All Music Guide Queen
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Killer Queen
MELODY HARMONY The word setting is mainlysyllabic throughout TONALITY Queen liked to use adventurous chord sequences The melody has a wide range (goes very high and very low!) The song uses several altered or extended chords (such as 7ths and The main tonality for the piece is Eb Major (this is unusual The guitar solo borrows ideas from the chorus and verse sections of the song 11ths) because it’s a hard key to play in on the guitar!) The backing vocals use words and vocalisations (like oohs and aahs!) The key changes (modulates) during the song. Most of the chords are in root position, but there are some chord The melody is often conjunct, but with some wide angular leaps, including inversions. intervals of 6ths and octaves. The chorus is in Bb major There is a circle of 5ths chord progression in the chorus In the chorus the melody is harder to spot on it’s own because of the backing There are points where the tonality is not clear (“tonal The modulations to different keys are shown by perfect cadences vocal harmonies ambiguity”) - like in the first verse which starts with a C minor The song starts with a C minor chord—(you can’t tell that the piece is in The vocal part sometimes uses falsetto. chord, making the key signature unclear. Eb major until the chord is played half way through the verse—this is The vocal part also includes spoken text The vocal part contains a slide upwards (on the word “queen”) The chord sequences move quickly through different key Some parts of the chord sequence contain a faster harmonic rhythm The length of the melodic phrases are often uneven (like when the extra 6/8 bar signatures—for example in the first half of the chorus the (like one chord every beat on “guaranteed to blow your mind”) is added) chord sequence moves quickly through D minor and C major. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Top 5 Underrated Queen Songs Laura Ballinger Explores the Joys Of
Top 5 Underrated Queen Songs Laura Ballinger explores the joys of Queen’s lesser-known tracks Everyone knows the Queen classics, ‘Bohemian Rhapsody’ and ‘Killer Queen’ to name just two. But what about those songs that are less well known and equally as good? Here’s a list of five of Queen’s most underrated songs, with the albums they feature on. 1. One Vision (A Kind of Magic) In top position comes ‘One Vision’. It starts with a slow motion, sci-fi sound, building into a funky beat and a classic Brian May guitar solo. The lyrics are memorable and catchy, with a fun back story as to why they became so iconic. When the band recorded this, they played around with the lyrics, finding alternative versions of ‘one vision’ which would fit the number of syllables. Some examples include, ‘John Deacon’, ‘One sex position’, then drifting into ones that didn’t quite fit, like ‘one shrimp’ and ‘one clam’. They actually settled on ‘fried chicken’ and, if you listen closely, it’s the final line in the song. Despite the comedic aspect, this song has quite a serious and meaningful undertone. It was written following Queen’s performance at Live Aid in 1985 and depicts the joining together of millions of people, united with the ‘one vision’ of making a better world for everyone. For this reason, it makes the top of the list. 2. Death on Two Legs (Dedicated To…) (A Night at the Opera) As one of Queen’s heavier songs, it’s not for everyone. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
Record-World-1980-01
111.111110. SINGLES SLEEPERS ALBUMS KOOL & THE GANG, "TOO HOT" (prod. by THE JAM, "THE ETON RIFLES" (prod. UTOPIA, "ADVENTURES IN UTO- Deodato) (writers: Brown -group) by Coppersmith -Heaven) (writer:PIA." Todd Rundgren's multi -media (Delightful/Gang, BMI) (3:48). Weller) (Front Wheel, BMI) (3:58). visions get the supreme workout on While thetitlecut fromtheir This brash British trio has alreadythis new album, originally written as "Ladies Night" LP hits top 5, topped the charts in their home-a video soundtrack. The four -man this second release from that 0land and they aim for the same unit combineselectronicexperi- album offers a midtempo pace success here with this tumultu- mentation with absolutely commer- with delightful keyboards & ousrocker fromthe"Setting cialrocksensibilities.Bearsville vocals. De-Lite 802 (Mercury). Sons" LP. Polydor 2051. BRK 6991 (WB) (7.98). CHUCK MANGIONE, "GIVE IT ALL YOU MIKE PINERA, "GOODNIGHT MY LOVE" THE BABYS, "UNION JACK." The GOT" (prod. by Mangione) (writ- (prod. by Pinera) (writer: Pinera) group has changed personnel over er: Mangione) (Gates, BMI) (3:55). (Bayard, BMI) (3:40). Pinera took the years but retained a dramatic From his upcoming "Fun And the Blues Image to #4 in'70 and thundering rock sound through- Games" LP is this melodic piece withhis "Ride Captain,Ride." out. Keyed by the single "Back On that will be used by ABC Sports He's hitbound again as a solo My Feet Again" this new album in the 1980 Winter Olympics. A actwiththistouchingballad should find fast AOR attention. John typically flawless Mangione work- that's as simple as it is effective. -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
MIC Buzz Magazine Article 10402 Reference Table1 Cuba Watch 040517 Cuban Music Is Caribbean Music Not Latin Music 15.Numbers
