Apr 2017 FREE
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Arts Development Strategy for Cheltenham 2004/5 to 2006/7
Appendix B Cheltenham Borough Council Access & excellence: an arts development strategy for Cheltenham 2004/5 to 2006/7 Draft 6 10 March 2004 Index 1. Introduction 4 2. Methodology 4 3. A definition of the arts 5 4. Why are the arts important? 5 4.1 The social impact of the arts 4.2 The economic impact of the arts 4.3 The arts and planning 4.4 The arts and crime & disorder 4.5 Arts in health 5. Strategic framework 8 5.1 Department of Culture Media and Sport 5.2 Arts Council England, South West 5.3 Gloucestershire County Council 6. Local context – how does this strategy relate to corporate priorities? 10 6.1 ‘Never a Dull Moment’ – Cheltenham’s Cultural Strategy 2002 to 2006 6.2 ‘Our Future Our Choice’ - The Community Plan 6.3 Business Plan 6.4 Civic Pride 6.5 Draft night time economy strategy 6.6 Economic development and regeneration strategy 6.7 Other 7. The arts in Cheltenham 13 7.1 Professional arts activity 13 7.1.1 Cheltenham Art Gallery and Museum 7.1.2 Everyman Theatre 7.1.3 Cheltenham Arts Festivals Limited 7.1.4 Town Hall and Pittville Pump Room 7.1.5 The Holst Birthplace Museum 7.2 Non-professional arts activity 16 7.2.1 The Playhouse 7.2.2 Cheltenham Arts Council 7.3 The arts and education 17 7.4 Education, outreach and community arts initiatives 18 7.4.1 Cheltenham Arts Festivals Limited 7.4.2 The Everyman 7.4.3 Cheltenham Art Gallery & Museum 7.4.4 The Holst Birthplace Museum 8. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Cheltenham Local History Society Donated Books for Sale: Summer 2021
Cheltenham Local History Society Donated Books for sale: Summer 2021 Cheltenham – pages 1-10 Charlton Kings – page 11 Leckhampton & Swindon – page 12 Cotswolds – pages 13-14 Gloucestershire – pages 15-24 England & Wales – pages 25-27 Scotland, Ireland, Britain & General – pages 27-30 Cheltenham Cheltenham Local History Society Journal Single copies, unless noted, of the following issues are available, all paperback, variously bound, in good to very good condition, sometimes with name/address stickers; various numbers of pages. 3 (1985) [0030]; 10 (1993-94) [0038]; 12 (1995-96) [0039]; 15 (1999) [0040] Price per copy £1.00 17 (2001) [0487]; 18 (2002) [0042] [0488] two copies; 19 (2003) [0489]; 20 (2004) [0490]; 21 (2005) [0491]; 22 (2006) [0045]; 23 (2007) [0492]; 24 (2008) [0047] [0048] [0049] [0493] four copies; 25 (2009) [0494]; 27 (2011) [0053] [0495] two copies; 28 (2012) [0055] [0496] two copies; 29 (2013) [0497]; 31 (2015) [0058] [0059] two copies; 32 (2016) [0060]; 33 (2017) [0061]; 34 (2018) [0062] Price per copy £2.00 Cheltenham Local History Society Chronologies Single copies, unless noted, of the following issues are available, all paperback, variously bound, in good to very good condition, sometimes with name/address stickers; various numbers of pages. Waller, Jill, compiler; A Chronology of Trade and Industry in Cheltenham (2002) [iv] + 36 pp, b&w illus; spiral bound. [0063] £2.50 Waller, Jill, compiler; A Chronology of Sickness and Health in Cheltenham (2003) ii + 36 pp, b&w illus; spiral bound. [0064] £2.50 Waller, Jill, compiler; A Chronology of Crime and Conflict in Cheltenham (2004) [ii] + 38 pp, b&w illus. -
Coventry & Warwickshire Cover
Worcestershire Cover April 2019.qxp_Worcestershire Cover 21/03/2019 16:32 Page 1 HAIR THE MUSICAL COMES Your FREE essential entertainment guide for the Midlands TO THE MIDLANDS WORCESTERSHIRE WHAT’S ON APRIL 2019 APRIL ON WHAT’S WORCESTERSHIRE Worcestershire ISSUE 400 APRIL 2019 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On worcestershirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide MOTIONHOUSE brings its acclaimed multimedia show to Malvern TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: THE LEYLINES festival favourites play The Marr’s Bar... FACEBOOK: @WHATSONWORCESTERSHIRE DEAR ZOO LIVE! puppetry, music and audience WORCESTERSHIREWHATSON.CO.UK participation at Artrix (IFC) Worcestershire.qxp_Layout 1 22/03/2019 14:19 Page 1 Contents April Warwicks/Worcs.qxp_Layout 1 21/03/2019 15:44 Page 2 April 2019 Contents The Worst Witch - family-friendly magic and mayhem at the Coventry Belgrade... page 31 Mott The Hoople Motionhouse Birthday Bard the list Midlander Ian Hunter brings the back out on tour with acclaimed Shakespeare celebrations in Your 16-page Class of ’74 to Leamington multimedia production Charge Stratford-upon-Avon week-by-week listings guide interview page 16 page 35 page 47 page 51 inside: 4. First Word 11. Food 18. Music 20. Comedy 24. Theatre 37. Film 40. Visual Arts 43. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine Worcestershire What’s -
Glenmore Lodge
GLENMORE LODGE CHELTENHAM • GLOUCESTERSHIRE GLENMORE LODGE WELLINGTON SQUARE, CHELTENHAM, GLOUCESTERSHIRE An elegant Grade II Listed villa of major historic significance Entrance Hall, Reception Hall, Drawing Room, Dining Room, Kitchen/Breakfast/Family Room, Utility Room, Laundry Room, Cloakroom, Separate WC, Conservatory. Master Bedroom with En Suite Bathroom & Dressing Room, Three Further Bedroom Suites. Lower Ground Floor Comprising: Library, Office, Games Room, Kitchen, Bedroom with En Suite Bathroom, Lobby, Hot Tub Room, Sauna. Gardener’s WC. Boiler Room. Three Under Pavement Storage Vaults. Off Road Parking for Several Cars. Two Garages. Beautifully Landscaped Gardens to Front & Rear. Planning Permission for a Detached Two Bedroom Single Storey Dwelling. Chris Jarrett Savills Cheltenham Imperial Square, Cheltenham Gloucestershire, GL50 1PZ Tel: 01242 548 000 [email protected] savills.co.uk Your attention is drawn to the important notice on the last page of the text 3 Situation Wellington Square is one of Cheltenham’s finest squares, being As well as superb educational facilities the town is well known within walking distance of the town centre, Pittville Park and lakes for the many literary and music festivals that it holds, as well as and the historic Pittville Pump Room. the Cheltenham Racecourse, cricket and National Hunt festivals. Cheltenham became a spa town in 1716, although its popularity Sporting opportunities within walking distance include squash, flourished after King George III visited in 1788. Its heyday as a tennis and swimming facilities whilst there are also a number of golf spa town was to last from about 1790 to 1840 and it was during courses on the edge of the town. -
Pittville Park
Pittville Park Green Flag Award and Green Heritage Site Management Plan 2016 – 2026 Reviewed January 2020 1 2 Contents 1.0 Introduction .............................................................................................................................................. 5 2.0 General information about the park .......................................................................................................... 8 2.1 Legal Issues ................................................................................................................................................... 8 2.2 Strategic Significance of Pittville Park ........................................................................................................ 10 2.3 Surveys and Assessments undertaken ........................................................................................................ 13 2.4 Community Involvement ............................................................................................................................ 13 2.5 Current management structure .................................................................................................................. 15 3.0 Historical Development............................................................................................................................ 18 3.1 The heritage importance of the park .......................................................................................................... 18 3.2 History of the park - timeline ..................................................................................................................... -
This Is a Self-Archived Version of an Original Article. This Version May Differ from the Original in Pagination and Typographic Details
