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Monuments and Museums for Post-Apartheid South Africa
Humanities 2013, 2, 72–98; doi:10.3390/h2010072 OPEN ACCESS humanities ISSN 2076-0787 www.mdpi.com/journal/humanities Article Creating/Curating Cultural Capital: Monuments and Museums for Post-Apartheid South Africa Elizabeth Rankin Department of Art History, University of Auckland, Private Bag 92019, Auckland 1142, New Zealand; E-Mail: [email protected] Received: 5 February 2013; in revised form: 14 March 2013 / Accepted: 21 March 2013 / Published: 21 March 2013 Abstract: Since the first democratic elections in 1994, South Africa has faced the challenge of creating new cultural capital to replace old racist paradigms, and monuments and museums have been deployed as part of this agenda of transformation. Monuments have been inscribed with new meanings, and acquisition and collecting policies have changed at existing museums to embrace a wider definition of culture. In addition, a series of new museums, often with a memorial purpose, has provided opportunities to acknowledge previously marginalized histories, and honor those who opposed apartheid, many of whom died in the Struggle. Lacking extensive collections, these museums have relied on innovative concepts, not only the use of audio-visual materials, but also the metaphoric deployment of sites and the architecture itself, to create affective audience experiences and recount South Africa’s tragic history under apartheid. Keywords: South African museums; South African monuments; cultural capital; transformation; Apartheid Museum; Freedom Park 1. Introduction This paper considers some of the problems to be faced in the arena of culture when a country undergoes massive political change that involves a shift of power from one cultural group to another, taking South Africa as a case study. -
South Africa – Cape Restaurants
Recommended Restaurants – Johannesburg and Pretoria JOHANNESBURG AFRICAN CUISINE ITALIAN/MEDITERRANEAN Moyo - Melrose Arch 2 Medeo Restaurant at The Palazzo 13 Moyo - Zoo Lake 2 La Cucina Di Ciro 14 Pronto 14 ASIAN Café del Sol Botanico 15 Kong Roast 3 The Lotus Teppanyaki & Sushi Bar 3 STEAKHOUSE Wombles Steakhouse Restaurant 15 BISTRO Turn 'n' Tender Illovo 16 Eatery JHB 4 Coobs 4 CONTEMPORARY Cube Tasting Kitchen 5 PRETORIA Winehouse - Ten Bompas 5 CONTEMPORARY Level Four Restaurant 6 Blu Saffron 16 March Restaurant 6 De Kloof Restaurant 17 Roots at Forum Homini - Prosopa Waterkloof Muldersdrift 7 17 FINE DINING FINE DINING Luke Dale Roberts X (Saxon Hotel) 7 Kream 18 DW Eleven-13 8 Restaurant Mosaic at The Orient 18 Signature Restaurant 8 Pigalle - Michelangelo Towers 9 Pigalle - Melrose Arch 9 oneNINEone 10 AtholPlace Restaurant 10 The Residence 11 FRENCH Emoyeni 11 Le Souffle 12 INDIAN Ghazal 12 Vikrams 13 1 **To make early reservations, please contact your AAC consultant, the hotel concierge or the restaurant directly.** JOHANNESBURG AFRICAN CUISINE MOYO (Melrose Arch) Shop 5, The High St / Tel: +27 11 684 1477 http://www.moyo.co.za/moyo-melrose-arch/ From the food and décor to the music and live entertainment, moyo is strongly African in theme. The focus of the rich and varied menu is pan-African, incorporating tandoori cookery from northern Africa, Cape Malay influences and other dishes representing South Africa. In the heart of Johannesburg, the 350-seater, multi-level modern restaurant – clad in copper with pressed pebble walls - embodies Africa’s finest music and urban cuisine offerings. -
South African Artists at the Constitutional Court of South Africa
UNIVERSITY OF CALIFORNIA Los Angeles Decoding Memories: South African Artists at the Constitutional Court of South Africa A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African Studies by Mary Ann Braubach 2017 © Copyright by Mary Ann Braubach 2017 ABSTRACT OF THESIS Decoding Memories: South African Artists at the Constitutional Court of South Africa by Mary Ann Braubach Master of Arts in African Studies University of California, Los Angeles, 2017 Professor William H. Worger, Chair This paper examines the decoding of the memory of apartheid and post apartheid years of South Africa’s recent history. And it contextualizes how the struggle influenced the visual arts. Also analyzed are the history of the Constitution and Constitutional