Vol 72 Ed 15

Total Page:16

File Type:pdf, Size:1020Kb

Vol 72 Ed 15 The West GeorgianEst. 1934 Volume 72, Edition Fifteen February 19 - February 25, 2018 WE GOT THE WORLD TOUR: SANITARY! In this How to stay healthy B.E.A.T. UWG International edition... this flu season Black Project Night 2018 / / PAGE 7 Series new event / / PAGE 3 / / PAGE 2 Jason Isbell & the 400 Unit Rock The Fox Robert Moody Copy Editor A buzzing crowd filled the dimly lit Fox Theater moments after long-standing folk-country renegade James McMurtry concluded his brief eight- song set. Chatter in the crowd ranged from praise for McMurtry, friendly conversation and heightened anticipation as the stage was set for Jason Isbell and the 400 Unit to conclude their two-night stay at the Fabulous Fox Theater on Feb. 9. Photo credits: Robert Moody The lights went down and the six-piece band took the stage as their iconic bird and anchor logo began to illuminate behind them. A crawling guitar riff resonated from the darkness as bright lights descended down onto the stage and the moment had arrived. The vulnerable and intimate duet. This intimacy was bass guitar, Shires shone on the fiddle, Sadler crowd quickly rose to their feet in applause and no more apparent than when they performed the Vaden and Isbell doubled-down on blistering Isbell’s voice rang out. romantically charged “Cover Me Up” which Isbell guitar features and Derry deBorja impressed with “I used to think that this was my town, wrote for her, mentioning how she inspired him to his versatility, transitioning from the keyboard to what a stupid thing to think,” sang Isbell as he turn from his life of alcohol and substance abuse sporting an accordion and even singing harmony and the 400 Unit opened their 20-song set with and to pursue a life of sobriety. on songs such as the band’s playful 2011 hit the fiery rock anthem “Hope the High Road”, “I sobered up and I swore off that stuff “Codeine.” which was the lead single from their Grammy- forever this time,” sang Isbell. This line in Other high-points of musicianship were winning 2017 album The Nashville Sound. particular received a great amount of applause displayed through a wide range of vocal skills The electrified crowd collectively cheered from the audience as Isbell publicly celebrated from light-hearted songs like “Flagship” to the and sang along as Isbell and the 400 Unit six years of sobriety on Feb. 6. heavier sound of “Super 8”, full band ballads followed their high-energy opening with their Musicianship was a central part of the such as the unit’s cover of The Drive-by Truckers’ much slower hit single “24 Frames” which won a performance as each artist showcased an elite hit “Decoration Day”, and the various guitar Grammy for Best American Roots Song in 2016. level of skill for their respective instruments. styles displayed by Vaden and Isbell from the This transition would set the tone for the rest of Isbell made it a point to recognize and praise calm and controlled strumming on the heartbreak the night as the group performed material that each member of the 400 Unit, as well as James ballad “Speed Trap Town” to the blistering solos spanned across Isbell’s entire 17-year career and McMurtry, for their musical talent multiple times of “Flying Over Water” and the ground-shaking encompassed themes of everything from love, throughout the show. This praise highlighted the closer to their initial set “Children of Children.” self-reflection, good memories and heartbreak. work that each member put into the unit as a Following the close of their initial set the Two themes that fit hand-in-hand with one whole and further solidified the oneness of the band briefly went backstage before returning to another throughout the night were those of love group and their mastery of their art. perform a two-song encore that was comprised and sobriety. Isbell and his wife Amanda Shires, This high level of talent was on full of an electrifying cover of Tom Petty’s “Refugee” who plays the fiddle and performs harmony display throughout as Chad Gamble held rhythm and their acoustically-chilling love song “If We vocals for the 400 Unit, stood beside each other on the drums, Jimbo Hart plucked away on the Were Vampires” which won the Grammy for Best all night and often engaged in moments of American Roots Song on Jan. 28. With their two night stop in Atlanta Jason Isbell and the 400 Unit did much more than simply perform for near capacity crowds at one of the most respected venues in the South, they brought together fans from all over who came to hear their stories told through songs that made them feel something. They did not endorse a celebrity persona but instead made the audience feel like a part of the show. They