Beat Legend Michael Mcclure in Las Vegas

Beat Legend Michael McClure in Las Vegas Reading Sat. April 30, 7:00 p.m. at Winchester Cultural Center 3130 McLeod Dr. Writer’s Workshop: Sun. May 1, 2:00 p.m. at Clark County Library, 1 401 E. Flamingo Rd. ichael McClure has been a major poet since his first reading at the famed Six Gallery in 1955, Mwhere Allen Ginsberg first read Howl and McClure, Gary Snyder, Jack Kerouac, Kenneth Rexroth, and Philip Whalen founded the movement that became known as the San Francisco Poetry Renaissance and the Beat Generation. In the 1960s, his play The Beard became a huge cause when it was repeatedly censored in San Francisco and Los Angeles. The play was eventually moved to New York where McClure won an Obie Award. The play was cited by noted playwright Sam Shepard as an important precursor to his work which radically transformed the theater in the 1970s and 1980s. In the early 1970s, McClure was one of the first writers to popularize the movement to Save the Whales, and his poems and activism have been important to ecology movements ever since. A noted American Buddhist, McClure has written some of the most beautiful and profound poems in that genre. His relation with elders who inspired the San Francisco poetry renaissance, such as Robert Duncan and Charles Olson, has made him a key progenitor of modern writing. McClure’s research into evolutionary biology, biophysics, neurology and other sciences has done as much as any living writer to draw the link between art and science in profound ways of interest to both artists and scientists. McClure’s work has been cited by a variety of leading scientific thinkers, i.e., Francis Crick who received a Nobel for discovery of DNA. McClure has also been prominent in the world of rock music. He authored the lyrics to the song “Mercedes Benz” popularized in the classic performance by Janis Joplin. He worked closely with members of The Doors, including encouraging Jim Morrison to publish his poems and performing extensively with Ray Manzarek, the ground–breaking keyboardist. McClure has also maintained other notable music and performance connections, including with Christian McBride and Terry Riley. His books are from the most important publishers of the era including: Huge Dreams: San Francisco and Beat Poems (Penguin), Scratching the Beat Surface (Penguin), The Beard (Grove Press & Evergreen), Mysteriosos (New Directions), Rain Mirror (New Directions), Touching the Edge (Shambhala), Rebel Lions (New Directions), Of Indigo & Saffron (U.C. Press), and Ghost Tantras (City Lights). .

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I' i\ FILE NO .._O;:..=5:....:::1..;::..62;;;;..4:..- _ RESOLUTION NO. ----------------~ 1 [Howl Week.] 2 3 Resolution declaring the week of October 2-9 Howl Week in the City and County of San 4 Francisco to commemorate the 50th anniversary of the first reading of Allen Ginsberg's 5 classic American poem about the Beat Generation. 6 7 WHEREAS, Allen Ginsberg wrote Howl in San Francisco, 50 years ago in 1955; and 8 ! WHEREAS, Mr. Ginsberg read Howl for the first time at the Six Gallery on Fillmore 9 I Street in San Francisco on October 7, 1955; and 10 WHEREAS, The Six Gallery reading marked the birth of the Beat Generation and the 11 I start not only of Mr. Ginsberg's career, but also of the poetry careers of Michael McClure, 12 Gary Snyder, Jack Kerouac, Philip Whalen; and 13 14 WHEREAS, Howl was published by Lawrence Ferlinghetti at City Lights and has sold 15 nearly one million copies in the Pocket Poets Series; and 16 WHEREAS, Howl rejuvenated American poetry and marked the start of an American 17 Cultural Revolution; and 18 WHEREAS, The City and County of San Francisco is proud to call Allen Ginsberg one 19 of its most beloved poets and Howl one of its signature poems; and, 20 WHEREAS, October 7,2005 will mark the 50th anniversary of the first reading of 21 HOWL; and 22 WHEREAS, Supervisor Michela Alioto-Pier will dedicate a plaque on October 7,2005 23 at the site of Six Gallery; now, therefore, be it 24 25 SUPERVISOR PESKIN BOARD OF SUPERVISORS Page 1 9/20/2005 \\bdusupu01.svr\data\graups\pElskin\iagislatiarlire.soll.ltrons\2005\!lo\l'lf week 9.20,05.6(J-(; 1 RESOLVED, That the San Francisco Board of Supervisors declares the week of 2 October 2-9 Howl Week to commemorate the 50th anniversary of this classic of 20th century 3 American literature.
