Holiday Mathis It Might for Others Looking at the Same Slice of Time
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What Inflamed the Iraq War?
Reuters Institute for the Study of Journalism Fellowship Paper, University of Oxford What Inflamed The Iraq War? The Perspectives of American Cartoonists By Rania M.R. Saleh Hilary Term 2008 1 ACKNOWLEDGEMENT I would like to express my deepest appreciation to the Heikal Foundation for Arab Journalism, particularly to its founder, Mr. Mohamed Hassanein Heikal. His support and encouragement made this study come true. Also, special thanks go to Hani Shukrallah, executive director, and Nora Koloyan, for their time and patience. I would like also to give my sincere thanks to Reuters Institute for the Study of Journalism, particularly to its director Dr Sarmila Bose. My warm gratitude goes to Trevor Mostyn, senior advisor, for his time and for his generous help and encouragement, and to Reuter's administrators, Kate and Tori. Special acknowledgement goes to my academic supervisor, Dr. Eduardo Posada Carbo for his general guidance and helpful suggestions and to my specialist supervisor, Dr. Walter Armbrust, for his valuable advice and information. I would like also to thank Professor Avi Shlaim, for his articles on the Middle East and for his concern. Special thanks go to the staff members of the Middle East Center for hosting our (Heikal fellows) final presentation and for their fruitful feedback. My sincere appreciation and gratitude go to my mother for her continuous support, understanding and encouragement, and to all my friends, particularly, Amina Zaghloul and Amr Okasha for telling me about this fellowship program and for their support. Many thanks are to John Kelley for sharing with me information and thoughts on American newspapers with more focus on the Washington Post . -
Master List of Games This Is a List of Every Game on a Fully Loaded SKG Retro Box, and Which System(S) They Appear On
Master List of Games This is a list of every game on a fully loaded SKG Retro Box, and which system(s) they appear on. Keep in mind that the same game on different systems may be vastly different in graphics and game play. In rare cases, such as Aladdin for the Sega Genesis and Super Nintendo, it may be a completely different game. System Abbreviations: • GB = Game Boy • GBC = Game Boy Color • GBA = Game Boy Advance • GG = Sega Game Gear • N64 = Nintendo 64 • NES = Nintendo Entertainment System • SMS = Sega Master System • SNES = Super Nintendo • TG16 = TurboGrafx16 1. '88 Games ( Arcade) 2. 007: Everything or Nothing (GBA) 3. 007: NightFire (GBA) 4. 007: The World Is Not Enough (N64, GBC) 5. 10 Pin Bowling (GBC) 6. 10-Yard Fight (NES) 7. 102 Dalmatians - Puppies to the Rescue (GBC) 8. 1080° Snowboarding (N64) 9. 1941: Counter Attack ( Arcade, TG16) 10. 1942 (NES, Arcade, GBC) 11. 1943: Kai (TG16) 12. 1943: The Battle of Midway (NES, Arcade) 13. 1944: The Loop Master ( Arcade) 14. 1999: Hore, Mitakotoka! Seikimatsu (NES) 15. 19XX: The War Against Destiny ( Arcade) 16. 2 on 2 Open Ice Challenge ( Arcade) 17. 2010: The Graphic Action Game (Colecovision) 18. 2020 Super Baseball ( Arcade, SNES) 19. 21-Emon (TG16) 20. 3 Choume no Tama: Tama and Friends: 3 Choume Obake Panic!! (GB) 21. 3 Count Bout ( Arcade) 22. 3 Ninjas Kick Back (SNES, Genesis, Sega CD) 23. 3-D Tic-Tac-Toe (Atari 2600) 24. 3-D Ultra Pinball: Thrillride (GBC) 25. 3-D WorldRunner (NES) 26. 3D Asteroids (Atari 7800) 27. -
Faces Illustration Featuring, in No 1
face Parigi Books is proud to present fās/ a selection of carefully chosen noun original comic art and noun: face; plural noun: faces illustration featuring, in no 1. particular order, the front part of a person's Virgil Finlay, John Romita, John Romita, Jr, Romano Scarpa, head from the forehead to the Milo Manara, Magnus, Simone chin, or the corresponding part in Bianchi, Johnny Hart, Brant an animal. Parker, Don Rosa, Jeff MacNelly, Russell Crofoot, and many others. All items subject to prior sale. Enjoy! Parigi Books www.parigibooks.com [email protected] +1.518.391.8027 29793 Bianchi, Simone Wolverine #313 Double-Page Splash (pages 14 and 15) Original Comic Art. Marvel Comics, 2012. A spectacular double-page splash from Wolverine #313 (pages 14 and 15). Ink and acrylics on Bristol board. Features Wolverine, Sabretooth, and Romulus. Measures 22 x 17". Signed by Simone Bianchi on the bottom left corner. $2,750.00 30088 Immonen, Stuart; Smith, Cam Fantastic Four Annual #1 Page 31 Original Comic Art. Marvel Comics, 1998. Original comic art for Fantastic Four Annual #1, 1998. Measures approximately 28.5 x 44 cm (11.25 x 17.25"). Pencil and ink on art board. Signed by Stuart Immonen on the upper edge. A dazzling fight scene featuring a nice large shot of Crystal, of the Inhumans, the Wakandan princess Zawadi, Johnny Storm, Blastaar, and the Hooded Haunt. Condition is fine. $275.00 29474 Crofoot, Russel Original Cover Art for Sax Rohmer's Tales of Secret Egypt. No date. Original dustjacket art for the 1st US edition of Tales of Secret Egypt by Sax Rohmer, published by Robert McBride in 1919, and later reprinted by A. -
