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   Early Music Vancouver gratefully acknowledges the assistance and support of:

board of directorsChris Guzy   GOVERNMENT SUPPORT Chris Guzy president Fran Watters    Fran Watters Spencer Corrigal , We acknowledge the support of vice president  the Province of British Columbia Spencer Corrigal cpa,caTony Knox treasurer    Tony Knox Ilia Korkh past president   FOUNDATIONS Ilia Korkh Sherrill Grace secretary THE BRENNAN SPANO Melody Mason FAMILY FOUNDATION Sherrill Grace Jesse Read THE DRANCE FAMILY Melody MasonTim Rendell , EARLY MUSIC VANCOUVER FUND Tim Rendell cpa,caIngrid Söchting Ingrid Söchting Vincent Tan 2018-19 PRODUCTION PARTNERS Vincent Tan “ ÷ José Verstappen  EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the        Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. José Verstappen cm artistic director emeritus “ pacific ÷  orchestra alexander weimann MUSIC director staff Matthew White         Matthew White executive & artistic directorNathan Lorch     Nathan Lorch business manager Jocelyn Peirce      Jocelyn PeirceLaina Tanahara development coordinator        ›œžŸ¡¢œ£ ›¡£¤›¥ ¢£ ¦¢¡œ›¢ §: Laina TanaharaJonathan Evans marketing & volunteer coordinator      Jan Gates Jonathan Evans    production coordinator CORPORATE SUPPORT Murray Patterson Jan Gates Marketing Group Rosedale on Robson event photographer Suite Hotel VANCOUVER, BC Tony Knox         Barrister & Solicitor, Arbitrator

Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] Trevor Mangion 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada We also gratefully acknowledgewww.knoxlex.com the generosity of our many donors and volunteers. Marketing Group and Knox & Co. denotes D.A.Knox Law Corporation marketing & mediaThe Chanrelations Centre Box Of fice Staf f    : ­€‚.„ . ­†‡ THANK YOU! Trevor Mangion You can be in good company too! and The corporate sponsors of Early Music Vancouver give back to their community through The Chan Centre Box Office Staff Season Calendar panels 2018-19.indd 36 the support of our performances and education & outreach programmes.16/06/2018 Their 12:13:31 efforts PM emv ticket office: 604.822.2697 make a meaningful difference for concertgoers and musicians alike. Our wide range of activities offers unique sponsorship opportunities for both large and 1254 West 7th Avenue, small companies to support us while also reaching their corporate goals. A range of Vancouver BC, V6H 1B6 sponsorship advantages is available, including logo recognition, complimentary tickets for tel: 604.732.1610 your clients, employee discounts, and many other benefits tailored to your specific needs. fax: 604.732.1602 Call Jocelyn Peirce to discuss how our audience [email protected] profile may fit with your company’s objectives: earlymusic.bc.ca 604 732 1610.

2 | EMV Cathedral Series 2018/19 by [email protected] the artists concertos by antonio vivaldi (1678-1741)

Enrico Onofri Op.3 no.1 in D major for four violins, cello, strings & continuo* guest director & violin soloist n Soloists: Enrico Onofri, Chloe Meyers, Linda Melsted, Christi Meyers & Beiliang Zhu with the Allegro Pacific Baroque Largo e spiccato Allegro Orchestra violin i Concerto Op.4 no.4 in A minor for violin, strings & continuo** Enrico Onofri n Soloist: Enrico Onofri concertmaster & soloist Allegro Linda Melsted Grave Paul Luchkow Allegro Christine Beckman violin ii Concerto Op.4 no.1 in B ♭ major for violin, strings & continuo** Chloe Meyers n Soloist: Enrico Onofri principal & soloist Allegro Christi Meyers Largo e cantabile Elyssa Lefurgey-Smith Allegro Angela Malmberg viola Concerto Op.3 no.10 in B minor for four violins, strings & continuo* Mieka Michaux n Soloists: Enrico Onofri, Linda Melsted, Christi Meyers & Paul Luchkow Joanna Hood Allegro cello Largo Beiliang Zhu Larghetto principal & soloist Allegro Marina Hasselberg INTERVAL violone Natalie Mackie bass Concerto Op.3 no.8 in A minor for two violins, strings & continuo* Curtis Daily n Soloists: Enrico Onofri & Chloe Meyers harpsichord & organ Allegro Christina Hutten Larghetto e spiritoso lute Allegro John Lenti Concerto Op.3 no.9 in D major for violin, strings & continuo* n Soloist: Enrico Onofri generously supported by Allegro Bruce Wright Larghetto Allegro Pre-concert introduction at 6:45 with host Matthew White: Concerto Op.3 no.11 in D minor for two violins, cello, strings & continuo* Enrico Onofri n Soloists: Enrico Onofri, Chloe Meyers & Beiliang Zhu Allegro / Adagio e spiccato / Allegro Largo e spiccato