Court of South Africa. It interrogates the formation of the Constitutional Court art collection. by Justices Albie Sachs and Yvonne Mokgoro for the yet-to-be-constructed Constitutional Court building in Johannesburg. Many donated artworks are responsive both to the anti- apartheid struggles and also to the new democracy. The essay also examines the underlying politic that now hangs in the Constitutional Court building. Select works, that function as signifiers of the new Constitution, are examined. I draw on interviews with South African artists, Court Justices and curators to investigate the role of memory, the archeology of the site, and the significance of the collection to the artists, the Justices, and citizens of South Africans twenty years post apartheid. -
NASCA Human and Social Sciences
HUMAN AND SOCIAL SCIENCES Department Higher Education and Training 123 Francis Baard Street Private Bag X174 Pretoria, 0001 South Africa Tel: +27 12 312 5911 103 Plein Street, ParliamentCape Town OfficeTowers Private Bag X9192 Cape Town, 8000 Tel: +27 021 469 5175 Fax: +27 021 461 4761 Website: www.dhet.gov.za Design and Layout by: Mzelers Media. www.mzelers.com ISBN: 978-1-77018-792-4 HUMAN AND SOCIAL SCIENCES CONTENTS PAGE Introduction 3 Exit-Level Outcomes 3 Approaches to Teaching and Learning 3 Assumptions About Prior Knowledge and Skills 3 Part 1 - Geography 4 What is Geography? 4 Assessment Objectives 4 Specific Aims of Geography 4 Weighting of Levels of Cognitive Demand 5 Content Outline 6 General Geographic Techniques 6 Theme 1 - Physical Geography 11 Theme 2 - Human Geography 15 Part 2 - History 19 What is History? 19 Assessment Objectives 19 Specific Aims of History 19 Weighting of Levels of Cognitive Demand 20 Scheme of Assessment 20 Content Outline 21 Theme 1 - Cold War 22 Theme 2 - Independent Africa 1960s-1970s 23 Theme 3 - Civil Resistance in South Africa 1970s-1980s 23 Theme 4 - Coming of Democracy to South Africa 24 Recommended Study Hours for Human and Social Sciences 25 Glossary of Terms Used in Human and Social Sciences 25 Bibliography 26 HUMAN AND SOCIAL SCIENCES Introduction Human and Social Sciences aims to introduce students to a world beyond their everyday realities. It includes programmes that provide for the study of people, places, environments, culture, time continuity, change, individual identity, individual groups and institutions, power, authority, governance and civic ideals and practices. -
An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol
Reflections on Fired – An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol Abstract An exhibition dedicated to the history and development of South African ceramics, Fired, was on show at the Castle of Good Hope in Cape Town, South Africa, from 25th February 2012 until its temporary closure on 28th January 2015. Fired is due to reopen early 2016. The exhibition was created from the rich array of ceramics held in the permanent collections of Iziko Museums of South Africa. Iziko was formed in 1998 when various Cape Town based museums, having formerly functioned separately, were amalgamated into one organizational structure. Fired was created to celebrate the artistry of South African ceramists, showcasing works in clay created for domestic, ceremonial or decorative purposes, dating from the archaeological past to the present. This article reflects on the curatorial and design approaches to Fired, and the various themes which informed the exhibition. Reference is also made to the formation of the Iziko ceramics collections, and the ways in which Fired as an exhibition departed from ceramics displays previously presented in the museums that made up the Iziko group. Key words ceramics, studio pottery, production pottery, Community Economic Development (CED) potteries, museums Introduction Fired – an Exhibition of South African Ceramics celebrated South Africa’s rich and diverse legacy of ceramic making. The exhibition showcased a selection of about two hundred ceramic works, including some of the earliest indigenous pottery made in South Africa, going back some two thousand years, through to work produced by contemporary South African ceramists. The works were drawn mainly from the Social History Collections department of Iziko Museums of South Africa.1 Design and curatorial approaches Fired was exhibited within an evocative space in the Castle, with arched ceilings and columns and presented in two large elongated chambers (Fig.1). -