Council Declines to Release Report on Allegations School Officials Remember Teen Killed in Wreck
| PAGE LABEL EVEN | FALLOUT CONTINUES T Vol. 116HE No. 331 JOURNALTuesday, November 24, 2020 $100 Tigers’ Swinney T J slams FSU after COMPLEX HISTORY: Thanksgiving lessons jettison Pilgrim hats, welcome truth. B1 Saturday game TRANSITION GREEN LIGHT: Government recognizes Biden as president-elect. D1 postponed. C1 OCONEE COUNTY Council declines to release report on allegations hike in ISO ratings, but Rogers said the county’s county administrator decision to not release ‘This report is Investigation into misconduct claims at Amanda Brock said she the report “gives the didn’t think there should public the idea there is a a public record fire department cost county more than $6K be any concern. Late last coverup.” month, Brock said the “This report is a public and was paid for county’s new ISO data record and was paid for BY RILEY MORNINGSTAR quest for any paperwork investigation in April, as had been completed, was with public funds,” Rog- with public funds. THE JOURNAL relating to the investiga- well as uneasiness inside under review and could ers added. “A public re- tion into the Oconee take up to six months to cord cannot be withheld A public record WALHALLA — Oconee allegations Coun- finalize. in its entirety. They can County Council opted to of sexual ty Fire After executive session redact protected details.” OUR VIEW cannot be withheld leave the results of an in- harass- Commis- at last week’s meeting, TO READ A RELATED vestigation of misconduct ment and sion over county attorney David COUNCIL SPEAKS EDITORIAL, TURN in its entirety. at the Westminster Fire miscon- not being Root asked county coun- Even with the opportu- TO PAGE A4. -
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INSIDE SCOOP SUMMER CAMP GUIDE WEEKEND EDITION GLIMPSE OF THE FUTURE PAGE 3 DON’T FORGET ABOUT CAMP PAGE 18 Visit us online at smdp.com APRIL 7-8, 2007 Volume 6 Issue 125 Santa Monica Daily Press COMING HOME TO WHITNEY SEE PAGE 25 Since 2001: A news odyssey THE DIG THE NEW COVER ISSUE RELIGION WHATWHAT WOULDWOULD JESUSJESUS GIVE?GIVE? BesiegedBesieged byby beggarsbeggars inin SantaSanta MonicaMonica cancan leaveleave eveneven thethe charitablecharitable confusedconfused STORYSTORY BYBY KEVINKEVIN HERRERAHERRERA PAGEPAGE 1414 IZZY’S DELI GABY SCHKUD PIANO & GUITAR LESSONS SERVES SUPER ’07 DINNER SPECIALS Y (310) ONL $15.00 FROM 4PM-10PM 586-0308 45 MINUTE CLASSES Sign-up NOW! 15TH AND WILSHIRE IN SANTA MONICA The name you can depend on! (310) 453-1928 310-394-1131 OPEN 24 HOURS www.santamonicamusic.com 1901 Santa Monica Blvd. in Santa Monica Calendar spring 2 WEEKEND EDITION, APRIL 7-8, 2007 A newspaper with issues stackables 0% FINANCING FOR 12 MONTHS 1920 Santa Monica Blvd. (Corner of 20th & Santa Monica Blvd.) *SEE STORE FOR DETAILS (310) 829-9597 Hours: 6:30am - 10:00pm Daily Collection BY EDWARD Visit us today and see the difference family makes. Monday-Saturday 10am-6pm 331 Wilshire Blvd. Santa Monica 2 Hours Free Parking (Behind Store) 310.451.1349 • www.readersjewelers.com Eddie Guerboian Easter egg hunt with Peter Rabbit 1155 Chelsea Ave., 9 a.m. — 11 a.m. Peter Rabbit will be at Douglas Park, located at Wilshire and 25th, for some face painting, games, and egg hunting for kids of all ages. For more information, call Robert at (310) 927-2127 or visit www.smjaycees.org. -
South Park in Santa Monica by MELODY HANATANI It As a Friendly City to the Less Fortunate
