Mainstage Playbill Richard Hopkins, Producing Artistic Director

Total Page:16

File Type:pdf, Size:1020Kb

Mainstage Playbill Richard Hopkins, Producing Artistic Director Mainstage Playbill Richard Hopkins, Producing Artistic Director Jordan Ahnquist and Jillian Louis. Photo by Alex Hill. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. BURT AND ME by Larry McKenna Featuring the Music of Burt Bacharach and Hal David Musical & Vocal Arrangements by Vince DiMura Additional arrangements by Zach Wiseley, John Daniels, & Tom Fosnocht CAST Joe Madsen ....................................................................Jordan Ahnquist* Jerry Landis ....................................................................Nick Anastasia* Sally ...............................................................................Stacey Harris* Lacey Turner ...................................................................Jillian Louis* George / Father DeJoseph ..............................................Michael Marotta* Male Ensemble ...............................................................Matthew Scott Robertson Female Ensemble / Ms. Bernstein ..................................Savannah Sinclair BAND Piano .....................................................Hunter Brown Drums ...................................................Tony Bruno Trumpet ................................................ Keith Greene Bass.......................................................Sean Tillis Music Director Scenic Designer Lighting Designer Brian Victor Jeff Dean Thom Beaulieu Costume Designer Choreographer Sound Designer Sarah Bertolozzi Kathryn Gasper Thomas Korp Stage Manager Roy Johns* Directed by Jason Cannon Season Underwriters Dennis & Graci McGillicuddy, Anne H.S. Nethercott Co-Producer Gulf Coast Community Foundation SETTING Various locations in and around Philadelphia, late 1960’s-mid-1970’s. Burt and Me runs approximately 90 minutes with an intermission. Burt and Me, written by Larry McKenna, published by A-1 Entertainment, Used by permission. All rights reserved. The video or audio recording of this performance by any means is strictly prohibited. * Denotes member Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ARTIST PROFILES JORDAN AHNQUIST Lone Star Love (Consuela, Mrs. Ford u/s). Favorite (Joe Madsen) is excited to regional roles include Sally Bowles in Cabaret be joining Florida Studio (Wilde Award, Best Actress in a Musical), Velma Theatre for the first time. and Roxie in Chicago, Lola in Damn Yankees, Anita Jordan comes fresh from the in West Side Story, Rosie in Bye Bye Birdie, Edythe Off Broadway run of Shear in My One and Only, Elaine in Last of The Red Hot Madness. Regionally Jordan Lovers, and Anna in Syncopation. Northwestern has worked with Milwaukee University graduate. www.staceyharris.com Repertory Theatre, Utah JILLIAN LOUIS (Lacey Shakespeare Festival, Speakeasy Stage Company, Turner) is delighted to be Lyric Stage, New Repertory Theatre, Montana back at FST! Broadway: It Shakespeare in the Parks, and The Gamm, among Shoulda Been You (Rebecca/ others. Some favorite credits include Hamlet, Annie u/s), Off-Broadway: Big River, Heartbreak House, Mr g, Urinetown, Soul Doctor (Ruth); Tour: and Tartuffe. Jordan holds a BA in theatre from Cheers (Diane); NYC/ Muhlenberg College. Regional: Walnut Street/ NICK ANASTASIA (Jerry Tour: Glass Menagerie Landis) is insanely stoked (Laura), Ars Nova, NYMF (7 seasons, 2 awards), to return to Florida Studio Theatre for the New City, American Theatre Group, Theatre! Previously seen at St. Louis Rep, The York, Symphony Space, North FST in last season’s Laughing Shore, Denver Center, TheatreWorks, The Prince, Matters : vol. 5, Nick is etc.! TV/film: Show Me A Hero, Mount Joy, Louie, currently on tour with the Ophelia Descending. Next up: Georama at NYMF. Monster Jam live motorsports IG:@JillianLouis FB:@JillianLouisArtist show as an on-camera JillianLouis.com host/announcer. Past professional credits include MICHAEL MAROTTA Voca People, (Tenoro, Off-Broadway*/National/ (George/Father DeJoseph) International Tours, *Lucille Lortel Award), The Love makes his FST debut. He’s Note (Adam, Original Off-Broadway Cast),In The spent the last three seasons Heights (Sonny, Regional Premiere), Scab (featuring playing all the men and a Alice Ripley), Disney