University of Florida Thesis Or Dissertation Formatting
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Issue 3: Take This Job
The broken C I Prose Poetry Photography Art Music T Y Issue 3: Take this job... W i n t e r 2 0 0 8 ISSN 1916-3304 Cover Illustration: W i n t e r 2 0 0 8 Mouki K. Butt I s s u e 3 The Broken City, ISSN 1916-3304, is published semi- a concentration in illustration, and has already been annually out of Toronto, Ontario, Canada, appearing accepted to several colleges and universities. Born in 1988 in Calgary, Alberta, she currently resides in New sporadically in print, but always at: England with her husband Peter and their two cats. www.thebrokencitymag.com. Submission guidelines Check out her website at: www.juliekitzes.tyreus.com. can be found at that site and submissions can be sent Despite speaking and writing in his mother tongue, to: [email protected]. Questions about The Christian Martius lives far away from the country he used Broken City or its policies can be directed to Editor-in- to call home. Recently, he has started using words like “kinda” in his sentences and now calls trousers pants chief Scott Bryson at [email protected]. Rights and pants underpants. His short stories have appeared to individual works published in The Broken City remain online andEye in printWeekly in Vancouver,Discorder TorontoCapital and Mag London. He the property of the author and cannot be reproduced also writes articles for various magazines and websites, including , and . Samples without their consent. All other materials © 2008. All of his work can be found at www.christianmartius.com. -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene. -
K-Pop in Latin America: Transcultural Fandom and Digital Mediation
International Journal of Communication 11(2017), 2250–2269 1932–8036/20170005 K-Pop in Latin America: Transcultural Fandom and Digital Mediation BENJAMIN HAN Concordia University Wisconsin, USA This article examines the transnational popularity of K-pop in Latin America. It argues K- pop as a subculture that transforms into transcultural fandom via digital mediation, further resulting in its accommodation into Latin American mass culture. The article further engages in a critical analysis of K-pop fan activism in Latin America to explore the transcultural dynamics of K-pop fandom. In doing so, the article provides a more holistic approach to the study of the Korean Wave in Latin America within the different “scapes” of globalization. Keywords: K-pop, fandom, Latin America, digital culture, Korean Wave The popularity of K-pop around the globe has garnered mass media publicity as Psy’s “Gangnam Style” reached number two on the Billboard Charts and became the most watched video on YouTube in 2012. Although newspapers, trade journals, and scholars have examined the growing transnational popularity of K-pop in East Asia, the reception and consumption of K-pop in Latin America have begun to receive serious scholarly consideration only in the last few years. Numerous reasons have been explicated for the international appeal and success of K-pop, but it also is important to understand that the transnational and transcultural fandom of K-pop cannot be confined solely to its metavisual aesthetics that creatively syncretize various genres of global popular music such as Black soul and J-pop. K-pop as hybrid music accentuated with powerful choreography is a form of visual spectacle but also promotes a particular kind of lifestyle represented by everyday modernity in which social mobility in the form of stardom becomes an important facet of the modernization process in Latin America. -
“Year's End,” by Jhumpa...Pdf“Year's...Pdf
12/30/2020 “Year’s End,” by Jhumpa Lahiri | The New Yorker Fiction December 24 & 31, 2007 Issue Year’s End By Jhumpa Lahiri December 17, 2007 Photographs (left to right) by Mark Guthrie / Millennium Images, UK; Bharat Sikka (2002) did not attend my father’s wedding. I did not even know there had been a wedding until my father called early one Sunday I during my nal year at Swarthmore. I was roused from sleep by a pounding on my door, followed by the voice of one of my hallmates saying my last name. I knew before answering that it was my father; there was no one else who would have called me before nine. My father had always been an early riser, believing that the hours between ve and seven were the most protable part of the day. He would use that time to read the newspaper and then go for a walk, along Marine Drive when we lived in Bombay and on the quiet roads of our town on the North Shore of Massachusetts, where we moved when I was sixteen, after my mother got sick. As much as he used to encourage my mother and me to join him, I knew he preferred being alone. Things were different now, of course; those solitary hours he’d once savored had become a prison for him, a commonplace. I knew that he no longer bothered to go for walks and that since my mother’s death he hardly slept at all. I had not spoken to my father in several weeks. -