The Poetic Utilization of Dialectal Varieties of the Afrikaans Language for Strategic Purposes in the Southern African Context
Bernard J. Odendaal The Poetic Utilization of Dialectal Varieties of the Afrikaans Language for Strategic Purposes in the Southern African Context Abstract: Afrikaans is a southern African language named after the continent on which it has evolved from seventeenth-century Dutch in a complex contact situa- tion between European settlers, their imported slaves, and indigenous peoples. It was standardized in the late nineteenth and early twentieth centuries for literary purposes, among others. The poetic utilization of dialectal or colloquial varieties of Afrikaans, however, has been an important trend in its literary history, espe- cially since the advent of the so-called Movement of the 1960s. The relevant vari- eties include geolects like Karoo Afrikaans, but also sociolects like “Loslitafri- kaans” (informal Afrikaans, characterized by being mixed with English), Cape Afrikaans, and Griqua Afrikaans. As a stylistic device, the use of dialectal Afri- kaans has served both literary-strategic purposes (literary renewal) and socio-po- litical aims (as actuality literature or socio-politically engaged poetry). As a whole, it transpires that the pressing socio-political and broader cultural condi- tions that have dictated past developments, or are driving present ones, in South and southern Africa (resistance to nineteenth-century efforts at anglicizing south- ern Africa, the advent and decline of Apartheid, the increasingly hegemonic posi- tion of English in the post-Apartheid dispensation) loom large behind the relative importance of this trend in Afrikaans poetry. Keywords: actuality, Afrikaans geolects and sociolects, socio-political and cultur- al conditions, socio-political engagement, strategic poetic utilization, stylistic re- newal 1 Introductory notes on the origins of the Afrikaans language and literature Afrikaans is a southern African language, named after the continent on which it originated. -
Karoo Bush Rat
Otomys unisulcatus – Karoo Bush Rat threats that could cause widespread population decline. However, there are potentially synergistic effects of climate change drying up wetlands and overgrazing/ browsing removing at least part of the plant food and cover that this species relies upon. Such effects on subpopulation trends and population distribution should be monitored. Regional population effects: This species is endemic to the assessment region. Its dispersal abilities are not well known. Subpopulations seem to be patchily distributed at the landscape level, according to the presence of favourable habitats. While it is likely that movements and possibly rescue effects exist between subpopulations, Emmanuel Do Linh San others might be physically and genetically isolated. Regional Red List status (2016) Least Concern Distribution National Red List status (2004) Least Concern This species occurs throughout the semi-arid Succulent Reasons for change No change Karoo and Nama-Karoo of South Africa (Monadjem et al. 2015), specifically in the Eastern, Northern and Western Global Red List status (2016) Least Concern Cape provinces, with some limited occurrence in the TOPS listing (NEMBA) (2007) None Fynbos Biome (Vermeulen & Nel 1988; Figure 1). It may marginally occur in southern Namibia but further surveys CITES listing None are required to confirm this. Regardless, the bulk of the Endemic Yes population occurs in South Africa. Kerley and Erasmus (1992) argued that the lodges built by this species are In southern Africa the Karoo Bush Rat vulnerable to destruction by fire. As a result, they is the only rodent that constructs and occupies hypothesised that this shelter-building strategy is only large, dome-shaped stick nests or “lodges”, viable in the absence of frequent burning, and therefore it generally at the base of bushes. -
Mapping Land Degradation and Sustainable Land Management. (QM)
