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Home , Clive Owen, Dave Bautista, Die Hard (film series), Elizabeth Debicki, Imogen Poots, James Purefoy

THE FYZZ FACILITY and SIGNATURE FILMS present FINAL SCORE DIRECTED BY SCOTT MANN BY JONATHAN FRANK, DAVID T. LYNCH and KEITH LYNCH

STARRING

DAVE BAUTISTA

PIERCE BROSNAN

RAY STEVENSON

JULIAN CHEUNG

LARA PEAKE

ALEXANDRA DINU

and

RALPH BROWN

RUNNING TIME: 103 minutes

PUBLICITY CONTACT TO BE ADDED

SHORT SYNOPSIS

Believing his traitorous brother Dimitri () is somewhere in the stadium, Arkady (Ray Stevenson), the former leader of a revolution in the Russian state of Sukovia, locks down the Boleyn Ground during the European semi-final between West Ham United and Dynamo FCC. In the crowd with his niece, Danni (Lara Peake), is US- veteran Mike Knox (), who stumbles upon the plot and goes about taking out Arkady’s heavily armed team. Can he get to Arkady before Arkady gets to Dimitri? The fate of 35,000 people inside the stadium – and many more in Russia – depends on it…

LONG SYNOPSIS

News footage of the Russian state of Sukovia shows that a revolution led by the Belov brothers – politician Dimitri (Lee Rogers) and brutal general Arkady (Ray Stevenson) – crumbles after Dimitri is killed in a Russian airstrike and Arkady is captured.

Seventeen years later, Mike Knox (Dave Bautista) arrives in , visiting Rachel (Lucy Gaskell) and Danni (Lara Peake), the wife and teenage of daughter of his best friend and fellow US soldier, who died in action whilst serving in his unit.

That night, ‘Uncle Mike’ takes Danni to see West Ham United play Russian powerhouses Dynamo FCC in the semi-final of . When Knox leaves his seat to fetch a couple of hotdogs, Danni sneaks off to sit with Brandon (Rian Gordon), who’s been texting her. It is not a good time to be separated from her man-mountain of an uncle, for Arkady, now released, and 13 of his goons have plotted their way into the stadium armed with semi- automatic weapons and enough C-4 to…well, blow up a football ground.

As the match kicks off, Arkady and his highly trained team enter the communications’ centre and execute several people. They lock down the stadium and cut off all contact, including mobile phone signals, before running facial recognition software over the 35,000 crowd. Arkady believes Dimitri is not only alive but somewhere inside the ground.

Returning to his seat to find Danni gone, Knox convinces a steward, Faisal (Amit Shah), to take him to the control room. En route they encounter not the usual security guard but a bulky Russian wearing a rogue pass around his tree-trunk neck. A crunching fight ensues, with Knox disarming his opponent and shooting him in the head. Knox and Faisal stash the corpse in a VIP toilet and discover that his bag is full of explosives.

Radioing out, Knox alerts Chief Commander Daniel Steed (Ralph Brown), who contacts the control room but is told by the only living policeman, held at gunpoint, that all is fine. Knox is on his own, but is at least now armed with a radio, a security pass and a gun.

Tracking the radio in Knox’s possession, Arkady sends men to investigate, leading to an almighty kitchen-set scrap involving guns, knives, pans, utensils and a deep-fat fryer. Knox emerges battered but victorious, and throws a body off the roof of the stadium into the street. “You have my attention,” says Commander Steed on the radio, and summons the SAS.

But Arkady is himself about to make an attention-grab, bursting into the media room and forcing a TV presenter to report the situation live on air. If the UK government doesn’t hand over Dimitri, the stadium will blow when the match reaches the 90-minute mark.

Faisal finds Danni and agrees to meet Knox on the roof with her, for Knox, informed of Dimitri’s seat number, must collect him. But not before he finds himself involved in a motorbike chase through the interior corridors of the stadium and across the roof.

Grabbing Dimitri (Pierce Brosnan), who’s undergone plastic surgery to aid his fake- death, Knox fights his way back to the roof, where a chopper awaits. But not, alas, Danni, who’s been captured.

As the pulsating match continues, a rooftop switch is arranged, Dimitri for Danni. But Knox makes the long walk in Dimitri’s place, disguised by the glare of floodlights. A gunfight ensues. Knox makes a death-defying escape by swinging off the roof on a banner, but Dimitri and Danni are captured. Arkady insists that Dimitri should broadcast to the people of Sukovia, certain that his resurrection will re-ignite the revolution. Instead Dimitri puts a bullet in his own head.

Meanwhile, Faisal pretends to have a bomb, to ensure a swift evacuation of the stand that is wired with C-4. Arkady appears on the big screen inside the stadium, dictating his manifesto, and the stand blows.

In the wreckage, Knox finds Danni but Arkady appears out of the smoke to grab her. She manages to break free with a well-timed headbutt, and Knox shots Arkady dead.

In amongst the crowd who have gathered outside, Rachel waits anxiously to see her daughter. As the fans flee the stadium, Rachel pushes her way through, finding Danni and Knox in amongst the smouldering chaos, and embrace. Danni sobs as she holds onto those dearest to her, and they slowly make there way outside of Boleyn Ground.

//ABOUT THE PRODUCTION// An independently funded British action movie with the production value and spectacle to rival Hollywood’s behemoths, Final Score was the brainchild of producer Marc Goldberg, who, in late-2015, spied a unique opportunity.

“I’d made a few British movies and have a distribution company and my business partner is David Sullivan, who owns West Ham [United Football Club],” he explains. “During the final season at Upton Park [West Ham’s home since 1904 – for the 2016-17 season, they moved to the Olympic Stadium in Stratford], I asked him ‘What’s happening to the stadium once you leave?’ and he mentioned it was being reconfigured to be apartments. So I got in touch with Barratt Homes, the property company who had bought the land, to see if there was a way to use the stadium before they knocked it down.”

At this point, there was not even an idea for a story, just the sure knowledge that to be allowed access to such an arena – and to be allowed to blow parts of it up – was a once- in-a-lifetime opportunity. “We had to start somewhere, and we felt that making a movie about sport or a movie about West Ham would not be widely appealing,” continues Goldberg. “So we thought, ‘How about making an action movie?’ We started with ‘ in a football stadium’. That was the nuts and bolts of the idea. I then got in touch with the guys at The Fyzz Facility, who obviously have been involved in the making and financing of lots of films [Silence, Wind River and 47 Meters Down are just three recent examples], and they came on board to produce it with me.”

“Marc text me as I was getting on a plane to LA,” says Wayne Marc Godfrey, CEO, co- founder and co-owner of The Fyzz Facility. "So we had dinner in LA the next night. He said, ‘We’re all Brits and we all know about football and that West Ham are leaving Upton Park; I can get the stadium for four to six weeks after the end of the season. Let’s make a movie there.’ I was like, ‘You are absolutely nuts! But we are in.’ The concept was ‘Die Hard in a football stadium’ – we’d figure the rest out later. It felt like an amazing challenge as this was November [2015] and we were talking about shooting the next May. We had no script, no writer, no director, no cast, and no money! But we had this unique opportunity.”

//ACTION STATIONS// Given the movie had to shoot in the summer of 2016, between the football season ending in May and Barratt Homes beginning the demolition of the stadium in September, Goldberg and Fyzz were able to map out a clear timeline as to what needed to be done by when. A brief was sent out to writers, attracting a flood of submissions that ranged from single-paragraph treatments to, as Godfrey puts it, “10-page epics”, and from these a shortlist of 10 was drawn up – it was like Pop Idol for film. Each participant was paid to develop their ideas over the next few days. This, in turn, resulted in a hot list of three, with the Lynch Brothers (David T. and Keith) winning out after various rounds of meetings and interviews. They were commissioned to write and deliver script by January 3.

“It was good; a great start,” says Godfrey, who pocketed the manuscript and flew to LA with Goldberg and fellow producer Robert Jones for a week of meetings. “People were very accepting that this was a unique project and the location was a one-off,” says Goldberg, while Godfrey notes, “Out of 10 meetings, we got nine offers.”