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Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique.
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Radio Transmission Electricity and Surrealist Art in 1950S and '60S San
Journal of Surrealism and the Americas 9:1 (2016), 40-61 40 Radio Transmission Electricity and Surrealist Art in 1950s and ‘60s San Francisco R. Bruce Elder Ryerson University Among the most erudite of the San Francisco Renaissance writers was the poet and Zen Buddhist priest Philip Whalen (1923–2002). In “‘Goldberry is Waiting’; Or, P.W., His Magic Education As A Poet,” Whalen remarks, I saw that poetry didn’t belong to me, it wasn’t my province; it was older and larger and more powerful than I, and it would exist beyond my life-span. And it was, in turn, only one of the means of communicating with those worlds of imagination and vision and magical and religious knowledge which all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists heard and saw and ‘tuned in’ on. Poetry was not a communication from ME to ALL THOSE OTHERS, but from the invisible magical worlds to me . everybody else, ALL THOSE OTHERS.1 The manner of writing is familiar: it is peculiar to the San Francisco Renaissance, but the ideas expounded are common enough: that art mediates between a higher realm of pure spirituality and consensus reality is a hallmark of theopoetics of any stripe. Likewise, Whalen’s claim that art conveys a magical and religious experience that “all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists . ‘turned in’ on” is characteristic of the San Francisco Renaissance in its rhetorical manner, but in its substance the assertion could have been made by vanguard artists of diverse allegiances (a fact that suggests much about the prevalence of theopoetics in oppositional poetics).
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Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies At
Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies at 101 An unapologetic proponent of “poetry as insurgent art,” he was also a publisher and the owner of the celebrated San Francisco bookstore City Lights. By Jesse McKinley Feb. 23, 2021 Lawrence Ferlinghetti, a poet, publisher and political iconoclast who inspired and nurtured generations of San Francisco artists and writers from City Lights, his famed bookstore, died on Monday at his home in San Francisco. He was 101. The cause was interstitial lung disease, his daughter, Julie Sasser, said. The spiritual godfather of the Beat movement, Mr. Ferlinghetti made his home base in the modest independent book haven now formally known as City Lights Booksellers & Publishers. A self-described “literary meeting place” founded in 1953 and located on the border of the city’s sometimes swank, sometimes seedy North Beach neighborhood, City Lights, on Columbus Avenue, soon became as much a part of the San Francisco scene as the Golden Gate Bridge or Fisherman’s Wharf. (The city’s board of supervisors designated it a historic landmark in 2001.) While older and not a practitioner of their freewheeling personal style, Mr. Ferlinghetti befriended, published and championed many of the major Beat poets, among them Allen Ginsberg, Gregory Corso and Michael McClure, who died in May. His connection to their work was exempliﬁed — and cemented — in 1956 with his publication of Ginsberg’s most famous poem, the ribald and revolutionary “Howl,” an act that led to Mr. Ferlinghetti’s arrest on charges of “willfully and lewdly” printing “indecent writings.” In a signiﬁcant First Amendment decision, he was acquitted, and “Howl” became one of the 20th century’s best-known poems.
