6 X 10.Three Lines .P65

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Index

Abstractionism 3 Bishop, Elizabeth 8, 34, 224–228 aestheticism 3, 5, 6–7, 14–16, 21, 48, 54, Blake, William 77–79, 105, 107 56–65, 69, 73, 84, 93, 130, 141–142, Bront¨e,Charlotte 9, 126, 146 156–163, 179, 181, 202 Bunyan, John 9, 126, 133, 149 and domesticity 3, 31, 64n.19, 69, 72, 84, Burke, Edmund 40, 214–215, 219, 220 111, 202 Byron, Lord 9, 25, 26, 126, 148–149 and pragmatism 7–8 and religious belief 158–159 Cameron, Julia Margaret 105 and sentimentality 54–55, 60 Cather, Willa 6, 159 and sublimity 60 Church, Frederic E. 142 versus aesthetics 7–8 Coleridge, Samuel Taylor 11, 19, 68, 76, 174 see also art; decadence Conrad, Joseph 33 Alexander, Francesca 41–55, 102, 209 Cooper, James Fenimore 148 architecture Cornforth, Fanny 95 see Ruskin, John: architecture. Cotkin, George 189 arrangements 10–11, 11n.25, 19–20, 22–24, 33, Crayon, The 9 34, 47, 50, 54, 66–111, 114, 135, 143, 153–154, 175–81, 194, 206–207 Danto, Arthur 113 see also pattern; ornamentation decadence 3, 63–65, 72, 123–163, 178, art 16, 68–69, 171 182–183, 198, 200, 202, 204, 207, 208, and philosophy 172–212 219 and Rossetti 67–68, 99–107, 107–111 decoration 11, 23n.9, 68, 95–98, 100, 101, and the everyday 3–4, 66–67, 69–70, 71–72, 134–143 95, 125, 174, 177 see also arrangements; ornamentation; as criticism (and vice versa) 12, 17–18 pattern for art’s sake (alias l’art pour l’art) 56, 57, 58, Dewey, John 2 72–73, 99 didacticism 123–163 high/low distinction 67, 72–73, 123, 177 domestic novelists 6, 9, 31, 40, 64n.19, 64, 118, high Modernist idea of 6, 174 124n.6, 123–163, 169, 170 Art Nouveau 101 see also Evans, Augusta; popular literature; artiﬁce 79–85 Stowe, Harriet Beecher Auden, W. H. 168 domesticity 3, 14, 20, 21, 23, 30–34, 52, 72–73, 84, 85, 90–91, 99–103, 112–122, 127, 130, Baudelaire, Charles 51, 59, 75, 101, 195 132, 134–143, 174–182, 192–201, 205, 210 Baumgarten, Alexander 1, 8, 174 and aestheticism 3, 61–62, 66, 69, 72, 84, Beardsley, Aubrey 63 111, 181 beauty 57–58, 60, 62, 73, 78, 171, 180 and arrangement 71–72 Beauvoir, Simone de 115 and decoration 134–143 Beckett, Samuel 44–45, 120, 153 and sentimentality 15, 66, 77, 181 Bible 9, 10, 26, 36, 47, 65, 82, 125, 127, 132, and sublimity 15, 73–78, 91, 92–93, 110, 136 133, 184, 214 Duchamp, Marcel 113

