Federationbulletin

Total Page:16

File Type:pdf, Size:1020Kb

Federationbulletin Federation of North Carolina Historical Societies Federation Bulletin September 2012 Volume 32, no. 3 The Federation of North Carolina Historical Societies Discover the Cultural Roots of North Carolina is a non-profit organization whose mission is to promote the pursuit of local history at Annual Meeting and Conference in North Carolina through existing and future local he Federation and the N.C. Liter- A brochure and registration infor- and regional historical T ary and Historical Association mation will be mailed to Federation organizations, societies, and invite you to their joint annual meeting, members later this fall. commissions; to foster which is being held in conjunction with cooperation between such organizations, societies, the conference “New Voyages to Carolina: Please note that another “New Voyages and commissions and the The Cultural Roots of North Carolina.” to Carolina” conference will be offered Office of Archives and This conference is one of a series this fall, from October 11 to October 12 History to the mutual benefit sponsored by the North Carolina Depart- at UNC-Chapel Hill and North Carolina of all; and to promote and ment of Cultural Resources, Office of Central University. The theme of this support history education Archives and History, and participating conference will be “Defining the Contours through sponsorship of the universities. of the Old North State,” with sessions on National History Day program and other appro- education, gender ,and race. A brochure priate activities. “Discovering the Cultural Roots of about this conference will also be North Carolina” will be held from mailed to Federation members. The Federation Bulletin is Thursday to Friday, November 15 to published quarterly. Submis- 16, at UNC-Asheville. The annual As stated by the conference organizers, sions for the Bulletin should meeting for the Federation and the both of these conferences are “designed be sent to the address at the to encourage the fresh examination of bottom of this page and should N.C. Literary and Historical Association be received by November will take place that Friday evening at important topics and issues in North 1, February 1, May 1, and the Hilton Doubletree Hotel at Biltmore. Carolina’s history. Some of the topics August 1. Please note that the Friday evening have been studied many times, whereas portion of the meeting will include a others have eluded historical research Inside this issue: dinner and the presentation of awards and analysis. The purpose of the but no keynote speaker; instead, the conferences is to foster new and original keynote speaker will talk on Thursday understanding of North Carolina’s Federation News 2 night, at the opening of the conference. past to chart a general reinterpretation of the state’s history.” Member News 11 Speakers will talk about North Caroli- na’s literature, music, religion, and We hope to see you in Asheville for an Grant Opportunities 16 heritage, with presenters such as informative conference about North William Ferris talking of “Memory and Carolina’s cultural roots and for the History Help 19 Sense of Place in Southern Music;” annual meeting of the Federation. Margaret Bauer talking of “The Liter- Calendar of Events 23 ary Renaissance in North Carolina;” Dan Fountain describing “African Exhibits 34 American Religion in Civil War and Reconstruction;” Brent D. Glass of the Workshops and 36 National Museum of American History Conferences talking about “The State of History,” and more. New Publications 43 Federation of North Carolina Historical Societies, 4610 Mail Service Center, Raleigh, NC 27699-4610, (919) 807-7280 Web page: www.fnchs.org Editor’s email: [email protected] SEPTEMBER 2012 Federation Bulletin PAGE 2 FEDERATION NEWS About the Federation Members of the Federation Advisory Board he Federation of North Caro- Through 2012 T lina Historical Societies is a coalition of societies, associations, C. Rudolph Knight Dr. Benjamin Speller and commissions throughout the Perry-Weston Institute Historic Stagville state that are dedicated to Jeff Pruett Leigh Strickland preserving and promoting history Gaston County Museum of Art and Gov. Charles B. Aycock Birthplace in North Carolina. An advisory History board made up of members of historical organizations oversees Through 2013 the work of the Federation. Ernest Dollar John Woodard The Federation sponsors work- Preservation Society of Chapel Hill Historic Murfreesboro shops and meetings; offers loans to members for the creation of January Porter Monika Fleming Lincoln County Historical Association Edgecombe County Community College historical publications, historical/ educational videos or cds, and Through 2014 special events; offers technical assistance to members who contact Bob Crowley Patricia Hughey the Federation with questions; North Carolina Railroad Museum Onslow County Museum and more. For more information, visit the Federation’s Web page at Betsy Shaw www.fnchs.org. Raleigh City Cemeteries Preservation Group Celebrate Your Accomplishments! Apply for a Newsome Award ould you like your organization to be recog- organization’s accomplishments over the past twelve W nized for its recent achievements in preserving to eighteen months. Pictures or other supporting local history? Then consider nominating your group documentation are welcome but not required. Nomi- for the Albert Ray Newsome Award. nations are due by October 1. Please send your nominations to: Each year the Federation recognizes up to two organi- zations that have made significant contributions to Laura Ketcham the preservation and promotion of local history. Federation of North Carolina Historical Societies Award winners receive a framed