made a large theater feel like an intimate room full of faithful fans, singing word for word and enjoying the moment in the company of familiar strangers. It goes without saying, Georgians will anxiously wait for this group of musical storytellers to make their way back into town. thewestgeorgian.com thewestgeorgian @thewestgeorgian Facebook.com/TheWestGeorgian 2 | February 19 - February 25, 2018 | Vol. 72, Ed. 15 | The West Georgian Living West The Black Project Series: B.E.A.T. Expo Sierra Lemelle the fashion show. The designers also showcased and sold their designs as Contributing Writer vendors. Gabrielle Symone founder of “Regal Hues,” is a UWG alumni and The Black Project held their second event of former MAB member. She was among the series on Feb. 7. The Black Educated and the group of designers. Through her talented Exposition (BEAT Expo.) was hosted by designs, she seeks to empower people Models and Business (MAB). This event featured of color by teaching them to embrace guest speakers, Keith Crawford and Kristie natural beauty. Crumbrely, a vendor showcase, networking The event concluded with opportunities, and a 1990s themed fashion show. guest speakers Keith Crawford, Co- “This event was created to show black Founder of The Young Executives, educated and talented individuals, show business and Kristie Crumbley, founder of MAB. owners in different lights, exalterate talent that These motivational speakers, provided goes into our culture that goes unforseen, and to several tips for student entrepreneurs. build their network,” said Keith Crawford, former “I was invited to come and be MAB president and pioneer of the Black Project. a guest speaker to talk about being The first half the event offered students your own business owner and having a an opportunity to network with or purchase from brand. More specifically about being an a variety of vendors and entrepreneurs. About impactful business owner and brand. 10-15 vendors were represented. Many of them What I mean by impactful is touching were UWG students. Briana Brown, founder lives for the bettering of other people of “Snatched by Bri” is a current UWG student and helping people out, providing tips majoring in Mass Communications. She sales on networking, branding, educating meal prepping and weight loss guides to help yourself and energy,” said Crawford. Photo Credit: Sierra Lemelle others meet fitness goals. Kendalyn Watkins, The second annual BEAT founder of the “The K Effect,” is a current UWG Expo. continued to highlight many Student majoring in business management and entrepreneurs that inspired students marketing. She is a makeup artist that also sales and promoted networking. It mink eyelashes. successfully contributed to the Black “Everything about this event is providing Project by showcasing the unforeseen black business people an opportunity to network students that contribute to the UWG and market their stuff and give students an community. opportunity to see who is doing what and how to The next event in the Black get involved,” said Michael Lewis, vice president Project series of events is Showtime of MAB and Black Project committee member. at the Apollo with a 2000s theme. This event is a The second half of the event began celebration of black talent and how black culture with the fashion show. It stuck with the 1990s has impacted a lot of artist, singers, dancers, and event by showcasing attire that was popular in poets. It takes place on Feb. 22 at 7:15 p.m. in the 1990s. Five designers were represented in the Campus Center Ballroom. Meet The Photographer behind Lexography Kyzia Wint photography course to keep learning more about her camera and finding Contributing Writer innovative ways to edit her pictures. “I want to master my camera, I’ve had my camera for over a year now and still feel like I need to master UWG student Alexis Kenon is the it some more,” said Kenon. photographer behind the name In her free time Kenon loves to Lexography. She is currently go to Atlanta and shoot in cool places. studying Mass Communications with One of her favorite places to shoot is a concentration in public relations. Little Five Points. Kenon hopes to use her degree when “I love love love the murals she starts her own creative business. in Little Five Points, people are so As a lover of art, fashion, photography freaking talented it’s crazy,” Kenon and music she eventually wants to said. have her own creative space where Some of her favorite shots she can produce amazing content. have been of the Inman Quarter, “Eventually I want to learn the West Side Provisions District, how to make beats; I want to try it at Cascades and at an abandoned least once,” said Kenon. She is always warehouse in the city.
