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Discography of the Turbo Label
The Labels of Joe and Sylvia Robinson The All-Platinum Label was formed by Joe and Sylvia Robinson, husband and wife in New Jersey in 1969. Sylvia Robinson was one-half of the duo Mickey and Sylvia of “Love is Strange” fame. George Kerr and the Robinson’s were responsible for A&R. Joe Robinson had parlayed a music publishing company that he established years before in New York into the All-Platinum, Stang, and Turbo record labels. Artists included his wife Sylvia, The Moments, Brother to Brother, Shirley and Company, Linda Jones, Jack McDuff and Chuck Jackson The labels were All-Platinum, Stang, Turbo and Vibration. All-Platinum distributed Charisma (US) which released Malcolm X recordings, More which released Eldridge Cleaver recordings and Maple which released R&B and Psychedelic. In the late 70’s All-Platinum went bankrupt. The Robinson’s then formed Sugar Hill Records in 1979 with Milton Malden and financial funding of Morris Levy, the owner of Roulette Records and pioneered Rap Music The Sugar Hill label's first record was "Rapper's Delight" (1979) by The Sugarhill Gang, which was also the first Top 40 hip hop single. Afterwards Grandmaster Flash, The Sequence, Funky Four Plus One, Crash Crew, Kool Moe Dee, The West Street Mob, and Melle Mel joined the label. Sugar Hill's in-house producer and arranger was Clifton "Jiggs" Chase. The in-house recording engineer was Steve Jerome. Al Goodman, leader of The Moments, ran the show and George Kerr was a major producer. Joe and Sylvia's sons Joey and Leland were also active in the business. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
2678 Minus One (No Lead Vocal) Song Package
2678 Minus One (no lead vocal) song package This song package is made available from CAVS Download Service . Update 2010/07/01 Title Artist 07/24 KEVON EDMONDS 98.6 KEITH 1985 BOWLING FOR SOUP (YOU DRIVE ME) CRAZY BRITNEY SPEARS 13TH, THE CURE, THE 4 MINUTES AVANT 4 SEASONS OF LONELINESS BOYZ II MEN 4TH OF JULY SHOOTER JENNINGS 99 RED BALLOONS NENA 99.9% SURE BRIAN MCCOMAS A A PICTURE OF ME (WITHOUT YOU) GEORGE JONES AARON'S PARTY (COME GET IT) CARTER, AARON ABACAB GENESIS ABC JACKSON 5 ABCD CHILDREN ABIDE WITH ME TRADITIONAL ABSOLUTELY (STORY OF A GIRL) NINE DAYS ACE IN THE HOLE STRAIT, GEORGE ACH! DU LIEBER AUGUSTINE CHILDREN ACHY BREAKY HEART BILLY RAY CYRUS ACHY BREAKY SONG WEIRD AL YANKOVIC ADAM'S SONG BLINK 182 ADDICTED SIMPLE PLAN ADDICTED TO LOVE ROBERT PALMER ADRIENNE CALLING, THE AFFAIR OF THE HEART SPRINGFIELD, RICK AFTER CLOSING TIME HOUSTON, DAVID / MANDRELL, BARBARA AFTER ME SALIVA AFTER MIDNIGHT ERIC CLAPTON AFTER THE MUSIC FADES GOSPEL/SHAUN GROVE AGAINST ALL ODDS PHIL COLLINS AGAINST ALL ODDS (2000) MARIAH CAREY AGE AIN'T NOTHING BUT A NUMBER AALIYAH AIN'T LOVE A BITCH STEWART, ROD AIN'T NO MOUNTAIN HIGH ENOUGH MARVIN GAYE/T. TERRELL AIN'T NO STOPPIN' US NOW MCFADDEN & WHITEHEAD AIN'T NO SUNSHINE (1971) WITHERS, BILL AIN'T NO SUNSHINE (1972) JACKSON, MICHAEL AIN'T NO WAY TO TREAT A LADY HELEN REDDY AIN'T NO WOMAN LIKE THE ONE I'VE GOT FOUR TOPS AIN'T NOTHING LIKE THE REAL THING GILL, VINCE / KNIGHT, GLADYS AIN'T THAT A SHAME FATS DOMINO AIN'T THAT PECULIAR GAYE, MARVIN AIN'T TOO PROUD TO BEG TEMPTATIONS, THE ALEXANDER'S -
GLORIA GAYNOR Is All About Adapting, Evolving and Celebrating Life’S Triumphs, Big and Gloria Gaynor Small