certificate and a 4610 Mail Service Center $250 cash prize. Raleigh, NC 27699-4610 The award generally recognizes work that has taken Recipients will be announced on November 16, during place in the last 12 to 18 months. Even if your organi- the annual meeting of the Federation. For more infor- zation has won before, you can apply again, as long as mation, please call (919) 807-7395. you have not won the award in the previous two years. You can download the guidelines and application forms from the Federation’s web site at www.fnchs.org/fund/newsome-award.htm. If you do not have access to the web, please call (919) 807-7395 to ask that the forms be mailed to you. In addition to submitting nomination forms, please write a one- to five-page narrative describing the SEPTEMBER 2012 Federation Bulletin PAGE 3 FEDERATION NEWS C2C Workshops Across the State Focus on Disaster Prepared- ness, Collections Care, Archival Care, and Art Conservation he Department of Cultural Resources’ Connecting “Most cultural heritage collections T to Collections (C2C) program is offering a variety of workshops this fall to help you care for your archives include at least a few paintings, yet and your artifacts. historians and archivists rarely know Collections Care and Disaster Preparedness how to care for framed works of art. Come to the Chowan County Courthouse in Edenton Perry Hurt, associate conservator at on September 10 for this joint workshop, which will the N.C. Museum of Art, will help fill feature experts familiar with historic structures and C2C’s collections care and disaster preparedness this void by teaching participants a trainers to assist institutions that operate in historic variety of techniques to improve structures. Exhibiting and storing collections in historic structures lead to extra headaches when your preservation during the ‘Preventive largest artifact is your structure! Learn techniques to Conservation for Visual Arts’ work- balance the needs of your building and the needs of shop.” your collections as we help navigate environmental controls, exhibition issues, pest management, disas- ter planning, and storage concerns. Registration costs Historic Sites and collections manager John Campbell of $20 and includes lunch and refreshments. To register, the N.C. Museum of History. The workshop will cover visit www.surveymonkey.com/s/C2CCareandDisaster the basics of collections management, including PrepEdenton. collections management policies, collections gift and loan agreements, facilities reports, and other docu- Preventative Conservation for Visual Arts ments necessary to manage artifacts. Registration Most cultural heritage collections include at least a costs $10 and includes lunch and refreshments; to few paintings, yet historians and archivists rarely register, visit http://www.surveymonkey.com/s/ know how to care for framed works of art. Perry Hurt, C2CCollectionsManagementHighPoint. associate conservator at the N.C. Museum of Art, will help fill this void by teaching participants a variety Disaster Planning Workshop Series of techniques to improve preservation. Hurt’s presen- This two-part workshop will walk participants tation will include information on paintings conserva- through the creation of a disaster plan and will tion treatments and point out the problems that include peer review of the drafts developed during the require a conservator’s consultation. The session will workshop to ensure that a comprehensive plan has include hands-on training in cutting and installing been created. This workshop is geared for those insti- archival backer boards for framed works of art, frame tutions that have yet to create any written disaster padding, and hardware installation. This workshop plan for their museum, library, historic site, or archive. will be held on September 17 at the Oteen
Recommended publications
  • Collection: DEITRICK, IHLLIAN HENLEY Papers Wake County, Raleigh [1858-185~)
    p,C 1487.1-.31 Collection: DEITRICK, IHLLIAN HENLEY Papers Wake County, Raleigh [1858-185~). 1931-1974 Physieal Deseription: 13 linear feet plus 1 reel microfilm: correspondence, photographs, colored slides, magazines, architectural plans, account ledgers business records, personal financial records, etc. Acquisition: ca. 1,659 items donated by William H. Deitrick, 1900 McDonald Lane, Raleigh, July, 1971, with addition of two photocopied letters, 1858 an . 1859 in August 1971. Mr. Deitrick died July 14, 1974, and additional papers were willed to f NC Chapter of the American Institute of Architects. In November, 1974, and July, 1975, these papers were given to the State Archives. In this acquisit are five boxes (P.C. 1487.19-.23) of business correspondence generated durin Mr. Deitrick's association with John A. Park, Jr., an intermediary for busin mergers and sales; these five boxes are RESTRICTED until five years after Mr. Park's death. Description: William Henley Deitrick (1895-1974), son of Toakalito Townes and William Henry Deitrick, born Danville, Virginia; graduate, Wake Forest College, 1916; high school principal (Georgia), 1916-1917; 2nd Lt., U.S. Army, 1917-1919; building contractor, 1919-1922; married Elizabeth Hunter of Raleigh, 1920; student, Columbia University, .1922-1924; practicing architect 19.26-1959; consulting architect, 1959+. Architect, Wake Forest College, 1931-1951; other projects: Western N. C. Sanatorium, N. C. State University (student union), Meredith College (auditorium), Elon College (dormitories and dining hall), Campbell College (dormitory), Shaw University (gymnasium, dormitory, classrooms), St. l1ary's Jr. College (music building), U.N.C. Greensboro.(alumnae house), U.N.C. Chapel Hill (married student nousing), Dorton Arena, Carolina Country Club (Raleigh), Ne,.•s & Observer building,.
