usually, this is a topic that is often underestimated in its importance for sound quality. Active-passive is much more than just a technical negligibility: In fact, the impact of the dividing network on the overall sound of a loudspeaker is substantial. Active or passive – which system is preferable? Considering the aspects mentioned before, it may become a little more comprehensive why the very question comes up over and over again in the hifi-world. For decades it has been spooking as a debate on principles in the journals and magazines and for some time, now, in the web forums. -
Introduction to the Digital Snake
TABLE OF CONTENTS What’s an Audio Snake ........................................4 The Benefits of the Digital Snake .........................5 Digital Snake Components ..................................6 Improved Intelligibility ...........................................8 Immunity from Hums & Buzzes .............................9 Lightweight & Portable .......................................10 Low Installation Cost ...........................................11 Additional Benefits ..............................................12 Digital Snake Comparison Chart .......................14 Conclusion ...........................................................15 All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland System Solutions. All trade- marks are the property of their respective owners. Roland System Solutions © 2005 Introduction Digital is the technology of our world today. It’s all around us in the form of CDs, DVDs, MP3 players, digital cameras, and computers. Digital offers great benefits to all of us, and makes our lives easier and better. Such benefits would have been impossible using analog technology. Who would go back to the world of cassette tapes, for example, after experiencing the ease of access and clean sound quality of a CD? Until recently, analog sound systems have been the standard for sound reinforcement and PA applications. However, recent technological advances have brought the benefits of digital audio to the live sound arena. Digital audio is superior -
Corel DESIGNER
Mains Harmonics REO (UK) LTD, Units 2 - 4 Callow Hill Road, Craven Arms Business Park, Craven Arms, Shropshire SY7 8NT UK Tel: 01588 673411 Fax: 01588 672718 REO UK LTD Email: sales@ reo.co.uk W ebsite: www.reo.co.uk Contents W hat are mains harmonics? 1 2 Mains harmonics are voltages and/or Harmonics with numbers that are divisible W hat are mains harmonics? currents that occur in an AC mains by three (3rd, 6th, 9th, 12th, 15th, etc.) are 2 electricity power supply at multiples of the called zero sequence harmonics, because nominal mains frequency. 'Even-order' the fields they cause in a three-phase AC harmonic frequencies are those that occur motor are stationary 2 they do not rotate. How do mains harmonics occur? 3 at even-numbered multiples of the Odd-numbered 'zero-sequence' harmonics nominal mains frequency, whereas 'odd- (3rd, 9th, 15th, etc.) are called triplens. order' harmonics occur at odd-numbered W hy are harmonics an increasingly important issue? 7 multiples, as shown in Table 1. Table 1 Some examples of harmonics for four common AC power supply frequencies How mains harmonics cause harm 9 Harmonic Number Even Odd 16.667Hz 50Hz 60Hz 400Hz Order Order Relevant standards and codes on mains harmonics 28 1 (the fundamental 16.667Hz 50Hz 60Hz 400Hz mains frequency) Likely sources of harmonic interference 33 2 33.333 100 120 800 3 50 150 180 1.2kHz The influence of the mains distribution systems impedance 35 4 66.667 200 240 1.6kHz 5 83.333 250 300 2kHz 6 100 300 360 2.4kHz How can harmonics be detected and measured 37 7 116.667 350 420 2.8kHz 8 133.333 400 480 3.2kHz Testing for immunity to harmonically distorted mains supplies 42 9 150 450 540 3.6kHz 10 166.667 500 600 4kHz Prevention and avoidance measures 42 11 183.333 550 660 4.4kHz 12 200 600 720 4.8kHz 13 216.667 650 780 5.2kHz Harmonic mitigation products from REO 61 14 233.333 700 840 5.6kHz 15 250 750 900 6kHz References and further reading 63 ...etc.. -
Audio Interface User's Manual
Audio Interface User’s Manual Eurorack Synthesizer Modules 14 HP TABLE OF CONTENTS 1.INTRODUCTION 2.WARRANTY 3.INSTALLATION 4.FUNCTION OF PANEL COMPONENTS 5.SIGNALFLOW & ROUTING 6.SPECIFICATIONS 2 1. INTRODUCTION Audiophile Circuits League. -The main purpose of the ACL Audio Interface module is to interface modular synthesizer systems with professional audio recording and stage equipment. The combination of studio quality signal path, �lexible routing possibilities and a headphoneheadphones ampli�ier, with low capabledistortion, of drivingmakes theboth connection high and low between impedance these different environments effortless and sonically transparent. The ACL Audio Interface offers balanced to unbalanced and unbalanced to balanced stereo lines with level controls. The stereo signal from the auxiliary input,either alsowith with balanced level tocontrol, unbalanced, can be oroptionally unbalanced routed to balanced to and mixed line signals,together or can be muted. The headphone ampli�ier can also get its signal from one or the other line after the level control and mixing stage, or can be muted. Since the ampli�ier is AC coupled only at the input, but not at the output, there is an on-board DC protection circuit included. In case the headphone ampli�ier is driven into clipping, the protection can also be tripped. The module has a soft start function* and one overload indicator for every line. *With the soft start function, the interface switch is turned on after a while after turning on the Eurorack main unit. This function can prevent output of unexpecteddamage to the sound speaker. that another module will emit at startup, which will cause 3 2. -