INTERVIEW 39 EDGE er first Top 10 hit examined how hard it is to leave the man you love. Her signature Hsong a few years later celebrated the act of booting him to interview the curb. GLORIA GAYNOR is all about adapting, evolving and celebrating life’s triumphs, big and Gloria Gaynor small. From her teen years in Newark as an aspiring entertainer to her ascent to Disco Diva, she has not only survived, she has thrived. As EDGE Assignments Editor ZACK BURGESS discovered, Gaynor has learned a thing or two about herself and others along the way. Still going strong more than four decades after first taking the stage, she is not an easy woman to slow down—even when examining her remarkable achievements and indelible music legacy. EDGE: You have quite a résumé in Soul, Gospel and R&B. Yet most people associate you with Disco. Is that a good thing or a bad thing? GG: It’s kind of a double-edged sword. People who like disco music and associate me with it, I think that’s great. But when people who like other genres don’t associate me with those genres, well that’s not a good thing. EDGE: As disco faded in the 1980s, did that affect your career? GG: Yes, it did. I received fewer calls from the United States to perform. EDGE: During this time did you find Photo courtesy of Troy Word yourself drawing strength from the VISIT US ONTHE WEB www.edgemagonline.com 40 INTERVIEW EDGE: Does your fan base differ overseas compared to the U.S.? GG: Not a lot. -
Hello, Stranger
CAREERS NERDY NETWORKER Debut author explains CAREER DECISIONS Too complex for the NATUREJOBS For the latest career why scientists are naturals p.731 rational brain go.nature.com/yjdpyi listings and advice www.naturejobs.com his singing partner was Chris Parsons, then- president of the marine section of the Society for Conservation Biology in Washington DC. In a 20-second elevator speech that he had fortuitously practised beforehand, Shiffman — who studies shark ecology at the Univer- OIVIND HOVLAND/GETTY sity of Miami in Florida — told Parsons about a presentation that he had given about social media. Parsons was intrigued, and later invited Shiffman to be the first official live-tweeter at the December 2011 International Congress for Conservation Biology in Auckland, New Zealand. That was the first of many confer- ences that Shiffman has since live-tweeted and at which he has given talks, all of which have been fully funded by conferences and other organizations — successes thanks in part to that serendipitous karaoke duet. COURTEOUS COURAGE Shiffman’s experience is an example of how conferences can be a professional boon to early-career scientists, offering countless opportunities to meet mentors and collabora- tors as well as to impress potential employers. But there is also ample opportunity to trample those very chances. Bad behaviour, whether in or outside a session, can harm a junior researcher’s reputation and jeopardize his or her job prospects for years to come. Although neophyte conference attend- ees may plan out the talks that they want to hear, rarely do they seek advice about the many unspoken rules of proper conference etiquette. -
Summerstage Season Announcement June 3 2021 Press Release
Capital One City Parks Foundation SummerStage Announces 2021 Season Lineup Free In-Person Shows Return June 17 in Central Park Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis Followed By Summer Of Soul Juneteenth Celebration with Questlove in Marcus Garvey Park This Season will Feature New York-Centric Artists, Including Patti Smith and Her Band; Sun Ra Arkestra; Antibalas; Tito Nieves; Marc Rebillet; Armand Hammer & The Alchemist featuring Moor Mother, Fielded, and KAYANA; Complexions Contemporary Ballet and Parsons Dance; The Dom Salvador Samba Jazz Sestet; Erica Campbell; The Metropolitan Opera & More to be Announced Benefit Concerts Include Machine Gun Kelly, Dawes, Lake Street Dive, Indigo Girls with Ani DiFranco and Blue Note at SummerStage featuring George Clinton, Chris Botti and Galactic SummerStage in Coney Island Returns Featuring Gloria Gaynor, La India, Ginuwine, Funk Flex, A Michael Jackson Tribute & More Charlie Parker Jazz Festival Returns to Harlem this August Tickets will be Required for All Free & Benefit Show Performances NEW YORK, NY - June 3, 2021 – City Parks Foundation