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A RESOLUTION to Honor the Memory of George Hamilton IV of Nashville
SENATE JOINT RESOLUTION NO. 4 By Johnson A RESOLUTION to honor the memory of George Hamilton IV of Nashville. WHEREAS, the members of this General Assembly were greatly saddened to learn of the passing of George Hamilton IV; and WHEREAS, known as country music's international ambassador, Mr. Hamilton was a country music singer whose artistry spanned more than five decades; and WHEREAS, a Winston-Salem, North Carolina native, George Hamilton had a love for country music that was rooted in his childhood pastime of listening to Grand Ole Opry stars, including Hank Williams, Hank Snow, Little Jimmy Dickens, and Eddy Arnold; and WHEREAS, in 1956, Mr. Hamilton's music career launched with his million-selling pop single, "A Rose and a Baby Ruth," which reached number six on the Billboard Top 100 and was followed by two successive Top 40 hits; and WHEREAS, an industry pioneer, George Hamilton is considered the first pop artist to move from the genre of popular music to country music; and WHEREAS, in 1960, Mr. Hamilton joined the famed Grand Ole Opry and signed a contract, facilitated by Chet Atkins, with RCA Victor records; that same year, he earned his first Top 10 country hit, "Before This Day Ends"; and WHEREAS, in 1963, George Hamilton released his most successful song, "Abilene," which spent four weeks occupying the number one spot on the charts; and WHEREAS, Mr. Hamilton's 1965 album, Steel Rail Blues, written by folk-leaning songwriters Gordon Lightfoot, Phil Ochs, and John Hartford, experienced tremendous success in Canada and made him one of the most popular country music stars in Canada at the time; and WHEREAS, in 1969, Mr. -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr. -
HOUSE JOINT RESOLUTION 790 by Beck a RESOLUTION To
<BillNo> <Sponsor> HOUSE JOINT RESOLUTION 790 By Beck A RESOLUTION to recognize and honor the Grand Ole Opry on the celebration of its ninety-fifth anniversary. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, no mass media event is more associated with the State of Tennessee than the WSM radio program known as The Grand Ole Opry. Not only is The Grand Ole Opry the longest-running radio show in U.S. history, but it is renowned as the cornerstone for the dynamic commercial art form of country music; and WHEREAS, the Grand Ole Opry and its offspring comprise, or are affiliated with, the State's major tourist attractions, and the Opry's commercial power and attraction have been the primary reasons for Nashville's emergence as a music recording center; and WHEREAS, the saga of the Grand Ole Opry began on the night of November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year-old fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, now, ninety-five years later, the radio show Mr. Hay started is still going strong; the Opry is the foundation for a huge entertainment and resort complex and has been instrumental in Nashville claiming the title of Music City U.S.A.; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour; in 1928, Mr. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
MY SATURDAY NIGHT at the GRAND OLE OPRY by Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, Pg
MY SATURDAY NIGHT AT THE GRAND OLE OPRY By Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, pg. C•4 ‘Writer’s Corner’ Editor’s note: This was originally written by Hogan in 1993. They call it the “Grand Ole Opry.” That’s what former newspaper reporter George D. Hay, its inventor, named it not long after the first group of performers had stood before their open mikes that first Saturday night and had their down•home music and vaudeville•comic routines beamed out over Nashville’s WSM•650 “clear•channel” radio to nearly all of America, way back in 1925. Nineteen hundred and twenty five. The year Nashville’s venerable Grand Ole Opry was born. It’s hardly missed a heartbeat since. Almost since its first moments, the Grand Ole Opry has been Mecca to the millions who’ve, over the years, come to Nashville to savor the finest in “country” music. It was not till a few short years ago, through, that I became one of those “savorers.” For a long time, I hated “country music” (which, as I’m sure you know, has been called “hillbilly music” much of its life and mine). Could barely stand to think of it, much less listen to it. Well, to make what could easily be a longer story shorter, Susan and I’d often talked about getting a couple of tickets and driving the 80 miles to Nashville some Saturday night to experience this “Grand Ole Opry” thing in person. See if it was all that our mind’s eye image had it cracked up to be. -