Cruise Line (Disney Fantasy), few women in Tenderly: The Little Women (Laurie), Baby: The Musical (Danny), Rosemary Clooney Musical Snow (Kyle, World Premiere), and bare (Jason, (Cincinnati Playhouse, Licensed Premiere). Tennessee Shakes, Ivoryton STACEY HARRIS (Sally) is Playhouse, others). He joins us from Bangor, delighted to return to FST, Maine where he directed I Loved, I Lost, I Made where she was featured in Spaghetti! (also at Florida Rep, and this seasons That’s Life; I Love You,You’re Erma Bombeck: At Wit’s End). Most recent: STAGES Perfect, Now Change; and St. Louis, The MUNY St. Louis, Harbor Lights That’s Life Again. Broadway: Theatre and Signature Theater, NYC, Cincinnati Bells Are Ringing. National Pops, and The Rep St. Louis. A NYC native, 2 MAC Tours: Cinderella, Show Awards, 3 BACKSTAGE Bistro Awards. Boat, Dreamgirls. Off Broadway: The Megile Of MATTHEW SCOTT ROBERTSON (Male Itzik Manger (Esther), The Golden Land (Fannie), Ensemble) is ecstatic to be making his FST debut ARTIST PROFILES and returning to Sarasota. to show drumming, Tony has shared stage and Now residing in New recording studio with many true greats in the York City, he is a recent music world; BB King, The Tokens, Junior Watson, graduate of Jacksonville June Garber, Benny E King, and Dick Hyman, to University, receiving his name a few. Bachelor of Fine Arts in KEITH GREENE (Trumpet) grew up in Asheboro, Music Theatre. Previous N.C. He spent four years at Berklee College of roles include Hänschen Music in Boston, MA. The next four years he (Spring Awakening), Adam/ traveled around US with bands. In 1973 Keith Japheth (Children of Eden), Robert (The Drowsy went to N.C. to visit family, and Ringling Bros Chaperone), and Donkey (Shrek: The Musical). Barnum & Bailey Circus came to town. Keith was www.matthewscottrobertson.com hired to play lead trumpet for three weeks. The SAVANNAH SINCLAIR third week the conductor became ill and he was (Female Ensemble/Ms. hired to conduct. Keith originally planned to stay Bernstein/ Dance Captain) is one year for the money, but 28 years and three psyched to be returning to wives later he left. He is currently in six bands the FST stage this summer! and travels with three circuses. Keith also plays This past year, Savannah has theatres, enjoys sailing in his boat, and has a been studying at Manhattan great life. School of Music in their SEAN TILLIS (Bass) returns to Florida Studio inaugural Musical Theatre Theatre after last performing in One Man, Two class. Most recently, she has performed as Peter Guvnors in 2015. Sean received his Bachelor Pan at Venice Theatre, Fastrada in Pippin at Booker of Music degree from Florida State University High School, and Ariel in The Little Mermaid while studying with jazz great, Rodney Jordan. at Manatee Players. Savannah is also a proud He has performed three seasons with the Utah Director and Choreographer for Spotlight Theatre Shakespeare Festival in Cedar City, Utah. Sean is Productions Broadway Juniors. a seasoned performer of almost twenty years in HUNTER BROWN (Piano) is a local musician, many styles of music including jazz, funk, pop, singer and actor. He was most recently seen on musical theatre, classical, rock, salsa, and more. the Gompertz Stage in FST’s production of Million JASON CANNON (Director) Jason is an Associate Dollar Quartet and in Yesterday on the Goldstein Artist at FST, where his responsibilities include Cabaret Stage. He is also the proud music director directing, teaching, New Play Development, and and accompanist for FST Improv’s weekly shows, the Acting Apprentice Program. Most recently he and co-teaches their musical improv classes. directed The Dragon vs. the Hiccups, Gidion’s Knot, Other recent credits on drums or the keys include: Stalking the Bogeyman, Million Dollar Quartet, Big River, 25th Annual... Spelling Bee and Bugsy The Velveteen Rabbit, Relativity, My Name is Asher Malone Jr. Enjoy the show! Lev, and Butler (which earned him Best Director TONY BRUNO (Drums) is honored and proud of nominations from the Herald-Tribune and Creative his 30-year work relationship with FST. Recently, Loafing). His performance as Ever Montgomery Tony appeared in FST’s record breaking Piano Men. in Dancing Lessons garnered him “Best Actor of He has drummed for over 60 different musicals 2015” awards from both