is thrilled to return to live, in-person performances this summer with the announcement of the shows planned for the 2021 season of Capital One City Parks Foundation SummerStage, New York City’s largest free outdoor performing arts festival. This year’s festival will showcase renowned artists and rising stars with an important tie to New York City. SummerStage shows will be returning to Rumsey Playfield in Central Park, Marcus Garvey Park in Harlem, Flushing Meadows-Corona Park in Queens, and The Coney Island Amphitheater, presenting distinctly New York genres including hip-hop, Latin, indie rock, contemporary dance, jazz, and global music. -
WDAM Radio's History of Dionne Warwick
WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S. -
“I Will Survive” Original Work, Derivatives, and Covers
Copyright Lore Since its 1978 release, “I Will Survive” has been recorded “I Will Survive” and released many times. Gaynor recorded a derivative work of the song translated into Spanish, “Yo Vivire,” in 1979, and Polydor Incorporated registered that version for Original Work, copyright protection. The next year, Discos Musart S.A. registered Juan Torres’ album Amor en la Discotheque, Derivatives, which also included a recording of the Spanish translation. Two more derivative works were registered in 1994 when PolyGram Records, Inc. released remixes of Gaynor’s English and Covers and Spanish versions of the song. ALISON HALL Covers of “I Will Survive,” in different styles of music, began to hit the charts soon after the original. Billie Jo Spears’ country version was one of the first. It appeared Gloria Gaynor’s iconic 1978 hit “I Will Survive” is recognized in the Library’s National Recording Registry. on her album The Billie Jo Spears Singles Album. Chantay Savage recorded a soulful rendition of it on her album I Will Today, multiple generations enjoy the song, and Gaynor continues to perform the hit around the world, Survive (Doin It My Way) in 1996. In 2002, Cake recorded a including at the Library’s Bibliodiscotheque. Dino Fekaris and Freddie Perren wrote the words and music rock-based version on their album Fashion Nugget, and in 2007, The Puppini Sisters recorded a 1940s-style version to the song as a work made for hire for Perren-Vibes Music Co., who submitted the original copyright on their album Betcha Bottom Dollar. For each of these application. -
Knack Chic Gloria Gaynor Donna Summer Anita Ward Blondie Styx M
1979 MY SHARONA Knack Chart Run: Top 40: Top 10: #1: LE FREAK Chic Chart Run: Top 40: Top 10: #1: I WILL SURVIVE Gloria Gaynor Chart Run: Top 40: Top 10: #1: HOT STUFF Donna Summer Chart Run: Top 40: Top 10: #1: RING MY BELL Anita Ward Chart Run: Top 40: Top 10: #1: HEART OF GLASS Blondie Chart Run: Top 40: Top 10: #1: BABE Styx Chart Run: Top 40: Top 10: #1: POP MUZIK M Chart Run: Top 40: Top 10: #1: ESCAPE (T HE PINA COLADA SONG ) Rupert Holmes Chart Run: Top 40: Top 10: #1: KNOCK ON WOOD Amii Stewart Chart Run: Top 40: Top 10: #1: WE ARE FAMILY Sister Sledge Chart Run: Top 40: Top 10: #1: DON ’T STOP ‘T IL YOU GET ENOUGH Michael Jackson Chart Run: Top 40: Top 10: #1: 1978 NIGHT FEVER Bee Gees Chart Run: Top 40: Top 10: #1: STAYIN ’ ALIVE Bee Gees Chart Run: Top 40: Top 10: #1: SHADOW DANCING Andy Gibb Chart Run: Top 40: Top 10: #1: HOW DEEP IS YOUR LOVE Bee Gees Chart Run: Top 40: Top 10: #1: KISS YOU ALL OVER Exhile Chart Run: Top 40: Top 10: #1: HOT CHILD IN THE CITY Nick Gilder Chart Run: Top 40: Top 10: #1: THREE TIMES A LADY Commodores Chart Run: Top 40: Top 10: #1: GREASE Frankie Valli Chart Run: Top 40: Top 10: #1: YOU ’RE THE ONE THAT I WANT John Travolta & Olivia Newton-John Chart Run: Top 40: Top 10: #1: BABY COME BACK Player Chart Run: Top 40: Top 10: #1: IF I CAN ’T HAVE YOU Yvonne Elliman Chart Run: Top 40: Top 10: #1: WITH A LITTLE LUCK Wings Chart Run: Top 40: Top 10: #1: 1977 YOU LIGHT UP MY LIFE Debby Boone Chart Run: Top 40: Top 10: #1: I JUST WANT TO BE YOUR EVERYTHING Andy Gibb Chart Run: Top 40: Top 10: #1: BEST -