INSIDE SCOOP COMMENTARY ENTERTAINMENT PARENTS USE NET TO KEEP IN TOUCH PAGE 3 NOT CARRYING THE DAY PAGE 5 ON THE SHELVES PAGE 11 Visit us online at smdp.com THURSDAY,APRIL 26, 2007 Volume 6 Issue 141 Santa Monica Daily Press HURLEY KEEPS SMILING SEE PAGE 17 Since 2001: A news odyssey THE FREAKY DEAKY ISSUE South Park in Santa Monica BY MELODY HANATANI it as a friendly city to the less fortunate. Daily Press Staff Writer The four young boys decide to lead the homeless away from their hometown to California. Driving a bus to the SANTA MONICA PIER Few subjects are spared from the “Park Community Center,” presumably the “South Park cutting satire of “South Park,” including the homelessness Community Center,” the boys engage in their own rendi- issue in Santa Monica. tion of “California Love,”altering the Tupac Shakur song to Having already poked fun at hot-button topics such as incorporate a message that “California is super cool to the teacher-student trysts, Scientology and homosexuality, homeless.” “South Park” creators Trey Parker and Matt Stone, whose productions are based in Los Angeles, took direct aim at “In the city, city of Santa Monica ... Santa Monica and its long-standing homeless problem in lots of rich people, giving change to the homeless.” the season finale. “Night of the Living Homeless” centers around a new The episode ends with the homeless marching to the homeless epidemic overtaking South Park, Colo., the fic- Westside communities of Brentwood, Marina del Rey, tional setting for the Comedy Central cartoon. The four Venice and Santa Monica. -
Looking Back at the Creative Process
IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains. -
Arizona Reading Program Manual. INSTITUTION Arizona State Dept
DOCUMENT RESUME ED 478 309 IR 058 825 TITLE Lights, Camera, Read! Arizona Reading Program Manual. INSTITUTION Arizona State Dept. of Library, Archives and Public Records, Phoenix.; Arizona Humanities Council, Phoenix. SPONS AGENCY Institute of Museum and Library Services, Washington, DC. PUB DATE 2003-00-00 NOTE 200p. AVAILABLE FROM Arizona State Library, Archives and Public Records, 1700 West Washington, Suite 200, Phoenix, AZ 85007. Tel: 602-542-4035; Fax: 602-542-4972; e-mail: [email protected]; Web site: http://www.lib.az.us/. PUB TYPE Guides Non-Classroom (055) EDRS PRICE EDRS Price MF01/PC09 Plus Postage. DESCRIPTORS Childrens Libraries; Creative Activities; Films; Library Services; Outreach Programs; Public Libraries; Reading Motivation; *Reading Programs; Recreational Reading IDENTIFIERS *Arizona ABSTRACT This document is the manual for the Arizona Reading Program (ARP) 2003 entitled "Lights, Camera, Read!" This theme spotlights books that were made into movies, and allows readers to appreciate favorite novels and stories that have progressed to the movie screen. The manual consists of eight sections. The Introduction includes welcome letters from the State Librarian, Arizona Humanities Council Director, and Arizona Reads Coordinator; a list of past themes of the program, beginning with 1974; biography of the 2003 artist; and ARP evaluation form. The next section, "Getting Started," includes information and materials for planning and scheduling; publicity and promotion; registration; reading logs; awards and incentives; incentive companies; and incentive coupons. Section three, "Specific Groups," presents general guidelines, titles, Web sites, and other information for serving young adults, multicultural youth, and visually impaired and other specific needs patrons. The next section, "Resources," includes general titles and Web sites; theme-based resources; a presentation resource form; and ARP funding application. -
Guide to the Mahan Collection of American Humor and Cartoon Art, 1838-2017
Guide to the Mahan collection of American humor and cartoon art, 1838-2017 Descriptive Summary Title : Mahan collection of American humor and cartoon art Creator: Mahan, Charles S. (1938 -) Dates : 1838-2005 ID Number : M49 Size: 72 Boxes Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Mahan, Charles S., 1938 - Acquisition Information: Donation. Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Preferred Citation: Mahan Collection of American Humor and Cartoon Art, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002). University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. University of South Florida Library Links, 10(3), 2-3. Scope Note In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. -
Press Galleries* Rules Governing Press Galleries
