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Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Rep Brooke Diaz Nshof 2019
October 7, 2019, Issue 673 One Week With: Rep Brooke Diaz A recent conversation between industry peers veered off course when one PD boldly stated, “Honestly, I don’t know what half of you guys actually do.” In hopes of filling in the gaps,Country Aircheck launched a new series – One Week With – opening with KUZZ/Bakersfield, CA PD Brent Michaels (CAW 9/16). Just as every yin has a yang, the music biz counterpoint to programmers might be the record rep. Enter Big Machine Dir./Northeast Promotion Brooke Diaz, who allowed a documented deep dive into one week of her constant motion. Brooke Diaz Time Marches On: “If I were to break it all down into percentages, the biggest piece Home Clique: RCA’s Kane Brown is surprised with four plaques of my pie is spent traveling from my home base in Denver to cities while at Nashville’s Sound Stage studio, commemorating across the Northeast for concerts, music meetings and showcases,” Experiment and its lead single “Lose It” going gold and she says. Other pieces include music calls to the 31 stations in her platinum, respectively, “Good As You” reaching platinum and region, meetings with fellow reps and managers, pulling reports, current single “Homesick” certifying gold. Pictured (l-r) are filing expenses, coordinating event logistics and creating and the label’s Jennifer Way, Tracy Fleaner and Jim Catino, Brown, shipping mailers to her stations. the label’s Ken Robold and Caryl Atwood, EFG Management’s Martha Earls and producer Dann Huff. Most of Diaz’s communication with stations and her employer happens in transit. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations. -
O Marketing E O Monstro: Um Estudo Sobre O Marketing De Cloverfield
PRISMA.COM n.º 43 ISSN: 1646 - 3153 O marketing e o monstro: um estudo sobre o marketing de Cloverfield Marketing and the Monster: A Study on Cloverfield Marketing Luciano Augusto Toledo Universidade Presbiteriana Mackenzie. Brasil [email protected] Henrique Barros Universidade Presbiteriana Mackenzie. Brasil [email protected] Lucas Silva Universidade Presbiteriana Mackenzie. Brasil [email protected] Verônica Santos Universidade Presbiteriana Mackenzie. Brasil [email protected] Wilder Pinto Universidade Presbiteriana Mackenzie. Brasil [email protected] Resumo Abstract Para concorrer com grandes produções, os estúdios de To compete with major productions, low-budget Holly- Hollywood com baixo orçamento buscam investir em es- wood studios seek to invest in different strategies to pro- tratégias diferentes para promover suas produções e mote their productions and engage with their target au- engajar seu público-alvo. Dentro dessa proposta os pro- dience. Within this proposal, Cloverfield franchise pro- dutores da franquia Cloverfield desenvolveram, em ducers developed in 2008 a viral marketing-based strat- 2008, uma estratégia baseada em marketing viral. Com egy. By the Collective Subject Speech, the researchers a análise do Discurso do Sujeito Coletivo, os pesquisa- sought out to understand how this strategy was devel- dores se propuseram a entender como foi desenvolvi- oped, how it was implemented, and whether the film's vda a estratégia de marketing, como foi implementada e success was due to the implemented campaign. The re- sults obtained through qualitative analysis show that the PRISMA.COM (43) 2020, p. 170-192 DOI: https://doi.org/10.21747/16463153/43a9 170 PRISMA.COM n.º 43 ISSN: 1646 - 3153 se o sucesso do filme foi graças à campanha implemen- good results achieved by the film are due to the effi- tada. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said. -
Estratégias Mediáticas Digitais Digital Media
N º 4 3 N O V E M B R O 2 0 2 0 N O V E M B E R 2 0 2 0 EDIÇÃO ESPECIAL SPECIAL EDITION E S T R A T É G I A S M E D I Á T I C A S D I G I T A I S D I G I T A L M E D I A S T R A T E G I E S DIRECTORA DIRECTOR ELISA CERVEIRA EDIÇÃO ESPECIAL SPECIAL EDITION E S T R A T É G I A S M E D I Á T I C A S D I G I T A I S D I G I T A L M E D I A S T R A T E G I E S EDITORES EDITORS VASCO RIBEIRO THAÏS DE MENDONÇA JORGE JOÃO FIGUEIRA CAPA: Ilustração: Heitor Alvelos, 2020 REVISTA PRISMA.COM ISSN: 1646-3153 DOI: https://doi.org/10.21747/16463153/43 Peridiocidade: Semestral Directora Director Elisa Cerveira Conselho Editorial Editorial Board António Machuco Rosa, Universidade do Porto, Faculdade de Letras, Portugal Armando Malheiro da Silva, Universidade do Porto - Faculdade de Letras, Portugal Fernando Zamith, Universidade do Porto - Faculdade de Letras, Portugal Helena Sousa, Universidade do Minho, Instituto de Ciências Sociais, Portugal Maria Manuela Cardoso, Instituto Politécnico do Porto, ISCAP, Portugal Óscar Mealha, Universidade de Aveiro, Departamento de Comunicação e Arte, Portugal Paulo Faustino, Universidade do Porto, Faculdade de Letras, Portugal Gestão de informação Information management Sara Jesus Gomes Pereira, Universidade do Minho, Instituto de Ciências Sociais, Portugal Mariana Paula Martins Selas, Universidade do Porto - Faculdade de Letras, Portugal Raquel Graça, Universidade do Porto - Faculdade de Letras, Portugal Comissão Científica Editorial Comission Alfredo Pena-Vega, IIAC, Institut Interdisciplinaire d'Anthropologie du -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song. -
