DOCSLIB.ORG

Issue 175.Pmd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Oxford’s Music Magazine Free every month. Issue 175 February 2010 DeadDeadDeadDeadDead JerichosJerichosJerichosJerichosJerichos Booze’n’fighting’n’rock’n’roll with Drayton’s teen sensations NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net BANDS WANTING TO PLAY at should be based in Oxfordshire and this year’s Oxford Punt have until have some gigging experience. A the 10th March to submit demos. limited number of all-venue Punt The Punt will take place on Passes are on sale from the Wednesday 12th May across five beginning of February from venues in the city centre. The Punt Videosyncratic on Cowley Road will kick off at Malmaison in the and online at oxfordmusic.net, castle complex. Other venues are priced £8, plus booking fee. INNOVATIVE FOLKTRONICA COLLECTIVE TUNNG and veteran Thirst Lodge, the Purple Turtle, folk guitarist Martin Simpson are among the first acts to be announced the Wheatsheaf and the Cellar. The THE JERICHO TAVERN’S for this year’s Wood Festival. annual Oxford Punt, which was correct website address is Wood,billed as the UK’s greenest live music festival, takes place over launched in 1997, showcases the www.thejericho.co.uk. This site the weekend of the 21st - 23rd May at Braziers Park, near Wallingford. best unsigned acts in Oxfordshire. lists correct, up-to-date gig dates The festival, organised by Truck, also features Danny & The Past events have featured Young for the pub. A Google search for Champions of the World, Frontier Ruckus and Ora Corgan, with over Knives, Little Fish, Stornoway and the venue tends to direct people to 30 live acts due to play over two stages. Other attractions include a Elizabeth – the band that went on the old address, which is still run cycle-powered disco and cinema, music and singing workshops, a to become Foals. by the Tavern former promoter and poetry slam and craft and children’s activities. Music stages are Acts wanting to take part in the includes some serious factual powered by cycle and solar power. Punt can send demos in to inaccuracies. Tickets for Wood are on sale now, priced £70 for the weekend, including Nightshift at PO Box 312, camping. Tickets for 13-17 year olds are £50 with kids going free. You Kidlington, OX5 1ZU or email A SILVER MOUNT ZION play at can buy tickets at Videosyncratic in Summertown or on Cowley Road Myspace links to the Regal on Friday 26th March as and The Scribbler in Oxford City centre as well as various outlets [email protected]. Please part of the new Offshoot Fringe around Oxfordshire and online. Check out the festival advert in this clearly mark all submissions Punt Festival, which runs in conjunction issue of Nightshift for a full list of outlets. and include a contact number and with the annual Oxford Folk A limited number of Supertrucker tickets, which allow entry to both some band or artist details. All acts Festival and aims to explore the Wood and Truck Festival in July, are also on sale now, priced £120. concept of folk music with a month Road, goes weekly from this of live music events, ranging from month. The night showcases gigs to workshops and choral, acoustic acts as well as local bands contemporary classical, spoken wanting to play acoustic sets of word and poetry shows. Other acts their normal material. On Thursday performing include Trembling 18th March the club hosts a special Bells, Thomas Truax, Jali Fily solo performance from The Hold Cissokho, Tarik Beshir, Bleeding Steady’s Franz Nicolas, with a Heart Narrative, Pindrop Chamber limited number of tickets available Ensemble and many more. The from wegottickets.com. event kicks off on the 5th March Creative Tuesday are also with a spoken word performance. launching a new weekly cult film For more information and ticket night and any local bands or details visit www.myspace.com/ musicians wanting to showcase theoffshoot. their videos or documentaries before the main feature can contact THE OXFORD JAZZ FESTIVAL Beth at [email protected]. returns for its second year over the Easter weekend. The four-day OXFORD CONTEMPORARY festival runs from Thursday 1st – MUSIC are inviting applications Sunday 4th April and features over for their annual OCM Open forty acts playing at venues like Session, which takes place at the the Ashmolean, the Bodleian North Wall Arts Centre in Library, St. Michael at the North Summertown and launches their Gate and Malmaison. Acts spring season. Innovative and confirmed include Liane Carroll, original acts of any genre can Mornington Lockett, Flight of submit Myspace links to Hand, Kairos