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“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
Anglophone Music As Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository University of Rijeka Faculty of Humanities and Social Sciences in Rijeka Department of English Matea Lacmanović: Anglophone Music as Poetry Mentor: Lovorka Gruić Grmuša, PhD Rijeka, July 2015 1 Abstract Literature as a whole is usually divided into poetry, prose and drama (Solar 2006: 154) with fairly clear boundaries between them. When it comes to their subdivision and definition of specific literature and art type, the boundaries become unclear and many questions arise. One of the most difficult questions to answer is what poetry is and which criteria must be met in order for some work to be classified as poetry. It is known that authors such as Shakespeare, Byron, Cummings or Angelou are poets and their work is interpreted as poetry. However, can the circle of poetry and art be expanded to similar forms such as contemporary music? That is the topic of this thesis – analysis, explanation and specific examples of modern song lyrics which can be viewed as poetry and something more valuable in the art context than it actually is due to the commercialization of music. With songs performed by Tupac, Garbage, Leonard Cohen, Bill Withers and various artists who belong to different music genres and eras, poetry is broadened and upgraded to the 21st century level. Key words: Anglophone music, music, poetry, lyrics, analysis, literature, art, contemporary, modern, intermediation, authorship 2 Table of Contents Abstract -
The ONE and ONLY Ivan
KATHERINE APPLEGATE The ONE AND ONLY Ivan illustrations by Patricia Castelao Dedication for Julia Epigraph It is never too late to be what you might have been. —George Eliot Glossary chest beat: repeated slapping of the chest with one or both hands in order to generate a loud sound (sometimes used by gorillas as a threat display to intimidate an opponent) domain: territory the Grunt: snorting, piglike noise made by gorilla parents to express annoyance me-ball: dried excrement thrown at observers 9,855 days (example): While gorillas in the wild typically gauge the passing of time based on seasons or food availability, Ivan has adopted a tally of days. (9,855 days is equal to twenty-seven years.) Not-Tag: stuffed toy gorilla silverback (also, less frequently, grayboss): an adult male over twelve years old with an area of silver hair on his back. The silverback is a figure of authority, responsible for protecting his family. slimy chimp (slang; offensive): a human (refers to sweat on hairless skin) vining: casual play (a reference to vine swinging) Contents Cover Title Page Dedication Epigraph Glossary hello names patience how I look the exit 8 big top mall and video arcade the littlest big top on earth gone artists shapes in clouds imagination the loneliest gorilla in the world tv the nature show stella stella’s trunk a plan bob wild picasso three visitors my visitors return sorry julia drawing bob bob and julia mack not sleepy the beetle change guessing jambo lucky arrival stella helps old news tricks introductions stella and ruby home -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
An Alabama School Girl in Paris 1842-1844
An Alabama School Girl in Paris 1842-1844 the letters of Mary Fenwick Lewis and her family Nancyt/ M. Rohr_____ _ An Alabama School Girl in Paris, 1842-1844 The Letters of Mary Fenwick Lewis and Her Family Edited by Nancy M. Rohr An Alabama School Girl In Paris N a n c y M. Ro h r Copyright Q 2001 by Nancy M. Rohr All rights reserved. No part of this book may be reproduced in any form without permission of the editor. ISPN: 0-9707368-0-0 Silver Threads Publishing 10012 Louis Dr. Huntsville, AL 35803 Second Edition 2006 Printed by Boaz Printing, Boaz, Alabama CONTENTS Preface...................................................................................................................1 EditingTechniques...........................................................................................5 The Families.......................................................................................................7 List of Illustrations........................................................................................10 I The Lewis Family Before the Letters................................................. 