THE UNAUTHORISED USE OF Allegro ANY VIDEO OR AUDIO RECORDING * from “L’estro armonico” (Op. 3) DEVICE IS STRICTLY PROHIBITED ** from “La stravaganza” (Op. 4) earlymusic.bc.ca Concertos by Antonio Vivaldi EMV Cathedral Series 2018/19 | 3 the artists

Pacific Baroque Orchestra The Pacific Baroque Orchestra (PBO) is recognized as one of Canada’s most exciting and innovative ensembles performing “early music for modern ears”. PBO brings the music of the past up to date by performing with cutting-edge style and enthusiasm. Formed in 1990, the orchestra quickly established itself as a force in Vancouver’s burgeoning music scene, with the ongoing support of Early Music Vancouver. In 2009, PBO welcomed Alexander Weimann as Artistic Director. His imaginative programming and expert leadership have drawn in many new concertgoers, and his creativity and Photo credit: Enzo Alessandra engaging musicianship have carved out a unique and vital place in the cultural landscape of Vancouver. Enrico Onofri PBO regularly joins forces with internationally celebrated Enrico Onofri was born in Ravenna, Italy. His career began Canadian guest artists, providing performance opportunities with an invitation from Jordi Savall to be the concertmaster for Canadian musicians while exposing West Coast of La Capella Real. Very soon he found himself working audiences to a spectacular variety of talent. The Orchestra with groups such as Concentus Musicus Wien, Ensemble has also toured BC, the northern United States and across Mosaiques and Concerto Italiano. From 1987 to 2010 he was Canada as far as the East Coast. The musicians of the the concertmaster and soloist of Il Giardino Armonico. Pacific Baroque Orchestra have been at the core of many In 2002 he entered upon a conductor’s career, which has large-scale productions by Early Music Vancouver in recent brought him great critical acclaim and numerous invitations years, including several summer festival performances led by from orchestras, festivals and houses in Europe, Alexander Weimann. Japan and America. From 2004 to 2013 he was the principal pacificbaroque.com conductor of Divino Sospiro in Lisbon and since 2006 he has been a principal guest conductor with Orquesta Barroca de Sevilla. He has conducted ensembles such as Camerata Bern, Festival Strings Lucerne, Akademie für Alte Musik Berlin, Bochumer Symphoniker, Kammerorchester Basel, Orchestra Ensemble Kanazawa, Cipango Consort Tokyo, Real Orquesta de Sevilla, Orchestre de Clermont Ferrand, Orchestre de l’Opéra de Lyon, Orquesta Sinfonica de Galicia and more. He founded the chamber group Imaginarium Ensemble to perform the Italian baroque repertoire. Enrico Onofri has performed in the world’s most famous concert halls, alongside artists like , , , Cecilia Bartoli and Katia and Marielle Labèque, and others. Many of Enrico Onofri’s recordings with , Decca, Astrée, Naive, Deutsche Harmonia Mundi/Sony, Passacaille, Nichion, Winter&Winter, Opus111, Virgin, Zig Zag Territoires etc., have been awarded prestigious international prizes, and his concerts have been broadcast by European, American, Asian and Australian networks. Enrico Onofri has been the professor of baroque violin and interpretation of baroque music at the Conservatorio Bellini in Palermo since 1999. He Pick up our colourful calendar/brochure has been invited to give master classes throughout Europe, in the lobby today – it includes full details Canada and Japan. He has been tutor and invited conductor about the 2018-2019 winter season. with the EUBO, European Union Baroque Orchestra. In 2011 he was invited to give a master class at the Juilliard School in earlymusic.bc.ca New York. facebook.com/onofri.enrico

4 | EMV Cathedral Series 2018/19 Concertos by Antonio Vivaldi [email protected] programme notes