    [Show full text]
  • A Walking Tour of City Cemetery
    Tradition has it that Wm Henry Haywood, Jr., (1801- way was established. Finished in January 1833 it was Geddy Hill (1806-1877) was a prominent Raleigh physi 1846), is buried near his sons, Duncan Cameron and Wm. considered the first attempt at a railroad in N' C The cian and a founder of the Medical Society of North Caro Henry, both killed in the Civil War; but his tombstone railroad was constructed to haul stone from' a local Una. is gone. Haywood was a U. S. Senator. He declined ap­ quarry to build the present Capitol. Passenger cars were pointment by President Van Buren as Charge d'Affairs placed upon it for the enjoyment of local citizens. 33. Jacob Marling (d. 1833). Artist. Marling painted to Belgium. Tracks ran from the east portico of the Capitol portraits in water color and oils of numerous members to the roek quarry in the eastern portion of the city Mrs. of the General Assembly and other well-known personages 18. Josiah Ogden Watson (1774-1852). Landowner. Polk was principal stockholder and the investment re­ Known for his landscape paintings, Marling's oil-on-canvas Watson was active in Raleigh civic life, donating money portedly paid over a 300 per cent return. painting of the first N. C. State House hangs in the for the Christ Church tower. His home, "Sharon," belong­ N. C. Museum of History. ed at one time to Governor Jonathan Worth A WALKING 34. Peace Plot. The stone wall around this plot was 19. Romulus Mitchell Saunders (1791-1867). Lawyer designed with a unique drainage system which prevents and statesman.
    [Show full text]
  • Final General Management Plan/Environmental Impact Statement, Mary Mcleod Bethune Council House National Historic Site
    Final General Management Plan Environmental Impact Statement Mary McLeod Bethune Council House National Historic Site Washington, D.C. Final General Management Plan / Environmental Impact Statement _____________________________________________________________________________ Mary McLeod Bethune Council House National Historic Site Washington, District of Columbia The National Park Service is preparing a general management plan to clearly define a direction for resource preservation and visitor use at the Mary McLeod Bethune Council House National Historic Site for the next 10 to 15 years. A general management plan takes a long-range view and provides a framework for proactive decision making about visitor use, managing the natural and cultural resources at the site, developing the site, and addressing future opportunities and problems. This is the first NPS comprehensive management plan prepared f or the national historic site. As required, this general management plan presents to the public a range of alternatives for managing the site, including a preferred alternative; the management plan also analyzes and presents the resource and socioeconomic impacts or consequences of implementing each of those alternatives the “Environmental Consequences” section of this document. All alternatives propose new interpretive exhibits. Alternative 1, a “no-action” alternative, presents what would happen under a continuation of current management trends and provides a basis for comparing the other alternatives. Al t e r n a t i v e 2 , the preferred alternative, expands interpretation of the house and the life of Bethune, and the archives. It recommends the purchase and rehabilitation of an adjacent row house to provide space for orientation, restrooms, and offices. Moving visitor orientation to an adjacent building would provide additional visitor services while slightly decreasing the impacts of visitors on the historic structure.