DM-TX-300N Digitalmedia™ CAT Transmitter 300N
DM-TX-300N DigitalMedia™ CAT Transmitter 300N > DigitalMedia™ CAT transmitter and multimedia interface > Built-in 3x1 AV switcher with front panel input selection and audio-breakaway[3] > QuickSwitch HD® technology achieves fast, reliable switching > DM® CAT output supports up to 450 ft (137 m) cable length[1] > Provides HDMI®, DVI, RGB, and multi-format analog video inputs > Also supports DisplayPort Multimode sources[4] > Includes balanced/unbalanced analog and S/PDIF audio inputs > Includes a local HDMI monitor output Multimedia Computer/AV Interface > Handles HD video with HDCP The DM-TX-300N provides versatile switching among three different video and audio sources. The inputs can be selected manually from the front > Handles Dolby Digital®, DTS®, and uncompressed 7.1 linear PCM audio panel or through a Crestron control system. Inputs include: > Detects and reports detailed video and audio input information • HDMI — Supports HD 1080p60 video and WUXGA computer signals > Performs automatic AV signal format management via EDID with HDCP and multi-channel lossless audio. Also handles DisplayPort > Provides a 10/100 Ethernet connection Multimode signals using an appropriate adapter or interface cable. > Enables device control via CEC, IR, RS-232, and Ethernet • DVI-I — This input handles DVI and analog RGB signals up to WUXGA > Allows quick, easy setup and diagnostics 1920x1200 pixels, as well as analog video up to 1080p60[2]. A stereo > Single-space 19-inch rack-mountable audio input is included to accommodate the analog audio signal from a > Includes external universal power pack balanced or unbalanced line-level source. • Video — This multi-format video input accepts analog YPbPr The DM-TX-300N is a DM® CAT transmitter and switcher that offers a component video signals up to 1080p60, as well as standard definition NTSC/PAL composite and S-Video. -
MINIDISC MANUAL V3.0E Table of Contents
MINIDISC MANUAL V3.0E Table of Contents Introduction . 1 1. The MiniDisc System 1.1. The Features . 2 1.2. What it is and How it Works . 3 1.3. Serial Copy Management System . 8 1.4. Additional Features of the Premastered MD . 8 2. The production process of the premastered MD 2.1. MD Production . 9 2.2. MD Components . 10 3. Input components specification 3.1. Sound Carrier Specifications . 12 3.2. Additional TOC Data / Character Information . 17 3.3. Label-, Artwork- and Print Films . 19 3.4. MiniDisc Logo . 23 4. Sony DADC Austria AG 4.1. The Company . 25 5. Appendix Form Sheets Introduction T he quick random access of Compact Disc players has become a necessity for music lovers. The high quality of digital sound is now the norm. The future of personal audio must meet the above criteria and more. That’s why Sony has created the MiniDisc, a revolutionary evolution in the field of digital audio based on an advanced miniature optical disc. The MD offers consumers the quick random access, durability and high sound quality of optical media, as well as superb compactness, shock- resistant portability and recordability. In short, the MD format has been created to meet the needs of personal music entertainment in the future. Based on a dazzling array of new technologies, the MiniDisc offers a new lifestyle in personal audio enjoyment. The Features 1. The MiniDisc System 1.1. The Features With the MiniDisc, Sony has created a revolutionary optical disc. It offers all the features that music fans have been waiting for. -
Checking out the Power Supply the Power Supply Must Be Carefully Checked out a Good Many Australian-Made Sets from the Mid 1930S-1950 Era
Checking out the power supply The power supply must be carefully checked out a good many Australian-made sets from the mid 1930s-1950 era. Fig.1 before switching on a vintage radio. The shows a typical circuit configura- components most likely to be at fault are the tion but there are other variations. electrolytic capacitors, most of which should be For example, some rectifiers re- quire a cathode voltage of 6.3V AC, replaced as a matter of course. not 5V. Similarly, not all radio valves use Although only a few parts are in- (equivalent to 570 volts, centre- 6.3V heater supplies. There are volved, the power supply is a com- tapped). 2.5V valves, 4V valves and 12V mon source of problems in vintage The 5V and 6.3V AC supplies are valves in some late model sets. In radios. It should be carefully check- wired straight from the trans- these radios, the low tension ed out before power is applied, as a former to the filaments and voltages on the transformer will be fault here can quickly cause heaters. However, the high tension different — but that's about all. damage to critical components. supply must be rectified to give a The high tension voltage will still be Most mains-operated valve high-tension DC supply for the well in excess of 250 volts. radios have three separate secon- anodes and screens for the various The output from the rectifier dary windings on the power receiving and output valves. A valve will not be pure DC but does transformer. -
Tube Ultragain T1953