1 4 Morgan Wallen Wasted on You More Than My Hometown 7 Summers Somebody's Problem Still Goin Down Dangerous Neon Eyes Livin'
Sunday, January 24, 2021 This Last Songwriter’s Name Song(s) Artist Week Week 1 4 Morgan Wallen Wasted On You Morgan Wallen More Than My Hometown Morgan Wallen 7 Summers Morgan Wallen Somebody's Problem Morgan Wallen Still Goin Down Morgan Wallen Dangerous Morgan Wallen Neon Eyes Morgan Wallen Livin’ The Dream Morgan Wallen Only Thing That’s Gone Morgan Wallen feat. Chris Stapleton Wonderin’ Bout The Wind Morgan Wallen Beer Don’t Morgan Wallen Country A$$ Shit Morgan Wallen Somethin’ Country Morgan Wallen 2 1 Josh Osborne How They Remember You Rascal Flatts Next Girl Carly Pearce Never Be Sorry Old Dominion 7 Summers Morgan Wallen Sand In My Boots Morgan Wallen Happy Anywhere Blake Shelton and Gwen Stefani Beers And Sunshine Darius Rucker Breaking Up Was Easy In The 90’s Sam Hunt 3 8 Ernest Keith Smith Wasted On You Morgan Wallen More Than My Hometown Morgan Wallen Somebody's Problem Morgan Wallen Warning Morgan Wallen Dangerous Morgan Wallen Wonderin’ Bout The Wind Morgan Wallen Me On Whiskey Morgan Wallen Blame It On Me Morgan Wallen Somethin’ Country Morgan Wallen Breaking Up Was Easy In The 90’s Sam Hunt 4 11 Ashley Gorley Single Saturday Night Cole Swindell We Were Rich Runaway June Sand In My Boots Morgan Wallen Warning Morgan Wallen Hole In The Bottle Kelsea Ballerini What's Your Country Song Thomas Rhett Blame It On Me Morgan Wallen 5 2 Ross Copperman We Were Rich Runaway June Happy Anywhere Blake Shelton and Gwen Stefani Beers And Sunshine Darius Rucker Lady Brett Young 6 20 Michael Hardy Single Saturday Night Cole Swindell What -
Feature Films: a Profile of Production
Feature Films A Profile of Production PHOTO: Jaimie Trueblood © 2018 Paramount Pictures / Bumblebee 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Anne Wurts Philip Sokoloski Graphic Design: FilmLA.com Shane Hirschman @FilmLA Photography: FilmLA Shutterstock Paramount Pictures FilmLAinc Disney Cover Photo: A Star is Born / ©Warner Bros. TABLE OF CONTENTS INTRODUCTION 2 2018 FILMING LOCATION ESTIMATES 3 CHARACTERISTICS OF MAJOR FILMING CENTERS 9 CALIFORNIA 10 NEW YORK 13 THE U.K. 14 GEORGIA 15 CANADA 16 CONCLUSION 17 SOURCES 18 APPENDIX A: FILMS SHOT ENTIRELY IN CALIFORNIA 19 APPENDIX B: FILMS SHOT IN CALIFORNIA AND OTHER LOCATIONS 20 APPENDIX C: PRIMARY LOCATIONS FOR TOP-GROSSING FEATURES 21 APPENDIX D: VISUAL MAP OF TOP-GROSSING FILMS OF 2018 22 APPENDIX E: CALIFORNIA FILM & TV TAX CREDIT RECIPIENTS 23 1 INTRODUCTION Feature films are the first form of industrialized mass entertainment, dating back to the beginning of the last century. With an early lead in feature film production, California has historically been home to the greatest concentration of film industry talent in the U.S., as well as an extensive web of ancillary products, infrastructure and services. But these days, California has competition. Production centers across the globe offer U.S. production companies an enticing combination of film incentives, a skilled workforce and available infrastructure. As a result, U.S. feature films are made all over the world. Among the unique advantages that the film industry provides to local economies are: 1. It is a high-wage industry. A recent report commissioned by the County of Los Angeles revealed that the average wage in the Film and Digital Media Industry in Los Angeles County is $117,000, which is 95 percent higher compared to the county-wide average of $59,900.1 2. -
1 2 | Lonestarmusic Lonestarmusic | 3
LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T. -
Sean Stranks
SEAN STRANKS Visual Effects Supervisor "I’m in my element at the earliest stages of development, conceptualising and designing approaches to the visual effects. For me, that’s the most creative part of the process." Sean joined Cinesite in January 2020 to deliver the final season of popular SELECTED CREDITS Netflix series Dark. He had previously provided on set supervision in South Africa for the Ridley Scott 10-episode HBO series Raised by Wolves. 2020 - Dark: Season 3 VFX Supervisor Beginning his visual effects career in the 1990s, Sean was a compositor and senior compositor at several studios, including GVFX, Hybride, ESC 2020 - Raised by Wolves VFX Supervisor and Technicolor. He joined Double Negative in London as VFX supervisor in 2007, where he remained for 10 years. Sean cites his 2008 work as 2D 2018 - The Cloverfield Paradox supervisor on Cloverfield as one of the stand-out moments of his career. VFX Supervisor “That is a great film,” he recalls, “The Brooklyn Bridge collapse still holds up today and I’m very proud to have been involved in creating it.” 2017 - Star Wars: The Last Jedi VFX Supervisor Sean received two nominations in the same year in 2016 at the VES awards as VFX Supervisor for Bridge of Spies and In The Heart of The 2016 - Star Trek Beyond Sea. The latter, recalling the sinking of a 19th century whaling ship by a VFX Supervisor giant whale, involved the creation of epic oceanic environments both 2016 - Jason Bourne above and below water. Spectacular underwater travelling shots with CG VFX Supervisor cameras mounted onto whales, included fluid simulations mimicking water currents and the addition of bubbles, krill and general detritus for 2016 - In the Heart of the Sea absolute realism.