It was also during that week in LA that the producers netted their director, Scott Mann. “I had previously worked with Scott on a film called Heist, and he did a great job on it,” says Godfrey. “He was in LA at the time, so we had him read it and met him for breakfast that same week. He got engaged immediately. He had ideas on the story and script and wanted to put some of his magic into it. We all saw eye to eye and we had a director.”

Goldberg nods. “He was first choice. Heist wasn’t a wide theatrical film but seeing what he was able to achieve on a relatively low budget and a short amount of days, and the type of talent he was able to work with on that film… We needed someone who got action and could work in a relatively unconventional way, and we met and instantly got on. He loved the project and came on and, to his credit, he and his writing team made some changes to the script and it worked.”

“The script had me intrigued,” says Mann. “I read it and it was really good – far beyond my expectations [given the rushed time schedule]. Working closely with the producers, we went hell for leather to get it ready to go out to actors.”

//MEN OF ACTION// While the concept and the promise of unprecedented access to a major sporting arena had been enough to excite financiers in the LA meetings and to ensure a raft of distribution deals were secured at the in May, it was essential that Scott and his producers find the right actors for the key roles.

Pierce Brosnan was the first to sign on as Dimitri, the Russian who, along with his brother Arkady (Ray Stevenson), once lead a revolution to overthrow the government. Long thought dead, it is Dimitri’s presence in the football stadium during the semi-final of the European Cup that has triggered Arkady’s terrorist plot.

“I’d done The Foreigner with Wayne [Marc Godfrey] and we’d become ,” says Brosnan. “He sent me the script. I thought it was rather fascinating that they’d wrapped the whole story around the football stadium. I said, ‘Sure, let me see if I can fit in a week. I’ here in Texas shooting [TV series] The Son. And it just worked out. It was a lovely job to do. Playing a Russian felt like a bit of a hoot.”

Not that it was all fun and games for Brosnan. A committed professional, he was not about to cut any corners or be content with offering a cardboard cut-out characterisation. “You respect the material,” he insists. “You don’t walk through it. I gave it my full attention. I got my dialect coach, Brendan Gunn, who’ve I worked with many times now, and we talked about the Russian accent and I worked on the Russian accent, and you try to make it as believable as possible within the proscenium arch of the film.”

Casting an international star who had four times played was a smart move. But equally smart was securing the man-mountain ex-WWE wrestler Dave Bautista – at the time best-known for playing Drax in the movies and henchman Hinx in Bond film, Spectre – as the lead.

“I cast Dave in Heist and he surprised me by how good he was and how seriously he took the work,” says Mann. “Wrestling had instilled a sense of discipline [in him], and it is also about performance. So I had a lot of faith in Dave. But we originally talked about him playing Arkady because the lead was, at that time, a Brit. But Dave wanted to play Knox. I talked to the writers about changing the dynamic, making it an American at a ‘soccer’ match, and what you could do with that. The process was so alive.”

“I was looking for more leading roles,” says Bautista. “It’s easy for me to step into the role of villain, I wanted to play the hero for a change so people could see me in a different light; I’m still trying to prove myself as an actor.”

Neither Mann nor the producers were against the idea. Noting that Bautista is, in real life, a joyful, hugely likeable guy with a big personality, they saw an opportunity to show a different side of him on screen.

“We all worked very closely on the character of Michael Knox,” says Bautista. “We had to alter a lot. We had to make him American because me trying to pull off a Brit accent or any knowledge of football would just be insulting to our audience! And I didn’t want to make Mike a generic character, like the cold-blooded assassin, ex-Navy Seal type guy that we’ve seen a million times before. I wanted people to care about these characters.”

“When we cast Dave he was one of the Guardians but 2049 was yet to come out, Guardians 2 was yet to come out… he was still a bit of an unknown quantity,” notes Goldberg. “But he really delivered and we feel it couldn’t have been anyone else playing that character.”

Brosnan, who knows a star performance when he sees one, was certainly impressed: “He’s passionate, he’s got the commitment, he’s got the strength physically and emotionally, and he wants it,” he says. “I wish him every success. He’s a good bloke. A top man.”

//STADIUM ROCKED// As the 90-minute match ticks away, Knox finds himself sneaking and hurtling through every inch of the stadium, from its terraces to its warren of corridors and control rooms to its corrugated roof, as he seeks to locate his niece, Danni (Lara Peake), and take out Arkady’s band of terrorists. The action is literally explosive, and Mann points out that every buck of the budget is there for wide-eyed viewers to enjoy.

“When you go location, location, location, a lot of money and time is wasted,” he explains. “Here we can really put it on the screen. I moved into the stadium, as did a majority of the principal crew. We converted the boxes in the West Stand into little rooms to sleep in rather than drive out to a hotel in London. It was largely night shoots and then the DP [Emil Topuzov] and me would sit outside our rooms as the sun came up, with Bulgarian wine and bits of cheese. We’d watch the sun rise over the pitch and we’d reflect on the shoot – what we’d got and what we needed the next day.”

“Barratt Homes was incredibly supportive and actually gave us more time,” says Godfrey. “Ninety-five per cent of the film was shot in the stadium. We had it for about six weeks and actually went back there for some pick-ups later on. Amazingly, we were allowed to really take control of the stadium and destroy parts of it. Obviously we were health and safety conscious, but we did things that were extremely exciting. That was all Marc Goldberg – his relationship with West Ham, David Sullivan and Barratt Homes.”

“I’m a firm believer in doing things for real, wherever possible,” states Mann. “It informs performances. Before we moved into the stadium, we were walking around, working things out. We went on the rooftop and said, ‘How awesome would it be to do a bike chase here?!’ We did a lot of safety precautions but there is no getting around the fact you have a crew on a tin roof and you’re shooting action. It was exciting! And Dave did a lot of his own stunts. He’s a physical guy, obviously. What’s the point of having a real environment and not getting the real actor in there? So we had him jumping over these beams that were really high up; that was really cool.”

“Everything happened for real,” confirms Goldberg. “We exploded the stadium. We had to send letters out to all the local areas to explain what was going on. The bike scene was heart-in-mouth, watching that happen, but it did happen and delivered as a scene. There are things there that you’ve never seen on screen before. The truly heart-stopping, vertiginous stunt where Dave holds the banner and swings? That happened totally for real. There are no VFX elements there. The stunt guys were amazing.”

Bautista laughs. “If there’s a big stunt, I’m not qualified to do it, and I’m not an A-type personality where I need to do it for the adrenaline and excitement. I have a really qualified stunt double who I’ve worked with 10-plus films together, and I’m more than happy for him to do it because he knows what he’s doing and he’s going to make me look great! But my fight scenes I do myself. I don’t like when the camera has to cheat angles, and I’m more than qualified to do that stuff. I’ve been doing martial arts for years and years now.”

As for Brosnan, he found the shoot both moving and majestic. “There was something rather glorious about it and something rather sad about it too – that this mighty arena was about to be demolished. It was a wonderful tribute to the stadium, I think. If you’re gonna go out, it’s not a bad way to go out.”

//BACK TO BASICS// While ‘Die Hard in a football stadium’ makes for a catchy pitch, it also captures exactly what Final Score set out to do: deliver a throwback action movie that recalls the genre’s halcyon days of the and ‘90s, when the likes of and Nicolas Cage kicked ass and had fun doing it. Nowadays, action movies are dominated by superheroes overcoming inter-planetary threats. Final Score puts an ordinary (if highly skilled) guy in an extraordinary but believable position.

“It makes you think, ‘What would I do if I was in that position?’ rather than it being a global zombie outbreak or -type movie,” says Goldberg. “Don’t get me wrong – those films are spectacle and people want to be entertained. But what I like about Final Score is that there aren’t movies like this. It happened more so in the ‘90s and early where you used to get real action heroes. There’s a gap in the market.”