Sarasota Magazine and across the country, completed 15 national tours, the Herald-Tribune. He also appears regularly with and performed in some of the most prestigious FST Improv. Proud member SDC, AEA, SAG-AFTRA. concert halls in the world. A career not limited jasoncannon.biz ARTIST PROFILES BRIAN VICTOR (Music Director) was associate SARAH BERTOLOZZI (Costume Designer) is conductor of the national tours of The Producers delighted to return to FST after a brief hiatus to and Beauty and the Beast. Regional music work on the Broadway productions of Cirque du direction includes Red Mountain Theatre Company Soleil Paramour and Beautiful: The Carole King (Young Frankenstein, Sister Act), Bristol Valley Musical. Previous FST shows: Spamalot, South Theater (Godspell, Oh, Coward!, The Marvelous Beach Babylon, The Underpants, The Columnist, Wonderettes: Caps & Gowns), and Cohoes Music and Perfect Wedding. Raised
Recommended publications
  • Sweet Charity Is Sure to Be a Wonderful Show
    The English Theatre Frankfurt Cy Coleman has captured the rhythms and sounds, and Dorothy Fields the vernacular of fun, of the 1960s New York. With a song list that includes, Big Spender, The Rhythm of Life, If My Friends Could See Me Now and many more, Sweet Charity is sure to be a wonderful show. It is a musical in every sense of the word. Teacher`s Support Pack Version for advanced Students (Gymnasium) Coleman, Fields, Simon „Sweet Charity“ - The English Theatre Frankfurt - Teacher`s Support Pack (advanced version) Contents 1. "How Long Has This Been Going On?" A Brief History of Musical Theatre p. 03 2 Cy Coleman and “Sweet Charity” p. 06 3 The Characters p. 07 4 The Story - Synopsis of Scenes p. 08 5 INFO: Musical Numbers p.11 6 Looking at various scenes (I,1; I,8; II,11) p.12 7 Why are Men Scared of Commitment? p.18 8 Federico Fellini's film “Nights of Cabiria” p.20 9 REVIEWS p.22 ff. 9.1 “Sweet Charity” in London p.22 9.2 INFO: Robert Louis “Bob” Fosse p.23 9.3 “Sweet Charity” in Atlanta U.S.A. p.25 10 The Reality of Prostitution p.27 Activities 1 Presentation p.05 2 Interpretation p. 12 3 Working with the script: Improvisation and Creative Writing p.15 4 Discussion of the ending p.18 5 Further points for discussion p.19 6 a Understanding a text p.26 6 b Controversial discussion p.27 7 Topics for essays p.27 8 Creative Writing p.29 For booking workshops, talkback appointments with actors, ordering the Word.doc version of this Support Pack or any other inquiries etc.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Play-Guide Sunshine-Boys-FNL.Pdf
    TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit
    [Show full text]
  • JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
    Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer.
    [Show full text]
  • Pink Unicorn Program
    M T H A E Y E OUT OF THE BOX 9 P I - S 2 C 5 THEATRICS O , P 2 A 0 L 1 A presents 9 C T O R A L I C E R I P L E Y in S ' G U I L D MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE BOOK E L I S E F O R I E R E D I E DIRECTION A M Y E . J O N E S @ootbtheatrics Opening Night: May 15, 2019 The Episcopal Actors' Guild 1 East 29th Street Elizabeth Flemming Ethan Paulini Producing Artistic Director Associate Artistic Director present Alice Ripley* in Out of the Box Theatrics' production of By Elise Forier Edie Technical Design Dialect Coach Costume Design Frank Hartley Rena Cook Hunter Dowell Board Operator Wardrobe Supervisor Joshua Christensen Carrie Greenberg Graphic Design General Management Asst. General Management Gabriella Garcia Maggie Snyder Cara Feuer Press Representative Production Stage Management Ron Lasko Theresa S. Carroll* Directed by AMY E. JONES+ * Actors' Equity OOTB is proud to hire members of + Stage Directors and Association Choreographers Society AUTHOR'S NOTE ELISE FORIER EDIE People often ask me “how much of this play is true?” The answer is, “All of it.” Also, “None of it.” All the events in this play happened to somebody. High school students across the country have been forbidden to start Gay and Straight Alliance clubs. The school picture event mentioned in this play really did happen to a child in Florida. Families across the country are being shunned, harassed and threatened by neighbors, and they suffer for allowing their transgender children to freely express their identities.