Amb70054 Tennessee.Pdf
Welcome to Tennessee This collection contains 25 wonderful songs about the State of Tennessee. We’re going to bend the rules a little and begin by talking about a song that isn’t here because, the lyrics get us directly to two important points. Here are the opening words to Tennessee, a song written and recorded by Carl Perkins in 1955. Now there are folks who like to brag about where they came from But when they start that stuff I let ‘em be But it makes me feel like I want to brag some To know that I come from the state of Tennessee. Let’s give old Tennessee credit for music As they play it up in Nashville every day… Old Carl reminds us that most of the songs on each of these ‘State’ collections are really about bragging. The polite term is probably ‘regional pride.’ But you and I know it’s bragging, pure and simple. We know there’s lots of national pride among Americans, but never underestimate the feelings about one’s home state (or city, or neighborhood!) “Yeah, I’m an American and proud of it. But I’m also from Tennessee. And don’t you forget it!” Bragging is OK under some circumstances. Nobody likes to hear someone else go on about what he’s accomplished or how important he thinks he is. But if you want to raise the flag about where you were born or about your home town, most folks will cut you some slack. It’s not like you chose to be from Tennessee, and that little bit of arm’s length seems to give you permission to brag. -
Bcd16759 D.Pdf
LIEFERBAR: AB 22. MAI 2006 VERÖFFENTLICHUNG: 19. JUNI 2006 KÜNSTLER RED FOLEY ¡ ¢ £ Old Shep The Red Foley Recordings 1933 – 1950 LABEL Bear Family Records KATALOG # BCD 16759 PREIS-CODE FL EAN-CODE 4000127 167590 ISBN-CODE 3-89916-179-3 FORMAT 6-CD-Box (LP-Format) mit 96-seitigem gebundenem Buch GENRE Country ANZAHL TITEL 164 SPIELDAUER 469:50 • Das Set enthält die kompletten Country-Aufnahmen von 1933 bis 1950. • Darunter sind 18 bislang unveröffentlichte Einspielungen. • Das gebundene Buch zeigt viele seltene und nie zuvor gezeigte Bilder. • In der Box sind ARC- und Decca-Aufnahmen sowie seine World Transcriptions, die nie in den Handel gelangten. INFORMATIONEN Während seiner über drei Jahrzehnte umspannenden Karriere hat Red Foley mehr Spuren hinterlassen als die meisten seiner Kollegen. Er war der erste Crossover-Country-Star und der erste Sänger dieses Genres, der im Hörfunk und Fernsehen auftrat. Foley war enorm populär, was immer er auch machte. Dies begann mit den Jahren als 'Rambling Red' beim 'National Barn Dance' (WLS Chicago) und setzte sich mit dem 'Renfro Valley Barn Dance' fort. Höhepunkte waren seine geniale Gastgeberrolle bei der legendären 'Grand Ole Opry' und die bahnbrechende TV-Show 'Ozark Jubilee'. Foleys Leben verlief tragisch. Seine persönlichen Probleme konnten nicht größer sein, dennoch halfen ihm Charisma und Talent auch durch schwerste Zeiten. Seine zahlreichen Aufnahmen, die er hinterlassen hat, unterstreichen dies. Die Geschichte nahezu jedes Nashville-Stars seines Kalibers ist inzwischen thematisiert worden – nur die von Red Foley nicht. Diese CD-Box und das dazugehörige Buch dokumentieren Foleys Karriere als Schallplattenkünstler. Enthalten sind alle Aufnahmen, die Foley bis 1950 eingespielt hat (Ausnahme: religiöse und Kinderlieder). -
Loretta Lynn: Writin' Life Article 1
Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse. -
Visual Schedule Scavenger Hunt