Quartet and The [email protected], or visit Kate Williams Quartet, while there www.ocmevents.org for more will be a number of special gypsy details. Deadline for submissions is jazz events to celebrate the 100th the 5th March. anniversary of the birth of Django PATTI SMITH performs an evening of “words and music” at the Reinhardt. Elsewhere there will be BABY GRAVY launch their new Holywell Music Room on Monday 22nd March. The legendary singer a youth jazz competition, while the single, ‘Not Waiting’, this month returns to Oxford for the first time since her astonishing show at the Cellar will host nightly jazz jams. with a gig supporting former-Slits Academy in 2007 where she played an extended set of songs from her Visit www.oxfordjazzfestival.com guitarist Viv Albertine at the Cellar classic `Horses’ and `Easter’ albums. for full details. on Saturday 6th February. The concert is being promoted by Pindrop Performance and tickets, priced £20, are on sale now from www.artistticket.com. THIS MONTH’S OXFORD Another music legend coming town is LOU REED who brings his TOWN HALL RECORD FAIR Metal Machine Trio to the O2 Academy on Sunday 18th April. takes place on Saturday 20th Reed formed MM3 in 2008 with saxophonist Ulrich Krieger and February, from 11am – 4pm. electronics experimenter Sarth Cahoun, and inspired by Reed’s notorious `Metal Machine Music’ album, they play improvised sets of AS EVER, DON’T FORGET TO free rock and jazz, minimalism, noise and electronica. The group is tune into BBC Radio Oxford billed as “Lou Reed without vocals or songs”, which might well come Introducing every Saturday evening as a blessing to anyone who’s heard his last few albums. Tickets are on 95.2fm. The weekly local music on sale now from the Academy box office or online at show celebrates its fifth www.ticketweb.co.uk BELLOWHEAD HEADLINE anniversary in March with a THIS YEAR’S OXFORD FOLK specially commissioned tribute to FESTIVAL. The annual three-day Radiohead’s ‘The Bends’, featuring celebration of folk and world music various Oxford bands, all in aid of returns over the weekend of the Children In Need. BBC Radio 16th – 18th April. Other acts already Introducing features a regular mix confirmed include Cara Dillon, The of new local releases, demos and Warsaw Village Band, Chris Wood interviews. The show is available and The Demon Barbers to listen to as a podcast all week at Roadshow. As ever the main part bbc.co.uk/oxford. of the festival takes place at Oxford Town Hall, with more events at the DUE TO LAST MONTH’S BAD Holywell Music Room, Oxford weather, a few outlets didn’t get Castle complex and beyond. As their January issue of Nightshift, well as concerts there are featuring an exclusive interview with workshops, buskers, Morris Ride, celebrating the 20th dancers and ceilidhs. Weekend anniversary of the debut EP release. tickets are on sale now, priced £61. The issue is available to read online Visit www.oxfordfolkfestival.com in PDF format at for more details. nightshift.oxfordmusic.net, along with a comprehensive archive of CREATIVE TUESDAYS, the past issues. If you would like a acoustic music and spoken word copy of the January issue, just send club at Café Tarifa on Cowley a large SAE to Nightshift at PO Box 312, Kidlington, OX5 1ZU. a quiet word with DeadDeadDead JerichosJerichosJerichos to experience the sort of things in with the likes of the old punk bands life that kids his age weren’t meant to and lots of Britpop stuff like Stone and, raised on a diet of old punk bands Roses and Oasis. I always really like The Buzzcocks and Stiff Little enjoyed growing up in Drayton. It Fingers, he started to document it all has played a big part in my song in lyrics. writing. At about 14 years old it Dead Jerichos came together almost became the place to be with all the by accident when Craig was asked if local youngsters with their bottles of he still had a band by Baby Gravy Strongbow, or if you didn’t have drummer Zahra Tehrani in her job at enough money for that a 3-litre the Ark-T young people’s music bottle of Frosty Jacks for about project. He lied that he did and £1.20. Nasty stuff. From that age is quickly called Leo and Dave up. Leo where I got to write many of my first recommended Sahm, who he knew songs about the mayhem we did and from primary school. They practised saw.” twice and played a four-song set that LEO: “I got into music when I was included current favourite ‘Red Dance very young as my dad played drums Floor’. in a local band called Loopy and I The current three-piece line-up thought it was cool.
Recommended publications
  • Issue 199.Pmd

