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Kings Valley – from Amenhotep III to Horemheb by Antonio Crasto
Kings Valley – from Amenhotep III to Horemheb by Antonio Crasto The royal necropolis The western area on the left bank of the Nile opposite the ancient city of Waset / Theban was dedicated to the necropolis and the temples of the millions of years, in which it was celebrated the cult of the kings after their death. During the eighteenth dynasty, a different religious outlook led the pharaoh woman Hatshepsut to open a new royal necropolis, the Kings Valley, at the foot of the sacred mountain, whose top Dehenet "The top" assumes, view from the Valley, the pyramidal form. The mountain was sacred to the goddess with the head of cobra Mertseger, protector of the necropolis and syncretic form of the mother goddess Hathor. Hatshepsut wanted to be buried in the "belly" of the mother goddess, the goddess who, as a celestial cow, had protected her at birth and nursed symbolically. The "Top" which overlooks the Kings Valley The necropolis was used during the eighteenth, nineteenth and twentieth dynasty ensuring the burial of about thirty kings. Made except two kings of the Eighteenth Dynasty, Amenhotep III (1433 - 1394 BC 1) and Ay (1373 - 1368 BC 1), whose graves were dug, by choice of the sovereign or after their death, in the secondary Kings Valley, the West Valley. WV 22 e 23 Most Egyptologists consider it natural, but others believe that the West Valley has been a last resort, not having the two pharaohs been allowed for a burial in the main valley or not having the priesthood of Amun, keeper of the Valley, granted the permission for burial in the tomb they had dug in the main valley. -
Long Cruise from Luxor to Cairo 9 Nights ‐ 10 Days Cruise
Long Cruise From Luxor To Cairo 9 Nights ‐ 10 Days Cruise Day 1 Embarkation on cruise in Luxor and Overnight. Music in the bar. Overnight in Luxor. Day 2 Visit the West Bank ‐‐ Valley of the Kings & Temple of Queen Hatshepsut (El‐ 07:00 Deir El‐Bahari). 14:00 Visit East bank (Karnak & Luxor Temples). Belly Dancer. Overnight in Luxor. Day 3 04:00 Early Sail to Qena. 08:30 Visit Abydos Temple 14:30 Visit Dendara Temple Back to Ship in Qena. Contest Party. Overnight in Qena. Day 4 05:30 Sail to Sohag. Via Naga Hammadi Bridge and Abu Homar’s Lock. Treasure Hunt. Arrive to Sohag & Overnight. Day 5 Full Day cruising. Cross Sohag Bridge and Sail to Minya via Asyuit’s Lock. Black & White Party. Arrive to Minya & Overnight. Day 6 07:00 Visit Tel El Amarna. Visit to northern tombs Tomb of Ahmose (EA3), Tomb of Meryre (EA4), Tomb of Pentu (EA5), Tomb of Panehesy (EA6), and Royal Tomb of Akhenaten (EA26). The Great Palace of King Akhenaten, The Small and great temples of Aten (Approx. 3 hours visit). 12:30 Visit Tuna El Gebel & Ashmunein. Lunch box will be served within the Visits. Folkloric Show. Overnight in Minya. Day 7 Visit Beni Hassan (4 tombs) Half an hour drive from Minya dock (25 KM.) to 08:00 visit Tomb of Baqet III (BH15) Tomb of Khety (BH17), Tomb of Amenemhet (BH2), Tomb of Khnumhotep II (BH3) (Approx. 2 hour visit) . 10:30 Sail to Beni Suif. Galabya Party. 18:00 Arrive to Beni Suif & Overnight. -
Amarna Period Down to the Opening of Sety I's Reign
oi.uchicago.edu STUDIES IN ANCIENT ORIENTAL CIVILIZATION * NO.42 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Thomas A. Holland * Editor with the assistance of Thomas G. Urban oi.uchicago.edu oi.uchicago.edu Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber THE ROAD TO KADESH A HISTORICAL INTERPRETATION OF THE BATTLE RELIEFS OF KING SETY I AT KARNAK SECOND EDITION REVISED WILLIAM J. MURNANE THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION . NO.42 CHICAGO * ILLINOIS oi.uchicago.edu Library of Congress Catalog Card Number: 90-63725 ISBN: 0-918986-67-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 1985, 1990 by The University of Chicago. All rights reserved. Published 1990. Printed in the United States of America. oi.uchicago.edu TABLE OF CONTENTS List of M aps ................................ ................................. ................................. vi Preface to the Second Edition ................................................................................................. vii Preface to the First Edition ................................................................................................. ix List of Bibliographic Abbreviations ..................................... ....................... xi Chapter 1. Egypt's Relations with Hatti From the Amarna Period Down to the Opening of Sety I's Reign ...................................................................... ......................... 1 The Clash of Empires -
THE CEREMONIAL CANOPIED CHARIOT of TUTANKHAMUN (JE61990 and JE60705): a TENTATIVE VIRTUAL RECONSTRUCTION*
1 THE CEREMONIAL CANOPIED CHARIOT OF TUTANKHAMUN (JE61990 and JE60705): A TENTATIVE VIRTUAL RECONSTRUCTION* BY NOZOMU KAWAI, YASUSHI OKADA, TAKESHI OISHI, MASATAKA KAGESAWA, AKIKO NISHISAKA, AND HUSSEIN KAMAL† The Japan International Cooperation Agency (JICA) and the Ministry of Tourism and Antiquities, Arab Republic of Egypt, have been conducting the Grand Egyptian Museum Joint Conservation Project (GEM-JC) since November 2016, after having completed two phases of cooperation to improve conservation techniques at the Grand Egyptian Museum Conservation Center (GEM-CC). The GEM- CC conservation specialists will have their skills enhanced through this experience and GEM-CC's capacity and efficiency as an important conservation centre will also be improved. It is expected that GEM-CC staff will ultimately complete all conservation activities and treatments. Among the 72 target objects for the GEM-JC Project, designated to be transferred from the Egyptian Museum in Tahrir Square to the Grand Egyptian Museum in Giza and jointly conserved by Egyptian and Japanese conservators, five chariots were selected. In particular, the ‘second state chariot’ (GEM 4940; JE61990; Carter no. 122; A1 of Littauer and Crouwel1) (fig.1) was chosen as the lead object, with Japanese and Egyptian experts working jointly on all aspects of the treatment, including remedial conservation, as a model for the conservation of the other chariots. In the course of the project, we confirmed that this particular chariot originally had a canopy (GEM 4539; JE60705; Carter no. 123) (fig. 2) attached to the chariot body, as first proposed by Edwin Brock in 2012.2 However, it is impossible to join these two artifacts together because of their fragile condition, and it has been decided to display them separately. -
Who Was Who at Amarna
1 Who was Who at Amarna Akhenaten’s predecessors Amenhotep III: Akhenaten’s father, who ruled for nearly 40 years during the peak of Egypt’s New Kingdom empire. One of ancient Egypt’s most prolific builders, he is also known for his interest in the solar cult and promotion of divine kingship. He was buried in WV22 at Thebes, his mummy later cached with other royal mummies in the Tomb of Amenhotep II (KV 35) in the Valley of the Kings. Tiye: Amenhotep III’s chief wife and the mother of Akhenaten. Her parents Yuya and Tjuyu were from the region of modern Akhmim in Egypt’s south. She may have lived out her later years at Akhetaten and died in the 14th year of Akhenaten’s reign. Funerary equipment found in the Amarna Royal Tomb suggests she was originally buried there, although her mummy was later moved to Luxor and is perhaps to be identified as the ‘elder lady’ from the KV35 cache. Akhenaten and his family Akhenaten: Son and successor of Amenhotep III, known for his belief in a single solar god, the Aten. He spent most of his reign at Akhetaten (modern Amarna), the sacred city he created for the Aten. Akhenaten died of causes now unknown in the 17th year of his reign and was buried in the Amarna Royal Tomb. His body was probably relocated to Thebes and may be the enigmatic mummy recovered in the early 20th century in tomb KV55 in the Valley of the Kings. Nefertiti: Akhenaten’s principal queen. Little is known of her background, although she may also have come from Akhmim. -
Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Ancient Egypt: Symbols of the Pharaoh
Ancient Egypt: Symbols of the pharaoh Colossal bust of Ramesses II Thebes, Egypt 1250 BC Visit resource for teachers Key Stage 2 Ancient Egypt: Symbols of the pharaoh Contents Before your visit Background information Resources Gallery information Preliminary activities During your visit Gallery activities: introduction for teachers Gallery activities: briefings for adult helpers Gallery activity: Symbol detective Gallery activity: Sculpture study Gallery activity: Mighty Ramesses After your visit Follow-up activities Ancient Egypt: Symbols of the pharaoh Before your visit Ancient Egypt: Symbols of the pharaoh Before your visit Background information The ancient Egyptians used writing to communicate information about a person shown on a sculpture or relief. They called their writing ‘divine word’ because they believed that Thoth, god of wisdom, had taught them how to write. Our word hieroglyphs derives from a phrase meaning ‘sacred carvings’ used by the ancient Greek visitors to Egypt to describe the symbols that they saw on tomb and temple walls. The number of hieroglyphic signs gradually grew to over 7000 in total, though not all of them were used on a regular basis. The hieroglyphs were chosen from a wide variety of observed images, for example, people, birds, trees, or buildings. Some represent the sounds of the ancient Egyptian language, but consonants only. No vowels were written out. Also, it was not an alphabetic system, since one sign could represent a combination of two or more consonants like the gaming-board hieroglyph which stands for the consonants mn. Egyptologists make the sounds pronounceable by putting an e between the consonants, so mn is read as men. -
Amenhotep III [Christian BAYER]
Collection Aegyptiaca Leodiensia 12 TUTANKHAMUN DISCOVERING THE FORGOTTEN PHARAOH Catalogue edited by Simon Connor and Dimitri Laboury Exhibition organized at the Europa Expo space TGV train station “Les Guillemins” Liège, 14th December 2019 – 30th August 2020 Presses Universitaires de Liège 2020 The exhibition “Tutankhamun. Discovering the EUROPA EXPO scrl-fs Forgotten Pharaoh” was produced by the scrl-fs Europa President: Karl-Heinz Lambertz Expo and realised by the non-profit organisation Collections & Patrimoines. Administrators: Anne Faway-Reul, Marie Kupper, Laurence Schyns and René Schyns Managing Director: Alain Mager Commissioner: René Schyns Curators: Dimitri Laboury and Simon Connor COLLECTIONS & PATRIMOINES asbl Managing Director: Alain Mager President: René Schyns Operational and financial management: Marie Kupper Administrators: Claude Dedye, Charlotte Ferrara, Michel Technical Director: Agostinho da Cunha Konen, Guy Lemaire, Christian Merland and Jean-Claude Phlypo Human Resources Department and ticketing: Rosabella Sanchez Managing Director: Alain Mager Scientific Committee: Jean-Michel Bruffaerts, Simon LENDING INSTITUTIONS Connor, Alisée Devillers, Pierre Hallot, Dimitri Laboury, Hugues Tavier, Claudia Venier Germany – Hildesheim, Roemer- und Pelizaeus-Museum Conception: Dimitri Laboury, Simon Connor, Alix – Karlsruhe, Badisches Landesmuseum – Baden State Nyssen, Guy Lemaire, René Schyns Museum Artistic direction: Christian Merland, Sophie Meurisse, – Tübingen, Ägyptische Sammlung der Eberhard Karls Geneviève Schyns -
Statuette of a Snake-Legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXV 2012 ALEKSANDRA MAJEWSKA Statuette of a Snake-legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA Among the images of Egyptian gods on display in the gallery of Ancient Egyptian Art at the National Museum in Warsaw there is an exceptional fi gurine of bronze with a jackal’s head, torso of a man and serpentine coils instead of legs. It is undoubtedly a representa- tion of Anubis, but suffi ciently unique to merit a broader commentary than the brief notes published on its subject so far.1 The iconographic and stylistic distinctness with regard to canonical representations of Anubis in Egyptian art