It’s a sentiment echoed by Godfrey, who says, “Final Score is great fun and doesn’t take itself too seriously; there is definitely a world for action films that are set a bit more in reality” and by Mann: “I much prefer the kinds of movies that I grew up with, where you have a more relatable threat and it’s a more personal film,” he says. “I was really interested to do a British action movie, and not a low-rent one but a real one. Making the lead American just allowed us to explore the British sensibilities even more as you’ve got someone who can observe and reflect against them. You can have fun with those things.”

Bautista, who’s just finished shooting the biggest action movie ever made, as Drax and the Guardians team up with the Avengers and more in Infinity War, has no doubt that the market is hungry for movies like Final Score. “When I’m changing the channel and I see Die Hard is on, I stop and I watch it,” he says. “It’s fun and exciting and I feel connected to it. I really hope people get the same sense of feeling from this film. I’m sure they’ll have a great time watching it.”

//BIOGRAPHIES//

DAVE BAUTISTA - KNOX

Dave Bautista starred as ‘Drax the Destroyer’ in the Marvel feature Guardians of the Galaxy appearing opposite , , Bradly Cooper and Zoe Saldana. The film follows an unlikely cast of characters including an American pilot and a group of futuristic ex-cons going on the run with a highly coveted object and must join forces to defeat a cosmic force of epic proportions. Guardians of the Galaxy 2 premiered May 5th 2017 adding Kurt Russell and to the cast and recently crossed 863 million dollars at the box office. The Guardians have joined the cast of the Avengers, just wrapping Marvel’s Avengers: Infinity War out May 2019, and recently wrapped fourth installation of the Avengers franchise.

In Spring 2018, Dave will star in the Fox comedy Stuber directed by Michael Dowse about a determined detective who commanders a unsuspecting Uber driver named Stu, into and evening of hijinks and mayhem. He has also partnered with STX to develop an action comedy franchise that he will star in and produce.

He recently wrapped two independent films; crime thriller Hotel Artemis shooting opposite writer and directed by , and the Escape Plan 2 with Sly Stallone.

Dave was seen at the 2017 Sundance Film in the independent film Bushwick starring opposite Brittney Snow. The film centres on a war veteran and a young girl who must cross a treacherous five blocks in Brooklyn to escape an invading military force. He was also seen in Warner Brother’s , the sequel to the 1982 film. Starring opposite , Ryan Gosling and Robin Wright.

In November 2015, Bautista was seen in the Sony feature Spectre the 24th instalment of the James Bond series. Starring opposite , and Lea Seydoux, Bautista played ‘Hinx’, a fast-driving, battle-hardened hit man for the secretive terrorist cartel SPECTRE. He was also seen in action film Heist starring opposite Robert DeNiro and Jeffery Dean Morgan.

A former professional wrestler and mixed martial artist Bautista is best known for his time in World Wrestling Entertainment (WWE), where he was a six-time world champion and an international spokesman for the organization. David retired from the WWE to focus on his acting career in mid-2010.

Past film credits include ’s Warrior Gate, Universal’s Riddick and The Man with the Iron Fists. Past TV credits include Chuck, Headcase, and .

PIERCE BROSNAN - DIMITRI Pierce Brosnan is a legendary Irish-American actor, film producer, environmentalist, philanthropist, artist and two-time Golden Globe Award nominee known for his rich and extensive career in front of the camera and behind-the-scenes as a producer.

2017 was a busy year for Brosnan. In April, Brosnan starred in AMC’s dramatic new series The Son, based on the Philipp Meyer novel of the same name about the rise and fall of a Texas oil family. Brosnan is currently filming Season Two in Austin, Texas.

Last fall, Brosnan wrapped Mamma Mia! Here We Go Again, the sequel to the blockbuster film Mamma Mia!. Brosnan also starred with in the action thriller The Foreigner for director . The film is based on the book The Chinaman by Stephen Leather.

In August, Brosnan starred alongside and in Marc Webb’s The Only Living Boy in New York.

Upcoming projects include Spinning Man with and , and an adaptation of ’s acclaimed novel Across the River and into the Trees for director Martin Campbell.

In 2016, Brosnan co-produced and starred in the thriller I.T., directed by . Prior to that, Brosnan co-starred in the thrillers No Escape alongside and Lake Bell and Survivor with for director James McTeigue. He also produced and starred in the espionage thriller , directed by , which premiered at the Deauville Film Festival and was based on a series of books by Bill Granger.

Brosnan also co-starred in A Long Way Down with , and , which premiered at the Film Festival; in Love Punch with Emma Thompson, which premiered at the Toronto Film Festival; and in for Academy Award winning Danish director . The film premiered to critical acclaim at the Venice Film Festival and the Toronto International Film Festival. Brosnan also appeared in a surprise cameo in The World’s End with Simon Pegg and .

Brosnan’s film credits include I Don’t Know How She Does It (2011) alongside and ; Salvation Boulevard (2011) with Greg Kinnear, and ; Percy Jackson & The Olympians: The Lightning Thief (2010) based upon the best-selling novel by Richard Riordan; ’s critically acclaimed film Writer (2010) with Ewan McGregor which premiered at the Berlin Film Festival and for which Brosnan received the award for Best Actor in a Supporting Role in a Feature Film from the Irish Film and Television Awards; Remember Me (2010) with Robert Pattinson; The Greatest (2010) with Susan Sarandon and Carey Mulligan which premiered to rave reviews at the Sundance Film Festival; the worldwide blockbuster film adaptation of the Broadway hit Mamma Mia! (2008) opposite ; Married Life (2007) in which he starred with Rachel McAdams, and for director Ira Sachs; the Civil War drama (2007) in which he starred opposite ; The Matador (2005) for which he received a Golden Globe Award nomination for Best Performance by an Actor in a Motion Picture and a nomination for Best Actor in a Lead Role from the Irish Film & Television Academy; John Boorman’s critically acclaimed film from the novel by John LeCarre, The Tailor of Panama (2001); Sir ’s (1999), Dante’s Peak (1997); Mars Attacks (1996); (1996) alongside Barbra Streisand; Mrs. Doubtfire (1993) with ; The Lawnmower Man (1992) and Bruce Beresford’s Mr. Johnson (1990).

In the , Brosnan reinvigorated the popularity of the Bond franchise in box-office blockbusters including Goldeneye (1995), (1997), (1999) and (2002). Brosnan’s first three Bond films earned over a billion dollars at the international box-office and Die Another Day alone garnered nearly half a billion dollars worldwide.

In addition to his work in front of the camera, Brosnan has long had a passion for the art of filmmaking. Having achieved international stardom as an actor, Brosnan expanded the range of his film work by launching his own production company, Irish DreamTime, in 1996, along with producing partner Beau St. Clair.

Irish DreamTime has produced 11 films to date including I.T. (2016); The November Man (2014); Some Kind of Beautiful (2014); The Greatest (2010); Shattered (2007); The Matador (2005); Laws of Attraction (2004); Evelyn (2002); The Thomas Crown (1998); The Match (1999); and The Nephew (1998). The company’s first studio project, The Thomas Crown Affair, was a critical and box-office success and one of the best-loved romantic thrillers in years. Evelyn, directed by Bruce Beresford, opened to critical acclaim at the Toronto and Chicago Film Festivals and garnered rave reviews. In November 2016, the European Film Academy presented Brosnan with the honorary award, European Achievement in World Cinema. Some of Brosnan’s other accolades include the 2015 Forces for Nature Award bestowed by the Natural Resources Defense Council, the 2011 Caritas Award from St. John’s Health Center Foundation for Brosnan’s extensive community service, and the 2007 Golden Kamera Award for his environmental work. In 2003, Brosnan was awarded an Honorary Doctorate of Arts from the Institute of Technology, an Honorary Doctorate from the , and an Order of the British Empire bestowed by Her Majesty Queen Elizabeth. For over two decades, Brosnan has been an ambassador for HRH Prince Charles The Prince’s Trust as well as an Ambassador for UNICEF Ireland. Brosnan also serves as Campaign Chairman for the Entertainment Industry Foundation.