Reference Information Table 1 (Updated 5th June 2017) For: Article 10402 | Cuba Watch NB: All content and featured images copyrights 04/05/2017 reserved to MIC Buzz Limited content and image providers and also content and image owners. Title: Cuban Music Is Caribbean Music, Not Latin Music. Item Subject Date and Timeline Name and Topic Nationality Document / information Website references / Origins 1 Danzon Mambo Creator 1938 -- One of his Orestes Lopez Cuban Born n Havana on December 29, 1911 Artist Biography by Max Salazar compositions, was It is known the world over in that it was Orestes Lopez, Arcano's celloist and (Celloist and pianist) broadcast by Arcaño pianist who invented the Danzon Mambo in 1938. Orestes's brother, bassist http://www.allmusic.com/artist/antonio-arcaño- in 1938, was a Israel "Cachao" Lopez, wrote the arrangements which enables Arcano Y Sus mn0001534741/biography Maravillas to enjoy world-wide recognition. Arcano and Cachao are alive. rhythmic danzón Orestes died December 1991 in Havana. And also: entitled ‘Mambo’ In 29 August 1908, Havana, Cuba. As a child López studied several instruments, including piano and cello, and he was briefly with a local symphony orchestra. His Artist Biography by allmusic.com brother, Israel ‘Cachao’ López, also became a musician and influential composer. From the late 20s onwards, López played with charanga bands such as that led by http://www.allmusic.com/artist/orestes-lopez- Miguel Vásquez and he also led and co-led bands. In 1937 he joined Antonio mn0000485432 Arcaño’s band, Sus Maravillas. Playing piano, cello and bass, López also wrote many arrangements in addition to composing some original music. -
MEDLEY Peter Buck, Michael Mills and Michael Stipe
Shinyg Happy People Words and Music by William Berry, MEDLEY Peter Buck, Michael Mills and Michael Stipe Shiny happy people laughing. WE WILL ROCK YOU (No wrong, no right, I’m gonna tell you there’s no black and no white. Buddy you’re a boy, make a big noise Meet me in the crowd, people, people. No blood, no stain. playing in the street, gonna be a big man someday, Throw your love around, love me, love me. All we need is) you got mud on your face, you big disgrace, Take it into town, happy, happy. one worldwide vision. kicking your can all over the place. Put it in the ground where the fowers grow. One fesh, one bone, one true religion. Gold and silver shine. We will, we will rock you! One voice, one hope, one real decision. We will, we will rock you! Gimme one night, gimme one hope. Shiny happy people holding hands. We will, we will rock you! Shiny happy people holding hands. We will, we will rock you! 1 2 Shiny happy people laughing Just gimme. Just gimme. CRAZY LITTLE THING CALLED LOVE One man, one bar, one day. One man, one night, hey, hey, Everyone around, love them, love them. Just gimme, Put it in your hands, take it, take it. This thing called love I just can’t handle it, There’s no time to cry, happy, happy. this thing called love I must get around to it, gimme, gimme, gimme fried chicken! Put it in your heart where tomorrow shines. -
"The Who Sings My Generation" (Album)
“The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone. -
A Dip Into Frank Ocean's Music and Marketing
A Dip Into Frank Ocean’s Music and Marketing [Draft 3 of Complete] A Senior Project presented to the Faculty of the Music Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts in Music Senior Project Advisor: Alyson McLamore by Katharine Gardias Winter 2019 Gardias 2 Table of Contents Introduction …...………………………………………….... 3 Chapter 1: The Becoming of Frank Ocean ……………....... 5 Chapter 2: Ocean’s Solos and Singles …………………… 10 Chapter 3: A Handful of blond ……………………………16 Chapter 4: Frank Ocean’s Musical Themes …………….... 25 Chapter 5: Non-Traditional Marketing …………………... 31 Conclusion ……………………………………………….. 35 Bibliography…………………………………………….... 37 Gardias 3 Introduction Famed musician Frank Ocean is known worldwide for his individualistic approach to music and enigmatic persona. His music has gained critical acclaim and success over the past ten years, winning two Grammys as well as countless other awards. By avoiding the traps faced by mainstream artists, Frank Ocean has resisted allowing others to control his art and creative process. Frank Ocean released various projects throughout his career that assisted in the growth and exposure of himself as an artist. His works include two studio albums, eight music videos, a visual album, and eighteen singles. Many of his original songs have charted countless times on the Billboard Hot 100, both on his own and in collaboration with others. Eight of his solo efforts have reached that standing, including “Novacane,” “Thinkin Bout You,” “Chanel,” “Nikes,” “Ivy,” “Pink + White,” “Solo,” and “Nights.” All of his compositions include an emotional narrative as well as a beautifully composed musical structure. -
Brian May Plays “God Save the Queen” from the Roof of Buckingham Palace to Commemorate Queen Elizabeth II’S Golden Jubilee on June 3, 2002
Exclusive interview Brian May plays “God Save the Queen” from the roof of Buckingham Palace to commemorate Queen Elizabeth II’s Golden Jubilee on June 3, 2002. © 2002 Arthur Edwards 26 Astronomy • September 2012 As a teenager, Brian Harold May was shy, uncer- tain, insecure. “I used to think, ‘My God, I don’t know what to do, I don’t know what to wear, I don’t know who I am,’ ” he says. For a kid who didn’t know who he was or what he wanted, he had quite a future in store. Deep, abiding interests and worldwide success A life in would come on several levels, from both science and music. Like all teenagers beset by angst, it was just a matter of sorting it all out. Skiffle, stars, and 3-D A postwar baby, Brian May was born July 19, 1947. In his boyhood home on Walsham Road in Feltham on the western side of Lon- science don, England, he was an only child, the offspring of Harold, an electronics engineer and senior draftsman at the Ministry of Avia- tion, and Ruth. (Harold had served as a radio operator during World War II.) The seeds for all of May’s enduring interests came early: At age 6, Brian learned a few chords on the ukulele from his father, who was a music enthusiast. A year later, he awoke one morning to find a “Spanish guitar hanging off the end of my bed.” and At age 7, he commenced piano lessons and began playing guitar with enthusiasm, and his father’s engineering genius came in handy to fix up and repair equipment, as the family had what some called a modest income.