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The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
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A History of the Communication Company, 1966-1967
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Summer 2012 Outrageous Pamphleteers: A History Of The Communication Company, 1966-1967 Evan Edwin Carlson San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Carlson, Evan Edwin, "Outrageous Pamphleteers: A History Of The Communication Company, 1966-1967" (2012). Master's Theses. 4188. DOI: https://doi.org/10.31979/etd.cg2e-dkv9 https://scholarworks.sjsu.edu/etd_theses/4188 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. OUTRAGEOUS PAMPHLETEERS: A HISTORY OF THE COMMUNICATION COMPANY, 1966-1967 A Thesis Presented to The Faculty of the School of Library and Information Science San José State University In Partial Fulfillment of the Requirements for the Degree Master of Library and Information Science by Evan E. Carlson August 2012 © 2012 Evan E. Carlson ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled OUTRAGEOUS PAMPHLETEERS: A HISTORY OF THE COMMUNICATION COMPANY, 1966-1967 by Evan E. Carlson APPROVED FOR THE SCHOOL OF LIBRARY AND INFORMATION SCIENCE SAN JOSÉ STATE UNIVERSITY August 2012 Dr. Debra Hansen School of Library and Information Science Dr. Judith Weedman School of Library and Information Science Beth Wrenn-Estes School of Library and Information Science ABSTRACT OUTRAGEOUS PAMPHLETEERS: A HISTORY OF THE COMMUNICATION COMPANY, 1966-1967 by Evan E.
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Also by Michael Mcclure Poetry Plays
Also by Michael McClure Poetry Hymns to Saint Geryon Dark Brown The New Book/A Book of Torture Ghost Tantras Dark Brown and Hymns to Saint Geryon Star Rare Angel September Blackberries Jaguar Skies Antechamber Fragments of Perseus Selected Poems Rebel Lions Simple Eyes Three Poems: Dolphin Skull, Rare Angel, and Dark Brown Huge Dreams: San Francisco and Beat Poems Touching the Edge: Dharma Devotions from the Hummingbird Sangha Rain Mirror Plum Stones: Cartoons of No Heaven Mysteriosos Plays The Blossom The Beard The Mammals Gargoyle Cartoons Gorf, or Gorf and the Blind Dyke The Grabbing of the Fairy Josephine: The Mouse Singer The Beard & VKTMS: Two Plays Essays, Interviews, Biography Meat Science Essays Wolf Net Freewheelin Frank: Secretary of the Angels, as Told to Michael McClure Scratching the Beat Surface: Essays on New Vision from Blake to Kerouac Specks Francesco Clemente: Testa Coda Lighting the Corners: On Art, Nature, and the Visionary, Essays and Interviews Fiction The Mad Cub The Adept Collaborations “Mercedes Benz,” with Janis Joplin Mandala Book, with Bruce Conner The Adventures of a Novel, with Bruce Conner Lie, Stand, Sit, Be Still, with Robert Graham The Boobus and the Bunnyduck, with Jess Deer Boy, with Hung Liu Films, CDs, and DVDs Love Lion, with Ray Manzarek The Third Mind, with Ray Manzarek There’s a Word, with Ray Manzarek I Like Your Eyes Liberty, with Terry Riley Rock Drill Abstract Alchemist Rebel Roar Touching the Edge Documentaries The Maze September Blackberries Of Indigo and Saffron Michael McClure Of Indigo and Saffron New and Selected Poems Edited and with an Introduction by Leslie Scalapino University of California Press Berkeley Los Angeles London University of California Press, one of the most distinguished univer- sity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences.
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5.25.2020 the Undercommons on Mcclure
The Undercommons on Michael McClure May 25, 2020 Memorial Day via Zoom Michael McClure (October 20, 1932 – May 4, 2020) was an American poet, playwright, songwriter, and novelist. After moving to San Francisco as a young man, he found fame as one of the 5 poets (including Allen Ginsberg) who read at the famous San Francisco Six Gallery reading in 1955, which was rendered in barely fictionalized terms in Jack Kerouac's The Dharma Bums. He soon became a key member of the Beat Generation and is immortalized as "Pat McLear" in Kerouac's Big Sur. He attended the Municipal University of Wichita (1951–1953), the University of Arizona (1953-1954) & San Francisco State College (B.A., 1955)[1][2] His first book of poetry, Passage, was published in 1956 by small press publisher Jonathan Williams.[3]... Stan Brakhage, friend of McClure, stated in the Chicago Review that: "McClure always, and more and more as he grows older, gives his reader access to the verbal impulses of his whole body's thought (as distinct from simply and only brain-think, as it is with most who write). He invents a form for the cellular messages of his, a form which will feel as if it were organic on the page; and he sticks with it across his life ..."[4] How I met Michael… Touching the Edge (back cover) Read two Dharma Devotions. Playwright: The Beard, Josephine the Mouse Singer. (JtMS is a treatise on Projective Verse.) Ghost Tantras Meat Science Essays Dolphin Skull (see essay Inside Dolphin Skull ) Projective Verse: The Spiritual Legacy of the Beat Generation https://www.mdpi.com/2076-0787/7/4/102/htm.
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Poet Michael Mcclure Friday February 11, 2011
Poet Michael McClure Friday February 11, 2011 San Francisco writer Michael McClure gained fame as one of the five poets who read at the legendary Six Gallery event in 1955, where Allen Ginsberg first readHowl . A key member of the Beat Generation and California counterculture, McClure has published extensively as a poet, playwright, essayist, novelist and songwriter, and is known for the highly original, visionary quality of his writing as well as for his dynamic poetry performances. In recent years he has collaborated with many musicians, notably Ray Manzarek, former keyboardist with The Doors, and the composer Terry Riley. McClure’s Vancouver appearance comes on the occasion of the publication of Of Indigo and Saffron: New and Selected Poems (U. of California Press), which follows closely the 2010 publication of Mysteriosos and Other Poems (New Directions). Abstract Alchemist of Flesh, a fifty-five minute documentary film of Michael McClure, with cameos of Dennis Hopper, Ray Manzarek, and Allen Ginsberg, is soon to be released. Michael McClure will be making two appearances on Friday February 11, 2011: 2:00pm Screening of new documentary film, Abstract Alchemist of Flesh, presented by McClure Room 7200 WAC Bennett Library 8888 University Drive Burnaby, BC V5A 1S6 8:00pm* Reading from his works (Introduced by George Stanley) Room 1700 (Labatt’s Hall) SFU Vancouver - Harbour Centre 515 West Hastings Street Vancouver, BC V6B 5K3 These events are presented by SFU Library and SFU English Department and co-sponsored by West Coast Line Magazine and The Capilano Review GRAHHR! For more information contact: * Events are free but seating is Tony Power limited to the evening reading.
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Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture
Zaroff 1 A Moment in the Sun: Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture Samuel Zaroff Honors Thesis Submitted to the Department of History, Georgetown University Advisor: Professor Maurice Jackson Honors Program Chairs: Professor Katherine Benton-Cohen and Professor Alison Games 6 May 2019 Zaroff 2 Table of Contents Introduction 4 Historiography 8 Chapter I: Defining the Counterculture 15 Protesting Without Protest 20 Cultural Exoticism in the Haight 24 Chapter II: The Music of the Haight Ashbury 43 Musical Exoticism: Jefferson Airplane’s “White Rabbit” 44 Assimilating African American Musical Culture: Big Brother and the Holding Company’s “Summertime” 48 Music, Drugs, and Hendrix: “Purple Haze” 52 Protesting Vietnam: Country Joe and the Fish’s “I-Feel-Like-I’m Fixin’-to-Die-Rag” 59 Folk, Nature, and the Grateful Dead: “Morning Dew” and the Irony of Technology 62 Chapter III: The End of the Counterculture 67 Overpopulation 67 Commercialization 72 Hard Drugs 74 Death of the Hippie Ceremony 76 “I Know You Rider”: Music of the End of the Counterculture 80 Violence: The Altamont Speedway Free Festival 85 Conclusion 90 Appendix 92 Bibliography 94 Zaroff 3 Acknowledgements Thank you, Professor Benton-Cohen and Professor Jackson, for your guidance on this thesis. Thank you, Mom, Dad, Leo, Eliza, Roxanne, Daniela, Ruby, and Boo for supporting me throughout. Lastly, thank you Antine and Uncle Rich for your wisdom and music. I give permission to Lauinger Library to make this thesis available to the public. Zaroff 4 Introduction From 1964 to 1967, the Haight Ashbury district of San Francisco experienced one of the most significant and short-lived cultural moments of twentieth century America.