In addition to his stellar film career, Brosnan along with his wife Keely Shaye, have been drawn into a passionate leadership role in numerous environmental issues. Most recently, the two worked together on the documentary film Poisoning Paradise which they co-produced. The film takes audiences on a journey to the seemingly idyllic world of Native Hawaiians, whose communities are surrounded by experimental sites for genetically engineered seed corn and pesticides. To date, Poisoning Paradise has screened at 17 prestigious film festivals across the and abroad, including London, Bologna, , San Diego, Mendocino, Napa Valley, Maui, St. Louis and Savannah, Georgia. The film has won seven awards (many for Best Documentary) along the way and has just been accepted into the 2018 International Film Festival, the Sedona Film Festival in Arizona, the Beaufort International Film Festival in South Carolina, the American Documentary Film Festival and Film Fund in Palm Springs, CA, the Manchester Film Festival in , and the London International Filmmaker Festival in London.

Exhibiting another side of his artistic talent, Brosnan is an avid painter. The actor, who went to art school and trained as a commercial artist, has painted numerous landscapes as well as colorful portraits of friends and family. Brosnan cites Picasso, Matisse, Bonnard and Kandinsky as influences on his work. An exhibition of his paintings is in the works for 2018. Brosnan was born in , Ireland and moved to London at age 11. At 20, he enrolled in The Oval House and continued his studies at The Drama Center in London. After graduation, Brosnan performed in several West End stage productions including ’s Fulimena and ’ The Red Devil Battery Sign at the York Theater Royal. Brosnan relocated to Los Angeles in 1982 and immediately landed the role of private investigator on the popular NBC television series of the same name.

RAY STEVENSON - ARKADY

Ray Stevenson is a Northern Irish-born English actor who graduated from the Theatre School

Stevenson began acting in his mid-twenties, working with the likes of , , , Catherine Zeta-Jones and Steven Mackintosh. He worked in various productions for television and film during his early career, finding fame and acclaim with HBO’s Rome – a television miniseries – where he played Titus Pullo alongside Kevin McKidd, and Polly Walker.

A year after completing his work on Rome, he was cast as Frank Castle – AKA The Punisher – in Punisher: War Zone. Afterwards, he worked regularly in big productions, starring in films and television programmes such as The Book of Eli, The Other Guys, and Dexter.

He is a regular of the Marvel Cinematic Universe, playing Volstagg in the films with Chris Hemsworth, , and . Stevenson also stars in the Divergent franchise as Marcus, appearing in Divergent, Insurgent and Allegiant.

Recently, Stevenson has been seen in Black Sails as the infamous Blackbeard, along with the BBC series, Rellik. His latest film, Accident Man, is due out in 2018.

JULIEN CHEUNG – AGENT CHO

Julian Cheung lives in where he works as an actor and singer, he is also well- known throughout the South-east Asia and mainland . He hit instant fame in 1991 with the release of his first duet single “Modern Love Story” and received the Best Newcoming Singer Bronze Award at TVB Jade Solid Gold Award for his debut album. Cheung has won multiple awards for starring in the TV series II, including TVB Awards Presentation for ‘My Favourite Male Character’.

Cheung will next be seen in the action crime film The Leaker, starring alongside and . Directed by Herman Yau (: The Final Fight, Sara), the film will be an action-packed crime thriller about two cops along with a reporter with confidential information are entangled in a crime case and find themselves in a desperate chase with the gangster. L Storm, the third installment of Z Storm directed by David Lam, is another film starring Cheung alongside Louis Koo, , and Stephy Tang.

Cheung is currently shooting a Hong Kong-China co-production TV drama series directed by Paul Hung, starring alongside Fiona Sit and Sunny Wang. The action crime series is about two narco-cops being caught in a conspiracy that gradually parted the pair. The production shall end in early February 2018.

Cheung’s performance in 2013 TV series Triumph In The Skies II took his popularity to a new height and earned him multiple TV awards, adding to his already impressive collection from (2011), Point Of No Return (2004), and Return Of The Cuckoo (2000).

ALEXANDRA DINU – TATIANA

Alexandra Dinu is a seasoned actress famous for film and television in Italy and Romania.

Her first starring role in film was in 1997, and hosted Romanian television shows starting in 1999. Following this, she continued her rise to fame starring in films, meanwhile playing leading roles in Italian television programs such as The Island, Capri, Red Valentine, Marry Me and more.

Alexandra has since expanded into international films for Hollywood studios starring alongside Pierce Brosnan, Nicolas Cage, , , Adrien Brody and Dave Bautista.

LARA PEAKE – DANNI

Lara is a very exciting 18 year-old who hails from Nottingham. At 15 she was cast opposite George MacKay in Duane Hopkins' independent feature Bypass which earned her a spot on the 2015 long list for the BIFA Most Promising Newcomer. Following this film, Lara was then cast in a lead role in the coming of age feature Spaceship, the directorial debut from British director Alex Taylor.

She has gone on to star opposite Elle Fanning and in the indie feature How to Talk to Girls At Parties, followed by a role in Jo Brand's new comedy vehicle Damned on and an appearance on BBC's The Tracey Ullman Show. Most recently, Lara starred as one of the leads in Channel 4 series Born To Kill alongside Daniel Mays and .

AMIT SHAH – Faisal

Amit Shah is an English actor, last seen playing Dr. Khan opposite and Andrew Garfield in feature film Breathe directed by . Amit also recently filmed the role of Samir in Johnny English 3 alongside Emma Thompson.

Last year Amit was seen playing regular roles in channel 4's hit series Crashing, penned by Phoebe Waller-Bridge, BBC dark comedy, Stag and playing Marcus in brand new BBC comedy The Other One. Amit played the role of Mansur in DreamWorks' The Hundred Foot Journey, produced by and Oprah Winfrey.

Amit will soon be seen playing the lead role in short comedy film The Orgy alongside Alexandra Roach and Dustin Demri-Burns, created by Sam Baron.

MARC GOLDBERG - Producer

Marc started working straight out of school and has worked in sales within the home entertainment business since 2000, founding Signature in 2011. Marc is involved in all areas of the business but is mainly working on acquiring and producing new titles and endlessly trying to come up with the next best way to do something different.

Marc has acted as an executive producer on a number of films, including the second and third installment of successful British franchise, Rise Of The Footsoldier, action film First Kill with Bruce Willis, and The Hatton Garden Job.

When not working (which is not often) Marc is found at home in Los Angeles with his 3 kids, playing football / watching his beloved West Ham United, or on a plane!

WAYNE MARC GODFREY - Producer

Wayne Marc Godfrey is a prolific film producer and film financier with more than 200 films produced over the last seven years. Co-owner and managing director of The Fyzz Facility, his projects include ’s Silence starring Liam Neeson, the Cannes Un Certain Regard director prize winning Wind River starring Jeremy Renner and Elizabeth Olsen and directed by Taylor Sheridan, Rob Reiner’s Shock and Awe starring and , and Stephen Fingleton’s BAFTA nominated The Survivalist.

Godfrey also produced Martin Campbell’s The Foreigner starring Jackie Chan and Pierce Brosnan which is due out this October, is in post-production on the sequel to the chilling The Strangers starring Christina Hendricks, and on Three Seconds starring , Joel Kinnaman, Common and Clive Owen.

ROBERT JONES - Producer

With a career spanning over three decades, Robert Jones’ production credits include Academy Award Winners The Usual Suspects, , The Constant Gardener and the acclaimed Channel 4/Sundance Channel TV series “Babylon,” which he also co- created.

As co-founder and owner of The Fyzz Facility, a prolific financing and production outfit that has invested over $280m into 210+ feature films, Jones’ credits include Martin Scorsese’s Silence, the BAFTA nominated The Survivalist from Stephen Fingleton and the Cannes Un Certain Regard director prize winning Wind River from Taylor Sheridan.

Jones is currently in post-production on a sequel to the international horror hit The Strangers starring Christina Hendricks, and on Three Seconds starring Rosamund Pike, Joel Kinnaman, Common and Clive Owen. Jones is also developing a number of film and TV projects including The Girl on the Landing in partnership with Julian Fellowes.

