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Lesson Plan: Found Object Artworks Transforming Ordinary Objects
Found Object Artworks Transforming Ordinary Objects Overview: After completing this activity, students will be better able to understand the importance of materials and the juxtaposition of objects in the creative process. They will also develop or refine critical thinking skills. Age Group/Grade: 8-10 years, grades 3-5 Subject Area: Visual Arts, Language Arts Duration: approximately 40 min. Background Unidentified artist, “MINUTE MAID” Articulated Figure, A found object is a natural or man-made item that an artist or ca.1950s, "Minute Maid" his/her associates identifies as having some aesthetic value. orange juice can, carved and painted wood, and turned Artists may choose to change parts of found objects or may iron, 10 1/2 x 3 1/2 x 2 3/4 leave them whole before incorporating them into larger works. in., Gift of Herbert Waide Hemphill, Jr., and museum Discussion purchase made possible by Ralph Cross Johnson, Share with students “MINUTE MAID” Articulated Figure, which is 1986.65.277. made of a Minute Maid orange juice can, carved wood, and Using the back of their sketch, have students use descriptive turned iron. Begin your conversation with the following ques- language to give a single object five different meanings. For tions: example, a plastic pen cap might be described as: The artist created part of this artwork from a juice can. How A tall top hat for a gentleman fairy off to a dance; has the artist changed that can? Which changes altering the A pirate’s peg leg for walking the plank; can to look like clothing are particularly effective? One of many petals, fallen and curling in the sun; Explain that this figure is similar to a “limberjack.” Makers of The extra long snout of a dachshund; these dancing dolls would create jointed figures and attach them A candle waiting for a match. -
Bottle Caps to Old Shoes
Colorado Teacher-Authored Instructional Unit Sample Visual Arts 8th Grade Unit Title: Bottle Caps to Old Shoes INSTRUCTIONAL UNIT AUTHORS Delta County School District Anna Lee Couch Falcon School District Dana Orton Platte Canyon School District Jennifer Walsh Cherry Creek School District Diane Wright Colorado State University Patrick Fahey, PhD BASED ON A CURRICULUM OVERVIEW SAMPLE AUTHORED BY Jefferson County School District Elizabeth Buhr Weld County RE-1 School District Colorado’s District Sample Curriculum Project Marilee Mason-Shipp This unit was authored by a team of Colorado educators. The template provided one example of unit design that enabled teacher- authors to organize possible learning experiences, resources, differentiation, and assessments. The unit is intended to support teachers, schools, and districts as they make their own local decisions around the best instructional plans and practices for all students. DATE POSTED: MARCH 31, 2014 Colorado Teacher-Authored Sample Instructional Unit Content Area Visual Arts Grade Level 8th Grade Course Name/Course Code Standard Grade Level Expectations (GLE) GLE Code 1. Observe and Learn to 1. Conceptual art theories explain how works of art are created VA09-GR.8-S.1-GLE.1 Comprehend 2. The history of art, world cultures, and artistic styles influence contemporary art concerns VA09-GR.8-S.1-GLE.2 3. Art criticism strategies are used to analyze, interpret, and make informed judgments about works of art VA09-GR.8-S.1-GLE.3 2. Envision and Critique to 1. Visual literacy skills help to establish personal meaning and artistic intent in works of art VA09-GR.8-S.2-GLE.1 Reflect 2. -
Bio Information: CHRISTIAN MARCLAY / TOSHIO KAJIWARA / DJ OLIVE: Djtrio Title: 21 SEPTEMBER 2002 (Cuneiform Rune 348) Format: LP
Bio information: CHRISTIAN MARCLAY / TOSHIO KAJIWARA / DJ OLIVE: djTRIO Title: 21 SEPTEMBER 2002 (Cuneiform Rune 348) Format: LP Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: EXPERIMENTAL / SOUND ART / AVANT-GARDE / TURNTABLISM “At various moments, the mix suggested nature sounds, urban cacophony, 12-tone compositions and the tuning of radio dial” – Washington Post “An archeological excavation where whirlpool scratches, microtones and samples of thrift store-mined cheese fly around like poltergeists released from a tomb.” – XLR8R “Some amazing, static-riddled alien music.” – Dusted Start off by dispelling any outmoded notions about taking things at face value – sometimes a DJ is not just a DJ, a record is not a record, and a turntable is more than a record player. These are the basic tenets with which to enter the world of Christian Marclay’s djTRIO, especially in the case of their live recordings. World-renowned multi-media artist Marclay may be best known these days for his globally embraced film collage piece “The Clock,” but he began by redefining the roles of “musician,” “DJ,” and even “artist” itself. Since the late ‘70s, Marclay has created art by masterfully mistreating both vinyl and phonographic equipment, using them both in a manner more consistent with the way an abstract sculptor employs raw materials in the service of a larger vision. Sometimes these sonic journeys utilizing a turntable as a sextant have been in-the-moment experiences and sometimes they’ve been captured for posterity, but 21 September 2002 on Cuneiform Records happens to be both. -
“The Aesthetics of Play” Dada/Dadaism a Cultural
Examples and references mentioned in Celia Pearce’s text “the Aesthetics of Play” Dada/Dadaism A cultural movement that began in Zurich, Switzerland, during World War I and peaked from 1916 to 1922. The movement primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design It is an example of art as counter-movement and favored anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. In response to the terrible events and the tragedy of WW1 Dada favored nonsensical, outrageous and sometimes anarchist actions as responses to the speechlessness and shock of a whole generation. Example: Kurt Schitters, Uronate, 1922-32 (excerpt) http://costis.org/x/schwitters/ursonate.htm Highly influential to the Surrealist, Fluxus and Punk Rock movements Readymades Marchel Duchamp – readymade: "an ordinary object elevated to the dignity of a work of art by the mere choice of an artist." Most radical form of art at the time - in contrast to "retinal art" — art that was only visual. Art creating controversy: Porcelain urinal inscribed "R. Mutt 1917." Marcel Duchamp, Fountain 1917. Other Duchamp readymades include for example 50 cc of Paris Air (50 cc air de Paris, Paris Air or Air de Paris) (1919): A glass ampoule containing air from Paris, and L.H.O.O.Q. the objet trouvé ("found object") which is a cheap postcard reproduction of Leonardo da Vinci's Mona Lisa onto which Duchamp drew a moustache and beard in pencil and appended the title. When pronounced in French form the sentence "Elle a chaud au cul", which can be translated as "She has a hot ass" This work can be seen not only to critique established art conventions, but to also force the audience to put aside what they had thought before and look at something with a completely different perspective. -
Found Object
FOUND OBJECT ‘A found object is a natural or man-made object – or fragment of an object – that is found (or sometimes bought) by an artist and kept because of some intrinsic interest the artist sees in it’ The term ‘found object’ was conceived from a loan translation, that is, a word or phrase directly taken from another language through literal word for word translation. In this case, from the French ‘objet trouvé’. This artistic concept was introduced to the world in the early 20th century, in a period where many artists sought to challenge the traditional notions on the true nature of art, and its value. Art created using the found object, describes undisguised, often altered, objects or products that one could find in day-to-day life. These objects, which lacked any association with art, being an item or thing with their own individual purpose, were considered particularly unconventional, in their use as an artistic medium. Pablo Picasso, acknowledged globally for his contributions to the development of Modern art during the 20th century, first applied the concept in his painting titled ‘Still Life with Chair Caning’ (1912). The piece was completed on a circular canvas, edged with rope, with a printed image of chair caning. By incorporating industrially produced products (low culture), into the field of fine art (high culture), Picasso effectively opens up a line of questioning, concerning both the role of the technical skills in making art and of mass-produced objects. Despite Picasso’s earlier involvement, the concept is widely thought to have been perfected, several years later, when Marcel Duchamp released a series of “ready-mades”. -
Cultural Ramifications of the Found Object in Contemporary African Art
International Journal of Multiculturalism Volume 2, Number 1, 2021. 50-74 DOI: 10.30546/2708-3136.2021.2.1.50 CULTURAL RAMIFICATIONS OF THE FOUND OBJECT IN CONTEMPORARY AFRICAN ART Clement E. AKPANG FRSA : https://orcid.org/ 0000-0002-5510-4304 Cross River University of Technology, Calabar, Nigeria © The Author(s) 2021 ABSTRACT ARTICLE INFO Arguably Found Object genre represents the most dominant form of ARTICLE HISTORY contemporary artistic expression with unlimited possibilities of material exploration and conceptual ideation. However, Found Object discourse Received: institutionalized in European art history is exclusively western and dismisses 17 November , 2020 Accepted: those of other cultures as mimesis and time-lag. This paper aims to prove that the dominant contemporary discourse of „Recyla Art‟ which many African sculptors 8 February, 2021 Published: have been absorbed into, problematically blurs the conceptual and ideological 25 April, 2021 differences in European and African exploration of discarded objects in art Available online: creation. Using a triangulation of Formalism, Iconography and Interviews as 25 April, 2021 methodologies, this paper subjects the works of El Anatsui, Delumprizulike, Nnena Okore, Bright Eke, Olu Amonda and others to formalistic and interpretative analysis to establish the postcolonial context of the found object in contemporary African art. Findings demonstrate that European and African appropriation of discarded objects in art differs according to societal context in KEYWORDS form and content. The paper therefore concludes that found object art is culture- specific and defined by unique cultural ramifications, thus, to fully understand Found Object, Art, the dynamism of this art genre, a culture-specific or localized reading is required Culture, Ramifications, because the context of its emergence in Europe stands in contradiction to its Africa, Europe conceptualism in contemporary African art-space. -
Rainer Ganahl Biography
RAINER GANAHL Born in Austria. Lives and works in New York 1990/91 Whitney Museum Independent Study Program, New York 1986-91 HAK, Vienna (P. Weibel), Akademie Düsseldorf (N. J. Paik) Master of Philosophy and History at the University of Innsbruck SELECTED SOLO EXHIBITIONS 2010 Alex Zachary, New York Hospitalhof, Stuttgart Elaine Levy Projects, Art Brussels Tea Party, Werkstatt Graz, Graz 2009 MAK, Vienna, October 2009/2010 Toxic Assets, Galerie NŠchst St. Stephan, Rosemarie Schwarzwaelder, Login Elaine Levy Projects, Brussels 2008 Fruit and Flower Deli, New York DADALENIN, Tensta Konsthall, Stockholm Paul Petro Gallery, Toronto Les Laboratoires, Aubervilliers, Paris (a theater production, a film) Kunstverrein SchwŠbisch Hall, SchwŠbisch Hall G126, Galway, Ireland Ce qui roule - That Which Rolls, Early Form's of Rollin' Rock, Les Laboratoire, Aubervilliers, Paris 2007 Rainer Ganahl, The Apprentice in the Sun, Kunstmuseum Stuttgart, Stuttgart, catalog Rainer Ganahl, Reading, Riding and other Recent Works, Duncan of Jordanstone Colege of Art and Design, Dandee 2006 From Vatican to Piazza della Repubblica with no return, RAM, radioartemobile, Rome 2005 The Wallach Art Gallery, Columbia University Museum, New York , catalog Museum of Modern Art, MUMOK, Vienna, catalog Gregoire Maisonneuve, Paris Roellinduerr, St. Gallen Artist Commune, Hong Kong Baumgartner Gallery, New York 2004 le consortium, Dijon bicycle, Paul Petro Contemporary Art, Toronto 2003 Gesellschaft für Aktuelle Kunst, GAG, Bremen, cataog Kunstbüro, Vienna Casco, Utrecht Maisonneuve, Paris vertretung des landes niedersachsen beim bund , Berlin Das Zählen der letzten Tage der Sigmund Freud Banknote, project wall, Kunsthalle Wien, Vienna 2002 Base, Florence, Italy Baumgartner Gallery, New York 2001 Baumgartner Gallery, New York Galerie Nächst St. -
Biography [PDF]
B A R B A R A G R O S S G A L E R I E LOUISE BOURGEOIS 1911 Geboren in Paris, Frankreich (25. Dezember 1911) Born in Paris, France (December 25th, 1911) 2010 Gestorben in New York, USA (31. Mai 2010) Died in New York, USA (May 31, 2010) 1932 Sorbonne, University of Paris (Baccalauréate in Philosophy) 1934 Paul Colin 1936-1937 Atelier Roger Bissière dell'Académie Ranson Académie of D'Espagnat École du Louvre 1936-1938 École Nationale Supérieure des Beaux-Arts (studying with André Devambez) Académie de la Grande-Chaumière, as an assistant or massière to Yves Brayer 1937-1938 École Municipale de Dessin & d'Art Académie de la Grande-Chaumière, studying painting with Othon Friesz and sculpture with Robert Wlérick Docent at the Musée du Louvre 1938 Moved to New York, USA Académie Scandinavie with Charles Despiau Studied with Fernand Léger Marcel Gromaire and André Lhote 1938-1939 L'Académie Ranson 1939-1940 Vaclav Vytlacil 1946 Art Student's League of New York 1955 On October 5th, Louise Bourgeois becomes an American citizen Preise und Auszeichnungen / Awards and Distinctions 2009 Inducted into National Women’s Hall of Fame, Seneca Falls, New York NY 2008 Aragon-Goya Award, Goya Foundation, Aragon Government, Zaragoza, Spain French Legion of Honor medal presented by President Sarkozy to Louise Bourgeois, Artist’s Chelsea home, France 2007 The "Woman Award", The United Nations and Women Together, New York NY Österreichisches Ehrenzeichen für Wissenschaft und Kunst (Austrian Honour Medal for Science and Arts) 2002 Wolf Foundation Prize in the -
T of À1 Radio
ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No. -
Holiday Fund 8 Spectrum 17 Seniors 18 Eating out 25 Shop Talk 26 INSIDE ENJOY CLASS GUIDE
Vol. XXXV, Number 13 N January 3, 2014 PAGE 22 Holiday Fund 8 Spectrum 17 Seniors 18 Eating Out 25 Shop Talk 26 INSIDE ENJOY CLASS GUIDE NUpfront Plane route over Palo Alto eyed Page 5 NHome Website offers remodeling ideas Page 27 NSports Stanford loses 24-20 in the Rose Bowl Page 44 LIGHT UP YOUR LIFE (AND POCKET THE SAVINGS) RECEIVE ENERGY STAR® DISCOUNT LED BULBS! City of Palo Alto Utilities is selling SWITCH Infi nia 60W equivalent LED bulbs for $9.99, and a 40W equivalent for $8.99. (Prices are about half of regular retail!) Take advantage of this great energy-saving offer while supplies last! * t Lifetime residential warranty t 25,000 hour/22 year life t Full 300o light distribution t Warm light (2700K) t Works with most dimmers (See switchlightingco.com/infi nia) tUL rated for indoor, outdoor and damp locations Use the coupon below to receive your discounted energy effi cient LED light bulbs, while supplies last at any of these three locations: Ace Hardware—875 Alma St. Fry’s Electronics—340 Portage Ave. Piazza’s Fine Foods—3922 Middlefi eld Rd. LED DISCOUNT * COUPON ""#$# $ $$' %#$ "# ' %#$# &!" "#' &$ %! $$ !%"# 650-329-2241 www.cityofpaloalto.org/lighting Page 2ÊUÊ>Õ>ÀÞÊÎ]ÊÓä£{ÊUÊ*>ÊÌÊ7iiÞÊUÊÜÜܰ*>Ì"i°V Sellers Wanted Our Motivated Buyers Need Your Help Buyer 1 Buyer 2 Buyer 3 3 Bed + | 2 Bath + 3 Bed + | 2 Bath + 3 Bed + | 2 Bath + | View 1 Acre lot + Atherton Sharon Heights Woodside | Portola Valley Central Atherton Up to $3,500,000 Emerald Hills Up to $5,000,000 Up to $3,000,000 Buyer 4 Buyer 5 Buyer 6 3 Bed -
Christian Marclay
CHRISTIAN MARCLAY Born 1955, San Rafael, California. Lives and works in London and New York. SELECTED INDIVIDUAL EXHIBITIONS 2016 “Six New Animations”, Fraenkel Gallery, San Francisco, CA 2015 “The Clock,” Los Angeles County Museum of Art, Los Angeles “Up and Out”, Cinema Bellevaux, Lausanne, Switzerland “Christian Marclay” Aargauer Kunsthaus, Aurau, Switzerland “Christian Marclay” Artspace, San Antonio, TX “Christian Marclay” White Cube, London, UK “Surround Sounds” Paula Cooper Galley, New York 2013 “Things I’ve Heard,” Fraenkel Gallery, San Francisco “The Clock,” San Francisco Museum of Modern Art, San Francisco “The Clock,” Wexner Center for the Arts, Columbus, OH “The Clock,” Winnipeg Art Gallery, Canada “Christian Marclay,” Paula Cooper Gallery, New York 2012 “The Clock,” Museum of Modern Art, New York “Every Day,” Queen Elizabeth Hall, London “The Clock,” Power Plant, Toronto “The Clock,” Kunsthalle Zurich, Zurich “Seven Windows,” Palais de Tokyo, Paris 2011 “Cyanotypes,” Fraenkel Gallery, San Francisco “Scrolls,” Gallery Koyanagi, Tokyo “The Clock,” Paula Cooper Gallery, New York; Garage Center for Contemporary Culture, Moscow; Los Angeles County Museum of Art, Los Angeles; Museum of Fine Arts, Boston; Centre Pompidou, Paris; National Gallery of Canada, Ontario 2010 “The Clock,” White Cube, London “Christian Marclay: Festival,” Whitney Museum of American Art, New York “Fourth of July,” Paula Cooper Gallery, New York 2009 “Ephemera,” Louvre Museum, Paris “Performa Biennial,” P.S.1 Contemporary Art Center, New York “Video Quartet,” -
After the Avant-Garde
Screen Cultures: German Film and the Visual Series Editors: Gerd Gemünden (Dartmouth College) Johannes von Moltke ( University ofMichigan) After the Avant-Garde Contemporary German and Austrian Experimental Film Edited by Randall Halle and Reinhild Steingröver CAMDEN HOUSE Rochester, New York Copyright© 2008 by the Editors and Contributors Contents All Rights Reserved. Except as permitted under current legislation, no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, List of Illustrations vii recorded, or reproduced in any form or by any means, Acknowledgments ix without the prior permission of the copyright owner. First published 2008 Introduction 1 by Camden House Randall Halle and Reinhild Steingröver Camden House is an im print of Boydell & Brewer Inc. 668 Mt. Hope Avenue, Rochester, NY 14620, USA Contexts www.camden-house.com 1: The Future of"Art" and "Work" in the Age of and of Boydell & Brewer Limited Vision Machines: Harun Farocki 31 PO Box 9, Woodbridge, Suffolk IP12 3DF, UK www.boydellandbrewer.com Thomas Elsaesser ISBN-13:978-1-57113-365-6 2: The Embodied Film: Austrian Contributions to ISBN-10: 1-57113-365-8 Experimental Cinema 50 Bernadette Wegenstein Library of Congress Cataloging-in-Publication Data 3: Interview with Filmmaker Birgit Hein 69 After the avant-garde : contemporary German and Austrian experimental Randall Halle and Reinhild Steingröver film/ edited by Randall Halle and Reinhild Steingröver. p. cm. - (Screen cultures) 4: Videorebels: Actions and Interventions of the lncludes bibliographical references and index, German Video-Avant-Garde 80 ISBN-13: 978-1-57113-365-6 (hardcover: alk.