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The Beat Generation: Collaboration and Community
The Beat Generation: Collaboration and Community Flores ACRL Literatures in English Section (LES) and Arts Sections Saturday, June 16, 2001, 2-4 p.m. - Argent Hotel Followed by a reception at City Lights Book Store, 261 Columbus Ave., 4-6 p.m. The Beat Generation created a rich legacy of books, periodicals, polemical and creative ephemera, music, and art works that have enriched libraries, museums, bookstores, and publishers, and that permanently altered the cultural landscape of America. These writers and artists collaborated in poetry readings, jazz, writing-inspired dance and films, and often in their personal lives. Our speakers will describe the cultural community of the Beat Generation's literature, visual arts, and dance. Honored guests in our audience are Diane di Prima and Lawrence Ferlinghetti; book signing to follow the program. • Beat Writers ¾ Ann Charters • Beat Writers Artists ¾ Bill Morgan • Beat and Beat-Related Painting ¾ Paul Karlstrom • Dancer Anna Halprin ¾ Janice Ross • Reading from His Poetry ¾ Michael McClure SPEAKERS: Dr. Charters is Professor of English, University of Connecticut, Storrs, CT, and an author and editor of many books inclucing The Portable Beat Reader (Viking, 1992). Dr. Karlstrom is the Director of the West Coast Research Center, Archives of American Art, Huntington Library, San Marino, CA. Michael McClure is one of the original Beat poets. He continues to write and tours with musician Ray Manzarek. For more information see: http://www.thing.net/~grist/l&d/mcclure/mcclure.htm http://www.mcclure-manzarek.com/Michael-main.html. Bill Morgan is a painter, author, bibliographer, collector and the editor of Allen Ginsberg's Deliberate Prose: Selected Essays, 1952-1995 (HarperCollins, 2000) and other books on the Beat Generation.
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San José Studies, Fall 1993
San Jose State University SJSU ScholarWorks San José Studies, 1990s San José Studies Fall 10-1-1993 San José Studies, Fall 1993 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_90s Part of the American Literature Commons, and the Poetry Commons Recommended Citation San José State University Foundation, "San José Studies, Fall 1993" (1993). San José Studies, 1990s. 12. https://scholarworks.sjsu.edu/sanjosestudies_90s/12 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1990s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Sa~e p64i Ste«tie4 Volume XIX, Number 3 Fall, 1993 EDITORS John Engell, English, San Jose State University D. Mesher, English, San Jose State University EMERITUS EDITOR Fauneil J. Rinn, Political Science, San Jose State University ASSOCIATE EDITORS Susan Shillinglaw, English, San Jose State University William Wiegand, Emeritus, Creative Writing, San Francisco State Kirby Wilson, Creative Writing, Cabrillo College EDITORIAL BOARD Garland E. Allen, Biology, Washington University Judith P. Breen, English, San Francisco State University Hobart W. Bums, Philosophy, San Jose State University Robert Casillo, English, ·university ofMiami, Coral Gables Richard Flanagan, Creative Writing, Babson College Barbara Charlesworth Gelpi, English, Stanford University Robert C. Gordon, English and Humanities, San Jose State University Richard E. Keady, Religious Studies, San Jose State University Jack Kurzweil, Electrical Engineering, San Jose State University Hank Lazer, English, University ofAlabama Lela A. Llorens, Occupational Therapy, San Jose State University Lois Palken Rudnik, American Studies, University ofMassachusetts, Boston Richard A.
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