MARK LANE – Producer

Mark Lane joined The Fyzz Facility in 2016 as a director of its production arm. He currently has a number of projects in development, and is presently in post-production on Andrea di Stefano’s Three Seconds starring Rosamund Pike, Joel Kinnaman, Common and Clive Owen.

Lane established himself in the independent feature film production industry as one half of the prolific producing partnership The Tea Shop & Film Company. Since 2012, he has produced nearly a dozen independent feature films alongside business partner James Harris. Lane’s credits include StudioCanal co-production Cockneys vs Zombies, Sitges Grand Prize winner Tower Block, Noel Clarke’s The Anomaly for , SXSW competition entry I Am Not a Serial Killer, and Dimension co-production 47 Meters Down.

Before producing, Lane worked in international film sales under Simon Crowe at SC Films International, where he represented international multi-territory sales on dozens of feature films over a six-year career.

JAMES HARRIS - Producer

James Harris is currently in post-production on Matthew Holness' darkly twisted debut feature Possum, and The Strangers: Prey At Night, helmed by Johannes Roberts and starring Christina Hendricks, Bailee Madison, and Martin Henderson. He became a director of The Fyzz Facility's production arm in 2016.

Previously, Harris made the leap to producing with prison thriller Screwed, starring Noel Clarke and James D’Arcy for Lionsgate. He was co-founder of The Tea Shop & Film Company with Mark Lane, with a slate which included Tower Block with Jack O’Connell (2012), Cockneys vs Zombies for Studio Canal (2012), The Anomaly for Universal (2014), Romans starring due for release later this year, Eliminators with WWE, and Johannes Roberts' underwater thriller 47 Meters Down.

Harris began his career as a Production Manager and Line Producer on films such as Beyond the Rave for Hammer, When Evil Calls for the Horror Channel and F for Gatlin Pictures.

EMIL TOPUZOV – Director of Photography

The Sofia, Bulgaria-based cinematographer Emil Topuzov has 40+ years of experience in the industry. After graduating from the Sofia Academy for Theatre and Film Arts he enrolled in the then state-owned Short Film Studio Vreme in Sofia and spent more than 10 years shooting many documentaries, music videos, commercials, and corporate films.

Since 1990, Emil worked as a free-lancer, behind the camera on many Bulgarian and International movies as operator, Second Unit DP and DP. Through TV and film work – working with the likes of , Ray Liotta, Jean-Claude Van Damme, James Spader, and Patrick Swayze – Emil banked a lot of experience, with a plethora of talent.

His breakthrough in feature film happened with the Bulgarian two-part period saga Dan Kolloff: Born To Win, which earned him the Best Cinematography award at the National Film Festival. In 2007, he collaborated with British Director Scott Mann, in the action film The Tournament. Having completed the US thriller Mara in 2016, which was also produced by Mann, for the Director Clive Tonge.

Emil’s recent work includes 3 episodes from the UK TV series The Aliens and 8 episodes from the 4th season of Plebs/Rise Films, among a couple of Bulgarian features.

ROBERT HALL - Editor

Rob began his film career as First Assistant Editor to editor Eddie Hamilton (Kick Ass, , Mission Impossible 5) and after working on four feature films (including the U.S. #1 Resident Evil: Apocalypse), and having edited short films, promos and music videos, Rob cut his first 35mm feature Shirgo in 2006, an intense Mexican drama. This was followed by Scott Mann's debut feature The Tournament, an explosive action film starring Robert Carlyle, Ving Rhames and Kelly Hu.

Other recent highlights include Red White & Blue, an award-winning revenge thriller; Devil’s Playground, winner of Best Film at the British Horror Awards 2010; the television dramas The Bible (History Channel) and A.D. The Bible Continues (NBC), both U.S. #1 shows. Rob also cut the offshoot feature film Son of God, hitting #2 at the U.S. box office.

TIM DESPIC – Composer

Tim Despic is a Los Angeles-based British film composer who specialises in traditional orchestrations fused with contemporary acoustic and electronic soundscapes.

In 2005 he scored his first feature The Best Man, along with fellow composer and collaborator James Edward Barker. He then composed the score for Ashley Judd's role as a manic-depressive in the Sundance selected, Helen. The score, described by Variety magazine as ‘moody and evocative’, also featured cello performed by the Grammy Award-winning David Darling.

Tim's television broadcast credits include HBO’s The Royals and The Office, NBC’s Winter Olympics campaign, the 2015 Superbowl halftime commercial spot for Redfin, ABC’s Switched At Birth, Mixology and Chasing Life, and ITV's feature length period drama The History of Mr. Polly, starring Lee Evans.

His most recent credits include 2015’s Lionsgate feature-length thriller Heist (directed by Scott Mann) starring , Kate Bosworth and Dave Baustista, Precious Cargo (directed by Max Adams) starring Bruce Willis, and Dead On Arrival – a 2017 remake of the 1949 classic suspense mystery. That film went on the be nominated for the 2017 ARPA International Film Festival for Best Screenplay, Best Director and Best Feature Film. Last year Tim scored the 2017 release, Rise Of The Footsoldier III.

JAMES EDWARD BAKER – Composer

James Edward Barker is an award-winning British composer and music producer. Much of his work uses layers of live sonic experimentation, and grandiose classical motifs with shape shifting cluster chords, and driving alternative percussion.

Although being self taught from a young age of 9, Barker was classically trained at Newcastle University in the UK, and is a relation of the prolific 1960s British film composer, Benjamin Frankel (Night Of The Iguana, Battle Of The Bulge). James has scored over 30 feature films and recorded his scores all over the world. His range stretches from the music designed cult horror film, The Human Centipede II, to the epic, sweeping score on David Attenborough’s, The Bachelor King; and from the thrilling, action-driven, Heist (starring Robert De Niro), to the beautiful melancholia (and award- winning score) on Andrew Haigh’s 2017 festival hit, Lean On Pete (starring Travis Fimmel, and Charlie Plummer).

His most recent work includes the cult British gangsta flick, Rise Of The Footsoldier III, and composing for US horror guru, Steven Schneider (Insidious, Paranormal Activity, The visit) on the US supernatural chiller, Mara, starring . James is represented in the U.S by Andrew Zack at The Gorfaine Schwartz Agency and by Chandler Poling at White Bear PR.

MATTHEW BUTTON – Production Designer

Matthew Button is a Production Designer for Film and Television and has been working in the industry since 1999. He studied for his Degree (Fine Art) at the University of the Arts, London. He has kept true to his making background and has a very ‘hands on’ approach to Production Design.

He has designed over forty-five productions, many of which have had extensive critical acclaim and great success on the Awards circuit. These include the BAFTA-nominated Our World War (for the BBC) and the BAFTA, Golden Globe and Oscar nominated Loving Vincent (Altitude Films). Matthew has been nominated for excellence in Production Design by both the Royal Television Society and Art Directors Guild of America.

COLIN JONES - Casting Director

Colin is a UK based casting director who has worked over 50 diverse films and television shows. He is also a member of the Casting Society of America.

Recent credits include Wim Wenders’ Submergence with James McAvoy and Alicia Vikander; Whit Stillman’s Love & Friendship with Kate Beckinsale and Chloë Sevigny; Hiromasa Yonebayashi’s Mary and the Witch’s Flower with and ; and last year’s US breakout box office hit 47 Meters Down.

Upcoming releases include Crispian Mills' Slaughterhouse Rulez with Simon Pegg, Nick Frost and for Sony; Andrea Di Stefano’s Three Seconds with Joel Kinnaman, Rosamund Pike, Clive Owen and Common; and Chanya Button’s Vita and Virginia with Gemma Arterton and Elizabeth Debicki.

Colin is currently working with Agnieszka Holland on her latest feature Gareth Jones.

BEN FROST – Locations Manager

The Essex-based Location Manger started his film career after some 15 years within the music industry. Touring in bands, running his own management company, record label and booking agencies helped to quickly pave the way on to the credits of many successful TV comedy and gangster movies. After just 6 years Ben now picks only the most interesting or challenging ventures to work on with his latest direction being on a number of up and coming TV and film action projects. His diverse range of experience has given him an extensive understanding of how to service and shoot to optimum success within any budget range.

