Edward Hibbert Theatrical Resume

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Edward Hibbert FILM Mary Poppins Returns Supporting Walt Disney Studios Rob Marshall Taking Woodstock Supporting Focus Features Ang Lee I Hope They Serve Beer in Hell Supporting Rudius Films Bob Gosse The Prestige Supporting Touchstone Pictures Christopher Nolan Anamorph Supporting IFC Films Henry Miller Fakers Lead CALLIDVS Richard Janes Friends and Family Lead Belladonna Productions Kristen Coury A Different Loyalty Supporting Lions Gate Films Marek Kanievska Uptown Girls Supporting MGM Boaz Yakin Hudson River Blues Supporting Gun for Hire Films Neil Cox Everyone Says I Love You Supporting Miramax Woody Allen The First Wives Club Supporting Paramount Pictures Hugh Wilson The Paper Supporting Universal Pictures Ron Howard TELEVISION Blue Bloods Guest Star CBS Ralph Hemecker Grace and Frankie Guest Star Netflix Rebecca Asher Search Party Guest Star TBS Sarah-Violet Bliss | Charles Rogers Two Broke Girls Guest Star CBS Michael Patrick King Hot in Cleveland Guest Star TV Land Andy Cadiff Smash Co-Star NBC Jeremy Webb Law & Order: SVU Guest Star NBC Amy Redford How I Met Your Mother Guest Star CBS Various Gilmore Girls Guest Star CW Jackson Douglas Frasier Recurring NBC Various Fantasy Island Series Regular ABC Various Chatterbox (Pilot) Series Regular CBS Lee Shallat Chemel Gloria Vane (Pilot) Series Regular NBC Various Earthworm Jim Series Regular (Evil the Cat) WB Various Cosby Guest Star CBS John Whitesell Married with Children Guest Star FOX Amanda Bearse Mad About You Guest Star NBC Michael Lembeck John Larroquette Show Guest Star NBC John Whitesell Murder, She Wrote Guest Star CBS Vincent McEveety Once Upon a Mattress Starring ABC Kathleen Marshall Columbo: Undercover Starring CBS Vincent McEveety Caroline In The City Guest Star NBC Arlene Sanford The Lion King 1 and 1/2 Zasu Disney Various BROADWAY Something Rotten Lord Clapham St. James Theatre Casey Nicholaw It Shoulda Been You Albert Brooks Atkinson Theatre David Hyde Pierce Mrs. Warren's Profession Praed Roundabout Theatre Company Doug Hughes Curtains Christopher Belling Al Hirschfeld Theatre Scott Ellis The Drowsy Chaperone Underling Marquis Theatre Casey Nicholaw Noises Off Frederick Brooks Atkinson Theatre Jeremy Sams The Green Bird Taragliona Cort Theatre Julie Taymor Me and My Girl The Hon. Gerald Bolingbroke Marquis Theatre Mike Ockrent Privates on Parade Eric Young-Love Roundabout Theatre Larry Carpenter Alice in Wonderland Gryphon Virginia Theatre Eva Le Galliene LONDON THEATRE Lend Me a Tenor The Bellhop West End David Gilmore The Mystery of Irma Vep Lord Edgar/Jane West End Maria Aitken Twelfth Night Andrew Aguecheek Regents Park David Conville Hamlet Osric West End Lindsay Anderson NATIONAL TOURS Page 1 of 2 The King's Speech Cosmo Lang National Tour Michael Wilson OFF-BROADWAY The Milk Train Doesn't Stop Here Anymore The Witch of Capri Roundabout Theater Company Michael Wilson Anyone Can Whistle Comptroller Schub City Center Encores Casey Nicholaw Gross Indecency Oscar Wilde Minetta Lane Moises Kaufman My Night With Reg Daniel The New Group Jack Hofsiss Lady In The Dark Russell Paxton Encores! Larry Carpenter REGIONAL THEATRE The Importance of Being Earnest Lady Bracknell Cape Playhouse Matt Lenz Only a Kingdom Lord James Bellimore John Drew Theatre Michael Wilson The Sound of Music Max Lyric Opera of Chicago Marc Bruni It Shoulda Been You Albert George St. David Hyde-Pierce The Sound of Music Max Paper Mill Playhouse James Brennan School for Scandal Crabtree Mark Taper Forum Brian Bedford Rough Crossing Gal Bay Street Theatre Daniel Gerroll Rosencrantz & Guildenstern Are Dead Player King Long Wharf Darko Tresnjak The Importance of Being Earnest Lady Bracknell Long Wharf Doug Hughes CONCERTS Into the Woods Narrator Hollywood Bowl Producers: Brian Grohl & Steve Linder Page 2 of 2 .