    [Show full text]
  • Neil Simon's Musical Fools” Is Presented by Special Arrangement with Samuel French, Inc., a Concord Theatricals Company
    Presents Neil Simon’s MUSICAL FOOLS Book and Lyrics by Neil Simon Music and Lyrics by Phil Swann and Ron West Directed by Ron West Music Direction by Jan Roper Choreography by Louisa Kendrick Burton Music Arrangements by Luke Harrington Featuring James Byous • Parvesh Cheena* • Cat Davis* • Nina Genatossio • Ben Goldberg* Bruce Green* • Juliane Hagn • Demetris Hartman • Hank Jacobs Derek Manson* • Brendan Mulally • Jason Paige • Diane ​Reneé ​ • Beth Robbins Robyn Roth* • Bolor Saruul • Jack Sharpe • Clare Snodgrass Scenic Design Costume Design Sound Design Jan Munroe Mylette Nora Tim Labor Lighting Design Properties Production Management Matt Richter & Bruce Dickinson & Amanda Weier & Mary Keegan Ina Shumaker Art Hall Publicist Production Stage Manager Associate Producer Lucy Pollak Jennifer Palumbo* Caroline Klidonas Produced by Martha Demson *Member, Actors’ Equity Association, "This performance is supported, in part, the Union of Professional Actors and by the Los Angeles County Board of Stage Managers in the United States. Supervisors through the Los Angeles This production is presented under the County Department of Arts and auspices of the Actors’ Equity Los Culture." Angeles Membership Company Rule Ticketing and CRM Technology provided by PatronManager “Neil Simon's Musical Fools” is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company. Adapted from the play FOOLS by Neil Simon Presents Neil Simon’s MUSICAL FOOLS Book and Lyrics by Neil Simon Music and Lyrics by Phil Swann and Ron West Directed
    [Show full text]
  • Master Class Faculty
    VIRTUAL MASTER CLASS FACULTY Sunday, January 24th VOICE | THEATER | BUSINESS SKILLS NANCY ANDERSON “Advice From a Pro” *please come with a song prepared and a recorded track. Students may have the opportunity to coach their song. Nancy Anderson is a 20-year veteran singer, actor and dancer of Broadway, Off-Broadway and regional stages. Last year Anderson understudied Glenn Close in the Broadway revival of “Sunset Boulevard” followed by a Helen Hayes nominated performance as Gladys in “The Pajama Game” at Arena Stage in Washington, D.C. She made her Broadway debut as Mona in “A Class Act,” played the roles of Helen and Eileen in the Broadway revival of “Wonderful Town” and starred as Lois/Bianca in the national tour and West End premiere of Michael Blakemore’s and Kathleen Marshall’s Broadway revival of “Kiss Me Kate,” for which she received Helen Hayes and Olivier Award nominations. Great Performances audiences are familiar with her London debut as Lois/Bianca, which was filmed for PBS in 2002 as well as her featured performance in the Carnegie Hall concert of “South Pacific” starring Reba McIntyre and Brian Stokes Mitchell. Other television appearances include Madame Secretary (The Middle Way, “Alice”) and PBS’s Broadway: The American Musical as the voice of Billie Burke. Anderson is a three-time Drama Desk Award Nominee; in 2000 for best supporting actress as eight female roles in Jolson & Co., in 2006 for best leading actress in Fanny Hill and in 2017 for Best Solo Performance in the one-woman musical “The Pen.” She has thrice been nominated for the Helen Hayes Award: in addition to last year’s “The Pajama Game,” she was also nominated for her role in “Side by Side by” Sondheim at Signature Theatre in 2011.