“If This World Were Mine”: High Quality Culturally Responsive and Responsible Early Childhood Programs
Call for Papers - Special Guest Edited Issue of Taboo: The Journal of Culture & Education “If This World Were Mine”: High Quality Culturally Responsive and Responsible Early Childhood Programs Guest Editors: Brian L. Wright, Ph.D. Zeynep Isik-Ercan, Ph.D. Donna Y. Ford, PhD. University of Memphis Rowan University Vanderbilt University If this world were mine, I'd place at your feet, all that I own. If this world were mine, I'd give you the flowers, the birds and the bees. If this world were mine, I'd give you anything. This well-known love ballad by the late Marvin Gaye and Tammi Terrell is also the introduction of the idea that all children deserve the world when it comes to high-quality early childhood programs with culturally responsive and responsible teachers. Children deserve access to an equitable world (e.g., schooling/ education) where opportunities to develop their full potential is “placed at their feet.” They deserve teachers who are willing to give them all that they "own" (e.g., curricula that is rigorous, culturally responsive, and responsible to their strengths and needs) to ensure their school success. All children, but especially those from historically marginalized populations deserve the "flowers" (e.g., various culturally responsive teaching methods, resources) to learn, grow, and develop into competent learners. Giving every child “the world” begins with understanding that preK-12 students reflect the great racial, ethnic, and cultural diversity of our schools and society. They attend schools in rural, suburban, and urban settings. They are members of diverse families (e.g., two-parents, single-parent, same-sex parents, grandparents, older brother/sister, adopted parents, foster parents), who speak languages other than English. -
I Will Survive”--Gloria Gaynor (1978) Added to the National Registry: 2015 Essay by Louis Niebur (Guest Post)*
“I Will Survive”--Gloria Gaynor (1978) Added to the National Registry: 2015 Essay by Louis Niebur (guest post)* Gloria Gaynor Original single Original single sleeve On the surface, Gloria Gaynor's disco anthem, "I Will Survive" tells the straightforward story of a woman unwilling to put up with a cheating partner. But immediately upon its release in 1978, it was endowed by listeners with much more power than this simple premise, through its universal themes of strength, pride, independence, and overcoming self-doubt. It had, and continues to have, particular resonance with the groups most closely connected with disco since its creation in the early 1970s: African-Americans, gays, and women. Gaynor's story isn't one of overnight success. Rather, her title as the first "Queen of Discos" was earned after years of struggle as a touring live musician, sacrificing security and stability for the less tangible but more fulfilling rewards of a musical career. Gaynor was born on September 9, 1949 as Gloria Fowles in Newark, New Jersey. After high school, she spent nearly a decade singing in a string of semi-regular nightclub gigs, and touring the chitterling circuit, performing standards alongside the latest Top 40 hits with house bands up and down the east coast. She recorded her first single, “She’ll Be Sorry” for Johnny Nash’s Jocida Records in 1965. Nash also recommended she change her name to the alliterative “Gloria Gaynor,” in the hopes that people would call her by the catchy “G.G.” (a nickname that stuck). Throughout the second half of the 1960s and the first half of the 1970s, she and her band, City Life, achieved some renown with their upbeat disco sound, playing venues around the East and Midwest.