Frost is no stranger to fast moving action; maneuvering large film units around London with multiple locations each day being firmly within his wheelhouse. Projects such as HBO’s Legends with and My Diner with Hervé starring Peter Dinklage and hosted over 30 locations per week. The BBC’s most ambitious TV series to date McMafia with and the Worlds Box Office No.1 movie staring and Samuel Jackson The Hitman’s Bodyguard both splitting with around 100 London based Locations.

Ben’s latest work wrapped up in January and was shoot by 3 times academy award winning cinematographer Robert Richardson. A feature film called A Private War starring Rosamund Pike and Stanley Tucci. Now complete, 2018 see's the start of many new and exciting projects for Ben with next few being within the family.

PETER PEDRERO – Stunt Coordinator

Peter is a Film and Television Stunt Coordinator who started in the film industry at the age of 16 as a supporting artiste. At the age of 24, after completing the stunt training qualifications, he was accepted on to the exclusive British Stunt Register.

Pete has worked his way up from Stunt Performer/Double to Assistant Stunt Coordinator, and then onto Stunt Coordinator and now 2nd Unit Action Director. His early projects included , The Mummy, 007: The World Is Not Enough where he worked on stunts and as a stunt performer. Since 1993 he was worked consistently, racking up over 260 film and television credits.

Peter has worked extensively in the UK and abroad; he has also ventured into the Bollywood film industry having action directed many Bollywood films here in the UK and in India.

Peter became Volvo Trucks’ Stunt Coordinator on all their major campaigns, with his most memorable stunt for Volvo – coordinating the epic piece in which Jean-Claude Van Damme performed the splits by standing on the wing mirrors in between two trucks while they were reversing down a runway, all in one take.

Peter still performs stunts for other stunt coordinators when not stunt coordinating or action directing, such as The Hitman’s Bodyguard, and Solo: A Story. He worked and performed in some of the biggest films of the last century, including The Avengers, Harry Potter and .

END ROLLER

FINAL SCORE

DIRECTED BY SCOTT MANN

DAVE BAUTISTA

RAY STEVENSON

ALEXANDRA DINU

LARA PEAKE

AMIT SHAH

WITH JULIAN CHEUNG

AND PIERCE BROSNAN

SCREENPLAY BY THE BROTHERS LYNCH JONATHAN FRANK

PRODUCED BY MARC GOLDBERG WAYNE MARC GODFREY ROBERT JONES

PRODUCED BY JAMES HARRIS MARK LANE

PRODUCED BY DAVE BAUTISTA JONATHAN MEISNER

EXECUTIVE PRODUCERS DAVID SULLIVAN ELIZABETH WILLIAMS ZACKARY ADLER

EXECUTIVE PRODUCERS WILLIAM V. BROMILEY NESS SABAN SHANAN BECKER

EXECUTIVE PRODUCERS JEFFREY GREENSTEIN JONATHAN YUNGER STEPHEN SHIU JR.

EXECUTIVE PRODUCERS MARK CANTON COURTNEY SOLOMON

EXECUTIVE PRODUCERS ARIANNE FRASER DELPHINE PERRIER HENRY WINTERSTERN

CO-PRODUCER BABAK EFTEKHARI

LINE PRODUCER MICHAEL S. CONSTABLE

DIRECTOR OF PHOTOGRAPHY EMIL TOPUZOV

EDITOR ROB HALL

PRODUCTION DESIGNER MATTHEW BUTTON

ORIGINAL SCORE COMPOSED & PRODUCED

BY

JAMES EDWARD BARKER & TIM DESPIC

COSTUME DESIGNER LIZA BRACEY

MAKE UP DESIGNER JEMMA HARWOOD

CASTING BY COLIN JONES

EXECUTIVE PRODUCER DUNCAN McWILLIAM

VFX SUPERVISOR MARCIN KOLENDO

VFX PRODUCER GERAINT HIXSON

Production Manager FILIZ-THERES EREL

First Assistant Director JAMIE MACDERMOTT

Second Assistant Director TOM ALLAN

Location Manager BEN FROST

Post Production Supervisor DAN BENTHAM

Production Accountant ANDREW HILL

Cast Vlad MARTYN FORD Emil GORDON ALEXANDER Tatiana ALEXANDRA DINU Anton PETER PEDRERO Pavel NICK ROWNTREE Arkady RAY STEVENSON Knox DAVE BAUTISTA Danni LARA PEAKE Rachel LUCY GASKELL Dimitri PIERCE BROSNAN Young Dimitri LEE ROGERS CRAIG CONWAY Brandon RIAN GORDON Chief Const. Thompson BILL FELLOWS Matthew Lorenzo HIMSELF TV Pundits TONY COTTEE RUFUS BREVETT Football Commentators JONATHAN PEARCE JOHN ANDERSON Selfie Girl VICTORIA BROOM Selfie Girl's Friend REENA LALBIHARI Faisal AMIT SHAH Old Lady ANN QUEENSBERRY Andrei LEE CHARLES Steed RALPH BROWN Mrs Steed CAMILLA POWERS Milson NATHALIE ARMIN Uniformed Officer ANTHONY COX Agent Cho JULIAN CHEUNG Additional Voice Work BRUCE LOCKE ROB HALL Police Officer DENIS KOROSHKO Captain Reynolds AARON McCUSKER SAS Second LEEMORE MARRET JR Oleg CHRIS WEBB Paramedics ELLIE ROGERS BRIAN JENKINS Passerby LANCE VERNON Fan GEORGE ALLEN Burly Fan JAMIE MACDERMOTT

Stunts Stunt Coordinator PETER PEDRERO Chief Stunt Rigger DAVE JUDGE Stunt Performers GORDON ALEXANDER JUDE POYER CHRIS WEBB ADAM SMITH Knox Stunt Double ROB DE GROOT Dimitri Stand Ins DAVE GARRY DEAN TAYLOR Dimitri Stunt Double JOHN SHARPE Stunt Goons ANDRIUS DAVINDUS CRAIG MILLER DAN WHITBY JOE WATTS RENARS LATKOVSKIS Stunt Policemen DEAN WILLIAMS FREDDIE MASON JASON BEESTON PATRICK MEHAN THOMAS BILLINGS Faisal Stunt Double GARY GRUNDY Arkady Stunt Double JACK JAG Tatiana Stunt Double RUBIE PLANSON Head of Security GARY Elevator Guards LEE CHARLES ROCKY TAYLOR Bleeding Man PABLO CASILLAS QUAIN Steward RUSSELL MACLEOD Chapmans Bike Stunts ROB HERRING MICHAELA BARNS

A-Camera Operator / Steadicam Operator MIHALIS MARGARITIS A-Camera Focus Puller JASON WALKER A-Camera Clapper Loader KRISS CALLIMORE B-Camera Operator EMIL TOPUZOV B-Camera Focus Puller ANNA BENBOW B-Camera Clapper Loader THOMAS BARBER C-Camera Focus Puller MARY KYTE C-Camera Clapper Loader AMY WILSON Steadicam Operator (Daily) ANDREW FLETCHER A&B-Camera Trainee GEORGE PHULL C-Camera Trainee NICK POOLE Digital Imaging Technician HARRY BENNETT-SNEWIN Digital Imaging Technician (Daily) JAMES GRAY Video Playback Operator STEVE CASALI Video Playback Operator (Daily) JAMES EDGECOMB Video Operator Trainee IAN SCAFE Drone and Wire Cam System SKY POWER Drone and Wire Cam Operators PHIL HOSSACK NEIL WILLIS CHRIS WATKINS

Script Supervisor NAOMI MARVELLY

Production Sound Mixer ROB ENTWISTLE First Assistant Sound LLOYD DUDLEY ASHOKE GHOSH Second Assistant Sound NINA RICE Second Assistant Sound (Daily) DURAN DARKINS

