TANAR of PELLUCIDAR I
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Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Tarzan the Untamed
TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
Tarzan the Censored
TARZAN THE CENSORED by Jerry L. Schneider Forward In "Edgar Rice Burroughs: Master of Adventure" by Richard A. Lupoff, the author stated that the Ballantine Books' versions of the Tarzan series were edited (evidently for political correctness), not the "all complete and unabridged" as Ballantine stated on the paperbacks. So, armed with the earliest hardcover editions that I owned in my collection (McClurg, A. L. Burt, Grosset & Dunlap, Burroughs Inc., and Canaveral Press) and post 1969 Ballantine editions, I scanned through them for discrepancies and changes. There were changes from the early hardcovers that I found in some of the paperbacks. Some of the books in the Tarzan series were edited for "political correctness" with regards to ethnicity dialects and derogatory terms. Hard to read dialects (or hard to typeset) were changed to an easier form (i.e. hit's changed to it's, heat to eat, and hour to our), while extremely derogatory terms such as Jew (see Tarzan and the Golden Lion) and nigger were altered or eliminated (not for the betterment of the story as the alteration in the words has lessened the impact the originals imparted to the reader—the level of anger toward the character who spoke the words has been lessened). The term "black" remained in place in some books but removed from others—no rhyme or reason to the changes. Esmeralda's original dialect in "Tarzan of the Apes" remained in place through 1969, then edited downward to an easier and friendlier version. Because of these changes, an in-depth look at the various editions of "Tarzan of the Apes" is shown below, while the other books in the Tarzan series are only compared by using an early hardcover version and the first version that was edited, usually the Ballantine edition. -
Back to the Stone Age
BACK TO THE STONE AGE But Jason Gridley shook his head. “The rest of you go on,” he said. “I will remain in Pellucidar until I have solved the mystery.” Von Horst, von Horst— where are you now, Bill? Can you see that endless sun on high— can you sing those jazz- tune songs you loved and hear me calling? Or are your BACK TO THE STONE AGE dusty bones in some killer-cat’s lair and a ghost voice your only answer? PROLOGUE HE tale of the pioneer flight of the giant Zeppe - Tlin O-220 has already been told. In the Log Book of Great Adventures, written deep in red, have been inscribed the perils and privations, the victories and defeats, of those gallant companions from this land of ours who braved the mysteries of Pellucidar. Pellucidar — mocked by smug scientists who blind themselves to the proofs that our Earth is a hollow sphere, containing a habitable world within its interior! Pellucidar — scorned and derided by timid savants who fear to see beyond their own knotted brows, scoffing that here is no great opening at the frozen poles, that only two plus two makes four! But there were men of broader vision, of deeper un - derstanding, in that prize crew of the Zeppelin O-220; One was a tall man with mighty shoulders who walked with a cat’s soft tread; as Lord Greystoke he was known in London, though the creatures of the tropic wild called him Tarzan of the Apes. A second was Jason Gridley, the American explorer who financed the expedition. -
Tarzan of the Apes
TARZAN OF THE APES I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS New Pellucidar Guidebook Published The Gilak’s Guide to Pellucidar by David Critchfield Paperback book $19.95, 143 pages, 8.5” x 11”, perfect binding, black and white interior ink. Publisher’s description: The 7-book Pellucidar series was written by the master storyteller, Edgar Rice Burroughs. Those books told the story of David Innes and Abner Perry’s adventures in the sav- age land at the Earth’s core. This new book by David Critchfield is the one and only guide to Pellucidar. It’s full of information about the Earth’s core: articles, maps, book summaries, family trees, lan- guages, beliefs, publishing histories, a glossary of terms, and a list of articles written about Pellucidar. It’s a must for fans of the series and a handy reference for Burroughs scholars and artists. The book is il- lustrated by Harry Roland with all new Pellucidar art. Visit Roland’s website at www.harryroland.com for more of his artwork. We’re sure you will remember his excellent artwork for A Princess of Mars in Burroughs Bulletin 65 (Winter, 2006). David Critchfield’s The Gilak’s Guide to Pellucidar can be ordered at www.lulu.com. (We’ve checked around and as far as we can tell, this is the only source for ordering right now.) We were delighted to receive a copy of this beautiful book for the Burroughs Memorial Collection, and heartily recommend it for Pellucidar fans. Many oth- er ERB-related titles are available through Lulu.com, including the newspaper novelization by Arthur B. -