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Index 259

Edwards, Jonathan 185 impersonality 18, 34–41, 51, 52, 127, 171 Eliot, George 16, 117, 135, 142, 165, 173 and sublimity 34–41 Eliot, T. S. 34, 51 intimacy 12, 87, 94 Emerson, Ralph Waldo 164, 185 Evans, Augusta 9, 40, 62, 123–163, 115, 117, 192 James, Henry 52, 70, 113–114, 123, 160, 170, and aestheticism 130, 141–142, 156–163 207, 221 and arrangement 135, 143, 153–154 James, William 25, 33, 39, 47, 56, 61, 62, 115, and decadence 123–163 117, 162, 163, 172–212, 223 and decoration 134–143 and aestheticism 193, 200 and domesticity 130, 132, 134–143 and arrangement 11, 75, 175, 177–178, 181, and imagination 129–134 194, 206–207 and pragmatism 125, 128, 134–143, 144, 154 and decadence 178, 182–183, 198, 200, 202, and Ruskin 9, 129, 131, 135 204, 207, 208 and sentimentality 128, 130, 133, 164, 168 and domesticity 174–182, 189, 193, 205, and sublimity 219, 222 211 and writing 129–134, 183 and family 8, 174–175, 189, 191; see also works: Beulah 129, 144, 158; Macaria; Or Altars James, Henry of Sacriﬁce 129, 145, 159; Shining Thrones of and morbidity 182–185 the Hearth 132, 150; St. Elmo 9, 123–163, and nature 192–200 191, 198 and patterns 12 and Rossetti 175, 193, 206 fancy 2, 11, 19, 68 and Ruskin 10, 19, 49, 172, 178, 196, 209 Faulkner, William 6 and sentimentality 164, 166, 167–168, feminist criticism 4, 5, 115–16, 165 179–192 feminization (alia feminine, the; femininity) 21, 32, and sublimity 219, 220 64, 121–122, 168–169, 186 Lamb House 176–178 feminine ideal 44 works: Essays in Radical Empiricism 11; “On A of works 85 Certain Blindness in Human Beings” 177, of authors and artists 45, 48, 85; James, 178, 192–200, 204, 210; Pragmatism 1, 2, 5, William 178–182, 186–189; Rossetti 73, 8, 12, 32, 35, 120–122, 174, 178, 184, 212; 73n.14, 85–98; Ruskin 17, 44n.46 Principles of Psychology 11–12, 173, 189, 191, Fielding, Henry 25 193, 208–211; “Sentiment of Rationality, Flaubert, Gustave 34, 130, 170 The” 10, 128, 177, 178, 180, 185–192, 203; folk traditions 43–44, 48 Varieties of Religious Experience, The 25, 177, friendship 94–95, 102 178–184, 199–212; “Will to Believe, The” Freud, Sigmund 20, 199–200 10, 186–188 Joyce, James 8, 18, 34, 70, 126, 133, 153, 221 Gautier, Th´eophile 56 gender 3–4, 11, 58–59, 63–65, 68, 73, 78, 79, Kames, Lord 213 83, 85, 99–101, 123–163, 174–182, Kant, Immanuel 57, 70, 216–217, 220 186–192 Keats, John 56, 76 see also masculinity; feminization Knight, Richard Payne 221 Greenberg, Clement 170 Landseer, Sir Edwin 26–27 Hake, Dr. Thomas Gordon 79–81 Lawrence, D. H. 219 Hawthorne, Nathaniel 148 Leighton, Frederick 67 Helsinger, Elizabeth 32n.24, 39n.30, 40 literary theory 3–7, 56–59 Hopkins, Gerard Manley 108 see also feminist criticism; Marxist criticism; Hudson, W. H. 194–200, 201, 204–206, 210, Poststructuralism 211 Locke, John 185 Huysmans, Joris-Karl 63, 126, 138 Longinus 15, 213–216, 218

illness 159–161 Mallarm´e,St´ephane 103, 127 imagination 11, 68, 74, 129–134, 174 marketplace 5, 57, 66, 71, 71n.8, 74, 78, 82, 92, see also fancy 94, 127–134, 182