Users Manual ENGLISH Version 1.2 December 2002 T1953 TUBE ULTRAGAIN TUBE ULTRAGAIN T1953 SAFETY INSTRUCTIONS CAUTION: To reduce the risk of electric shock, do not remove the cover (or back). No user serviceable parts inside; refer servicing to qualified personnel. WARNING: To reduce the risk of fire or electric shock, do not expose this appliance to rain or moisture. This symbol, wherever it appears, This symbol, wherever it appears, alerts alerts you to the presence of you to important operating and mainte- uninsulated dangerous voltage inside nance instructions in the accompanying the enclosurevoltage that may be literature. Read the manual. sufficient to constitute a risk of shock. DETAILED SAFETY INSTRUCTIONS: All the safety and operation instructions should be read before the appliance is operated. Retain Instructions: The safety and operating instructions should be retained for future reference. Heed Warnings: All warnings on the appliance and in the operating instructions should be adhered to. Follow instructions: All operation and user instructions should be followed. Water and Moisture: The appliance should not be used near water (e.g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool etc.). Ventilation: The appliance should be situated so that its location or position does not interfere with its proper ventilation. For example, the appliance should not be situated on a bed, sofa, rug, or similar surface that may block the ventilation openings, or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. -
Class D Audio Amplifier Basics
Application Note AN-1071 Class D Audio Amplifier Basics By Jun Honda & Jonathan Adams Table of Contents Page What is a Class D Audio Amplifier? – Theory of Operation..................2 Topology Comparison – Linear vs. Class D .........................................4 Analogy to a Synchronous Buck Converter..........................................5 Power Losses in the MOSFETs ...........................................................6 Half Bridge vs. Full Bridge....................................................................7 Major Cause of Imperfection ................................................................8 THD and Dead Time ............................................................................9 Audio Performance Measurement........................................................10 Shoot Through and Dead Time ............................................................11 Power Supply Pumping........................................................................12 EMI Consideration: Qrr in Body Diode .................................................13 Conclusion ...........................................................................................14 A Class D audio amplifier is basically a switching amplifier or PWM amplifier. There are a number of different classes of amplifiers. This application note takes a look at the definitions for the main classifications. www.irf.com AN-1071 1 AN-1071 What is a Class D Audio Amplifier - non-linearity of Class B designs is overcome, Theory of Operation without the inefficiencies -
Audio Signals Amplitude and Loudness Sound
Intro to Audio Signals Amplitude and Loudness Sound I Sound: vibration transmitted through a medium (gas, liquid, Audio DSP solid and plasma) composed of frequencies capable of being detected by ears. I Note: sound cannot travel through a vacuum. Dr. Deepa Kundur I Human detectable sound is often characterized by air pressure University of Toronto variations detected by the human ear. I The amplitude, frequency and relative phase of the air pressure signal components determine (in part) the way the sound is perceived. Dr. Deepa Kundur (University of Toronto) Audio DSP 1 / 56 Dr. Deepa Kundur (University of Toronto) Audio DSP 2 / 56 Intro to Audio Signals Amplitude and Loudness Intro to Audio Signals Amplitude and Loudness Sinusoids and Sound: Amplitude Sound Volume I Volume = Amplitude of sound waves/audio signals I A fundamental unit of sound is the sinusoidal signal. 2 I quoted in dB, which is a logarithmic measure; 10 log(A ) I no sound/null is −∞ dB xa(t) = A cos(2πF0t + θ); t 2 R I Loudness is a subjective measure of sound psychologically correlating to the strength of the sound signal. I A ≡ volume I the volume is an objective measure and does not have a I F0 ≡ pitch (more on this . ) one-to-one correspondence with loudness I θ ≡ phase (more on this . ) I perceived loudness varies from person-to-person and depends on frequency and duration of the sound Dr. Deepa Kundur (University of Toronto) Audio DSP 3 / 56 Dr. Deepa Kundur (University of Toronto) Audio DSP 4 / 56 Intro to Audio Signals Amplitude and Loudness Intro to Audio Signals Frequency and Pitch Music Volume Dynamic Range Sinusoids and Sound: Frequency Tests conducted for the musical note: C6 (F0 = 1046:502 Hz). -
Automatic Guitar Tuner Group 1
University of Central Florida Automatic Guitar Tuner Group 1 Trenton Ahrens, Alex Capo, Ernesto Wong 12-4-2014 EEL4919 Fall 2014 Group 1 - Trenton Ahrens, Alex Capo, Ernesto Wong Table of Contents 1 Executive Summary ....................................................................................... 1 2 Project Description ......................................................................................... 2 2.1 Motivation ................................................................................................ 2 2.2 Objectives ................................................................................................ 3 2.2.1 Tuning Time ...................................................................................... 3 2.2.2 Accuracy ........................................................................................... 3 2.2.3 Convenience ..................................................................................... 4 2.2.4 Budget .............................................................................................. 4 2.2.5 Experience ........................................................................................ 4 2.2.6 Knowledge Gain................................................................................ 4 2.3 Project Requirements and Specifications ................................................ 4 2.3.1 Accuracy ........................................................................................... 5 2.3.2 Tuning Preference ...........................................................................