The Vivaldis were a family of multi-tasking entrepreneurs. small groups within the orchestra from Archangelo Corelli’s Brother Francesco worked as a barber, paving contractor, concertos, and lyricism, rhythmic energy, and majestic unison and publisher. Father Giovanni Battista was a barber and a themes borrowed from the of composers like Tomaso violinist at San Marco, involved himself in opera management, Albinoni. The Italian instrumental concerto had grown out and closely collaborated with his son Antonio as his principle of the smaller instrumental sonata genre and was uniquely music copyist. Antonio Vivaldi studied violin, probably with suited to Vivaldi’s teaching situation at the Piéta, because his father for whom he sometimes substituted at San Marco, it could accommodate players of different abilities, giving and trained for the priesthood. Not many years after his older, advanced players a challenge and chance to shine as ordination, however, he stopped saying mass, likely because soloists, and younger players less demanding but lively and of his chronic asthma, and turned his attention increasingly to engaging roles as orchestra members. Undoubtably, Vivaldi teaching, writing, and publishing his music. In 1703, the year himself sometimes joined the orchestra as soloist, vigorously of his ordination, he accepted his first position asmaestro di challenging the limits of violin technique. Johann Friedrich violino at the Piéta, one of four famous Venetian intuitions Armand von Uffenbach, a Frankfurt nobleman who heard that offered musical training to orphaned and abandoned Vivaldi perform in 1715, described in his diary a cadenza girls. Vivaldi worked under the leadership of music director Vivaldi improvised as “a fantasy which really terrified me, for Francesco Gasparini, teaching violin and maintaining the such has not been nor can ever be played; he came with his school’s instrument collection. By 1709, however, his position fingers within a mere grass-stalk’s breadth of the bridge, so had been discontinued probably due to financial constraints that the bow had no room, and this on all four strings with and perhaps because Vivaldi had so successfully trained the imitations and at incredible speed.” In 1723, the directors of figlie privilegiate di coro, the most advanced instrumentalists, the Piéta commissioned Vivaldi to supply the school with two that they were able to train the younger students without his new concertos each month. He eventually composed more help. In 1711, he returned to his position at the Piéta, substituting than 500 over the course of his life, and bragged to Charles de for an ailing Gasparini. In the meantime, he had devoted some Brosses, a French magistrate who visited Venice in 1739, that of his time to preparing a collection of concertos that would he could compose a concerto faster than parts could be copied expand his reputation as a composer, his Opus 3, dedicated for it. De Brosses described Vivaldi as a shrewd businessman, to the Grand Prince of Tuscany and the first of his music to be who drove a hard bargain with foreigners, but admired what published outside Venice. he called Vivaldi’s “furie de composition prodigieuse”. In 1711, the collection, L’estro armonico (The Harmonic Frenzy) Musicians all over Europe esteemed Vivaldi’s compositions. was printed and financed by Estienne Roger in Amsterdam, a Johann Joachim Quantz, composer in the court of Frederick publisher whose distribution network included agents across the Great, heard concertos from L’estro armonico for the first northern Europe in Rotterdam, London, Cologne, Berlin, Liege, time in 1714, describing them as “musical pieces of a kind that Leipzig, Halle, Paris, Brussels, and Hamburg. The concerti was then entirely new; they made no small impression on me. I were soon pirated and reprinted by Roger’s rival, the English was eager to accumulate a good number of them, and Vivaldi’s publisher John Walsh, who called them “Vivaldi’s Most splendid ritornelli served as good models for me in later days.” Celebrated Concertos”, and a few years later by Charles- Telemann, though he claimed to dislike the genre, wrote Nicholas Le Clerc in Paris. Vivaldi must have hoped for such close to 100 concertos in the style of Vivaldi’s. Nevertheless, a lively and wide-spread reception of his collection. He Vivaldi’s concertos might have been completely forgotten meticulously revised some of his earlier work that was already had they not been rediscovered by Bach scholars in the circulating in manuscript, compiling a collection designed to nineteenth century. Bach transcribed several of the concertos impress by careful construction and diversity of scoring and from L’estro armonico as virtuosic keyboard solos. He probably style, arranged with alternating major and minor concertos, received the idea from Prince Johann Ernst von Saxe-Weimar, and further ordered into four groups of three concertos, the teenaged son of his employer. Himself an avid musician, each group containing a concerto for one, for two, and for composer, and music collector, the prince had studied in four violins. In the preface, Vivaldi apologizes for the printing the Netherlands and likely heard the famous blind organist quality of his earlier opuses and assures the reader of the of the Nieuwe Kerk in Amsterdam, Johann Jacob de Graaf, superior quality of this print engraved by “the famous hand of perform organ arrangements of popular Italian concertos Monsieur Estienne Roger”. on the magnificent organ there. The Prince’s collection of Italian concertos had a major impact of Bach’s approach to The concertos of L’estro armonico combine features of composition, described by Bach’s biographer Johann Nikolaus Bolognese and Roman concerto styles with special effects Forkel, based on information received directly from Bach’s from Venetian opera. They synthesize virtuosic writing for sons Wilhelm Friedemann and Carl Philipp Emanuel. Vivaldi’s solo instruments, rich scoring using two viola parts, and concertos, Forkel asserts, taught the great Johann Sebastian ritornello (refrain) form typical of the concertos of Giuseppe Bach “how to think musically”. Torelli with concerto grosso-style dialogue between large and – Christina Hutten earlymusic.bc.ca Concertos by Antonio Vivaldi EMV Cathedral Series 2018/19 | 5