The Gravity of Hades
VOL. 75, NO. 5, DECEMBER2002 335 The Gravityof Hades ANDREWJ. SIMOSON King College Bristol, TN 37620 [email protected] Imaginebeing beamedinto a chamberdeep withinthe Earth,such as depictedin the JulesVerne cavern of FIGURE1. Is the accelerationdue to gravitystronger or weaker in the chamberthan at the surfaceof the Earth?If the readeris hesitantin answering immediately,here's how LeonardEuler answered the questionin 1760 [3, volume I, LetterL, p. 182]: We are certain ... that gravity ... acts with the greatest force at the surface of the earth, and is diminished in proportion as it removesfrom thence, whether by penetrating towards the centre or rising above the surface of the globe. Figure1 Frontispiecefor Verne's1871 publication of Journeyto the Centerof the Earth, 100 miles below Iceland To answer this question, we consider various models of the Earth's structure that have been proposed over the years. We show that ? for homogeneouslydense planets-Euler's implicitmodel-gravity weakenswith descentfrom the surface; ? for a planetpossessing a homogeneousmantle that is less than 2/3 as dense as its core, a local minimumfor gravityintensity exists withina sufficientlythick mantle; ? for our own Earth,having a solid innercore, a less dense liquidouter core, and an extensiveeven less densemantle, gravity intensifies with descentfrom -9.8 m/s2 at the surfaceto an extremeof -10.8 m/s2 wherethe mantlemeets the core. We also give a conditioninvolving only surfacedensity and mean density that deter- mineswhether gravity increases or decreaseswith depthfrom the surfaceof a planet; and we concludewith an analysisof a body falling througha classicallyenvisioned hole through the Earth. 336 MATHEMATICSMAGAZINE Some preliminary classical mechanics To find the gravitational acceleration induced by the Earth on a particularpoint P, we follow Newton and first find the gravitational acceleration induced by each point of the Earth on P, and then take the aggregate of these accelerations as the total acceleration induced by the Earth. -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS Avatar and Burroughs Bill Hillman’s ERBZINE #3038 covers this subject extremely well by reproducing Michael Sellers’ “Avatar and ERB,” illus- trated with 18 excellent photographs, so we hope you will get a chance to view this at: http://www.erbzine.com/mag30/3038. html. To sum up, James Cameron’s Avatar seems to follow the themes of ERB’s John Carter of Mars where a heroic human male is thrust alone into an alien world. Film maker and critic Michael D. Sellers (a friend of Danton Burroughs) reports that Cameron had Burroughs in mind when he created Avatar, observing: “What was ERB-like was the creation of a complete world with detailed flora and fauna and an indigenous culture that was well thought out and presented in detail that made me think of Burroughs.” Avatar’s hero is “a male warrior in an exotic, alien land, overcoming physical challenges and confront- ing the fears of difference...The biggest similarity for me was the one thing that Burroughs did better than anyone else, and that is to create a world that feels complete. Barsoom became real in my mind...I could have drawn a map of the planet; I could write the history; I even tried playing Jetan; even today, decades after reading the books, I remember the names of the creatures...banth, thoat, calot, orluk, sith. The vividness with which Burroughs created Barsoom, Amtor, Caspak, Pellucidar, and Tarzan’s jungle has been captured for the first time cinematically. And that means the experience of viewing Avatar is every bit as immersive and satisfying as was the experience of reading Burroughs tales and getting lost in the worlds he created.” This is a high-tech film which im- presses ordinary viewers as well as confirmed sci-fi fanatics. -
Tarzan of the Apes by Edgar Rice Burroughs
