DOCSLIB.ORG

Announcing: ​Sundance Institute at Sundown​ Presented by Acura

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Announcing: ​Sundance Institute at Sundown​ Presented by Acura FOR IMMEDIATE RELEASE Media Contact: May 8, 2018 Jenelle Scott 310.360.1981 [email protected] Announcing: Sundance Institute At Sundown presented by Acura ​ ​ Special Benefit to Celebrate the Winner of the 2018 Vanguard Award: Boots Riley, Artist and Multi-Hyphenate Featuring the LA Debut Screening of Sorry to Bother You and (Raucous) Afterparty: ​ ​ Tickets on Sale Now at sundance.org/sundown ​ Los Angeles, CA — Sundance Institute, in collaboration with Annapurna Pictures, invites fans and supporters of ​ independent cinema to celebrate the irrepressible writer/director/producer/musician/activist Boots Riley. Boots, ​ ​ an alumni of both the Sundance Labs and Film Festival, will be honored with the Sundance Institute’s annual Vanguard Award at its summer fundraiser on June 14, 2018 at The Theatre at Ace Hotel Downtown Los Angeles, just before the Los Angeles debut of his new film, Sorry to Bother You and an afterparty for all ticketholders ​ ​ immediately following. Proceeds from the evening will help advance Sundance Institute’s mission and programs that discover, support and amplify risk-taking and exciting independent artists in film, theatre and new media. Sorry to Bother You, which had its world premiere in the U.S. Dramatic Competition category at the 2018 ​ ​ ​ Sundance Film Festival, is a genre-defying work, taking place in a modern day alternate reality version of Oakland, ​ ​ CA where telemarketer Cassius Green discovers a magical key to professional success, propelling him into a macabre new universe. The film, starring Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer and Omari Hardwick was produced by Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy and Kelly Williams, and will be released in theatres by Annapurna Pictures on July 6, 2018. “Sorry to Bother You exemplifies Boots’ uncompromising and fearless independent vision,” said Michelle Satter, ​ ​ ​ ​ Founding Director of the Sundance Institute Feature Film Program. “When he was a Fellow at our 2015 Directors Lab, his official bio noted that he had never won an award for artistic achievement, and we’re so pleased to change that with this celebration.” Sundance Institute’s Vanguard Award honors artists whose work and vision represents the highest, most ​ ​ breakthrough level of innovation, originality, and independent spirit that the Institute’s FFP program under Satter’s leadership has fostered in artists over its 30-year history. Past Vanguard Award recipients include Alejandro Gonzàlez Iñàrritu, Roger Ebert, Glenn Close, Dee Rees and Quentin Tarantino. As the presenting sponsor of the Vanguard Award since 2015, Acura’s generous support helps fund the ​ ​ Institute’s programming dedicated to advancing the voices and work of bold, independent storytellers. 2 General admission tickets and special packages including advance access and reserved seating are available at sundance.org/sundown. ​ Sundance Institute Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Mudbound, Get Out, The Big Sick, Strong Island, Blackfish, Top of the ​ Lake, Winter's Bone, The Wolfpack, Dear White People, Trapped, Brooklyn, Little Miss Sunshine, 20 Feet From Stardom, Beasts of the Southern Wild, Fruitvale Station, Spring Awakening, A Gentleman’s Guide to Love and ​ ​ ​ ​ ​ ​ Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ # # # Editor’s note: For images, visit sundance.org/photos. Press interested in covering Sundance Institute At ​ ​ ​ ​ Sundown should email [email protected]. ​ ​ Sundance Institute Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Mudbound, Get Out, The Big Sick, Strong Island, Blackfish, Top of the ​ Lake, Winter's Bone, The Wolfpack, Dear White People, Trapped, Brooklyn, Little Miss Sunshine, 20 Feet From Stardom, Beasts of the Southern Wild, Fruitvale Station, Spring Awakening, A Gentleman’s Guide to Love and ​ ​ ​ ​ ​ ​ Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ .
Load more

Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • Finding Lionel: Reconciling Multiple Identities As Black, Gay, and Gifted in Dear White People
    Taboo: The Journal of Culture and Education Volume 19 Issue 1 Volume 19 Issue 1 - Winter 2020 Article 4 January 2001 Finding Lionel: Reconciling Multiple Identities as Black, Gay, and Gifted in Dear White People Christopher Sewell [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/taboo Recommended Citation Sewell, C. (2020). Finding Lionel: Reconciling Multiple Identities as Black, Gay, and Gifted in Dear White People. Taboo: The Journal of Culture and Education, 19 (1). Retrieved from https://digitalscholarship.unlv.edu/taboo/vol19/iss1/4 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Taboo: The Journal of Culture and Education by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. 30 Taboo,Finding Winter Lionel 2020 Finding Lionel Reconciling Multiple Identities as Black, Gay,, and Gifted in Dear White People Christopher Sewell Abstract What does it mean to be a Black male looking to reconcile their intellectual, sexual, and racial identities? bell hooks (2004) notes that Black masculinity is inherently tied to notions of power; Black males, socialized to be dominant, find this power and dominance in tension with conceptions of power in soci- ety at large.
    [Show full text]
  • Resources on Race, Racism, and How to Be an Anti-Racist Articles, Books, Podcasts, Movie Recommendations, and More
    “Not everything that is faced can be changed, but nothing can be changed until it is faced.” – JAMES BALDWIN DIVERSITY & INCLUSION ————— Resources on Race, Racism, and How to be an Anti-Racist Articles, Books, Podcasts, Movie Recommendations, and More Below is a non-exhaustive list of resources on race, anti-racism, and allyship. It includes resources for those who are negatively impacted by racism, as well as resources for those who want to practice anti-racism and support diverse individuals and communities. We acknowledge that there are many resources listed below, and many not captured here. If after reviewing these resources you notice gaps, please email [email protected] with your suggestions. We will continue to update these resources in the coming weeks and months. EXPLORE Anguish and Action by Barack Obama The National Museum of African American History and Culture’s web portal, Talking About Race, Becoming a Parent in the Age of Black Lives which is designed to help individuals, families, and Matter. Writing for The Atlantic, Clint Smith communities talk about racism, racial identity and examines how having children has pushed him the way these forces shape society to re-evaluate his place in the Black Lives Matter movement: “Our children have raised the stakes of Antiracism Project ― The Project offers participants this fight, while also shifting the calculus of how we ways to examine the crucial and persistent issue move within it” of racism Check in on Your Black Employees, Now by Tonya Russell ARTICLES 75 Things White People Can Do For Racial Justice First, Listen.
    [Show full text]
  • Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
    FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts.
    [Show full text]
  • Minnesota Film and TV Board
    OFFICE OF THE LEGISLATIVE AUDITOR O L A STATE OF MINNESOTA EVALUATION REPORT Minnesota Film and TV Board APRIL 2015 PROGRAM EVALUATION DIVISION Centennial Building – Suite 140 658 Cedar Street – St. Paul, MN 55155 Telephone: 651-296-4708 ● Fax: 651-296-4712 E-mail: [email protected] ● Website: www.auditor.leg.state.mn.us Through Minnesota Relay: 1-800-627-3529 or 7-1-1 Program Evaluation Division Evaluation Staff The Program Evaluation Division was created James Nobles, Legislative Auditor within the Office of the Legislative Auditor (OLA) in 1975. The division’s mission, as set forth in law, Joel Alter is to determine the degree to which state agencies Caitlin Badger and programs are accomplishing their goals and Valerie Bombach objectives and utilizing resources efficiently. Sarah Delacueva Will Harrison Topics for evaluations are approved by the Jody Hauer Legislative Audit Commission (LAC), which has David Kirchner equal representation from the House and Senate Laura Logsdon and the two major political parties. However, Carrie Meyerhoff evaluations by the office are independently Ryan Moltz researched by the Legislative Auditor’s professional Judy Randall staff, and reports are issued without prior review by Catherine Reed the commission or any other legislators. Findings, Jodi Munson Rodriguez conclusions, and recommendations do not Laura Schwartz necessarily reflect the views of the LAC or any of KJ Starr its members. Jo Vos OLA also has a Financial Audit Division that To obtain reports in electronic ASCII text, Braille, annually audits the financial statements of the State large print, or audio, call 651-296-4708.