    Issue 199.Pmd

    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 199 February Oxford’s Music Magazine 2012 Asher Oxford’sDust maverick MC on his incredible lifetime of music making plus all your local music news, reviews and upcoming gigs. photo: Zahra Tehrani NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net TRUCK FESTIVAL is set to return this summer after founders Robin and Joe Bennett handed the event over to new management. Truck, which had been the centrepiece of Oxford’s live music calendar since 1998, surviving both floods and foot and mouth crises, succumbed to financial woes last year, going into administration in September. However, the event has been taken over by the organisers of Y-Not Festival in Derbyshire, which won Best Grassroots Festival 2011 at the UK Festival Awards. The new organisers hope to take Truck back to its roots as a local community festival. In a statement on the Truck website, Joe and Robin announced, ““We have always felt a great responsibility for the integrity and sustainability of Truck Festival, which grew so quickly and with such enthusiasm from very humble beginnings in 1998. Via Truck’s unique catering arrangements with the Rotary Club, tens of thousands of pounds have been raised for charities and good causes every year, including last year, and many great bands have taken their first steps to international prominence. BONNIE ‘PRINCE’ BILLY makes visits Oxford in May when he “However, after a notoriously difficult summer of trading for Truck teams up with alt.folk band Trembling Bells.
  • Barbara Mandigo Kelly Peace Poetry Contest Winners

    Barbara Mandigo Kelly Peace Poetry Contest Winners

    The Gathering by Ana Reisens Adult Category, First Place In the movie we sleep fearlessly on open planes because we cannot imagine any danger more tragic than those that have already passed. For weeks we have been arriving over the earth’s broken skin, over mountains and rivers, shaking the aching flagpoles from our shoulders. Now all the priests and imams and rabbis and shamans are gathered beside the others, teachers, brothers and kings and they’re sharing recipes and cooking sweet stories over fires. Suddenly we hear a voice calling from the sky or within – or is it a radio? – and it sings of quilts and white lilies as if wool and petals were engines. It’s a lullaby, a prayer we all understand, familiar like the scent of a lover’s skin. And as we listen we remember our grandmothers’ hands, the knitted strength of staying, how silence rises like warmth from a woven blanket. And slowly the lines begin to disappear from our skin and our memories spin until we’ve forgotten the I of our own histories and everyone is holy, everyone is laughing, weeping, singing, It’s over, come over, come in. And this is it, the story, an allegory, our movie – the ending and a beginning. The producer doesn’t want to take the risk. No one will watch it, he says, but we say, Just wait. All the while a familiar song plays on the radio and somewhere in a desert far away a soldier in a tank stops as if he’s forgotten the way.
  • Euell Porter