260 Index

Marshall, Henry R. 193 Prichard, James Cowley 131 Marxist criticism 56, 57, 58 Proust, Marcel 1–2, 1n.3, 8, 13–14, 16, 51, 70, masculinity 42, 169, 181–182, 186–189, 105, 205 194–195, 197–198 Prout, Samuel 24 see also feminization; gender purity 57 McGann, Jerome 34n.28 mirrors, mirroring 52, 66, 93, 96, 102, 105, 127 rationality 185–192 Modernism 1–16, 69–71, 126 religious belief 9–10, 19n.4, 30, 43, 46, 51, 60, see also individual authors 71, 114–115, 123–163, 178, 186, 199, Moore, Marianne 228 201–212 morbidity 182–185 see also Bible Morris, Jane 81, 86, 103–107 repose 18, 25, 31, 172–212 Morris, William 86 Reynolds, Sir Joshua 40 multiplexity 16, 64, 98, 117, 135, 143, 165, 173 Richardson, Samuel 25 Murdoch, Iris 40, 216–217, 219 Rimbaud, Arthur 51 mythology 9, 51, 64, 65, 71, 73, 98, 100, 103, Romanticism 11, 73, 75, 195, 214 135 see also individual authors Rossetti, Dante Gabriel 38, 39, 62, 63, 66–111, Nabokov, Vladimir 8, 12, 29, 130, 152, 170 117, 126, 127, 217 nature 15–16, 20, 21, 23, 29, 74, 84, 98, 100, and aestheticism 7, 66, 73, 75 102–103, 105–107, 118, 126, 132, 203, 204 and arrangement 66–111 aesthetic response to 32 and art 99–107, 107–111 extremities of 192–200 and artiﬁce 79–85 neo-classicism 40 and charity 68, 72, 75–76, 86–87 and decoration 68, 97, 100, 101 O’Connor, Flannery 25 and domesticity 71–78, 99–103, 113–119 “Olana” 142 and the feminine 67–68, 73, 78, 85–98, 101 ornamentation 10–11, 23, 65, 68, 75, 117 and ornamentation 68 see also arrangements; decoration; and pattern 12–13, 98 ornamentation and pragmatism 78 and Ruskin 10, 23, 67, 74, 78 Papini, Giovanni 56 and sentimentality 79–85, 164, 168, 171 Pater, Walter 18, 38, 66, 71, 107, 111, 123, 126, and sublimity 73–78, 98, 222 138, 159, 161, 198, 205, 207 and William James 175, 193, 206 pattern 3, 4, 8, 10–13, 17–21, 23, 29, 34, 44–45, home at 16 Cheyne Walk 33, 66, 68, 72, 78, 54, 55, 61, 65, 71, 98, 106, 109, 124, 166 85, 91, 95–99, 102, 105, 138, 205 see also arrangements; ornamentation paintings: Astarte Syriaca 103; Aurea Catena 79; Peirce, Charles Sanders 2 Bower Meadow 93; Day Dream, The 78, Picasso, Pablo 119–120 103–107; Ecce Ancilla Domini! 99; Gate of Plato 164 Memory, The 79; “Hist!”,Said Kate the Queen Poe, Edgar Allan 59, 111, 138 99; Joli Coeur 79; La Bella Mano 102; La popular literature 25, 26, 82, 123, 129, 146, Donna della Fiamma 93; Lady Lilith 71, 102; 170 Loving Cup, The 79, 102; Marigolds 79, 80, see also domestic novelists; Evans, Augusta; 90, 102; Monna Rosa 69; Monna Vanna 93; Stowe, Harriet Beecher Passover in the Holy Family, The 99; Proserpine Poststructuralism 56, 58 87; Rosa Triplex 102; Sibylla Palmifera 71; Poussin, Nicolas 32 Venus Verticordia 93; Vision of Fiammetta 79; pragmatism 5, 7n.15, 18, 19, 23, 30–34, 56–65, Wedding of St. George and the Princess Sabra, 78, 125, 128, 134–143, 154, 172–212, 217 The 102 deﬁnition of 2–3, 2n.6, 5 writing: Day-dream, The 106; House of Life, The and aestheticism 7–8 33, 40, 74, 78, 85, 88, 106–111, 222; Five Praz, Mario 63, 96 English Poets 39–40, 76 Pre-Raphaelitism 3, 8, 38, 56, 69, 79, 82, 119 Rossetti, Mrs. Gabriele, 85, 88–90 see also Rossetti, Dante Gabriel; Rossetti, Rossetti, William Michael 9, 68, 78, 86, 89, 91, William Michael 92, 96, 100