    [Show full text]
  • 2014 AAAM Conference Booklet
    2014 Annual Conference Association of African American Museums HELP US BUILD THE MUSEUM h i P s A n e r s n d C r t o l P A l A B o r A t i o n s Birmingham, Alabama i August 6–9, 2014 n t RENEW your membership today. h e BECOME a member. DONATE. d The National Museum of African American History and i Culture will be a place where exhibitions and public g hosted by i programs inspire and educate generations to come. t Birmingham Civil rights institute A l Visit nmaahc.si.edu for more information. A g Program Design: Chris Danemayer, Proun Design, LLC. e Back Cover Front Cover THINGS HAVE CHANGED. SO HAVE WE. Association AAAM HISTORICAL OVERVIEW of African American Museums The African American Museum Movement emerged during the 1950s Board of Directors, 2013–2014 and 1960s to preserve the heritage of the Black experience and to ensure its Officers proper interpretation in American history. Black museums instilled a sense At the place of Dr. Martin Luther King, Jr.’s Samuel W. Black of achievement within Black communities, while encouraging collaborations death in 1968 in Memphis, Tennessee, the President National Civil Rights Museum was born. Pennsylvania between Black communities and the broader public. Most importantly, the African American Museums Movement inspired new contributions to society and Dr. Deborah L. Mack The Museum, a renowned educational Vice President advanced cultural awareness. Washington, D.C. and cultural institution that chronicles the In the late 1960s, Dr. Margaret Burroughs, founder of the DuSable Museum American Civil Rights Movement, has been Auntaneshia Staveloz Secretary in Chicago, and Dr.
    [Show full text]
  • Executive Director Selected for Amistad Research Center
    Tulane University Executive director selected for Amistad Research Center June 04, 2015 9:00 AM Alicia Duplessis Jasmin [email protected] Kara Tucina Olidge replaces Lee Hampton, who retired in June 2014, as head of the Amistad Research Center on the uptown campus of Tulane University. (Photo by Paula Burch-Celentano) In her new position as executive director of the Amistad Research Center at Tulane University, Kara Tucina Olidge has outlined several goals for her first few years of tenure. The most ambitious of these goals is to double the center's endowment over a three- to five-year period. “This will allow us to focus on staff development and collections development,” says Olidge, who holds a doctorate in educational leadership and policy from State University of New York-Buffalo. “You have to think big, and you have to hit the ground running.” The center's current endowment is $2.25 million, and Olidge plans to use her previous experience in corporate development, grant writing and strategic planning to hit the $4.5 million goal by 2020. "We were impressed with how engaged she'd been with the community in previous positions. We're confident she'll do the same at Amistad." Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University Sybil Morial, board member, Amistad Research Center This experience is what made Olidge the standout candidate, says Sybil Morial, a 30-year Amistad board member and chair of the executive director search committee. “She knew about fiscal management and fund development,” says Morial of Olidge. “We were also impressed with how engaged she'd been with the community in previous positions.
    [Show full text]
  • Complaint of Judicial Misconduct
    Complaint of Judicial Misconduct Complainant arl Bernofsky The Hon. Ginger Berrigan. Ju 6478 General Diaz treet United tates District Court for the New Orleans LA 70124 Eastern District of Louisiana (504) 486-46"9 (504) 589-7515 I. Introduction The complainant was plaintiff in a serie of four lawsuits against Tulane Universit in which th Hon. Ginger Berrigan was Pr siding Judge. Relatively recent) , he learned that Judge Berrigan has had a material and continuing relationship with the defendant. Under Canon 3 of the ode of Judicial onduct, Judge Berrigan had a duty to disclose her as ociation with Tulane before sitting in any cas in which Tulane was a defendant. From Januar , 1995 onward Judge Berrigan continuously violated this Code in all of the complainant's lawsuits where she presided and failed to make any disclo ure. II. Statement of Facts A. Professorship Federal District ourt Judge Ginger Berrigan i Adjunct Associate Professor of Law at Tulane University and taught the cours Trial Advocacy during the 1995-96 academic year [1 2]. Since then, Judge Berrigan has maintained a professional association with Tulane through her continued participation in the Law School's Judicial Externship Program [3-5] and as a substitute instructor for the course, Federal Practice & Procedure: Trials [6], taught by the 76-year-old Adjunct Professor Federal District Court Judge Charles Schwartz Jr. [7]. B. Board Membership In 1990, Judge Berrigan then an attorney was appointed to the Board of Directors of Tulane University's Amistad Research Center, a position she occupied until 1997 [8]. 13 ERRIGAN.Q9C - I - The Amistad Research Center occupies a wing of Tilton Memorial Hall on the campus of Tulane University [9].