Senior Art Director DANIELA FAGGIO Art Director LUKE GLENSDALE Standby Art Director PETER ARNOLD Storyboard Artist NEIL JENKINS Graphic Artist LEONIE TUCKER Set Decorator ABBY BOWERS Production Buyer GEORGIA CHARTER Petty Cash Buyer DAISY WORMELL Art Department Coordinator GRACE ROGERS Art Department Assistant SOPHIE CUNNIGHAM

Senior Prop Maker CARL WATERS Prop Maker SAM WENDLEKEN Prop Master GEORGE MIZEN Storeman JOHN BOYLAN Standby Prop CHARLOTTE COOKE Charge Hand Dressing Prop KEZ KEYTE Dressing Props MATT IRVING JC ALLEN MARTIN KANE Drapes HEATHER ADELEY Art Department Trainees GABRIELLA TIMANTI BROGAN WRIGHT ADRIAN MAKAREWICZ BETHAN WILLIAMS ED HUMPHREYS LUKE JONES

Costume Supervisor PHILIP O'CONNOR Costume Standby KATE LAVER JASON MARSHALL Costume Assistant HANNAH MUNNINGS Costume Dailies LUCY VISCOGLIOSI JENNA McGRANAGHAN SOPHIE EARNSHAW LIZZIE MOUL SASKIA HOMANN ASHLEY ANN ANDREWS EMMA LOUISE RYAN GRACE BROOKS SAM OSOKI JENNIFER JOHN

Make-up Supervisor BELLA CRUICKSHANK Make-up & Hair Artists HEATHER PITCHFORD KELLY ZAMPOGNA Make-up & Hair Artist Dailies NICOLA O'ROURKE SOPHIE BROWN ANNA CICHON LAURA SIDOUSKY

SFX Supervisor DANNY HARGREAVES SFX Production Manager HANNAH GOSNEY SFX Coordinator JADE POOLE SFX Dailies TOM VINCENT JACK TAYLOR STUART LOVELOCK RICHARD SHARPLES DAVE KNEATH

Prosthetics Supervisor DAN MARTIN Prosthetics Dailies ROZ GOMERSALL HERMES PITTAKOS

Gaffer RUBER CARDOL Best Boy / Rigging Gaffer PAUL BRENNAN Best Boy Rigging RICHARD MILES Electrician TIM WAGENAAR AIDAN BROOKS JOHN CRABTREE RICHARD MILLS DAMIAN COOPER Trainee Electrician CLEO VOGLER

Key Grip NEIL BLAKESLEY Best Boy Grip MARK JONES Grip Assistant ASH WHITFIELD Grip Trainees JACK JACKSON CHRIS COLE JACK PARRY ROMAN O'TOOLE Standby Carpenters TOM SYMES ADAM KARA

Construction Manager STEVE PATTERSON Construction HOD STEVE DORRIAN Construction Coordinator JOE HIGGINS Painter HOD ANTHONY ANDREWS

Action Vehicles ELSEN HASSANI

Standby Rigger JON QUILLIN

Rigging MAURYCY KOWALSKI ASHLEY CONNELL CHRIS MURRAY DANIEL SHANAHAN DANIEL MARCHANT PETE COLDWELL

Military Advisor JASON FOX

Chair Installation CALLUM MACDERMOTT JOAKIM BENUM ZOHEB RAHMAN ELLIOT WARREN OWEN BAKER HARRY JACKSON OLIVER GALE JAMES REYNOLDS JOSH VIZOR INDIA CHARTER RIAH OSBORNE

Armourers NOEL FRANCIS ALEX FRANCIS

Third Assistant Directors THOMAS DM BENTLEY PAUL HAYES OLIVER HILL Crowd Second Assistant Director NICK THOMAS-WEBSTER Crowd Assistant Director SHANE HART Runners NATALIE WRIGHT CELLA JESS LINK ANDREW RICHARDS NICK AGER SAMUEL FRENCH LUKE TOLEN BILLY MULLANEY NASER SADEDDIN

Assistant Location Manager PATRICK BROWN Unit Manager KEVIN WALSH West Ham Handy Man MARTIN PEPPERELL Location Assistants RIKI DIAL ISH FAUCHER

Unit Driver (Pierce Brosnan) MICHAEL SMITH Unit Driver (Dave Bautista) HUGH MANN Unit Drivers TOM DEWEI STEVE MACNAMARA SATYAN PATEL

Head of Security DEAN SKINNER Security LUKE KEELEY

Health & Safety Advisors MICK HURRELL CHRIS CULLUM ANDY WARD

Unit Medics JAN BROWN RACHEL McCLEAN JOHN CUNNINGHAM

Production Coordinator RACHEL BEACONSFIELD PRESS Crowd Coordinator OLIVE BOLAND Production Assistants JESSI HAWTHORN GIORGIA NEVIGATO Production Runner MIHALIS MONEMVASIOTIS

Director's Assistants OLIVER HILL GABRIELA WOLFMAN

Assistant Accountant MEHDI ABBASPOUR APATS Trainee LIZ TUCKER

Casting Assistant TOBY SPIGEL Assistant to Pierce Brosnan NICOLA CONLON

Dialogue Coach BRENDAN GUNN

Caterers SEASON 1 RICHARD JONES GUY BARRETT

Publicity UNTITLED COMMUNICATIONS Publicists LAURA PETTITT PIERS McCARTHY MEGAN DOBSON Stills Photographers KERRY BROWN GARETH GATRELL CLAIRE CURTIS EPK JONATHAN DUNN GENE LIMBRICK

Insurance MEDIA INSURANCE BROKERS JOHN O'SULLIVAN

Clearances THE CLEARANCE HOUSE RUTH HALLIDAY

Second Unit Second Unit Director MARK McQUEEN

Director of Photography DAN DE CASTRO Camera Trainees EVANGELOS POLYCHRONOPOULOS TAYLOR McCLAY Key Grip DAMIEN ROBERTS Grip FRIC LOPEZ Grip Trainee JOHN MORRIS Digital Imaging Technicians ANTHONY DIAS DEXTER KONG TOM ROGERS

Video Assistant Trainee CALLUM MACDERMOTT

Additional Camera Operator JAY KENNEDY Additional Camera Focus Pullers EMMA FRIEND NEIL FLAHERTY Additional Camera Clapper Loader THOMAS REID

Script Supervisor ANA GARRIDO

Production Sound Mixers JAMES ARNOLD DYLAN VOIGT First Assistant Sound BRADLEY KENDRICK

Standby Art Director NEIL JENKINS Standby Props DANIEL SUMNER JOSHUA NOON

Make-up Artist JESS HEATH

Gaffer PAUL STARKEY Electrician LIZ CALVERT

First Assistant Director TONI STAPLES Second Assistant Director BRASHNA AGHA Third Assistant Director ALEX MUCADUM Runner OSCAR RUSSEL

Additional Photography

Additional Photography Director LAWRENCE GOUGH

Director of Photography JOHN LEE

Digital Imaging Technician PHIL HUMPHRIES

Assistant Construction Manager STEVE DORRIAN Construction Coordinator JOE HIGGINS

Third Assistant Director JAMES KIPPING

Location Manager EDUARDO RODRIGALVAREZ

Location Scouts STEPHEN PARKER BILL HAYES

Costume Standby MIMI MILBURN-FOSTER

Production Coordinator CECILY BARBER

First Assistant Editors TOM SAINTY TOM PARSONS Second Assistant Editor AJAY BHADRESA Third Assistant Editor BIBI ROSE HALL Editorial Trainees PHIL BRERETON GEORGE BRERETON

Post Production Coordinator ROSANAGH GRIFFITHS

Post Production by CREATIVITY MEDIA Post Production Manager JENNIFER ERIKSSON Post Production Coordinator BIANCA DE LUCA

Colourist MAT TROUGHTON Online Editors COLIN J HUGHES JAMES HARDING VALENTINA RUTIGLIANO