    [Show full text]
  • <I>Spring Awakening</I>
    The Journal of American Drama and Theatre (JADT) https://jadtjournal.org Silence, Gesture, and Deaf Identity in Deaf West Theatre's Spring Awakening by Stephanie Lim The Journal of American Drama and Theatre Volume 33, Number 1 (Fall 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center For a woman to bear a child, she must . in her own personal way, she must . love her husband. Love him, as she can love only him. Only him . she must love—with her whole . heart. There. Now, you know everything.[1] Frau Bergman, Spring Awakening In the opening scene of Spring Awakening, Wendla begs her mother to explain where babies come from, to which her mother bemoans, “Wendla, child, you cannot imagine—.” In Deaf West Theatre’s version of the show, Frau Bergman speaks this line while bringing her pinky finger up to her head, palm outward, but Wendla quickly corrects the gesture, indicating that her mother has actually inverted the American Sign Language (ASL) for “imagine,” a word signed with palm facing inward.[2] As part of a larger dialogue that closes with the epigraph above, Bergman’s struggle to communicate about sexual intercourse in both ASL and English is one of many exchanges in which adults find themselves unable to communicate effectively with teenagers. The theme of (mis)communication is also evoked through characters’ refusal to communicate with each other at all, as in the musical number “Totally Fucked.” When Melchior’s teachers demand he confess to having authored the obscene 10-page document, “The Art of Sleeping With” (which they claim hastened the suicide of his best friend Moritz), they reject his attempts to explain.
    [Show full text]
  • Musical! Theatre!
    Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
    [Show full text]
  • Track 1 Juke Box Jury
    CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper
    [Show full text]
  • Sample Teaching Artists
    Sample Teaching Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SOME OF OUR PASSPORT TO BROADWAY CREATIVE TEAM STEPHEN BROTEBECK (Choreographer) Mr. Brotebeck is an Associate Professor of Musical Theatre at San Diego State University in the prestigious MFA Musical Theatre program where he has directed and choreographed productions of Leonard Bernstein’s Mass, Company, Enchanted April, The Full Monty, Jesus Christ Superstar, The Drowsy Chaperone (Craig Noel Award Nomination), and On The Eve. Mr. Brotebeck is also the Artistic Director of the Okoboji Summer Theatre in Okoboji, Iowa, where he has directed I Ought To Be In Pictures, A Grand Night For Singing, And The World Goes ‘Round and The Spitfire Grill. On Broadway, Stephen served as the Movement Associate on the Tony® Award winning production of Peter and the Starcatcher and also the Off-Broadway transfer to New World Stages, choreographed by Steven Hoggett. In addition he served as an Assistant Director on the Broadway premiere of Ghost The Musical, directed by Matthew Warchus. As a Director and Choreographer, Stephen’s credits include Enchanted April (Co-Director and Choreographer) at Arena Stage in Washington D.C., My Fair Lady, Camelot and Children of Eden (Associate Director/Choreographer) at The Kennedy Center, and The 2012 and 2013 Great American Songbook Hall of Fame Ceremonies presented by Michael Feinstein, honoring Liza Minnelli, Rita Moreno, Jimmy Webb, Cole Porter, Marilyn and Alan Bergman, Barry Manilow and Frank Sinatra (Director and Choreographer).
    [Show full text]
  • Lsnv's Pro Bono Handbook
    LSNV’S PRO BONO HANDBOOK Help Close the Justice Gap, Unleash the Power of Pro Bono. LSNV and Volunteers Volunteers play an important role at Legal Services of Northern Virginia. LSNV has limited resources and we often rely on the generous donation of time and effort by members of the community, both attorney and non-attorney alike. Volunteer resources are used to support existing case work and allow us to expand and to help those who would otherwise be turned away due to capacity limitations. Jennifer Fulmer [email protected] TABLE OF CONTENTS LSNV and the Justice Gap .......................................................................................................................................... 2 Becoming a Pro Bono Attorney with LSNV .............................................................................................................. 3 Pro Bono Case Referral Program............................................................................................................................... 4 Questions? .................................................................................................................................................................... 9 Ten Facts About Virginia’s Justice Gap .................................................................................................................. 10 “EQUAL JUSTICE UNDER THE LAW IS NOT MERELY A CAPTION ON THE FACE OF THE SUPREME COURT BUILDING. IT IS PERHAPS THE MOST INSPIRING IDEAL OF OUR SOCIETY…IT IS FUNDAMENTAL THAT JUSTICE SHOULD BE THE SAME,
    [Show full text]