PRESS GALLERIES* SENATE PRESS GALLERY The Capitol, Room S–316, phone 224–0241 Director.—Robert E. Petersen, Jr. Deputy Director.—S. Joseph Keenan Media Coordinators: Merri I. Baker Wendy A. Oscarson James D. Saris Amy Harkins HOUSE PRESS GALLERY The Capitol, Room H–315, phone 225–3945, 225–6722 Superintendent.—Jerry L. Gallegos Deputy Superintendent.—Justin J. Supon Assistant Superintendents: Emily T. Dupree Ric Andersen Cris M. King Lori Michelle Hodo STANDING COMMITTEE OF CORRESPONDENTS Curt Anderson, The Associated Press, Chairman Jake Thompson, Omaha World-Herald, Secretary James Kuhnhenn, Knight Rider William Roberts, Bloomberg News Donna M. Smith, Reuters RULES GOVERNING PRESS GALLERIES 1. Administration of the press galleries shall be vested in a Standing Committee of Cor- respondents elected by accredited members of the galleries. The Committee shall consist of five persons elected to serve for terms of two years. Provided, however, that at the election in January 1951, the three candidates receiving the highest number of votes shall serve for two years and the remaining two for one year. Thereafter, three members shall be elected in odd-numbered years and two in even-numbered years. Elections shall be held in January. The Committee shall elect its own chairman and secretary. Vacancies on the Committee shall be filled by special election to be called by the Standing Committee. 2. Persons desiring admission to the press galleries of Congress shall make application in accordance with Rule 34 of the House of Representatives, subject to the direction and control of the Speaker and Rule 33 of the Senate, which rules shall be interpreted and administered by the Standing Committee of Correspondents, subject to the review and an approval by the Senate Committee on Rules and Administration. -
A Pictorial History of Comic-Con
A PICTORIAL HISTORY OF COMIC-CON THE GOLDEN AGE OF COMIC-CON The 1970s were the formative years of Comic-Con. After finding its home in the El Cortez Hotel in downtown San Diego, the event continued to grow and prosper and build a national following. COMIC-CON 50 www.comic-con.org 1 OPPOSITE PAGE:A flier for the Mini-Con; the program schedule for the event. THIS PAGE: The Program Book featured a pre-printed cover of Balboa Park; photos from the Mini-Con, which were published in the Program Book for the first three-day MINI-CON Comic-Con held in August (clockwise MINI-CON from left): Forry Ackerman speaking; Mike Royer with some of his art; Comic-Con founding committee member Richard Alf NOTABLE MARCH 21, 1970 at his table; Ackerman at a panel discus- sion and with a fan; and Royer sketching GUESTS live on stage. The basement of the U.S. Grant Hotel, Downtown San Diego Attendance: 100+ Officially known as “San Diego’s Golden State Comic-Minicon” (the hyphen in Minicon comes and goes), this one-day event was held in March to raise funds for the big show in August, and FORREST J ACKERMAN was actually the first-ever West Coast comic convention. Most Comic-Con’s first-ever guest was the popular editor of Famous of those on the organizing com- Monsters of Filmland, the favorite mittee were teenagers, with the movie magazine of many of the major exceptions of Shel Dorf (a fans of that era. He paid his own recent transplant from Detroit way and returned to Comic-Con who had organized the Triple numerous times over the years. -
One Fine Sunday in the Funny Pages” Exhibit
John Read is the creator and curator of the “One Fine Sunday in the Funny Pages” exhibit. A freelance cartoonist, John also teaches cartooning to children and is the publisher and editor of Stay Tooned! Magazine, considered the trade journal of the craft. The Comic Mode The comic strip provides a colorful and humorous respite from the serious and often tragic news that precedes it. There are many reasons for reading the “funny pages”; from the basic need to be entertained, to the desire to escape for a moment into what seems a playful combination of a joke and a sequence of images that illustrate the nonsense and play that generates it. Yet, what really constitutes the “comic” in a comic strip? Are they simply funny, as in Blondie, Garfield or Hagar the Horrible? Or do we sense underlying tones of irony, satire, political and social commentary as evidenced in Doonesbury, Non Sequitur, and Between Friends? How are we to understand the double entendre, the sting of wit or the twist of the absurd that infuses so many contemporary comic strips? It would seem that as in dreams, there are many levels to the comic mode. On the first take, the superficial or manifest appeal generates a smile or laughter. But as with many dreams and good jokes, there is the second take, a latent need to establish or defy meaning as embedded within the structure of the images themselves. The paradox or playfulness of the comic strip partially lies in discovering the truth in the nonsensical aspects of day-to-day living.