Recommended publications
  • Statistical Yearbook 2019
    STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema
    [Show full text]
  • Rep Brooke Diaz Nshof 2019
    October 7, 2019, Issue 673 One Week With: Rep Brooke Diaz A recent conversation between industry peers veered off course when one PD boldly stated, “Honestly, I don’t know what half of you guys actually do.” In hopes of filling in the gaps,Country Aircheck launched a new series – One Week With – opening with KUZZ/Bakersfield, CA PD Brent Michaels (CAW 9/16). Just as every yin has a yang, the music biz counterpoint to programmers might be the record rep. Enter Big Machine Dir./Northeast Promotion Brooke Diaz, who allowed a documented deep dive into one week of her constant motion. Brooke Diaz Time Marches On: “If I were to break it all down into percentages, the biggest piece Home Clique: RCA’s Kane Brown is surprised with four plaques of my pie is spent traveling from my home base in Denver to cities while at Nashville’s Sound Stage studio, commemorating across the Northeast for concerts, music meetings and showcases,” Experiment and its lead single “Lose It” going gold and she says. Other pieces include music calls to the 31 stations in her platinum, respectively, “Good As You” reaching platinum and region, meetings with fellow reps and managers, pulling reports, current single “Homesick” certifying gold. Pictured (l-r) are filing expenses, coordinating event logistics and creating and the label’s Jennifer Way, Tracy Fleaner and Jim Catino, Brown, shipping mailers to her stations. the label’s Ken Robold and Caryl Atwood, EFG Management’s Martha Earls and producer Dann Huff. Most of Diaz’s communication with stations and her employer happens in transit.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations.
    [Show full text]
  • O Marketing E O Monstro: Um Estudo Sobre O Marketing De Cloverfield
    PRISMA.COM n.º 43 ISSN: 1646 - 3153 O marketing e o monstro: um estudo sobre o marketing de Cloverfield Marketing and the Monster: A Study on Cloverfield Marketing Luciano Augusto Toledo Universidade Presbiteriana Mackenzie. Brasil [email protected] Henrique Barros Universidade Presbiteriana Mackenzie. Brasil [email protected] Lucas Silva Universidade Presbiteriana Mackenzie. Brasil [email protected] Verônica Santos Universidade Presbiteriana Mackenzie. Brasil [email protected] Wilder Pinto Universidade Presbiteriana Mackenzie. Brasil [email protected] Resumo Abstract Para concorrer com grandes produções, os estúdios de To compete with major productions, low-budget Holly- Hollywood com baixo orçamento buscam investir em es- wood studios seek to invest in different strategies to pro- tratégias diferentes para promover suas produções e mote their productions and engage with their target au- engajar seu público-alvo. Dentro dessa proposta os pro- dience. Within this proposal, Cloverfield franchise pro- dutores da franquia Cloverfield desenvolveram, em ducers developed in 2008 a viral marketing-based strat- 2008, uma estratégia baseada em marketing viral. Com egy. By the Collective Subject Speech, the researchers a análise do Discurso do Sujeito Coletivo, os pesquisa- sought out to understand how this strategy was devel- dores se propuseram a entender como foi desenvolvi- oped, how it was implemented, and whether the film's vda a estratégia de marketing, como foi implementada e success was due to the implemented campaign. The re- sults obtained through qualitative analysis show that the PRISMA.COM (43) 2020, p. 170-192 DOI: https://doi.org/10.21747/16463153/43a9 170 PRISMA.COM n.º 43 ISSN: 1646 - 3153 se o sucesso do filme foi graças à campanha implemen- good results achieved by the film are due to the effi- tada.
    [Show full text]
  • Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said.