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You don’t have to miss our performances any more, simply because you misplaced our concert schedule. Subscribe to our E-mail Reminder Service, and you will receive a reminder one week before each concert. Just send us an e-mail with the word “subscribe” in the subject line, and also include your post address and Photo credit Jan Gates credit Photo telephone number in the body of the message. Simple! Help us give the gift of Early Music We do make it easy to “unsubscribe”; and we to future generations won’t pass your e-mail address on to others. You can ensure the continued health and vibrancy of Early Music in Vancouver through one of the most powerful tools [email protected] in your possession – your estate plan. Legacy gifts are an expression of your values, wishes and hopes for the future. There are different ways in which you can make a legacy gift. Each type has different benefits for you and your family. Examples: • A Bequest in your Will – naming the Vancouver Society for Early Music as a beneficiary THANK YOU TO • Naming the Vancouver Society for Early Music as a beneficiary of a Life Insurance Policy or RRSP OUR VOLUNTEERS! • Creating or contributing to an Endowment Fund If you have already included Early Music Vancouver Our activities are made possible in your estate plan or would like more information through the generous assistance of many volunteers on possibilities for legacy gifts, please contact our who offer their time. We would like to thank the following: Business Manager Nathan Lorch at 604.732.1610 or [email protected] for more information. Pam Atnikov, Richard Cameron, Alexandra Charlton, To ensure that your particular needs are met and that your Ron Costanzo, Donna Cohen, Catherine Crouch, Bill Dovhey, exact wishes are honoured, we recommend that you consult Sandy Dowling, David Dyck, Helen Elfert, Bev Ferguson, your legal and/or financial advisors. Elizabeth Ferguson, Jean-Pierre Fougeres, Gail Franko, Maureen Girvan, Stanley Greenspoon, Satoko Hashigasako, Martha Planned gifts can create excellent tax advantages; ask your Hazevoet, Delma Hemming, Margaret Hendren, Michiko Higgins- financial advisor to help determine the most advantageous Kato, Maggie Holland, Richard Huber, Gigi Huxley, Gretchen Ingram, plan for you. Ron Jobe, Gerald Joe, Susan Kaufman, Barb Knox, Susan Larkin, Thank you for your support! Marlene LeGates, Pat Lim, Christina MacLeod, Wanda Full Legal name: Vancouver Society for Early Music Madokoro, Dolina McLay, Kathryn McMullen, Vania Mello, Charitable Number: 10816 7776 RR0001 Fran Moore, Carole Nakonechny, Veronika Ong, Gina Page, Betty Lou Phillips, Selma Savage, Traudi Schneider, Jill Schroder, Alison Stockbrocks, Eleanor Third. Early Music Vancouver

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6 | EMV Cathedral Series 2018/19 Concertos by Antonio Vivaldi [email protected] early music vancouver | donors and supporters

Early Music Vancouver gratefully acknowledges our many contributors & donors, who play a vital role in supporting the well-being of our organisation, and ensuring our continuing success. Thank you!