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An Analysis and Evaluation of the Acting Career Of

AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down.
Be Sure to MW-Lv/Ilci

Page 12 The Canadian Statesman. Bowmanville. April 29, 1998 Section Two From page 1 bolic vehicle taking its riders into other promised view from tire window." existences. Fit/.patriek points to a tiny figure peer In the Attic ing out of an upstairs window on an old photograph. He echoes that image in a Gwen MacGregor’s installation in the new photograph, one he took looking out attic uses pink insulation, heavy plastic of the same window with reflection in the and a very slow-motion video of wind glass. "I was playing with the idea of mills along with audio of a distant train. absence and presence and putting shifting The effect is to link the physical elements images into the piece." of the mill with the artist’s own memories growing up on the prairies. Train of Thought In her role as curator for the VAC, Toronto area artists Millie Chen and Rodgers attempts to balance the expecta Evelyn Michalofski collaborated on the tions of serious artists in the community Millery, millery, dustipoll installation with the demands of the general popula which takes its title from an old popular tion. rhyme. “There has to be a cultural and intel TeddyBear Club Holds Workshop It is a five-minute video projected onto lectual feeding," she says, and at the same Embroidered noses, button eyes, fuzzy cars, and adorable faces arc the beginnings of a beautiful teddy bear. three walls in a space where the Soper time, we have to continue to offer the So say the members of the Bowmanville Teddy Bear Club.
American Music Research Center Journal

AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
Up Announces Two Series Acquisitions

For Immediate Release UP UNVEILS A FRESH SLATE OF 30 UPLIFTING ORIGINALS FOR SECOND HALF OF 2014 AND 2015 New Original and Premiere Movies, Including the Epic Bible Movie Noah A True Inspirational Story Life of a King, Country Music Star Jimmy Wayne’s Paper Angels, Plus 4 New Original Series and More Episodes of the Fan Favorite Series “Heartland” Star Lineup Includes Cuba Gooding, Jr., Dennis Haysbert, LisaGay Hamilton, Mark Salling, Laura Vandervoort, Lacey Chabert, Samaire Armstrong, LeToya Luckett and More ATLANTA – April 8, 2014 – UP, America’s favorite channel for uplifting family entertainment, today unveiled a compelling original programming slate, including 30 new original and premiere movies and four series for the second half of 2014 and 2015. Now in its 10th year, UP is projected to reach 73 million households in 2015 and is the leading destination for fresh, contemporary, uplifting family-friendly entertainment. UP is presenting exceptional opportunities to advertisers during the 2014-15 upfront on its trademark Upfront Bus, which serves as the network’s mobile venue for client meetings and events. For the second half of 2014, nine original and premiere movies headline UP’s slate for a total of 18 for the year, continuing UP’s promise to viewers that at least one original or premiere movie will air every month. The films star a diverse range of top tier talent, including Mark Salling (“Glee”), Laura Vandervoort (“Smallville”), Lacey Chabert (“Party of Five”), Samaire Armstrong (“Resurrection”) and Grammy®-Award winning singer LeToya Luckett (UP’s “For Richer or Poorer”). For 2015, UP’s slate includes 19 original and premiere movies, headlined by its first original biblical epic Noah.
Saratoga Drama Group Presents