    Euell Porter

    Euell Porter Material prepared by Maurice Alfred Biographical Sketch of Euell Porter 1910-1998 Edwin Euell Porter was born October 10, 1910 near Franklin, Texas and died September 23, 1998, in Waco Texas. He was the last of six children born to George W. and Alma Parker Porter. His parents worked a small farm outside of Franklin in Robertson County. George W. came from Missouri and was a second generation Irish immigrant. Euell’s mother was of Cajun descent with hair as “black as coal.” His twin sisters, Addis Mae and Gladys Faye, and his brothers, Richard Bland, Samuel Lewis, and George Felton, took care of their little brother almost from his birth. When Porter was about six, his mother became bedridden with influenza and he remembered his mother saying “bring that baby here and let him stand by the bed and sing for me.” Though his mother was ill, the Porter’s sang and made music each night, with his sister Addis or his brother Sam playing the piano, and the rest of the family singing. His mother’s illness became progressively worse, and she died when he was eight. After her death, the family moved to a farm near Pettaway, Texas. Their new house and farm were much larger, with one room set aside for music. In the music room there was a pump organ and a five pedal upright piano. The family continued its tradition of singing, with his sister Addis Mae playing the organ and brother Samuel Lewis playing the piano. In the early 1920’s, Porter attended a singing school in Boone Prairie and it was there he learned to read shaped notes.
  • Mycelia World Tour Pilot

    Mycelia World Tour Pilot

    MYCELIA WORLD TOUR PILOT FRIDAY 8th DECEMBER 2017 THE ROUND HOUSE HAVERING-ATTE-BOWER LONDON @mycelia4music #mycelia www.myceliaformusic.org MYCELIA FOR MUSIC. SOLUTIONS FOR THE MUSIC MAKING COMMUNITY, CONNECTING THE DOTS FOR A FLOURISHING MUSIC BUSINESS ECOSYSTEM Founded by Imogen Heap, gathering support and growing a collective of creatives, professionals and lovers of music. CREATIVE PASSPORT The Creative Passport is Mycelia’s proposal for a digital identity standard for music makers, forming the Creative Passport Database, generating huge positive impact and benefits for the music business ecosystem at large. The Master Key to unlocking the door to a verified open Global Repertoire Database, the Creative Passport contains verified profile information, IDs, acknowledgements, works, business partners and payment mechanisms, acting as the essential connective hub for all music related services. MYCELIA WORLD TOUR The Mycelia World Tour is a 3 day music and tech festival, travelling with over 30 music makers and enablers, visiting over 40 major urban hubs around the world each year. A new model for touring musicians being a space to share creative works, knowledge and showcase music tech developments. At its core, it is a vehicle to deliver Creative Passports to music makers, empowering a new era of abundance for the music business ecosystem. Constantly growing and refining the Creative Passport functionality as it crosses the globe, inviting gatherings like here today, to discuss and collaborate in each location. Connecting global touring
  • Teaching the Media with Mouse Woman: Adventures in Imaginative Education

    Teaching the Media with Mouse Woman: Adventures in Imaginative Education

    Teaching the Media with Mouse Woman: Adventures in Imaginative Education by Kymberley Stewart M.A., Simon Fraser University, 2004 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Curriculum Theory & Implementation Program Faculty of Education Kymberley Stewart 2014 SIMON FRASER UNIVERSITY Summer 2014 Approval Name: Kymberley Stewart Degree: Doctor of Philosophy (Education) Title: Teaching the Media with Mouse Woman: Adventures in Imaginative Education Examining Committee: Chair: Allan MacKinnon Associate Professor Mark Fettes Senior Supervisor Associate Professor Kieran Egan Supervisor Professor Michael Ling Supervisor Senior Lecturer Lynn Fels Internal/External Examiner Associate Professor Faculty of Education David Jardine External Examiner Professor Faculty of Education University of Calgary Date Defended: August 20, 2014 ii Partial Copyright Licence iii Ethics Statement iv Abstract Concerns have been expressed for decades over the impact of an increasingly media-saturated environment on young children. Media education, however, occupies a somewhat marginal place in compulsory schooling, and its theorists and practitioners have given relatively little attention to the question of how to teach the media to elementary school children. This question is explored through an auto-ethnography and métissage spanning more than twenty years of media use, media studies, and media education. Three shifts in emphasis are particularly central to the thesis. The first is a shift from a protectionist to a more open, albeit critical stance with respect to children‘s media use. The second is a shift from conceiving of media education in terms of a pre-packaged curriculum towards the co-construction of learning experiences with the students, guided by Egan‘s theory of imaginative education.
  • Radio Essentials 2012