Index 261

Rousseau, Jean-Jacques 20, 168, 218 and morbidity 182–185 Ruskin, John 3, 9–16, 17–55, 56, 59–60, 62, 64, and pragmatism 30–34 69, 113–119, 123, 126, 127, 157–158, 223 and rationality 185–192 and aestheticism 3, 7, 18, 31 and sublimity 3, 15, 64 and architecture 22n.8; domestic (alia negative associations of 79, 81, 167, 169–170 suburbs; cottages; villas) 115, 192–200; silent sentimentality 27–28 religious (alia cathedrals; churches) 10, 22, 31, Siddal, Elizabeth 9, 88, 113 34, 54, 115 Smetham, James 86–87, 111 and arrangement 11n.25, 17, 19–20, 22–24, Smith, Adam 29, 221 33–34, 47, 50, 54 Spartali, Maria 95 and Augusta Evans 9, 129, 131, 135 Stein, Gertrude 8, 45, 62, 71 and domesticity 18–23, 30–34, 121 Stephen, Sir Leslie 167 and Francesca Alexander 41–55, 102 Sterne, Laurence 25 and impersonality 18, 34–41 Stevens, Wallace 4, 8, 58, 61, 126, 144, 170, and painting 26–27, 28; see also 211 Turner,J.M.W. Stevenson, Robert Louis 193, 195, 196, 201, and pattern 13, 17–21, 23, 29, 34, 44–45, 54 203 and pragmatism 18, 19, 30–34, 39, 50 Stocking, George 132 and Rossetti 9, 10, 23, 67, 74, 78 Stoker, Bram 65 and sentimentality 15–16, 20n.6, 23, 24–34, Stowe, Harriet Beecher 9, 40, 146 164, 166–167, 168, 169, 171 sublimity (alia reverie; grotesque) 3, 14–15, 21, 23, and sublimity 18, 21, 23, 34–41, 98, 214–216, 34–41, 111, 182–185, 213–228 218, 222 and aestheticism 60 and William James 10, 19, 172, 178, 196, 207 and impersonality 34–41 Brantwood, home of John Ruskin 45, 49 and decadence 65 works: Art of England, The 43, 44; Bible of and domesticity 15, 73–78, 91–93, 98, 106, Amiens, The 1; “Essay on Literature” 25; 110, 136 Ethics of the Dust 131; Fors Clavigera 41–42, and gender 215n.11 43, 44, 49; “Law of Help, The” 19; and sentimentality 3, 15, 64 Modern Painters 17, 22, 26, 29, 42, 45, 46, Swinburne, Algernon Charles 59, 91, 107–108, 50, 54; “Mystery of Life and Its Arts, 159 The” 49; “Of Queens’ Gardens” 50; “Of Water, as Painted by Turner” 28; Poetry Tennyson, Alfred, Lord 81, 83 of Architecture, The 20–21, 33; Praeterita 15, Tintoretto 46, 222 21, 22, 23, 35, 39, 43, 52; Roadside Songs Titian 207 of Tuscany 18, 28, 41–55, 201, 205, 207; Tolstoy, Leo 196 Seven Lamps of Architecture, The 37; Stones Turner,J.M.W.27–30, 32, 38, 39, 45, 47, 48, of Venice; Studies of Peasant Life 43 54, 87, 222, 223 Ruskin, John James 33n.226 Veronese, Paul 22, 207 Santayana, George 180–182 Schiller, Friedrich 60–62, 126, 179, 193, 196, Wells, Charles J. 82–85 197 Warner, Elizabeth Scott, Sir Walter 25, 26, 54 Wide, Wide World, The 162 sentimentality 3, 5, 13–16, 20, 21, 23, 24–30, Whistler, James 21 34, 37, 76, 128, 130, 133, 164–171, 179–182 White, Morton 185 and aestheticism 66, 165, 169 Whitman, Walt 196 and arrangement 67–68, 101 Wilde, Oscar 3, 58, 62, 65, 128, 138, 170 and art 20n.6, 51, 109 Wittgenstein, Ludwig 223 and artiﬁce 79–85 Woolf, Virginia 44, 70, 118, 160, 167 and domesticity 15, 30–34, 50, 66, 77, Wordsworth, William 26, 89, 118, 218 174–182 and Modernism 5, 13 Yeats, William Butler 16, 18, 70, 168, 222