11 You Are Related to the Brave and Good II The Calhoun Family Before the Letters......................................... 20 These Sums will Furnish Ample Means Apples O f Gold in Pictures of Silver........................................26 III The Letters - 1842................................................................................. 28 IV The Letters - 1843................................................................................ -
Pressed on 180 Gram HQ, This Specially Packaged Release Includes New Artwork and a Full CD of the Album
RED HOUSE RECORDS Publicity Contact: Ellen Stanley • [email protected] • (651) 644-4161 HOT TUNA Steady As She Goes RHR-CD-241 • Release Date: April 5, 2011 RHR-LP-241 • Release Date: May, 2011 Iconic roots rockers return with their first new studio album in 20 years! Red House Records is pleased to announce the April 5, 2011 release of Steady As She Goes, the first new album in twenty years from the legendary Hot Tuna. Featuring Rock & Roll Hall of Famers and Jefferson Airplane founding members Jack Casady and Jorma Kaukonen, the band celebrates over four decades of playing together. Now, with the release of their Red House debut, they prove that they remain one of the most innovative bands in American music. Why did it take so long for Hot Tuna to record a new album? “Well, it just worked out that way,” Kaukonen says. “Hot Tuna never quit playing. The moment just wasn’t right before; now it is, and we have a great project to show for it.” Returning to upstate New York decades after Kaukonen and Casady first played Woodstock, they went into Levon Helm’s studio over the winter to record twelve new tracks with mandolin player Barry Mitterhoff and drummer Skoota Warner (Cyndi Lauper, Matisyahu, Santana). Working with famed producer Larry Campbell (who Kaukonen worked with on his last solo album River of Time) the band plugged in for the electric Hot Tuna album that fans have been waiting for. Taking no prisoners, the band tears into it, kicking off with the rocking Americana number “Angel of Darkness” (co- written by Kaukonen and Campbell). -
The Cash Box Radio Report Center Section
JULY 4, 1987 NEWSPAPER $3.50 THE MOST COMPREHENSIVE ANALYSIS OP CURRENT HITS THE CASH BOX RADIO REPORT CENTER SECTION .0 82791 19359 te to tlie Thunderbir/ music tmship and y | Jwork and another P i' e cap of produce tnds. e nation’s music been unstinti ? for tiiis hardv’ It Palmer of es w.iote: “P. loiik Thunf (ed power ai ‘wilectric Produced by Dave Edmunds for Dave Edmunds Productions, Ltd Management: Mark Proct for Mark I Productions. d "CBS" is a trademark of CBS Inc. C:, 1987 CBS Inc CASHBOX T INTERNATIONAL MUSIC/COIN MACHINE/HOME ENTERTAINMENT WEEKLY VOLUME LI—NUMBER 2, JUL 1ASHBOX Table Of Contents IfEORGE ALBERT •sident and Publisher Cover Story 16-17 Charts 4ARK ALBERT Executives On The Move 6 Top 40 Jazz Albums 12 ’e President and General Manager New Faces To Watch 10-11 Top 75 Black Contemporary Albums 13 It PENCE BERLAND Album Releases 8 Top 100 Black Contemporary Singles 14 •re :e President Single Releases 9 Top 100 Singles 4 tC! ;b. carmicle :e President Top 200 LP’s 35-36 ed AM DURHAM Top 40 Videocassettes 37 hi ce President Top 40 Compact Discs 38 iOBERT LONG Top 50 Country Albums 42 1 . Radio Report rector Black/Urban Marketing Top 100 Country Singles 43 of Pop 20-25 TEPHEN PADGETT Chart Index 51 inaging Editor Black Contemporary 26-29 Top 75 12” Dance Singles 40 GREGORY DOBRIN Country 30-33 isociate Managing Editor na lEITH ALBERT iC anager. Charts and Research Departments n I^HARI CHAMBLISS News 5, 6, 7, 15, 47 oduction Manager Columns BlackContemporary 13-14 'ew York Editorial EE JESKE, Bureau Chief Points West 10 Dance 40 \UL lORlO East Coastings 11 Video 37 d. -