    [Show full text]
  • View League Activities As an Investment Bers,” Added Michieka
    2010 May the Presorted Standard A PUBLICATION OF THE JUNIOR LEAGUE OF RALEIGH U.S. Postage PAID Raleigh, NC Permit No. 315 DeShelia A. Spann Photograp Spann A. DeShelia hy Cookbook sales are now underway. Order yours today! PhotograPh Provided by tammy Wingo PhotograPhy Our mission May 2010 the Junior League of 2 President’s Message Raleigh is an 5 Member Spotlights organization of women 12 Scene and Heard committed to promoting 15 Shout Outs voluntarism, developing 16 Women in Leadership, Part II the potential of women 18 2010 Showcase of Kitchens and improving 22 Recipe Corner communities through the 30 Meet Your New Neighbors effective action and 35 Best of . leadership of trained volunteers. 711 Hillsborough Street P.O. Box 26821 Raleigh, NC 27611-6821 Phone: 919-787-7480 Voice Mail: 919-787-1103 Fax: 919-787-9615 www.jlraleigh.org Bargain Box Phone: 919-833-7587 President’s Message Membership in the Junior League with volunteers — from the families and means so much to each of us. For some, the children at SAFEchild to the places that League establishes connections with other we all enjoy from historic homes to the women and a new circle of friends. For North Carolina Art Museum. They have . others, the League makes a difference in given us the vision to see opportunities for inc , the community with a greater impact than new fundraisers from A Shopping SPREE! studio we could achieve individually since we are to the Showcase of Kitchens and our new batchelor working together to improve the lives of cookbook.
    [Show full text]
  • Guide to Gwens Databases
    THE LOUISIANA SLAVE DATABASE AND THE LOUISIANA FREE DATABASE: 1719-1820 1 By Gwendolyn Midlo Hall This is a description of and user's guide to these databases. Their usefulness in historical interpretation will be demonstrated in several forthcoming publications by the author including several articles in preparation and in press and in her book, The African Diaspora in the Americas: Regions, Ethnicities, and Cultures (Chapel Hill: University of North Carolina Press, forthcoming 2000). These databases were created almost entirely from original, manuscript documents located in courthouses and historical archives throughout the State of Louisiana. The project lasted 15 years but was funded for only five of these years. Some records were entered from original manuscript documents housed in archives in France, in Spain, and in Cuba and at the University of Texas in Austin as well. Some were entered from published books and journals. Some of the Atlantic slave trade records were entered from the Harvard Dubois Center Atlantic Slave Trade Dataset. Information for a few records was supplied from unpublished research of other scholars. 2 Each record represents an individual slave who was described in these documents. Slaves were listed, and descriptions of them were recorded in documents in greater or lesser detail when an estate of a deceased person who owned at least one slave was inventoried, when slaves were bought and sold, when they were listed in a will or in a marriage contract, when they were mortgaged or seized for debt or because of the criminal activities of the master, when a runaway slave was reported missing, or when slaves, mainly recaptured runaways, testified in court.
    [Show full text]
  • Via Issuelab
    ROCKEFELLER ARCHIVE CENTER RESEARCH REPO RTS Whither the Rural? The Debate over Rural America’s Future, 1945-1980 by Doug Genens University of California, Santa Barbara © 2018 by Doug Genens Project Overview Following World War II, rural America experienced a number of interconnected transformations that raised the question of what its future might look like, or whether or not it even had one. My project examines the response of policymakers, rural people, and social scientists to the problems these changes created, which I am calling the “rural crisis.” More specifically, my dissertation examines how rural problems were understood by these groups, and the various ways they sought to build a new, more prosperous rural America and redefine the meaning of rural in the process. My research tracks the debates and implementation of public policies across distinct rural settings in California, Missouri, and Georgia. What exactly constituted the rural crisis following World War II? Foremost in the minds of many were major changes in American agriculture. Between 1900 and 1940, the size and number of farms in the United States remained relatively stable. Following the 1940s, however, the number of farms dropped from 5.9 million in 1945 to only 2.3 million in 1974. The average size of farms also doubled during this same period from just under 200 acres to over 400 acres. These larger farms became increasingly mechanized and captured a high proportion of the total farm product sales in the U.S.1 In part, scientific advances in seeds, fertilizers, and machines throughout the twentieth century allowed farmers to expand the size of their operations.