Look on the Back for Visual Schedule More Information! Scavenger Hunt As you explore the museum, keep an eye out for these items. When you see an artifact, write down the name of the artist it belonged to. Feel free to ask if you want to know more about something. You never know what you might learn! 1 2 3 6 5 4 7 8 9 Show at Front Desk for a Prize What Did You See? 1. Jimmie Rodgers’ Hat Before becoming the “Father of Country Music,” Jimmy Rodgers worked as a brakeman on the railroad. He often wore railroad worker’s clothes and was known as “The Singing Brakeman.” Rodgers was one of the first three inductees into the Country Music Hall of Fame when it opened in 1961. 2. Pee Wee King’s Accordion Bandleader Pee Wee King played this rhinestone encrusted according at his first appearance on the Grand Ole Opry stage in 1937. The Grand Ole Opry started out as just another radio barn dance, but by 1939 it became a nationally broadcasted program. You can still tune in today to hear the oldest radio program in the country. 3. Elvis Presley’s “Solid Gold” Cadillac With his signature Rockabilly sound, Elvis brought country music to a broader audience. “The King of Rock & Roll” had this Cadillac plated in 24-karat gold and painted in 40 coats of “diamond dust pearl,” a special finish made of crushed diamonds and fish scales. 4. Buck Owens’ Suit This rhinestone-studded suit was made by costume designer Nathan Turk and worn by Buck Owens at his 1966 Carnegie Hall performance. -
Porter Wagoners Tent
Nov. 15, 1992---- The Grand Ole Opry is the country's longest-running live music and variety radio program. It's fitting that one of country music's longest-running live wires will represent the Opry when it is inducted into the Radio Hall of Fame on Sunday at the Museum of Broadcast Communications in Chicago. Country singer Porter Wagoner will make a rare stop in Chicago to accept the honors from special guests the Oak Ridge Boys, along with new inductees Don Ameche, "Top 40 Countdown" poobah Casey Kasem, Detroit morning personality J.P. McCarthy and ABC broadcast legend Leonard Goldenson. The program will be broadcast live on WGN-AM and be beamed back to Nashville on WSM-AM, where the Grand Ole Opry was born on Nov. 28, 1925, as "The WSM Barn Dance." Wagoner is from a different era of country music. He first appeared at the Opry in 1957, when he sang his hit "Satisfied Mind" at the old Ryman Auditorium in downtown Nashville. Country music was characterized by a spunky self-reliance, found in the topical breadth of its songs as well as the colorful showmanship of its singers. Few were as colorful as Porter Wagoner: He was one of the first country artists to exploit the broadcast industry. As early as 1951, he appeared on radio with "The Ozark Jubilee," broadcast from KWTO-AM in Springfield, Mo. While at KWTO, Wagoner met Radio Hall of Famer Paul Harvey, who will host Sunday's ceremony. And from 1960 to 1980, Wagoner reached a television audience of up to 45 million with his syndicated "Porter Wagoner Show." One of Wagoner's key sponsors was the Chattanooga Medicine Co., a pharmaceutical outfit that sold Soltice heat rubs, hygenic supplies and Black Draught laxative, promoted as "the fastest-moving product in the South." The permanently pompadoured Wagoner introduced the rhinestone Nudie suit. -
TENNESSEE WALTZ Redd Stewart and Pee Wee King
CHORAL ARRANGEMENTS • COUNTRY MUSIC HALL OF FAME® AND MUSEUM TENNESSEE WALTZ Redd Stewart and Pee Wee King Redd Stewart and Pee Wee King of the Golden West Cowboys wrote “Tennessee Waltz” during the winter of 1946, in the back of a truck while traveling to a show in Nashville, TN. The song tells the story of a sweetheart who loses their beloved to a friend at a dance. “Tennessee Waltz” rose to fame as a country hit for Patti Page in 1950 but was soon a crossover success for numerous other artists, including Sam Cooke, The Chieftains, and Otis Redding. In addition to its national and international commercial success, “Tennessee Waltz” is played by many college marching bands, from North Carolina’s Appalachian State University to Texas’s Baylor University. The State of Tennessee adopted “Tennessee Waltz” as a state song in 1965. I was waltzing with my darlin’ to the Tennessee Waltz When an old friend I happened to see. I introduced her to my loved one and while they were waltzing, My friend stole my sweetheart from me. I remember the night and the Tennessee Waltz, Now I know just how much I have lost Yes, I lost my little darlin’ the night they were playin’ The beautiful Tennessee Waltz. I was waltzing with my darlin’ to the Tennessee Waltz When an old friend I happened to see. I introduced her to my loved one and while they were waltzing, My friend stole my sweetheart from me. I remember the night and the Tennessee Waltz, Now I know just how much I have lost Yes, I lost my little darlin’ the night they were playin’ The beautiful Tennessee Waltz.