Record Plant, Sausalito CA
[email protected] The Record Plant, Sausalito 1972 – 2009 | Credits on 5 of Top 50 Best-Selling Albums All-Time. Historic Nor – Cal Recording Studio Prince / Sly Stone / Fleetwood Mac / Rick James / Santana Van Morrison / Stevie Wonder / Whitney Houston / Heart Metallica / Bob Marley / Grateful Dead / Jefferson Starship Legendary Location… 2200 Bridgeway, Sausalito Est. 1972 California U.S.A. 1970’s Sausalito Music Factory opens as “Record Plant” The unassuming, redwood clad building just north of San Francisco, Sausalito on Oct 29, 1972. California at 2200 Bridgeway in Sausalito, opened in the early 1970’s 1973 - Bob Marley & The as Sausalito Recording before becoming the Record Plant in the fall of Wailers record LIVE album at Record Plant. 1972. The Record Plant, Sausalito was the third in a chain of Record Plant studios operating in Los Angeles and New York. “The Plant,” as 1976-Fleetwood Mac record Rumours album. 10th best- it was later known, would become the location of some of the most selling album all-time. successful & popular recordings in music history. 1978 - Prince records his first album, For You. The grand opening was celebrated with the first in a tradition of th 1980’s Rick James records “Super annual Halloween parties on Sunday, October 29 , 1972. Attendees, Freak” at the Record Plant including John Lennon & Yoko Ono dressed as trees, were treated to in December, 1980. the laid back vibe of the studio situated near the bay in the industrial John Fogerty and Huey part of Sausalito, ten minutes from bustling San Francisco. Lewis & the News cut #1 albums at the Plant. -
Jefferson Airplane Crown of Creation Mp3, Flac, Wma
Jefferson Airplane Crown of Creation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Crown of Creation Country: US Style: Acid Rock MP3 version RAR size: 1587 mb FLAC version RAR size: 1559 mb WMA version RAR size: 1405 mb Rating: 4.7 Votes: 458 Other Formats: ADX AC3 APE ASF MP2 XM MP4 Tracklist Hide Credits Lather A1 2:55 Written-By – Slick* In Time A2 4:07 Written-By – Balin*, Kantner* Triad A3 4:54 Written-By – Crosby* Star Track A4 3:09 Written-By – Kaukonen* Share A Little Joke A5 3:04 Written-By – Balin* Chushingura A6 1:17 Written-By – Dryden* If You Feel B1 3:30 Written-By – Blackman*, Balin* Crown Of Creation B2 2:52 Written-By – Kantner* Ice Cream Phoenix B3 2:59 Written-By – Cockey*, Kaukonen* Greasy Heart B4 3:25 Written-By – Slick* The House At Pooneil Corners B5 5:46 Written-By – Balin*, Kantner* Companies, etc. Recorded At – RCA Studios Mastered At – RCA Studios Pressed By – RCA Records Pressing Plant, Rockaway Manufactured By – Radio Corporation Of America Copyright (c) – RCA Credits Bass [Yggdrasil] – Jack Casady Bongos – Dan Woody* Congas – Tim Davis Design [Album], Art Direction – J. Van Hamersveld* Drums, Percussion [Steel Balls] – Spencer Dryden Effects [Sound] – Gene Twombly Engineer – Rich Schmitt Engineer [Featuring At The 8-Track] – Maurice Guitar – David Crosby Guitar, Vocals – Charles Cockey Humming [Nose Solo] – Gary Blackman Lead Guitar, Percussion [Electric Chicken] – Jorma Kaukonen Percussion [Talking Drum] – Bill Goodwin Photography By [Cover, Back Cover] – Hiro Photography By [Hiroshima Bomb] – USAF Piano, Organ – Grace Slick, Spencer Dryden Producer – Al Schmitt Rhythm Guitar – Marty Balin, Paul Kantner Vocals – Grace Slick, Jorma Kaukonen, Marty Balin, Paul Kantner, Spencer Dryden Notes © RCA, New York, N.Y.