    Radio Essentials 2012

    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
  • Sydonia BIO V060214

    Sydonia BIO V060214

    1. A brief history of Sydonia 2. The making of Reality Kicks All music & lyrics by Sydonia Interviews filmed byG ary Robertson Footage filmed by JadenD ickey & Sam Haycroft Edited by Gary Robertson & Dana Roskvist 3. Reality Kicks Narrative filmed by JadenD ickey Band footage filmed & edited byG ary Robertson Mixed & mastered by Forrester Savell at Sing Sing South 4. Words Filmed & edited by Jaden Dickey Starring Carissa Lee & Karlos Dickey A brief history of Sydonia 5. Ocean of Storms Filmed & edited by Jaden Dickey. Directed by Sam Haycroft Recorded by Sydonia & Evan Mchugh at Sing Sing Studios with additional production by Colin Richardson. Assisted at Sing Sing by Griff Burnell. Mixed by Colin Richardson & Martyn ‘Ginge’ Ford at Miloco Studio, Nott-In-Pill Studios & Treehouse Studios. Engineered by Jarrad Hearman at Miloco Studio’s, Carl Bown SYDONIAat Treehouse Studios & Matt Bond at Nott-In-Pill Studios. Project management by Lora Richardson. Additional guitar DI’s recorded by Jackson Moon. Sydonia are truly hard to describe, huge and beautiful guitars meet melodic, GENRE:Mastered by Ted Jensen Metal at Sterling Sound. / Hardrock hooky vocals and pounding twisted drums and percussion. Although many DVD authored by Gary Robertson. bands claim to be ‘Genre-less’ very few of thosedana bands roskvist have their praises sung Vocals, guitar, programming adam murray HERE* by such luminaries as Randy Blythe from Lamb Bofass, backing vocals,God percussion or Jim Root from Slipknot sam haycroft SHAME Guitar, backing vocals, percussion sean
  • Def Leppard – 02

    Def Leppard – 02

    DEF LEPPARD – 02. Juli 2019 – Berlin – Zitadelle Spandau – Support: EUROPE – JOHN DIVA and the Rockets of Love – Text und Fotos: Holger Ott Im Zeichen des Retro rufen die Bands der guten alten 80er Jahre und die Fans pilgern in die Zitadelle Spandau von Berlin. Das alte Gemäuer ist beliebt, gibt es neben sehr guter Akustik auch von allen Plätzen eine hervorragende Sicht auf die schöne große Bühne. Das Wetter spielt heute auch mit. Weder zu heiß noch zu kalt und bei einem kleinen Lüftchen lässt es sich einige Stunden aushalten. Dieses Stehvermögen braucht das Publikum, denn mit drei Bands stehen, abgesehen von den Umbaupausen, geschlagene drei Stunden Musik auf dem Programm Eröffnet wird der Abend von einer, mir bis dato, unbekannten Band. JOHN DIVA mit seinen 'Rockets of Love' geben sich die Ehre und präsentieren in dreißig Minuten eine beeindruckende musikalische und optische Darbietung unter dem Motto: „Mama said, Rock is dead". Frontman JOHN DIVA und seine Mannen turnen in extravagantem Outfit über die Bühne. Schön grell und bunt darf es sein und sieht man dazu DIVAS passenden Hüftschwung, weiß der Fan sofort, dass es hier nur um Sex, Drugs and Rock 'n' Roll geht. Ohne Zweifel, die Truppe ist gut und rockt auch richtig fett ab. Also, im Auge behalten. Ein gelungener Einstand in den heutigen Abend. Zu EUROPE muss man nicht viel sagen. JOEY TEMPEST ist in top Form und schmettert seine bekanntesten Songs in die Menge. Das Gedränge vor der Bühne wird größer und der Hype wächst mit jedem Song ihrer einstündigen Show. Leider fällt durch die Supporterstellung einiges unter den Tisch, aber Hits wie „Carrie", „Superstitius" und natürlich das abschließende "The Final Countdown" reißen wieder alles heraus.
  • Music 5364 Songs, 12.6 Days, 21.90 GB