 Benefactors ($50,000+): The Drance Family *.  Presenters ($10,000+): Gail & Bryan Atkins* | Vic & Joan Baker* | The Mary & Gordon Christopher Foundation* | Helen & Frank Elfert* | Sharon Kahn* | Janette McMillan & Douglas Graves | Ralph Spitzer & Hisako Kurotaki* | José Verstappen*.  Sponsors ($5,000 - $9,999): Elaine Adair* | RPC Family Foundation | Chris Guzy & Mari Csemi* | Agnes Hohn* | Dorothy Jantzen* | In Memory of Peter Wood* | The Lloyd Carr- Harris Foundation* | David W McMurtry* | The Nemetz Foundation* | Dr Katherine E Paton* | Zelie & Vincent Tan* | Birgit Westergaard & Norman Gladstone* | Bruce Munro Wright*.  Co-Sponsors ($2,500 - $4,999): The Brennan-Spano Family Foundation | The Estate of Gunnar Brosamler | Meredith & Pat Cashion | Mark De Silva | Ernst & Young LLP | Marianne Gibson* | The Hamber Foundation* | The John & Leni Honsaker Fund* | Tony & Margie Knox* | J Evan & Janice Kreider* | The McLean Foundation | Yvonne McLean* | Jo & Bob Tharalson* | Bruno Wall & Jane Macdonald* | Eric Wyness | One Anonymous Co-Sponsor.  Supporters ($1,000 - $2,499): Hugh Anton | Colleen & Martin Barlow | Marti Barregar* | Spencer Corrigal | Charles & Lucile Flavelle Family Fund* | Heather Franklyn* | Dr Val Geddes* | Ursula Graf* | The Hamber Foundation* | Delma Hemming* | Elsie & Audrey Jang Fund* | Brian Jones | Melody Mason* | Lucie McNeill* | Margaret O’Brien* | Dr Robert S Rothwell* | Ingrid Söchting* | Anona Thorne & Takao Tanabe* | Mark Tindle & Leslie Cliff | Dr Carol Tsuyuki* | Fran Watters | Lorna Yeates | Gordon W. Young* | Three Anonymous Supporters.  Patrons ($500 - $999):| Alan & Elizabeth Bell* | Andrea Bertram | Buntain Insurance* | Christina Burridge | Andrew J A Campbell* | Lorene De Silva | Lorea DeClercq & Michael Winters | Virginia Evans* | Martin Ferera | Jane Flick & Robert Heidbreder* | Nancy & David Fraser | Michael Fuhrmann | Andrew Gay | Patrick Gilligan-Hackett* | In memory of Barbara Godard | Sherrill Grace | Ronald Hagler* | Winifred Hall | Martha Hazevoet* | Diana Herbst | Heather & Bill Holmes | Joseph & Jeanette Jones | Harold Knutson* | Michael Kobald* | Paula Kremer | David Layton & Zoe Druick | Evelyn Leaf* | John C. Leighton* | Ursula Litzcke | Susanne Lloyd* | Graeme & Paddy Macleod* | Marta & Nicolas Maftei* | Bill Markvoort | Barbara Moon | Hans-Karl & Irene Piltz* | Pam Ratner & Joy Johnson* | Tim & Janet Rendell | Peter & Kay Richards | Peter & Elfriede Rohloff | Elaine Sawyer, in memory of John, a true Handelfreak* | Johanna Shapira | Karen Shuster* | James & Jean Simpson* | Fumiko Suzuki | Tom & Margaret Taylor | Gwyneth & Roy Westwick* | Michael Stevenson & Jan Whitford | Dr James Whittaker* | Karen Wilson* | Jane & Michael Woolnough* | In Memory of Rosemary Wright | Two Anonymous Patrons.  Friends ($100 - $499): Jill Bain | Patricia & Robert Baird* | Sarah Ballantyne* | Janet Becker | In Memory of Becky | Richard Beecher | Jeremy Berkman & Sheila McDonald* | Richard Bevis | Patricia Birch | Joost Blom | Janine Bond* | Valerie Boser & Patrick Tivy | Norma Boutillier | Gary & Natalie Boychuk | Jane Bracken & Fred Stockholder | Donna Brendon | Nonie Brennan | Gordon Briggs | Mary Brown* | Karl Brunner* | Pille Bunnell | Lawrence & Maggie Burr | Jessica Campbell | David Chercover* | In Memory of Chloe | Marylin Clark* | Peter & Hilde Colenbrander | Gillian & Mike Collins* | Michael Collins* | Tama Copithorne* | Ron Costanzo* | Cull Family Fund* | Tony Dawson | Dr Gaelan de Wolf* | Marc Destrubé & Anna Goren* | Beatrice Donald | Carolyn Eckel* | Josine Eikelenboom* | Patricia Evans | David Fallis & Alison Mackay* | Keith Farquhar & Koji Ito* | In memory of Eve Farson* | Marguerite Fauquenoy & Bernard Saint-Jacques* | Alex Fisher & Lisa Slouffman* | Irene Fritschi-Nelin | Andrew Fyson | Hannah & Ian Gay | Arlene Gladstone* | Paul Gravett & Mark Hand* | Gordon & Kathleen Gray* | Dr Beverley Green* | Elizabeth Guilbride* | Penelope & Lyman Gurney* | Mark Halpern | Elizabeth & Keith Hamel* | Dr Evelyn J. Harden* | Don Harder* | Norbert & Jutta Haunerland | William M Hay* | Beth & Robert Helsley | The Henkelman Family* | Sally Hermansen | William Herzer* | Ada Ho & Doug Vance* | Barry Honda & Valerie Weeks* | Ralph Huenemann & Deirdre Roberts* | Ron Jobe | France-Emmanuelle Joly | Valerie Jones | Patrick Jordan* | Dr Stanislava Jurenka* | Lars & Anne Kaario* | Lynn Kagan* | Hanna & Anne Kassis* | Judy Killam* | Dalton Kremer | Peter Kwok* | Nicholas Lamm* | M. C. Lansdorp | Janet & Derwyn Lea | David Lemon* | Cindy Leung* | Audrey Lieberman | Leslie Loving* | Janet Lowcock | E. J. Makortoff* | Catherine Manning* | Emil Marek | Glenys McDonald* | James McDowell | Ray McGinnis | William McKellin | Peter Mercer | Bill Meyerhoff | Christi Meyers | Alfred & Jennifer Muma* | Sarah Munro | Peter & Roma Nemetz | Geoffrey Newman | Sharon Newman | Christine Nicolas | Julie Ovenell | Stephen Partridge* | Elizabeth Paterson* | JoAnn Perry | Randall Peterman & Judith Anderson | David Phillips & Margo Metcalfe* | Anne Piternick* | Jocelyn Pritchard* | Dr Patricia Rebbeck | Rhona Rosen* | Allan Sawchuk | Erna Schaefer | Iris Schindel | John Schreiner* | Verna Semotuk* | in honour of Verna Semotuk | Shirley Sexsmith | Leah Skretkowicz | Colleen Smith | Alison Stockbrocks | David & Eileen Tamblin* | Takeshi & Izumi Tanahara | Lynne Taylor* | Kathy Thomas | Douglas Todd* | Ron Toews* | Grant Tomlinson* | Trevor & Rebecca Tunnacliffe* | Vancouver Viols* | Urban Impact Recycling* | Rika Uto | David & Susan Van Blarcom | Elinor & Vassar | Nicholas Voss* | Barbara M Walker* | James Walsh* | Heddi & Tony Walter | Norma Wasty | Jim Wearing* | Joella Werlin | C & H Williams* | Elizabeth Wilson & Lauri Burgess | Audrey Winch* | Martha Wintemute | Fred Withers | Nancy Wong* | Dale & Ted Wormeli* | William J Worrall* | Reece Wrightman* | Elizabeth H. Yip | Colin Young | Beth Young | Jennifer & Kenneth Yule | Twenty-One Anonymous Friends.  Donors ($25 - $99): Dr Frank Anderson | Yvonne Bachmann | Jill Bain | G. Pat Blunden* | Janet Brynjolfsson* | Norma Chatwin* | Vivien & Patrick Clarke | Abe Cohen | Bette Cosar* | In memory of Daniel Craig | Greg Cross* | Shelagh Davies* | Judith Davis* | Jacqueline Day | Jan-Steyn de Beer | Dr. Gaelan de Wolf* | Maureen Douglas | Ruth Enns* | Missy Follwell | Kenneth Friedman* | Nancy Garrett* | Jolle Greenleaf | Susan Jung Kemeny* | A donation in memory of Edgar Latimer | Susan Lomax | Ketty & Alex Magil | Reva Malkin* | A donation in honour of the Markova Family | Ulrike McCrum* | Christi Meyers* | Colleen Midmore | Colin Miles* | Jocelyn Morlock | Marie Nagy | Henry Numan | Celia O’Neill | Danielle Papineau | Anna Pappalardo | Hannelore Pinder* | Thomas Querner* | Peter & Elfriede Rohloff | Martha Roth | Carole Ruth* | David Ryeburn* | Valerie Shackleton* | Juliet H. Simon* | Kathryn Simonsen | Cheryl Steinhauer* | The Stenberg Family* | Nicki Stieda | Mr. Ronald Sutherland* | Teresa Vandertuin | Eva Wilson | Nine Anonymous Donors. These listings include donations received prior to September 20, 2018 * A Special Thank-You to our Loyal Long-Time Donors The names in these listings which are marked with an asterisk [*] indicate donors who have supported Early Music Vancouver annually for five years or more. Their loyal and ongoing generosity has been especially valued, and has helped ensure that we can plan our annual projects & seasons with confidence and with a solid sense of security. Thank you!