    [Show full text]
  • Autumn 2014 Volume 29, Issue 1 Letter from the Senior Co-Chair
    AACR Archivists and Archives of Color Roundtable Newsletter Autumn 2014 Volume 29, Issue 1 Letter from the Senior Co -Chair INSIDE THIS ISSUE Greetings Archivists and Archives of Color Roundtable Members, Welcome Letter 1 I am so honored to serve over the next year as chair of the roundtable. I am Pinkett Award Winner at SAA 2 looking forward to continuing the overall success the roundtable has achieved over the last 27 years. Member Spotlight 3, 4 Exhibitions 5 Over the next year, I hope to strengthen the roundtable by highlighting the ac- New Collections 6-8 complishments and activities of members through the inaugural “Member Accolades and Events 9 Spotlight” section which will be featured in every issue over the next year. The roundtable leadership will take a more targeted approach to engaging the Contest 10 membership on issues that matter most to you via Twitter and Facebook. The task forces will continue to research and write the history of the roundtable, participate in advocacy opportunities, and nominate AACR members and insti- tutions for awards through the Society of American Archivists. As I mentioned at the annual business meeting in Washington, I will be focusing on strategic planning and the first step will be to update the mission statement and to craft new vision and core values statements for the roundtable. A draft will be sent to the membership for comment and review in March, revised in May and adopted at the annual business meeting in Cleveland. I would like to welcome Aaisha Haykal (Chicago State University) as Junior Co- Chair, Amber Moore (Emory University) as the newsletter editor and Sonia Yaco (University of Illinois at Chicago) as webmaster to the roundtable leadership.
    [Show full text]
  • African-American Documentary Resources on the World Wide Web: a Survey and Analysis
    AFRICAN-AMERICAN DOCUMENTARY RESOURCES ON THE WORLD WIDE WEB: A SURVEY AND ANALYSIS BY ELAINE L. WESTBROOKS ABSTRACT: Numerous institutions have launched historical digital collections on the World Wide Web (WWW). This article describes, analyzes, and critiques 20 historical African-American digital collections created by archival institutions, academic insti- tutions, public libraries, and U.S. government agencies. In addition, it explores issues that are an important part of historical digital collections, such as preservation, integ- rity, and selection criteria, as well as trends in collection content, institutional policy, technology, Web-site organization, and remote reference. Finally, this article assesses the value of individual digital collections as well as the overall value of digitization. Introduction Currently, there is a scarcity of printed African-American documentary resources in the United States. There is also little information about archives, historical societies, museums, and repositories whose primary goal and purpose are to collect and organize these resources. This suggests that either African-American history is poorly docu- mented or that documented African-American history is not valuable to researchers. Neither is the case. African-American historical documents are available but not easily accessible. The trend to digitize' historical collections is making historical documents 2 more accessible; however, there is little research about digital collections of African- 3 archivists, and American history on the WWW. Though unnoticed by researchers, 4 librarians, dozens of institutions have digitized primary African-American documents. This paper addresses this information gap and will show how African-American his- torical documents are being made accessible to researchers. It will also explore the purpose of digitization.
    [Show full text]
  • Checklist by Room
    FRONT DESK COPY Checklist - Fallen Fruit “Empire”, NewcomB Art Museum Listed clockwise per room Entrance Room: The Gateway to Cultural Mythology 1 Artist Unknown Harriott Sophie Newcomb, 1855-1870 Late 19th century to mid 20th century Watercolor, gouache on paper Courtesy of Newcomb Art Museum of Tulane University Gift of Josephine Louise Newcomb 2 Fallen Fruit (David Allen Burns and Austin Young) The French Quarter — New Orleans 2018 wallpaper pattern, variable dimensions created for the exhibition project EMPIRE for Newcomb Art Museum Courtesy of the artists 3 Randolph Rogers Atala and Chactas 1854 Marble Newcomb Art Museum of Tulane University, Gift of Virginia C. Montgomery in memory of her husband R. W. Montgomery 4 Imitation Maya Stela, No. 1 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 5 Imitation Maya Stela, No. 2 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 6 After Giovanni Bologna Mercury c. 1580 Bronze cast reproduction Newcomb Art Museum of Tulane University, Gift of the Linton-Surget Collection 7 Designer unknown Hilma Burt House Gilded Mantel Piece c. 1906 This gilded mantelpiece adorned the parlor of the notorious Hilma Burt House, where Jelly Roll Morton reportedly played his “first piano job in the District.” Courtesy of the Al Rose Collection, Hogan Jazz Archive, Tulane University 8 Casting by the Middle American Research Institute Cast inspired by architecture of the Governor’s Place of Uxmal, Yucatán, México c.1932 Plaster, created for A Century oF Progress Exposition (also known as The Chicago World’s Fair of 1933), M.A.R.I.
    [Show full text]