indicate a background in the artistic production of an age in which a native tradition coexisted with Graeco-Roman culture. The Anubis statuette from the Warsaw National Museum is of composite form.2 It is made up of three independent elements: jackal’s head, male upper body and serpentine coils (Figs 1–4). The relatively small head features a long narrow snout. Set in deep sockets, the large slanting eyes with marked pupils look attentively to the front. Curly wisps of fur encircle the snout and neck, joining the tripartite wig to form a hairdo that skillfully softens the animality of the head. Preserved between the fl eshy ears of natural shape is the base of the broken crown. The harmoniously built male torso is characterized by ample pectoral muscles passing into a narrowed waist and softly modeled, slightly rounded abdominal muscles with a distinctly sunk navel. -
Ancient Egyptians
Ancient Egyptians As the Learning Team are working from home and don’t have access to our actual handling artefacts, we have created a series of learning posts/pages based on our schools Egyptian loans box replicas and photographs of objects in our Ancient Lives Gallery. We’ve also put together a brief Ancient Egyptian history timeline. As well as the information here there is a short video to go with each object, available on the website and linked to our social media posts. Our information is short and easy to read - but remember this is about interesting you in the topic, it’s not the whole history of Ancient Egypt! Canopic Jars These are replica canopic jars. Canopic jars were used as part of the burial pro- cess, and held the internal organs of the mummified person. Each jar had a different head and held a different organ. Imsety had a human head and carried and protected the liver. Qebehsenuf had a falcon’s head and carried and protected the intestines. Hapy had the head of a baboon and carried and protected the lungs. Duamatef had the head of a jackal and carried and protected the stomach Replica mini canopic jars Canopic jar heads in the gallery Amulets In ancient Egypt amulets were created for a number of reasons. There were deities and symbols that transferred the powers that they represented. They were worn like modern charm bracelets, tucked into the bandages of a mum- mified person, or even woven into beaded burial nets. Ankh. Djed. Sekhmet. Eye of Horus. -
UCLA Encyclopedia of Egyptology
UCLA UCLA Encyclopedia of Egyptology Title Harem Permalink https://escholarship.org/uc/item/1k3663r3 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Roth, Silke Publication Date 2012-04-03 Supplemental Material https://escholarship.org/uc/item/1k3663r3#supplemental Peer reviewed eScholarship.org Powered by the California Digital Library University of California HAREM الحريم Silke Roth EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor Area Editor Individual and Society University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Roth, 2012, Harem. UEE. Full Citation: Roth, Silke, 2012, Harem. In Elizabeth Frood, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002bqmpp 8065 Version 1, April 2012 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002bqmpp HAREM الحريم Silke Roth Harem Harem In Egyptological research, the term “harem” (harim) comprises a conglomerate of phenomena, which can be distinguished as: 1) the community of women and children who belonged to the royal household; 2) related institutions, including administrative organizations and personnel; and 3) associated localities and places, like palaces and royal apartments, as well as agricultural land and manufacturing workshops. Key functions of this so-called royal harem can be identified as the residence and stage for the court of the royal women, the place for the upbringing and education of the royal children and favored non-royal children as the future ruling class, the provision of musical performance in courtly life and cult, as well as the supply and provisioning of the royal family. -
WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes.