Cinoorganized Grind
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eazy E Nwa Diss
Eazy e nwa diss Eazy E Leader Of NWA And Owned Of RUTHLESS Records. Dissing Dr Dre And Snoop Doggy Dogg. Here's a classic diss song from Compton Legend Eazy-E Feat B.G. Knocc Out & Dresta - Real. Eazy-E Dissed Ice Cube (Ice Crumbles) [Unreleased Eazy-E Songs]. Hip-Hop Ice Cube and Dr. Dre had. Ice Cube didn't hold back against his former N.W.A. pals after Ice Cube and the other members: Dr. Dre, Eazy-E, DJ Yella and MC Ren. "No Vaseline" is a diss track by Ice Cube from his second album, Death Certificate. The song was produced by Ice Cube and Sir Jinx. The UK release of Death Certificate omitted this song, along with the second long "Black Korea". The song contains vicious lyrics towards Ice Cube's former group, N.W.A, Dr. Dre and his protégé Snoop Dogg later dissed Eazy-E in the song "Fuck Information · Aftermath · In popular culture · Samples. MC Ren shares the family aspects of N.W.A even as former member MC Ren Explains Why N.W.A Didn't Record Ice Cube Diss Track After "No Vaseline" .. I think Ren should have done more interviews about Eazy E and. As most know by now Eric 'Eazy E' Wright and Andre 'Dr. Dre' Young were with Eazy E and together with Ice Cube and MC Ren they formed NWA. From harmless diss records like Kokane and Above The Law's “Don't. N.W.A is back in this motherfucker / And this is only the single / Wait until the motherfucking album comes out Real Niggaz. -
Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
TONY TOCA Text & Photos by Joel Marasigan
requiredaudio.dept.02 FOREVER NOW - Natalise - 888 Records The long awaited debut album from Natalise is here. She first broke into the scene last year with her sin- gle “Love goes On’ from the 888 Records Import Jams compilation. Natalise’s debut album Forever Now bring an exciting energy to the world of pop dance music. She’s collaborated with producers that music, Malyssa answers, “I want my music to get worked with Jocelyn Enriquez, kai and One Vo1ce. people excited at my shows and onto the dance floor Her sound and look is sure to captivate. Her sweet at night. People will see that my songs are fun and voice highlights uptempo pop dance tracks and love energetic, yet have deep lyrical substance that will songs. 888entertainment.com make you think.” Her single “Reminisce” dropped on radio on in February and received instant phones on REMINISCE - Malyssa - Rhythm Drive Records Wild 94.9 KYLD (San Francisco). At the time Rhythm Drive Records introduces MALYSSA - the “Reminisce” was the #2 most requested song newest dance vocalist to take on the music industry. throughout the Bay Area! “Reminisce” is also receiv- Born in Oakland California and raised in the Central ing airplay in Monterey, Modesto, Fresno, Seattle, and Valley, Malyssa aims to make people take notice. Hawaii! Soon to be a classic dance track, Dance artists like Jocelyn (Enriquez), M:G and “Reminisce” defiantly put Malyssa on the map. Angelina have inspired her. When asked about her malyssa.com. brownjungle.com INTERVIEW: TONY TOCA Text & Photos by Joel Marasigan I got a hook up for this interview by the homies Wes and Brian at Toyota. -
PLAYLIST (Sorted by Decade Then Genre) P 800-924-4386 • F 877-825-9616 • [email protected]
BIG FUN Disc Jockeys 19323 Phil Lane, Suite 101 Cupertino, California 95014 PLAYLIST (Sorted by Decade then Genre) p 800-924-4386 • f 877-825-9616 www.bigfundj.com • [email protected] Wonderful World Armstrong, Louis 1940s Big Band Young at Heart Durante, Jimmy April in Paris Basie, Count Begin the Beguine Shaw, Artie 1960s Motown Chattanooga Choo-Choo Miller, Glenn ABC Jackson 5 Cherokee Barnet, Charlie ABC/I Want You Back - BIG FUN Ultimix Edit Jackson 5 Flying Home Hampton, Lionel Ain't No Mountain High Enough Gaye, Marvin & Tammi Terrell Frenesi Shaw, Artie Ain't Too Proud to Beg Temptations I'm in the Mood for Love Dorsey, Tommy Baby Love Ross, Diana & the Supremes I've Got My Love to Keep Me Warm Brown, Les Chain of Fools Franklin, Aretha In the Mood Miller, Glenn Cruisin' - Extended Mix Robinson, Smokey & the Miracles King Porter Stomp Goodman, Benny Dancing in the Street Reeves, Martha Little Brown Jug Miller, Glenn Got To Give It Up Gaye, Marvin Moonlight Serenade Miller, Glenn How Sweet it Is Gaye, Marvin One O'Clock Jump Basie, Count I Can't Help Myself (Sugar Pie, Honey Bunch) - Four Tops, The Pennsylvania 6-5000 Miller, Glenn IDrum Can't MixHelp Myself (Sugar Pie, Honey Bunch) Four Tops, The Perdido - BIG FUN Edit Ellington, Duke I Heard it Through the Grapevine Gaye, Marvin Satin Doll Ellington, Duke I Second That Emotion Robinson, Smokey & the Miracles Sentimental Journey Brown, Les I Want You Back Jackson 5 Sing, Sing, Sing - BIG FUN Edit Goodman, Benny (Love is Like a) Heatwave Reeves, Martha Song of India Dorsey, Tommy -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Dj Whoo Jae Millz Dj Vlad
BACK 2 SCHOOL FASHIONS MIXTAPE REVIEWS COLLECTOR’S EDITION Re-Defining The Mixtape Game DJ WHOO KIDG-UNIT’S GENERAL ADDS $TREET VALUE TO THE GAME JAE MILLZ PLUS: POPS OFF A CONRAD DIMANCHE XAVIER AEON MILLION ROUNDS HAWK VOLUME 1 ISSUE 2 DJ VLAD THE BUTCHER CUTS IT UP >DJ WHOO KID On the cover and this page: (“Street Value” Pg. 44) Photographed Exclusively for Mixtape Magazine by RON WEXLER FEATURES CONTENT VOL.1 ISSUE 2 44 DJ WHOO KID $TREET VALUE G-Unit General or G-Unit Soldier? Crown the kid king if you call him anything. DJ Whoo Kid in his most upfront story to date alerts the game about his strategy and formula for worldwide, not just domestic success. By Kay Konnect 70 Xavier Aeon 74 DJ VLAD 80 Jae Millz THE BUTCHER Rhythm and Blues new Mix it up. Blend it up. Jae Millz, the lyrical sharp- boy wonder from the CT, Whatever you do, make shooter steps to the streets Connecticut to be exact, sure to cut it up. DJ Vlad in a Mixtape Magazine explains in an uncut manner “The Butcher” slices the exclusive. He drops bullets the difference between a mixtape game in half with regarding his demeanor and typical artist and one with exclusive compilations from operation in the mixtape rap an edge. Shaken with a the east-south-mid-west. world. Ready as ever, Jae Hip Hop feel, Xavier Aeon DJ Vlad’s story plugs the Millz pops off a million exposes his sharpness. world to his sword-like rounds easily. -
How Avid Fans Determine and Value Authenticity in Rap Music
THE RELEVANCE OF REAL: HOW AVID FANS DETERMINE AND VALUE AUTHENTICITY IN RAP MUSIC _______________ A Thesis Presented to The Faculty of the Department of Sociology University of Houston _______________ In Partial Fulfillment Of the Requirements for the Master’s Degree _______________ By Erian J. Aquil May 2018 THE RELEVANCE OF REAL: HOW AVID FANS DETERMINE AND VALUE AUTHENTICITY IN RAP MUSIC _______________ An Abstract of a Thesis Presented to The Faculty of the Department of Sociology University of Houston _______________ In Partial Fulfillment Of the Requirements for the Master’s Degree _______________ By Erian J. Aquil May 2018 ABSTRACT Authenticity in rap music holds historical importance in hip hop culture. Low-income blacks in New York City used rap music to express their feelings about and bring awareness to issues in their communities. Rap music is no longer as closely tied to its origins, but authenticity remains a valuable part of these expressions. Though researchers acknowledge rap music has changed, they use historical markers to identify what is authentic in rap music and rarely investigate how fans understand authenticity today. In-depth interviews with eighteen avid rap fans illustrate new ways fans determine authenticity in rap music. Borrowing from Swidler’s (1986) “cultural tool kit,” this study shows how fans draw from their personal toolkits to determine authenticity. Specifically, fans determine authenticity based on whether they believe an artist is telling stories about personal lived experiences, whether they can relate to an artist’s lyrics, and/or whether an artist shows vulnerability in some way. Conversely, fans consider lyrics inauthentic when a rapper tells exaggerated stories that do not seem plausible. -
Dj Drama Mixtape Mp3 Download
1 / 2 Dj Drama Mixtape Mp3 Download ... into the possibility of developing advertising- supported music download services. ... prior to the Daytona 500. continued on »p8 No More Drama Will mixtape bust hurt hip-hop? ... Highway Companion Auto makers embrace MP3 Barsuk Backed Something ... DJ Drama's Bust Leaves Future Of The high-profile police raid.. Download Latest Dj Drama 2021 Songs, Albums & Mixtapes From The Stables Of The Best Dj Drama Download Website ZAMUSIC.. MP3 downloads (160/320). Lossless ... SoundClick fee (single/album). 15% ... 0%. Upload limits. Number of tracks. Unlimited. Unlimited. Unlimited. MP3 file.. Dec 14, 2020 — Bad Boy Mixtape Vol.4- DJ S S(1996)-mf- : Free Download. Free Romantic Music MP3 Download Instrumental - Pixabay. Lil Wayne DJ Drama .... On this special episode, Mr. Thanksgiving DJ Drama leader of the Gangsta Grillz movement breaks down how he changed the mixtape game! He's dropped .. Apr 16, 2021 — DJ Drama, Jacquees – ”QueMix 4′ MP3 DOWNLOAD. DJ Drama, Jacquees – ”QueMix 4′: DJ Drama join forces tithe music sensation .... Download The Dedication Lil Wayne MP3 · Lil Wayne:Dedication 2 (Full Mixtape)... · Lil Wayne - Dedication [Dedication]... · Dedicate... · Lil Wayne Feat. DJ Drama - .... Dj Drama Songs Download- Listen to Dj Drama songs MP3 free online. Play Dj Drama hit new songs and download Dj Drama MP3 songs and music album ... best blogs for downloading music, The Best of Music For Content Creators and ... SMASH THE CLUB | DJ Blog, Music Blog, EDM Blog, Trap Blog, DJ Mp3 Pool, Remixes, Edits, ... Dec 18, 2020 · blog Mix Blog Studio: The Good Kind of Drama.. Juelz Santana. -
Irony 23 2.5 Consumption Style: Secretly Serious 24 2.6 Consumption Style: Camp 25 2.7 Consumption Style: Guilty Pleasures 25 2.8 Conclusion 27
Distinction and Presentation with #guiltypleasure Twitter content analysis of ‘bad’ music and ‘real’ taste. by Liesbeth van der Vlegel ESHCC , Erasmus University Rotterdam 385478, [email protected] Supervisor: dr. P.P.L. Berkers Second reader: J. Michael MSc 08-06-2015 1 #CONTENTS Acknowledgements 5 1 Introduction 11 1.1 Theoretical relevance 11 1.2 Methodical relevance 13 1.3 Outline 14 2 Taste and Distinction 19 2.1 From Distinction to openness 19 2.2 Consumption styles 21 2.3 Consumption style: voraciousness 22 2.4 Consumption style: irony 23 2.5 Consumption style: secretly serious 24 2.6 Consumption style: camp 25 2.7 Consumption style: guilty pleasures 25 2.8 Conclusion 27 3 Taste and Presentation 29 3.1 The Presentation of Self 29 3.2 Goffman and social media 30 3.3 The imagined audience 32 3.4 Reflexive and unreflexive 32 3.5 The construction of hashtags 33 3.6 Conclusion and expectations 35 4 Methodology 39 4.1 Twitter 39 4.2 Twitter users 40 4.3 The constructed week 43 4.4 Data cleaning 44 4.5 Method of analysis 45 4.6 Different levels of analysis 47 5 Results 53 © LIESBETH VAN DER VLEGEL 5.1 Broad analysis 53 5.2 Ten topics complete sample 55 5.3 Hashtags per content category 56 2 3 5.4 Five topics per content category 57 5.4.1 Music 58 5.4.2 TV/movie 61 5.4.3 Food 64 ACKNOWLEDGEMENTS 5.4.4 Leisure time 66 5.4.5 Categories compared 67 5.5 Analysis content category ‘ways of presentation’ 68 5.6 The ways of presentation 71 I will not bother you with my troubles and difficulties during 5.6.1 Distancing by description 71 this thesis process.