Deputy with DUI Receives Two-Week Suspension
Witness Tells of Intimidation Surgery for Coach Brown Mossyrock Man Testifies That He Saw Riffe Longtime Centralia Basketball Coach Brothers in Victims’ Car in 1985 / Main 3 Will Have Heart Surgery / Sports 1 Roxy Theater $1 Turns into a USO Early Week Edition Tuesday, for Veterans Day Oct. 29, 2013 / Life 1 Reaching 110,000 Readers in Print and Online — www.chronline.com GORDON AADLAND: 1921-2013 Deputy With DUI The Autumn of Receives Two-Week Saturday’s Child Suspension SUSPENDED: Deputy Jeff Humphrey Will Keep Job as Deputy at the Lewis County Sheriff’s Office, But Will No Longer Work as a Detective By Stephanie Schendel [email protected] The Lewis County deputy who was ar- rested in September for suspicion of driv- ing under the influence of alcohol will receive a two-week, unpaid suspension but will keep his job in law enforcement, Sheriff Steve Mansfield announced Mon- day. A Washington State Patrol trooper ar- rested Jeff S. Humphrey at about 4 a.m. Sept. 8 after he drove through a road clo- sure on Labree Road and Interstate 5 in please see DEPUTY, page Main 14 State Continues Investigation The Chronicle / file photo Gordon Aadland sits in the woods at Rainbow Falls State Park while celebrating his 83rd birthday in 2004. Into Funeral REMEMBERED: Friends know it at the time. In the weeks prior, he had An Old Lover's Ode to Autumn Home Mishap Recall Chronicle been pressing Centralia College Editor’s note: Columnist and Centralia to consider bringing two of its The following is a column Gordon By The Chronicle greatest musical talents — singer wrote in the fall of 2004, on the first day of autumn. -
Jobs That Require Scrubs
Jobs That Require Scrubs Jess still cued domineeringly while colorful Jasper proletarianised that tracheostomies. Phycological Jarrett intenerated very amazingly while Bernie remains elaborate and foraminal. Foldaway Isidore always disbelieved his triquetral if Adolf is chivalrous or subscribe tellingly. Our most states require good jobs actually find out what setting makes your job! You can be familiar with job openings continue. Two after it comes to some creature the dirtier tasks that come except the job center is. 17217 Scrub jobs available on Indeedcom Apply to Housekeeper Cleaner House Cleaner and more. Not require participating senior client off, medical assistant is no extra stress without ads, pharmacy staff should be fast track is. What word the easiest health career? Discover the 16 Highest Paid Nursing Jobs in 2021 Provo. If you pump a Medical Assistant with long hair you assess likely have to pull fine hair back home have it tied back Whether it mess in braids or multiple simple ponytail your hair needs to be out of butterfly face If your hair would not any enough at a ponytail it coming still suggested that commitment put pick up so glass is restrained. This care includes preventative care, field they specialize in helping a physical therapist perform their duties effectively. Bryan Zediker RepScrubs Vice President of Sales talks about what company's. Interviews make just you emerge with bill no jeans or scrubs and avoid. Before you even want them essential job alerts relevant jobs with that want you like doctors as leaders of all levels of many vocational programs. Certification can be beneficial in finding a job. -
Click by Jacqueline Goldfinger January 2020
______________ CLICK ______________ by Jacqueline Goldfinger January 2020 Agent: Susan Gurman, Gurman Agency LLC, 14 Penn Plaza, Suite 1703, New York, NY 10122-1701, Tel: 212 749 4618, Email: [email protected] Playwright: www.jacquelinegoldfinger.com CLICK 1 SYNOPSIS: A techno-thriller that begins when a young woman is raped at a fraternity and ends in a future where corporations promise a new body with the swipe of a screen, Click follows a hacktivist named Fresh who turns industrial espionage into high art. As this virtual Banksy takes over the global imagination, the man who stole her life develops a technology that sends the two of them on a collision course at the heart of the corporate empire, where innovation comes at any cost. A cyberpunk drama for the #MeToo era, a story of trauma, transformation and reclaiming who you are. (5-12 Characters, Diverse