Saratoga Drama Group presents May - June 2001 Saratoga Drama Group A Very Special Guest: Janis Paige presents As our opening-night guest we are extremely pleased to welcome Miss Janis Paige. Miss Paige starred in the original Broadway production of Mame, taking over the title role from its originator, Angela Lansbury. With an all-encompassing talent that embraces the worlds of stage, movies and television, Miss Paige is equally at home in dramatic, comic and musical roles. Prior to her stage career, she enjoyed wide acclaim Book by for her starring roles in motion pictures, Jerome Lawrence beginning with Hollywood Canteen and and continuing through a four-year tenure as a Robert E. Lee Warner Brothers star. Her introduction to Broadway came purely by accident, when producer Leland Hayward, desperately searching through some 200 applicants for Music and Lyrics by the role of Judy Revere in the Howard Lindsay-Russell Crouse comedy Remains To Jerry Herman Be Seen, was introduced to Miss Paige at the rehearsal hall and within the space of fifteen minutes she came away with the part. She went on to even greater success in Based on the novel by Patrick Dennis the smash hit musical Pajama Game, followed by another hit, Here’s Love. and the play “Auntie Mame” by Between shows she initiated a nightclub career, headlining across the country in major supper clubs including the famous Copacabana in New York. Miss Paige can Lawrence and Lee also claim numerous television appearances including a series, It’s Always Jan, and top variety and dramatic shows.
To Download Resume

THOM SESMA www.thomsesma.com 214 West 29th Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 Television / Film Death Saved My Life Peter Lifetime Television Instinct Jorry (Guest) CBS/Alan Cumming Exec. Prod. Madam Secretary Tran (Guest) CBS/Barbara Hall Productions Jessica Jones Kurata (Guest) ABC/Marvel/Netflix Gotham Barthel (Guest) Fox/WBTelevision/DC Comics Single Ladies Vincent (Guest) VH1/Dana Lynn North, Exec. Prod. The Good Wife Martinez (Guest) CBS/Michelle King, Exec. Prod Person Of Interest Su (Featured) CBS/JJ Abrams, Exec. Prod. Over/Under (Pilot) Ichiro (Recurring) USA/Jonathan Starch, Prod. Lay The Favorite Young Gambler Feature/Stephen Frears, Dir. Third Watch Chow (Guest) NBC/John Wells, Exec.Prod. Whoopi Cousin (Featured) NBC/Whoopi Goldberg, Exec. Prod. Trinity Gabriel (Recurring) NBC/John Wells, Exec. Prod. Law & Order Mark Considine (Guest) NBC/Dick Wolf Productions Building Girl Gilbride Indie Feature/Shari Carpenter, Dir. Broadway & National Tours Disney’s The Lion King Scar Disney Theatrical Productions Times They Are A-Changin’ Captain A-Rab Brooks Atkinson Theatre Man of La Mancha Carrasco Martin Beck Theatre Titanic: A New Musical Andrews Dodger Productions Miss Saigon The Engineer Cameron Mackintosh Prod. Search and Destroy Martin Circle in the Square Nick & Nora Robert Marquis Theatre Chu Chem The Prince Walter Kerr (Ritz) Theatre Off Broadway Unknown Soldier Doctor Trip Cullman, dir./Playwrights Horizons Superhero Vic Jason Moore, dir./2nd Stage The Resistible Rise of Arturo Ui Givola
Edward Albee's at Home at The

CAST OF CHARACTERS TROY KOTSUR*............................................................................................................................PETER Paul Crewes Rachel Fine Artistic Director Managing Director RUSSELL HARVARD*, TYRONE GIORDANO..........................................................................................JERRY AND AMBER ZION*.................................................................................................................................ANN JAKE EBERLE*...............................................................................................................VOICE OF PETER JEFF ALAN-LEE*..............................................................................................................VOICE OF JERRY PAIGE LINDSEY WHITE*........................................................................................................VOICE OF ANN *Indicates a member of Actors’ Equity Association, the Union of David J. Kurs Professional Actors and Stage Managers in the United States. Artistic Director Production of ACT ONE: HOMELIFE ACT TWO: THE ZOO STORY Peter and Ann’s living room; Central Park, New York City. EDWARD ALBEE’S New York City, East Side, Seventies. Sunday. Later that same day. AT HOME AT THE ZOO ADDITIONAL PRODUCTION STAFF STARRING COSTUME AND PROPERTIES REHEARSAL STAGE Jeff Alan-Lee, Jack Eberle, Tyrone Giordano, Russell Harvard, Troy Kotsur, WARDROBE SUPERVISOR SUPERVISOR INTERPRETER COMBAT Paige Lindsey White, Amber Zion Deborah Hartwell Courtney Dusenberry Alek Lev
Broadway Theaters

Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W.
London Ew N The

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DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected]

DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected] CASTING DIRECTOR (selected) Holler If Ya Hear Me (Todd Kreidler) Palace Theatre/Broadway dir. Kenny Leon (upcoming) Casa Valentina (Harvey Fierstein) Freidman Theatre/ Broadway dir. Joe Mantello (upcoming) Commons of Pensacola (Amanda Peet) Manhattan Theater Club dir. Lynne Meadow The Snow Geese (Sharr White) Freidman Theatre/ Broadway dir. Daniel Sullivan All New People (Zach Braff) Second Stage Theatre dir. Peter DuBois Water By The Spoonful (Quiara Hudes) Second Stage Theatre dir. Davis McCallum My Name Is Rachel Corrie Minetta Lane/Off-Broadway dir. Alan Rickman Complicit (Joe Sutton) Old Vic/London dir. Kevin Spacey Orphans (Lyle Kessler) Schoenfeld Theatre/ Broadway dir. Daniel Sullivan Lonely I’m Not (Paul Weitz) Second Stage Theatre dir. Trip Cullman Tales of the City: the musical American Conservatory Theatre dir: Jason Moore Romantic Poetry (John P. Shanley) MTC/Off-Broadway dir: John P. Shanley Trip to Bountiful (Horton Foote) Sondheim Theatre/ Broadway dir. Michael Wilson Dead Accounts (Theresa Rebeck) Music Box Theatre/ Broadway dir. Jack O’Brien Fences (August Wilson) Cort Theatre/Broadway dir. Kenny Leon Sweet Bird of Youth (T. Williams) Goodman Theatre/ Chicago dir. David Cromer The Other Place (Sharr White) Freidman Theatre/ Broadway dir. Joe Mantello Seminar (Theresa Rebeck) Golden Theatre/ Broadway dir. Sam Gold Grace (Craig Wright) Court Theatre/ Broadway dir. Dexter Bullard Bengal Tiger … (Rajiv Josef) Richard Rodgers/ Broadway dir. Moises Kaufman Stick Fly (Lydia Diamond) Cort Theatre/ Broadway dir. Kenny Leon The Columnist (David Auburn) Freidman Theatre/Broadway dir. Daniel Sullivan The Royal Family (Ferber) Freidman Theatre/ Broadway dir.
Broadway Theatre

Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously inﬂuential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a signiﬁcant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager.
"Do I Look Like a Chick?": Men, Women, and Babies on Sitcom Maternity Stories1

"Do I Look Like a Chick?": Men, Women, and Babies on Sitcom Maternity Stories1 Judy Kutulas On Monday evening, January 19,1953, forty million Americans watched as the very pregnant Lucy Ricardo (7 Love Lucy, 1951-57) emerged from her bedroom to declare that it was time to go to the hospital.2 What followed was a slapstick salute to 1950s gender stereotypes. Lucy, radiant and serene, was left behind in the panic her announcement generated. Husband Ricky had rehearsed the moment, but choked when it actually arrived, spilling her suitcase, losing the phone, and putting her coat on the neighbor. When they reached the hospital, it was dazed Ricky who rode in the wheelchair. The audience modestly bade goodbye to Lucy at the elevator door, thereafter watching Ricky's response to fatherhood. He paced the fathers' waiting room, exchanged comments with the other fathers about the advantages of sons over daughters, and finally fainted at the sight of his son. Fast-forward about forty years to the blended family of Frank Lambert and Carol Foster {Step by Step, 1991-present): Frank and Carol got off to the hospital without a hitch and we didn't say goodbye to Carol at the elevator. Instead, we saw her in labor, cranky and demanding. Frank was there too, inadequate and embarrassed. Their children, meanwhile, paced the waiting room no longer reserved for fathers, girls in blissful smiles and boys looking uncom fortable. How long does it take to have a baby, one boy asked another. "How should I know," was the reply, "do I look like a chick?" Two TV birthing stories, forty years apart, reveal some curious changes and continuities.