    [Show full text]
  • Estratégias Mediáticas Digitais Digital Media
    N º 4 3 N O V E M B R O 2 0 2 0 N O V E M B E R 2 0 2 0 EDIÇÃO ESPECIAL SPECIAL EDITION E S T R A T É G I A S M E D I Á T I C A S D I G I T A I S D I G I T A L M E D I A S T R A T E G I E S DIRECTORA DIRECTOR ELISA CERVEIRA EDIÇÃO ESPECIAL SPECIAL EDITION E S T R A T É G I A S M E D I Á T I C A S D I G I T A I S D I G I T A L M E D I A S T R A T E G I E S EDITORES EDITORS VASCO RIBEIRO THAÏS DE MENDONÇA JORGE JOÃO FIGUEIRA CAPA: Ilustração: Heitor Alvelos, 2020 REVISTA PRISMA.COM ISSN: 1646-3153 DOI: https://doi.org/10.21747/16463153/43 Peridiocidade: Semestral Directora Director Elisa Cerveira Conselho Editorial Editorial Board António Machuco Rosa, Universidade do Porto, Faculdade de Letras, Portugal Armando Malheiro da Silva, Universidade do Porto - Faculdade de Letras, Portugal Fernando Zamith, Universidade do Porto - Faculdade de Letras, Portugal Helena Sousa, Universidade do Minho, Instituto de Ciências Sociais, Portugal Maria Manuela Cardoso, Instituto Politécnico do Porto, ISCAP, Portugal Óscar Mealha, Universidade de Aveiro, Departamento de Comunicação e Arte, Portugal Paulo Faustino, Universidade do Porto, Faculdade de Letras, Portugal Gestão de informação Information management Sara Jesus Gomes Pereira, Universidade do Minho, Instituto de Ciências Sociais, Portugal Mariana Paula Martins Selas, Universidade do Porto - Faculdade de Letras, Portugal Raquel Graça, Universidade do Porto - Faculdade de Letras, Portugal Comissão Científica Editorial Comission Alfredo Pena-Vega, IIAC, Institut Interdisciplinaire d'Anthropologie du
    [Show full text]
  • Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
    15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song.
    [Show full text]
  • 1 4 Morgan Wallen Wasted on You More Than My Hometown 7 Summers Somebody's Problem Still Goin Down Dangerous Neon Eyes Livin'
    Sunday, January 24, 2021 This Last Songwriter’s Name Song(s) Artist Week Week 1 4 Morgan Wallen Wasted On You Morgan Wallen More Than My Hometown Morgan Wallen 7 Summers Morgan Wallen Somebody's Problem Morgan Wallen Still Goin Down Morgan Wallen Dangerous Morgan Wallen Neon Eyes Morgan Wallen Livin’ The Dream Morgan Wallen Only Thing That’s Gone Morgan Wallen feat. Chris Stapleton Wonderin’ Bout The Wind Morgan Wallen Beer Don’t Morgan Wallen Country A$$ Shit Morgan Wallen Somethin’ Country Morgan Wallen 2 1 Josh Osborne How They Remember You Rascal Flatts Next Girl Carly Pearce Never Be Sorry Old Dominion 7 Summers Morgan Wallen Sand In My Boots Morgan Wallen Happy Anywhere Blake Shelton and Gwen Stefani Beers And Sunshine Darius Rucker Breaking Up Was Easy In The 90’s Sam Hunt 3 8 Ernest Keith Smith Wasted On You Morgan Wallen More Than My Hometown Morgan Wallen Somebody's Problem Morgan Wallen Warning Morgan Wallen Dangerous Morgan Wallen Wonderin’ Bout The Wind Morgan Wallen Me On Whiskey Morgan Wallen Blame It On Me Morgan Wallen Somethin’ Country Morgan Wallen Breaking Up Was Easy In The 90’s Sam Hunt 4 11 Ashley Gorley Single Saturday Night Cole Swindell We Were Rich Runaway June Sand In My Boots Morgan Wallen Warning Morgan Wallen Hole In The Bottle Kelsea Ballerini What's Your Country Song Thomas Rhett Blame It On Me Morgan Wallen 5 2 Ross Copperman We Were Rich Runaway June Happy Anywhere Blake Shelton and Gwen Stefani Beers And Sunshine Darius Rucker Lady Brett Young 6 20 Michael Hardy Single Saturday Night Cole Swindell What
    [Show full text]
  • Feature Films: a Profile of Production