Questionnaire for Mapping Land Degradation and Sustainable Land Management. (QM) VERSION 1.0 i Mapping Title: A Questionnaire for Mapping Land Degradation and Sustainable Land Management Editors: Hanspeter Liniger, Godert van Lynden, Freddy Nachtergaele, Gudrun Schwilch Copyright © 2008: CDE/WOCAT, FAO/LADA, ISRIC Contact: WOCAT Secretariat: CDE, Hallerstrasse 10, 3012 Bern, Switzerland, Tel +41 31 631 88 22, Fax +41 31 631 85 44, E-mail: [email protected]; [email protected] http://www.wocat.net LADA Secretariat FAO, Food and Agriculture Organization of the United Nations, Viale delle Terme di Caracalla Viale delle Terme di Caracalla, 00100 Rome, Italy, Tel +39 06 57054888, Fax +39 06 57056275, E-mail: [email protected] http://www.fao.org/nr/lada ISRIC- World Soil Information PO Box 353, 6700 Wageningen, Netherlands, Tel +31 317 47 17 35, Fax +31 317 47 17 00, E-mail: [email protected] http://www.isric.org Mapping ii Acknowledgements This “questionnaire” has been developed in a joint effort between the WOCAT, LADA, and DESIRE projects. The editors would like to acknowledge the numerous persons that have contributed to the development of this questionnaire. Special thanks goes to the donor agencies: Swiss Agency for Development and Cooperation (SDC), FAO, UNEP, UNDP and GEF. iii Mapping Introduction In spite of some progress made toward the Millennium Development Goals, hunger, poverty and food insecurity persist, while the key ecosystems that underpin and service the natural resource base con- tinue to be depleted and degraded. These development challenges and the related pressure on the natu- ral resource base are now recognised at a global level, and as a global issue. -
Karoo Research Update: Progress, Gaps and Threats AUTHORS: M
Karoo research update: Progress, gaps and threats AUTHORS: M. Timm Hoffman1 2,3 Richard M. Cowling 1 Hana Petersen1 It has been more than three decades since the conclusion of the Karoo Biome Project (KBP). At its height in the Cherryl Walker4 late 1980s, the KBP coordinated the efforts of nearly 100 research projects across a range of mainly ecological and agricultural disciplines. In this brief update we examine the research that has occurred in the Nama-Karoo and AFFILIATIONS: Succulent Karoo biomes since then and describe the relative contributions made by different disciplines to this 1Plant Conservation Unit, Department body of knowledge. We also highlight efforts to synthesise knowledge across the disciplinary divides. Finally, we of Biological Sciences, University of identify notable gaps in the research, especially considering the major land-use changes that are occurring across Cape Town, Cape Town, South Africa 2Department of Botany, Nelson the Karoo. We conclude that new questions should be asked and that significantly greater collaboration between Mandela University, Port Elizabeth, disciplines should be fostered in order to address the pressing challenges facing the Karoo more effectively. This South Africa necessitates a far more coordinated response than has been the case to date. Institutional leadership and additional 3African Centre for Coastal funding will also be required to achieve this. Palaeoscience, Nelson Mandela University, Port Elizabeth, South Africa Growth and disciplinary focus in the published Karoo literature 4DSI/NRF SARChI Chair in the To identify the research that has taken place in the Karoo, we searched the Web of Science for all articles using Sociology of Land, Environment the words Karoo, Karroo, Namaqualand, Richtersveld, Sperrgebiet, Bushmanland, Knersvlakte or Augrabies in their and Sustainable Development, Department of Sociology and titles, keywords or abstracts. -
The Little Karoo National Arts Festival and the Search for Cultural Identity in South Africa
IN SEARCH OF THE RAINBOW: THE LITTLE KAROO NATIONAL ARTS FESTIVAL AND THE SEARCH FOR CULTURAL IDENTITY IN SOUTH AFRICA TEMPLE HAUPTFLEISCH INTRODUCTION As South Africa emerged from the trauma of enforced racial and cultural fragmentation under British rule and the apartheid regime in 1990, it set about rebuilding the country and seeking a sense of cultural unity. This desire is wonderfully rendered by Archbishop Desmond Tutu's image of !the rainbow children of God", and the notion of the !rainbow nation", expressing the idea of unity within diversity. This is, however, also difficult to achieve in a country with 11 official languages, representative of a range of political, social, cultural, artistic, religious, economic and other value systems, and a