www.freeclassicebooks.com Tarzan of the Apes By Edgar Rice Burroughs www.freeclassicebooks.com 1 www.freeclassicebooks.com Contents Chapter I ‐ Out to Sea..............................................................................................................................3 Chapter II ‐ The Savage Home............................................................................................................... 12 Chapter III ‐ Life and Death ...................................................................................................................21 Chapter IV ‐ The Apes ...........................................................................................................................27 Chapter V ‐ The White Ape ...................................................................................................................34 Chapter VI ‐ Jungle Battles....................................................................................................................41 Chapter VII ‐ The Light of Knowledge ...................................................................................................47 Chapter VIII ‐ The Tree‐top Hunter .......................................................................................................57 Chapter IX ‐ Man and Man....................................................................................................................62 Chapter X ‐ The Fear‐Phantom .............................................................................................................72 -
Edgar Rice Burroughs Tarzan the Untamed Kindle
EDGAR RICE BURROUGHS TARZAN THE UNTAMED PDF, EPUB, EBOOK Russ Manning,Gaylord DuBois | 117 pages | 30 Nov 1999 | Dark Horse Comics,U.S. | 9781569714188 | English | Milwaukie, United States Edgar Rice Burroughs Tarzan the Untamed PDF Book He is deeply in love with his wife and totally devoted to her; in numerous situations where other women express their attraction to him, Tarzan politely but firmly declines their attentions. There are the typical Burroughs contrivances there's a moment where Tarzan's life is saved by a foe having a conveniently-timed epileptic seizure , and Xuja itself is perhaps the "City of Contrivances," though Burroughs seems to have put more thought into Xuja than he did Opar. On his return he discovers among many burned bodies one that appears to be the corpse of his wife, Jane Porter Clayton. But in this book, written after WWI , but taking a point at the start of the war as its focus -- at the beginning of the book, Tarzan, AKA Lord Greystoke, has just learned that hostilities between Britain and Germany now exist -- the book presents the Germans as harshly as the propaganda against Germany published during the war, when Ge This is the most amazing book. It's almost as if he wrote some of it and then threw in some fanfic for the rest. Thank heavens Edgar kept writing Tarzan tales His preferred dress is a knife and a loincloth of animal hide, his preferred abode is a convenient tree branch which happens to be nearby when he desires to sleep, and his favored food is raw meat, killed by himself; even better if he is able to bury it a week so that putrefaction has had a chance to tenderize it a bit. -
TARZAN of the APES 1250L Edgar Rice Burroughs This Guide Provides the Lexile® Measure for Every Chapter in This Book and Is Intended to Help Inform Instruction
TARZAN OF THE APES 1250L Edgar Rice Burroughs This guide provides the Lexile® measure for every chapter in this book and is intended to help inform instruction. This book’s Lexile measure is 1250L and is frequently taught in the 12th grade. Students in these grades should be reading texts that have reading demand of 1185L through 1385L to be college and career ready by the end of Grade 12. Lexile Measure CHAPTER & TITLE 1700L 1350L 1 Out To Sea 1320L 2 The Savage Home 1600L 1185L−1385L 1420L 3 Life And Death 1500L College & Career 1380L 4 The Apes Ready Range For 1320L 5 The White Ape 12th Grade 1400L 1380L 6 Jungle Battles 1300L 1520L 7 The Light Of Knowledge 8 1250L 1320L The Tree−Top Hunter 1200L 1260L 9 Man And Man Lexile Measure 1240L 10 The Fear−Phantom 1100L of the Book 1300L 11 "King Of The Apes" 1000L 1450L 12 Man’s Reason 1260L 13 His Own Kind 900L 1220L 14 At The Mercy Of The Jungle 800L 1360L 15 The Forest God 1180L 16 "Most Remarkable" LEXILE MEASURE 700L 1130L 17 Burials 600L 1200L 18 The Jungle Toll 1320L 19 The Call Of The Primitive 500L 1210L 20 Heredity 21 400L 1230L The Village Of Torture 1110L 22 The Search Party 300L 1020L 23 Brother Men 1210L 24 Lost Treasure 200L 1 3 5 7 9 11 13 15 17 19 21 23 25 27 950L 25 The Outpost Of The World → Turn page over to view more chapters and titles CHAPTERS To find additional guides, please visit Lexile.com/lexile−by−chapter.