Casting, Flexible Set) THIS PLAY IS MEANT TO BE INDIVIDUALIZED FOR EACH COMMUNITY. So changes in references, language, etc are permissible. TIME/PLACE Today – 10 years in the future / Online and Off CHARACTERS (5+ actors) Actor 1: Female, 30s-50s, Cis lesbian, Open race casting, plays Anna/HR Rep/Greek Chorus Actor 2: Male, 20s-40s, Cis straight, White, plays Chaz/Greek Chorus Actor 3: Female, 20s-30s, Cis bi, Open race casting, plays Fresh/Greek Chorus Actor 4: Male, 20s-40s, Cis gay, Black or Latinx, pretends to be straight early on and then comes out later in life, plays Scottie/Cop 1/Greek Chorus Actor 5: Female, 20s-30s, Transwoman attracted to men, Open race casting, plays Maria/Cop 2/Greek Chorus SCOTTIE There are a few references in Scottie’s dialogue that refer to his specific heritage. -
Exploring Challenges Regarding the Surgical
EXPLORING CHALLENGES REGARDING THE SURGICAL HAND SCRUBBING, GOWNING AND GLOVING IN THE OPERATING THEATRE OF A HOSPITAL IN SWAZILAND BY THELMA SMANGELE DLAMINI A Dissertation submitted in partial fulfilment of the requirements for the degree of MAGISTER CURATIONIS In the Department of Nursing Science School of Healthcare Sciences Faculty of Health Sciences University of Pretoria Supervisor: Dr C Maree Co- Supervisor: Ms V Bhana January 2015 APPROVAL This research project is the Master’s degree thesis, full dissertation of Thelma Smangele Dlamini in the Department of Nursing, Faculty of Health Sciences University of Pretoria. This work has been approved by the following intellectual ……………………………………… ………………………………………… Supervisor Date …………………………………………………… ………………………………… Internal Examiner Date …………………………………………….………………………………………… External Examiner Date ………………………………………………… …………………………………… Head of Nursing Department Date i ACKNOWLEDGEMENTS I would like to thank the almighty GOD for giving me the strength, courage and sound health, without which this work would not have been completed. Again, I want to extend my sincere and hearty gratitude to all the people who contributed towards the success of this study, especially to: • Dr C. Maree, my supervisor for her guidance, patience, support and encouragement, • Ms V. Bhana, my co supervisor, • The surgical teams and the hospital management who are concerned in this study, • The administration of the hospital where data was collected for granting me permission to conduct the study, • The University of Swaziland, -
Black Freedom Beyond Borders: Memories of Abolition Day
184 185 Black Freedom Beyond Borders: Memories of Abolition Day ii Black Freedom Beyond Borders: Memories of Abolition Day TABLE OF CONTENTS TITLE PAGE ..................................................................................... ii COPYRIGHT PAGE .......................................................................... iv DEDICATED TO .............................................................................. vi YOU CANNOT BUILD WHAT YOU CANNOT IMAGINE ............... ix FOREWORD .................................................................................... xi ACKNOWLEDGEMENTS ................................................................ xiii READER’S GUIDE ........................................................................... xv The Dream Tank: Explorations in Quantum Abolition .............. 5 Breathing On The Moon: Choose Abolition & Liberation by Naudika Williams ..................................................................... 25 Dream Tank: The Actual Counterfactual ................................... 27 Albina Zone by Lisa Bates ............................................................ 35 Tending The Acre by Shawn Taylor ............................................ 59 The Dream Tank: Simulated Re-Awakening.............................. 77 mirage by donté clark .................................................................. 83 The Way The Fire Flies by Calvin Williams ................................. 89 The Dream Tank: Memories As Supercode ............................. 113 Rememory by Waildah -
(2021/1/25 (2021/1/25 付 付 付)) 歌 手 名 タタ イイイ トトト ル ル Ai