fraught and tumultuous history which left people scarred and deeply suspicious. The very notion of !one nation" and the processes (and feasibility) of !nation building" have indeed engaged the attention of philosophers, linguists, sociologists, theologians, politicians, strate- gists et al. for the past decade or more. In South Africa the arts have often been mobilised for socio- political ends, most notably as tools (or weapons) in the battle against apartheid. During the so-called !cultural struggle" (1971-1986), for instance, the eventifying power of the performing arts was consciously employed to shift perceptions, highlight injustices and confront realities1. After 1994, with the country facing an enormous task of reconstruction, reconciliation and self-realization, the arts (in the very broadest sense) have once more been invoked for a new !cultural struggle", one in which not only the theatrical event, but the theatrical system as a whole is becoming increasingly important as a means of understanding and re-interpreting the past, coming to grips with the present and shaping the future, and thus in shifting perceptions across a wide spectrum and the many chasms that divide people and communities. -
Between Colour Lines: Interrogating the Category 'Coloured' in Depictions Of
Between colour lines: Interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists Cameron Amelia Cupido Dissertation in fulfilment of Master’s in Visual Studies Visual Arts Department Stellenbosch University Supervisor: Prof. Lize Van Robbroeck March 2018 1 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this dissertation electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2018 Copyright © 2018 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Group Areas Act of 1950 radically affected coloured artists of the time, since it resulted in forced removals and the demolition of traditionally ‘coloured’ suburbs, and forced coloured people into mono-cultural suburbs with imposed identities not of their own choosing. This thesis seeks to uncover the complexities and heterogeneity of coloured identity and the effects apartheid ideologies and practices had on the personal narratives and cultural praxis of Lionel Davis, Albert Adams, George Hallett, Gavin Jantjes and Peter Clarke, who all emphasized the significance of District Six in their own articulations of colouredness. I propose that this problematic ascribed identity was at the root of most artworks produced by these artists and that their art helped them deal with their experiences within (and about) the space of District Six during apartheid. -
Imaging South Africa: Collection Projects by Siemon Allen
Virginia Commonwealth University VCU Scholars Compass Anderson Gallery Art Exhibition Catalogues VCU University Archives 2010 Imaging South Africa: Collection Projects by Siemon Allen Siemon Allen Virginia Commonwealth University, [email protected] Follow this and additional works at: https://scholarscompass.vcu.edu/anderson_gallery Part of the Arts and Humanities Commons © 2010 Anderson Gallery, VCU School of the Arts. The Weave of Memory, Copyright © Andreś Mario Zervigon.́ Reprinted by permission. Downloaded from https://scholarscompass.vcu.edu/anderson_gallery/1 This Book is brought to you for free and open access by the VCU University Archives at VCU Scholars Compass. It has been accepted for inclusion in Anderson Gallery Art Exhibition Catalogues by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. 1 2 3 Imaging South Africa Collection Projects by Siemon Allen Ashley Kistler • Clive Kellner • Andrés Mario Zervigón Anderson Gallery VCUarts 4 5 6 7 CONTENTS 9-13 FULL CIRCLE Introduction and Acknowledgments Ashley Kistler 14-25 MAKEBA! 27-31 IMAGING SOUTH AFRICA The archival turn in Siemon Allen’s production Clive Kellner 34-39 RECORDS 40-43 IN CONVERSATION Ashley Kistler talks to Siemon Allen 44-55 STAMPS 56-69 NEWSPAPERS 70-72 WEAVES 73-79 THE WEAVE OF MEMORY Siemon Allen’s Screen in postapartheid South Africa Andrés Mario Zervigón 82 BIOGRAPY 82 BIBLIOGRAPHY 83 COLOPHON 8 9 FULL CIRCLE Introduction and Acknowledgments Ashley Kistler Filling all three floors of the Anderson Gallery, this survey offers the most comprehensive presentation to date of Siemon Allen’s collection projects, collectively titled Imaging South Africa.