    Feature Films A Profile of Production PHOTO: Jaimie Trueblood © 2018 Paramount Pictures / Bumblebee 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Anne Wurts Philip Sokoloski Graphic Design: FilmLA.com Shane Hirschman @FilmLA Photography: FilmLA Shutterstock Paramount Pictures FilmLAinc Disney Cover Photo: A Star is Born / ©Warner Bros. TABLE OF CONTENTS INTRODUCTION 2 2018 FILMING LOCATION ESTIMATES 3 CHARACTERISTICS OF MAJOR FILMING CENTERS 9 CALIFORNIA 10 NEW YORK 13 THE U.K. 14 GEORGIA 15 CANADA 16 CONCLUSION 17 SOURCES 18 APPENDIX A: FILMS SHOT ENTIRELY IN CALIFORNIA 19 APPENDIX B: FILMS SHOT IN CALIFORNIA AND OTHER LOCATIONS 20 APPENDIX C: PRIMARY LOCATIONS FOR TOP-GROSSING FEATURES 21 APPENDIX D: VISUAL MAP OF TOP-GROSSING FILMS OF 2018 22 APPENDIX E: CALIFORNIA FILM & TV TAX CREDIT RECIPIENTS 23 1 INTRODUCTION Feature films are the first form of industrialized mass entertainment, dating back to the beginning of the last century. With an early lead in feature film production, California has historically been home to the greatest concentration of film industry talent in the U.S., as well as an extensive web of ancillary products, infrastructure and services. But these days, California has competition. Production centers across the globe offer U.S. production companies an enticing combination of film incentives, a skilled workforce and available infrastructure. As a result, U.S. feature films are made all over the world. Among the unique advantages that the film industry provides to local economies are: 1. It is a high-wage industry. A recent report commissioned by the County of Los Angeles revealed that the average wage in the Film and Digital Media Industry in Los Angeles County is $117,000, which is 95 percent higher compared to the county-wide average of $59,900.1 2.
    [Show full text]
  • 1 2 | Lonestarmusic Lonestarmusic | 3
    LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T.
    [Show full text]
  • Sean Stranks
    SEAN STRANKS Visual Effects Supervisor "I’m in my element at the earliest stages of development, conceptualising and designing approaches to the visual effects. For me, that’s the most creative part of the process." Sean joined Cinesite in January 2020 to deliver the final season of popular SELECTED CREDITS Netflix series Dark. He had previously provided on set supervision in South Africa for the Ridley Scott 10-episode HBO series Raised by Wolves. 2020 - Dark: Season 3 VFX Supervisor Beginning his visual effects career in the 1990s, Sean was a compositor and senior compositor at several studios, including GVFX, Hybride, ESC 2020 - Raised by Wolves VFX Supervisor and Technicolor. He joined Double Negative in London as VFX supervisor in 2007, where he remained for 10 years. Sean cites his 2008 work as 2D 2018 - The Cloverfield Paradox supervisor on Cloverfield as one of the stand-out moments of his career. VFX Supervisor “That is a great film,” he recalls, “The Brooklyn Bridge collapse still holds up today and I’m very proud to have been involved in creating it.” 2017 - Star Wars: The Last Jedi VFX Supervisor Sean received two nominations in the same year in 2016 at the VES awards as VFX Supervisor for Bridge of Spies and In The Heart of The 2016 - Star Trek Beyond Sea. The latter, recalling the sinking of a 19th century whaling ship by a VFX Supervisor giant whale, involved the creation of epic oceanic environments both 2016 - Jason Bourne above and below water. Spectacular underwater travelling shots with CG VFX Supervisor cameras mounted onto whales, included fluid simulations mimicking water currents and the addition of bubbles, krill and general detritus for 2016 - In the Heart of the Sea absolute realism.
    [Show full text]