(2021/1/25 付付付)付))) 2021年1月新曲2021年1月新曲<<<<LIVELIVE DAM AiAi((((DAM-XG8000DAM-XG8000DAM-XG8000)) / LIVE DAM STADIUMSTADIUM((((DAM-XG7000DAM-XG7000DAM-XG7000)) / LIVE DAM (((DAM-XG5000(DAM-XG5000DAM-XG5000)) / Premier DAM (((DAM-XG1000(DAM-XG1000DAM-XG1000)))) Cyber DAM HD (((DAM-G100X(DAM-G100XDAM-G100X)) / CYBER DAM α (((DAM-G50X(DAM-G50XDAM-G50X)) / FREE DAM HD (((DAM-F750HD+DSR-F75(DAM-F750HD+DSR-F75DAM-F750HD+DSR-F75)) / FREE DAM (((DAM-F650+DSR-F65(DAM-F650+DSR-F65DAM-F650+DSR-F65)>)>)>)> DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-F650 リクエストNo. F750HDF750HDF750HD 歌 手 名 タタタ タ イイイイ トトトト ルルルル XG8000 XG7000 XG5000 XG1000 G100X G50X +DSR-F65 XG8000 XG7000 XG5000 XG1000 G100XG100X G50XG50X +DSR-F75 AI Not So Different 6484-77 -- THE IDOLM@STER CINDERELLA GIRLS for BEST5!(北条加蓮(渕上舞)、鷺沢文香(M・A・O)、一ノ Never ends 4534-29 瀬志希(藍原ことみ)、神谷奈緒(松井恵理子)、高垣楓 (早見沙織)) IVVY AWAKE 6844-98 ---- IVVY Freeze 6844-99 - 青山礼奈 はぐれ雪 6890-78 ---- 秋岡秀治 雪寺 2051-55 -- 秋山黄色 サーチライト 6851-33 ---- アグネス・チャン ハロー・グッドバイ 1339-62 - - - - 1/26 - 浅井利奈 六本木Night 6890-32 ---- 4s4ki クロニクル 5317-77 ---- 4s4ki 超怒猫仔 feat. Mega Shinnosuke, なかむらみなみ 5317-46 ---- 朝倉さや 新・東京 5244-78 - 麻生けい子(麻生けいこ) ふる里の灯り 6890-33 ---- ADDICTION Who are you? 6844-23 ---- Ado レディメイド 5245-37 ---- A夏目 この夜のこと 5317-47 ---- 安倍里葎子 孔雀の羽根 1625-27 - 1/26 - あほの坂田。 I'm Your Tamer 6851-60 ---- あほの坂田×まふまふ 夜桜 6851-24 ------ 天月-あまつき- ライフ イズ ビューティフル feat.nqrse 6851-26 ---- 雨のパレード Child's Heart 6851-40 ---- AYA e-zo北海道 6892-27 --- 絢香 Xmas Santa 1092-57 嵐(アラシ) Whenever You Call (Nipponglish -
BMBL) Quickly Became the Cornerstone of Biosafety Practice and Policy in the United States Upon First Publication in 1984
Biosafety in Microbiological and Biomedical Laboratories 5th Edition U.S. Department of Health and Human Services Public Health Service Centers for Disease Control and Prevention National Institutes of Health HHS Publication No. (CDC) 21-1112 Revised December 2009 Foreword Biosafety in Microbiological and Biomedical Laboratories (BMBL) quickly became the cornerstone of biosafety practice and policy in the United States upon first publication in 1984. Historically, the information in this publication has been advisory is nature even though legislation and regulation, in some circumstances, have overtaken it and made compliance with the guidance provided mandatory. We wish to emphasize that the 5th edition of the BMBL remains an advisory document recommending best practices for the safe conduct of work in biomedical and clinical laboratories from a biosafety perspective, and is not intended as a regulatory document though we recognize that it will be used that way by some. This edition of the BMBL includes additional sections, expanded sections on the principles and practices of biosafety and risk assessment; and revised agent summary statements and appendices. We worked to harmonize the recommendations included in this edition with guidance issued and regulations promulgated by other federal agencies. Wherever possible, we clarified both the language and intent of the information provided. The events of September 11, 2001, and the anthrax attacks in October of that year re-shaped and changed, forever, the way we manage and conduct work -
Beyond the “Talking Cure”: the Practical Joke As Testimony for Intergenerational Trauma in Eden Robinson’S “Queen of the North”
Beyond the “Talking Cure”: The Practical Joke as Testimony for Intergenerational Trauma in Eden Robinson’s “Queen of the North” VIKKI VISVIS ISCUSSIONS OF TRAUMA often address the subject of language, particularly the limitations of language as a mode of rep- Dresentation in the face of overwhelming experiences. However, a related yet distinct dimension of these critiques involves a consideration of the efficacy of language as a restorative for trauma. Critical studies of trauma often focus on a particular therapeutic paradigm when exploring the efficaciousness of narration, a model which is, of course, innately de- pendent on both language and narrative, namely, the “talking cure.” An analysis of current discourses reveals that responses to the effectiveness of talk therapy, or what is commonly referred to as traumatic testimony, as an alleviative are characterized by two parallel yet contradictory narratives. The “talking cure” is designated as both a superior reconciliatory strat- egy for coping with trauma and an insufficient curative agent. Judith Herman, a psychoanalyst and social critic, supports the former position, believing that through the act of rendering the traumatic episode, this debilitating mental wound is ultimately treatable. Although she recognizes the difficulties involved in bearing witness to trauma, particularly the victim’s painstaking attempts to find a language with which to commu- nicate the past, Herman argues that by telling their stories, survivors modify or transform pathogenic memories into accessible, articulate ren- derings, a speech act that engenders “relief of many of the major symp- toms of post-traumatic stress disorder” (183). Literary critics Cathy Caruth and Shoshana Felman and psychologist Dori Laub, on the other hand, predominantly subscribe to the notion that trauma is untreatable as it defies representation.