    Music 5364 Songs, 12.6 Days, 21.90 GB

    Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
  • Roskilde Festival Festival Internacional De Benicàssim

    Roskilde Festival Festival Internacional De Benicàssim

    Julio 2013 ROSKILDE FESTIVAL FESTIVAL INTERNACIONAL DE BENICÀSSIM CRÓNICAS: Def Leppard, Bon Jovi, Whitesnake, Dover, Blues Brothers, Elvis Cotello, La Pandilla Voladora . Entrevistamos a Marx 1 Portada de : Jackster Slipknot (Corey Taylor “Number 8”) Esta revista ha sido posible gracias a: Alejandro Juarez Alex García Alfonso Camarero Andrés Moreno Antonio Maraver Bernabé Cantero Chema Pérez Daniel Herranz David Collados Héctor Checa Francisco Moreno Jackster José Luis Carnes José Ángel Romera Manuel Moreno Natalia Gütner Pamp Santiago Cerezo www.solo-rock.com se fundó en 2005 con la intención de con- tar a nuestra manera qué ocurre en el mundo de la música, poniendo especial atención a los conciertos. Desde entonces hemos cubierto la información de más de dos mil con- ciertos, además de informar de miles de noticias relacionadas con el Rock y la música de calidad en general. Solamente en los dos últimos años hemos estado en más de 600 conciertos, documentados de forma fotográfica y escrita. Los redactores de la web viven el Rock, no del Rock, por lo que sus opi- niones son libres. La web no se responsabiliza de los comentarios que haga cada colaborador si no están expresamente firmados por la misma. Si quieres contactar con nosotros para mandarnos información o promo- cional, puedes hacerlo por correo electrónico o por vía postal. Estas son las direcciones: Correo Electrónico: [email protected] Dirección Postal: Aptdo. Correos 50587 – 28080 Madrid 2 Sumario Crónicas de conciertos Pág. 4 IV Fiesta Solo Rock Pág. 5 Bon Jovi Pág. 8 Def Leppard + Whitesnake+ Europe Pág. 12 Dover Pág.
  • Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi

    Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi

    CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80.
  • Out of Sight, out of Mind Propose Resolution

    Out of Sight, out of Mind Propose Resolution

    Eastern Illinois University The Keep March 2014 3-21-2014 Daily Eastern News: March 21, 2014 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2014_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 21, 2014 " (2014). March. 10. http://thekeep.eiu.edu/den_2014_mar/10 This Article is brought to you for free and open access by the 2014 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. LOCAL CONCERT PREVIEW 'SOUTH PARK' VIDEO GAME REVIEW PAGE 2 PAGE 3 ON THE VERGE SOUTH BOUND Check out On the Verge of the After having its Ohio Valley March 21, 2014 The Daily Eastern News' weekly arts and entertainment section BEHIND THE SCENES: 'Gone with theWind' Weekend to nd out about the latest Conference opener canceled, the Eastern softball production from the Charleston team will play Jacksonville State starting Community eatre. Page 1B Saturday. Page 8 WWW.DAILYEASTERNNEWS.COM DION MCNEAL | THE DAILY EASTERN NEWS Matt Mattingly as Ben Hecht and Richard Jones Jr. as David Selznick act out a scene Tuesday for the "Moonlight and Magnolias" play in the Tarble Arts Center. The play will begin at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday in the Tarble. Community theater to share movie production story “Gone With e Wind” centers on a love story screenwriter Ben Hecht. BY KALYN HAYSLETT in the South and was initially thought of as “anoth- Two weeks into the production of the lm “Gone VERGE REPORTER er chick-ick” by several producers, which is how the With e Wind,” Selznick red the former screen- play was given the name “Moonlight and Magnolias,” writer and director and hired Flemming and Hecht in Bananas, peanuts and three talented men trapped director Gail Mason said.