    [Show full text]
  • Eastwood, Dicaprio Try to Capture First FBI Director's Life in 'J. Edgar'
    09 November 2011 | voaspecialenglish.com Eastwood, DiCaprio Try to Capture First FBI Director's Life in 'J. Edgar' AP From left, Leonardo DiCaprio, Armie Hammer and director Clint Eastwood at the premiere of "J. Edgar" last week in Los Angeles (You can download an MP3 of this story at voaspecialenglish.com) DOUG JOHNSON: Welcome to AMERICAN MOSAIC in VOA Special English. (MUSIC) I’m Doug Johnson. Today we play music from American Idol winner Scotty McCreery ... And we answer a question about American whiskey ... But first, it is history at the movie theater where a new film opens about former law enforcement chief J. Edgar Hoover. "J. Edgar" DOUG JOHNSON: The movie "J. Edgar" opens across America today. The film is about J. Edgar Hoover, the first director of the Federal Bureau of Investigation. Hoover was a complex and powerful man. He helped develop the FBI into an efficient and effective crime solving agency. However, in later years, many people 2 questioned the methods used by Hoover and his investigators. Bob Doughty tells more about the man and the movie. BOB DOUGHTY: Clint Eastwood directed the movie "J. Edgar." He grew up in the time when, in his words, "Hoover was always top cop." Eastwood said he had heard different stories about the former FBI director. Some of them were very critical. But Eastwood said anybody who stays in a job as long as Hoover did is going to create some enemies. J. Edgar Hoover was the leader of the FBI and the agency it developed from for almost fifty years.
    [Show full text]
  • 18 Jan 19 28 Feb 19
    18 JAN 19 28 FEB 19 1 | 18 JAN 19 - 28 FEB 19 49 BELMONT STREET | BELMONTFILMHOUSE.COM What does it mean, ‘to play against type’? Come January/February you may find many examples. Usually it’s motivated by the opportunity to hold aloft a small gold-plated statue, but there are plenty memorable occasions where Hollywood’s elite pulled this trope off fantastically. Think Charlize Theron in Monster. Maybe Jim Carrey in Eternal Sunshine? Or Heath Ledger as Joker. These performances often come to dominate award season. Directors wrenching a truly transformative rendition out of their leads can be the difference between a potential big winner fading into obscurity, or being written into history. The class of 2019 appears particularly full of these turns. There might well be as much intrigue in figuring out which will be remembered, as in watching the performances themselves. ‘Unrecognisable as’ awards could go out to Margot Robbie as Elizabeth I in Mary Queen Of Scots; Melissa McCarthy in Can You Ever Forgive Me?; Nicole Kidman in Destroyer; Christian Bale as Dick Cheney in Vice. Others of course have been down this road before. Steve Carell has come a long, long way since Michael Scott and he looks tremendous in Beautiful Boy. And Matt Dillon, who we’ll see in The House That Jack Built, has always had a penchant for the slightly off-colour. There’s probably no one more off-colour than Lars von Trier. Screening for one night only. At Belmont Filmhouse we try to play against type as much as possible.
    [Show full text]
  • The Importance and Achievements of Luca Guadagnino's Call Me By
    To Speak or to Die: The Importance and Achievements of Luca Guadagnino’s Call Me by Your Name (2017) Treball de Fi de Grau/ BA dissertation Author: Alex Dalmau Barreal Supervisor: Dr. Sara Martín Alegre Departament de Filologia Anglesa i de Germanística Grau d‘Estudis Anglesos June 2020 CONTENTS 0. Introduction .................................................................................................................. 1 0.1 Luca Guadagnino‘s Life and Work ........................................................................ 1 0.2 Guadagnino‘s Call Me by Your Name .................................................................... 2 1. Adapting a Novel: A Work of Respect ......................................................................... 6 1.1 Differences and similarities .................................................................................... 6 1.2 Controversies while Adapting .............................................................................. 12 2. A Film with a Legacy ................................................................................................. 17 2.1 Importance within the LGBT community ............................................................ 17 2.2 Impact within the film industry ............................................................................ 21 3. Conclusions and further research ............................................................................... 27 Works Cited ...................................................................................................................