early music vancouver | endowment fund donors

We also gratefully acknowledhe the select group of donors that, in addition to their annual donations, has generously contributed to Early Music Vancouver’s Endowment Fund – which is administered by the Vancouver Foundation, and which currently stands at over 1.8 million dollars. Interest from this Fund will continue to support our performances & activities in perpetuity.  ($100,000+): The Drance Family Early Music Vancouver Fund.  ($20,000+): Vic & Joan Baker | Ralph Spitzer & Hisako Kurotaki | José Verstappen | 2 Anonymous Donors.  ($5,000+): A donation in memory of Tom Blom | Frank & Helen Elfert | The Nemetz Foundation | Dr Katherine E Paton | Marcia Sipes | A donation in memory of Peter Wood.  ($2,500+): The RPC Family Foundation | Maurice & Tama Copithorne | Tony & Margie Knox | James C. & Wendy Russell | Anona Thorne & Takao Tanabe.  ($1,000+): A donation in memory of Mrs Betty Drance | Heather Franklyn | Marianne Gibson | Patrick Gilligan-Hackett | Martha Hazevoet | Dorothy Jantzen | Ottie Lockey & Eve Zaremba | Susanne Lloyd | Greg Louis | Glenys McDonald | Dr Robert S Rothwell | Karen Shuster | Zelie & Vincent Tan | Lorna Weir | Four Anonymous Donors.  (up to $1,000): Evelyn Anderson | Alan & Elizabeth Bell | Meo Beo | Jeffrey Black & Mary Chapman | L & C Bosman | A donation in memory of C Y Chiu | Mary Christopher | Gillian & Mike Collins | A donation in memory of Basil Stuart-Stubbs | Judith Davis | Jane Flick & Robert Heidbreder | Dr Val Geddes | Margot Guthrie | Mark Halpern | Linda Johnston | Peter Kwok | Elizabeth Lamberton | Rob Mayhew | Janette McMillan & Douglas Graves | Benjamin Milne | Alberto Mondani | Alfred & Jennifer Muma | Barbara Murray | Judith & Greg Phanidis | Connie Piper | Pam Ratner & Joy Johnson | Joan Rike | Elfriede & Peter Rohloff | David Ryeburn | Jo & Bob Tharalson | John Tulip | James Walsh | Fran Watters | Glenys Webster & Paul Luchkow | Five Anonymous Donors. earlymusic.bc.ca Concertos by Antonio Vivaldi EMV Cathedral Series 2018/19 | 7 BRING EMV HOME!

Host an EMV Guest Musician Do you have a guest room that often sits empty? Do you enjoy well-educated, articulate houseguests from across the country and the world? Do you like Classical music? Would you like to get the ‘inside scoop’ about performing from a professional musician? If your answer to any of these questions is ‘yes’, then I invite you to consider joining the growing number of EMV supporters who house visiting guest musicians. Get to know some of the wonderful musicians that come to Vancouver to bring you great music. Host only when it is convenient for you; all you need to provide is a private room.

For more information please contact Jonathan Evans, Production Manager, Early Music Vancouver: [email protected] or 604.732.1610, extension 2004

Special thanks to the following for hosting our guest musicians: Jill Davidson, Tony Dawson, Martha Hazevoet, Delma Hemming, Michiko Higgins-Kato, Barry Honda & Valerie Weeks, Judy Killam, Tony & Margie Knox, Evan & Janice Kreider, Marlege LeGates & Al Dreher, Deborah Roitberg & Jack Amar, Judy Storr, Nick & Olivia Swindale, John Tulip, Alex & Rosemary Waterhouse-Hayward, Alexander Weimann & Chloe Meyers, Marc White & Joey Schibild, Penny Williams, Jane & Michael Woolnoughs.