Assistant Online Editors CARL TROEDSSON LAURA BARTON

Supervising Sound Editor RICHARD KONDAL Sound Designer ALEX OUTHWAITE Sound Effects Designer ALEX JOSEPH Sound Effects Editor KEITH TINMAN Dialogue & ADR Editor BAPTISTE WANEUKEM Dialogue Editor STELIOS KOUPETORIS Foley Editor / Recordist GWILYM PERRY Foley Artists PAULA BORAM RUTH SULLIVAN Assistant Sound Editor BEN DOUGLAS-ALMOND JUAN ALVAREZ FERNANDEZ

ADR Recordists NICK ROBERTS BAPTISTE WANEUKEM ADR Mixers SIMON DIGGINS NICK ROBERTS Crowd Mixer JAMIE RODEN

Re-Recording Mixer RICHARD KONDAL Mix Technician TOM MELLING Re-Recorded at CREATIVITY MEDIA TWICKENHAM FILM STUDIOS

Managing Director PATRICK FISCHER

Original Music Peformed by WMA ORCHESTRA

Vocals ROSANNA ELLIOTT Guitars TIM DESPIC Singing Bowls / Storm Tube JAMES EDWARD BARKER

Original Music Recorded in WEST MALLING, KENT, UK

Original Music Mixed by JAMES EDWARD BARKER VENERATION STUDIOS, KENT

Score Coordination by A BRIGHTER HEADACHE

Title Design by YASYUKI OTSUKI

VFX Production Manager ALYSIA WILDMAN VFX Production Coordinators NICOLA BRENNAN DHAVAL MALAVIA VFX Editor MAGDALENA TURNIER VFX Assistant Editor STEVEN BODEN

CG Artist LAZLO MANDI BEN IMBER ROB MOORE RENATO SUETAKE PETER DUNCAN GIACOMO VENTURI MOISES REJANO JOSH CHAPPELL JACK MARTIN HENRY MEDHURST SCOTT COATES

2D Artists ELENA ESTEVEZ SANTOS ANDREA PERISANO ALVARO MOYA STEPHANIE COOPER JUSTIN FRANCIS-McIEISH CALE PUGH FELICIA PETERSON LEWIS HODD XABIER ARRIETA LEO PRITCHARD GIORGIO PITINO NICHOLAS HURST PAULO MATEUS TIMOTEO OSELLA PETTRICH VADIM DAVIDOFF DAVID THOMAS YUSUKE YASU MOISES MINGOT STEVE MOLLOY EMILIO FERRARI ASIER APARICIO CLAUDIA COPPA

Support Staff PAUL FRANCIS MATTHEW DUMBLETON ASHLEY SIMPSON ROKAS RAKAUSKAS STEVE HOLMES ZAKARIYAH ABDEL-ILLAH

Additonal VFX by YeshFXsh VFX Artists ROB HALL TOM SAINTY SCOTT MANN

VFX Editor TOM SAINTY

For The Fyzz Facility LEONORA DARBY CATHERINE FREEMAN ALEX KABBAN FRANZISKA LINDNER ZOË MORGAN JASMIN MORRISON HARMIT PHULL STUART D. STANTON PERNILLE TROJGAARD

For Signature Entertainment GARETH WILLIAMS CLAIRE LOEWNTHAL JON BOURDILLON

For Saban Films JONATHAN SABA AZNIV TASHCHYAN NICOLE SCHATZ PHIL MYUNG JEFF LEWIS

For Ingenious SIMON WILLIAMS TED CAWREY MILA ZDRAVKOVIC SEAN O'KEEFE CHARLES AUTY

EUROPEAN FILM BONDS A/S and DFG Deutsche FilmversicherungsGemeinschaft Peter La Terriere Sudie Smyth

"TWO TRIBES" Written by Peter Gill, Holly Johnson and Mark O’Toole Published by Perfect Songs Ltd., a BMG Company Recorded by Frankie Goes to Hollywood Courtesy of ZTT Records Limited under exclusive licence to Union Square Music Limited, a BMG Company

"STREET POETRY" Written by Tamer Nafar, Mahmood Jreri & Suhell Nafar Published by Cooking Vinyl Publishing Performed by DAM Licensed courtesy of Cooking Vinyl Limited

"CAN'T GO WRONG" Written by Richard Cowie Published by BMG Rights Management UK Ltd., a BMG Company. Performed by Wiley Licensed courtesy of Warner Music UK Ltd

"LAKMÉ – FLOWER DUET" Written by Leo Delibes Performed by The Royal Philharmonic Orchestra Courtesy of de Wolfe Ltd

"LOVE OF THA GAME" Written by Andrew Bissell & Vincent Morgan Published by Andrew Bissell Music/Peermusic III Ltd and 7 Kings Music/Songs Of Peer Ltd Performed by 7KingZ Licensed courtesy of Peer-Southern Productions

"BREAK" Written by Joshua Adams Performed by Joshua Adams Licensed courtesy of JAM "CELLO SUITE NO 3 IN C MAJOR (BVW 1009)" Written by Johann Sebastian Bach Performed by Leah Leong

"JUST TO GET CLOSE TO YOU" Written by Stephen Sidwell Courtesy of de Wolfe Ltd

"ZING A LITTLE ZONG" Written by Harry Warren & Leo Robin Published by Chester Music Limited trading as Campbell Connelly & Co and Four Jays Music Co., Administered by Peermusic (UK) Ltd / Chester Music Ltd trading as Campbell Connelly & Co. Performed by Bing Crosby and Rosemary Clooney Courtesy of Jasmine Records

"GLOVES ARE COMIN' OFF" Written by Andrew Bissell and Vincent Morgan Published by Andrew Bissell Music/Peermusic III Ltd and 7 Kings Music/Songs Of Peer Ltd Performed by 7KingZ Licensed courtesy of Peer-Southern Productions

Archive Footage Provided by AP ARCHIVE GETTY IMAGES POND5 SHUTTERSTOCK.COM KEW MEDIA CORPORATION Camera Equipment Provided by FILMSCAPE MEDIA LTD Digital Intermediate Provided by CREATIVITY MEDIA Edit Equipment Provided by HYPERACTIVE Grip Equipment Provided by BLAKES GRIPS

Lighting Equipment Provided by PANALUX Security Services Provided by ABOVE THE LINE LTD

THE FILMMAKERS WOULD LIKE TO THANK: SARAH, JOSEPH AND EVIE MAX ADAMS BOB ACTON BRENDA ACTON JEZ ADAMS LOUIS AMATO ROWAN ATHALE MIRIAM AUSTIN LUCY GIBSON DAVID GODFREY ELAINE GODFREY LISA GOLDBERG JOYCE HARRIS BEN ILLINGWORTH GABRIEL JONES ISABELLA JONES LOUIS JONES TALLULAH JONES LARRY LANE LOU LANE PENNY LANE STEPHEN LANE STEPHEN LEATHER ANNIE MAHONEY DAVID MARCONI JILL MOORE VANESSA MULHOLLAND SONNY NATH BRETT NORENSBERG STUART ROSE STEVE WISDOM BARRATTS LONDON THE GRANGE HOTELS MOTOROLA THE QUEEN MARY UNIVERSITY OF LONDON FOOTBALL CLUB

SPECIAL THANKS TO: ALANA CROW PAUL W. HAZEN HANDSHAKE PARTNERS ANITA LEVIAN LAURA VOROS SOPHIA ARONNE STEPHANIE BEGINI BRIANNA MATTHEWS NATHAN KLINGHER

A VERY SPECIAL THANKS TO: THE FANS, STAFF AND COMMUNITY OF WEST HAM UNITED F.C.

In Memory of PETER GOLDING 6 June 1963 - 19 December 2016

DEDICATED TO ANDY HIGGINSON AND ADRIAN VITORIA

Logos Fyzz Signature Saban Ingenious

EFB HFG Creativity Outpost

© Final Score Film Limited, 2018.

THE PERSONS AND EVENTS IN THIS MOTION PICTURE ARE FICTITIOUS. ANY SIMILARITY TO ACTUAL PERSON OR EVENTS IS UNINTENTIONAL.

FINAL SCORE