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Call Me by Your Name
    Presents CALL ME BY YOUR NAME A film by Luca Guadagnino (131 min., USA/Italy/France/Brazil, 2017) Languages: English, Italian, French, German w/ English subtitles Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CALL ME BY YOUR NAME The Cast Oliver ARMIE HAMMER Elio TIMOTHÉE CHALAMET Mr. Perlman MICHAEL STUHLBARG Annella AMIRA CASAR Marzia ESTHER GARREL Chiara VICTOIRE DU BOIS Mafalda VANDA CAPRIOLO Anchise ANTONIO RIMOLDI Art Historian 1 ELENA BUCCI Art Historian 2 MARCO SGROSSO Mounir ANDRÉ ACIMAN Isaac PETER SPEARS 2 CALL ME BY YOUR NAME The Filmmakers Director LUCA GUADAGNINO Screenplay JAMES IVORY Based on the Novel Call Me By Your Name by ANDRÉ ACIMAN Producers PETER SPEARS LUCA GUADAGNINO EMILIE GEORGES RODRIGO TEIXERA MARCO MORABITO JAMES IVORY HOWARD ROSENMAN Executive Producers DEREK SIMONDS TOM DOLBY MARGARETHE BAILLOU FRANCESCO MELZI D’ERIL NAIMA ABED NICHOLAS KAISER SOPHIE MAS LOURENÇO SANT’ANNA Director of Photography SAYOMBHU MUKDEEPROM Editor WALTER FASANO Production Designer SAMUEL DESHORS Costume Designer GIULIA PIERSANTI Songs “Mystery of Love” and “Visions of Gideon” Written and Performed by SUFJAN STEVENS Production Sound Mixer YVES-MARIE OMNES Re-Recording Mixer JEAN-PIERRE LAFORCE Music Supervisor ROBIN URDANG Music Consultant GERRY GERSHMAN Casting / Line Producer STELLA SAVINO Main Titles
    [Show full text]
  • Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
    Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes.
    [Show full text]
  • City Administrator's Weekly Report
    DISTRIBUTION DATE: March 15, 2019 MEMORANDUM TO: HONORABLE MAYOR & FROM: Sabrina B. Landreth CITY COUNCIL SUBJECT: City Administrator’s Weekly Report DATE: March 15, 2019 _______ INFORMATION Following are the key activities to be highlighted this week: Upcoming City of Oakland Job Announcements – During the week of March 18, the Human Resources Management Department (HRM) anticipates posting job announcement(s) for the following position(s): • Police Program & Performance Audit Supervisor • Project Manager II (Selective Certification – Ceasefire) For the most up-to-date information on City jobs, please view the Employment Information page on our website at http://agency.governmentjobs.com/oaklandca/default.cfm. The Employment Information page also contains information on minimum qualifications of specific job classifications, how to apply for a job on-line and how to submit a job interest card for positions not currently posted. For more information, please contact the Human Resources Management Receptionist at (510) 238-3112. Time is Ticking, Get Your Taxes Done Fast and Free – Did you earn $55,000 or less in 2018? Then you may qualify to have your taxes prepared by a certified IRS volunteers for FREE. To see if you qualify and to schedule an appointment, call the Alameda County – Oakland Community Action Partnership (AC-OCAP) EITC hotline at 510-238-4911. Did you know that with the federal Earned Income Tax Credit (EITC) and state CalEITC you may qualify to receive a tax credit check of up to $6,000! The Alameda County - Oakland Community Action Partnership (AC-OCAP) Volunteer Income Tax Assistance (VITA) site, located at 270 Frank H.
    [Show full text]