This is a self-archived version of an original article. This version may differ from the original in pagination and typographic details. Author(s): Karjalainen, Noora Title: Imagined, remembered, gendered : Narratives of cosy other in the media representations of female folk singers Year: 2018 Version: Published version Copyright: © Kirjoittaja & SES 2019. Rights: In Copyright Rights url: http://rightsstatements.org/page/InC/1.0/?language=en Please cite the original version: Karjalainen, N. (2018). Imagined, remembered, gendered : Narratives of cosy other in the media representations of female folk singers. Etnomusikologian vuosikirja, 30, 66-91. https://doi.org/10.23985/evk.69076 Noora Karjalainen IMAGINED, REMEMBERED, GENDERED: Narratives of cosy other in the media representations of female folk singers This article examines the ways in which contemporary folk singers Julie Fowlis (Scotland), Muireann Nic Amhlaoibh (Ireland), Emily Portman and Kate Rusby (England) are constructed in the media as what I call the ‘cosy other’. Discussed here in relation to these Western European artists, I argue that my concept of cosy otherness derives from the internal other that is both European and foreign (Bohlman 2000: 189–193; Gelbart 2007: 64; McKerrell 2016: 126; O’Flynn 2014: 238). Unlike the conventional definition of a post-colonial other and the concept of an internal other, the cosy other is not ominous, competing, or negative. Rather, it appears charming and unthreateningly different with singular cultural traits such as a performance language other than English, a discernible regional dialect, or a pronounced regionalism. The cultural baggage accumulated over time – for example the troubled history of both Ireland and Scotland with England – is wrapped up in cosiness, niceness and nostalgia. -
Leggi La Recensione Del Buscadero
LLOYD JONES accompagna i quattordici le anime roventi, che sulla dio adesso, restituisci l’a- pasto di suoni attentan- TENNESSEE RUN pezzi originali, sorretti da scia di un beat contagioso more e la pace”, un invito do alle casse dello stereo, B VIZZTONE LABEL GROUP una band che annove- si dimenano tra urla da ro- alla gentilezza, alla sociali- l’incestuosa Ain’t Nothing L www½ ra tra le sue fila i miglio- adhouse e sensuali danze tà, ai ritmi gioiosi delle re- Like the Boogie partorisce U ri musicisti dell’area dei cajun, in un idillio musica- lazioni riflessi nei suoi funk un sensuale mix di indie, E Nasville’s Studios. Tre, in- le che odora di puro amo- che assieme ai ricami chi- funk, folk e blues che si in- S vece, le big stars ospiti re per il blues. tarristici, alle backing vo- sinua diretto nelle visce- come backing vocals: Del- Helga Franzetti cals dei “fratelli” John Lou re, mentre una profonda bert McClinton, sulla sma- Lousteau, Oliver Roman, voce piena di sentimento, gliante Everybody’s Some- Wiley Hodgen e al piano con il magnetismo sedati- body’s Fool, Teresa James SEASICK STEVE di Martin Guigui, trascina vo di cui è maestra, dirige a coinvolgere LLoyd in vol- LOVE & PEACE in pieno Zeitgeist anni set- le armonie su una dolcissi- teggi “texani” con I Wish CONTAGIOUS tanta. Nel complesso i do- ma Mercy, tra le note piz- I Could Remember Lo- www½ dici pezzi non si discostano zicate di una quieta e mor- ving You e un’ammaliante di molto dal catalogo del- bida chitarra. -
Ukraine–Europe–World
150 Ukraine–Europe–World UDC 930.85(477) DOI 10.25128/2225-3165.19.01.17 Volodymyr Okarynskyi PhD (History), Associate professor, Department of History of Ukraine, Archaeology and Special Historical Studies, Ternopil Volodymyr Hnatiuk National Pedagogical University (Ukraine) [email protected] ORCID: https://orcid.org/0000-0001-6119-0678 H T P ' , , P ''( Y ( , '( ' ' , X' ' ' ' '' H I ( Y ( ) MUSIC THAT ROCKED THE SOVIETS: ROCK ’N’ ROLL IN DAILY LIFE OF YOUTH IN WESTERN UKRAINE DURING THE 1960S – EARLY 1980S Summary. The article covers the phenomenon of rock music in the lives of young residents of the western regions of Soviet Ukraine, which differed significantly from the rest of the territory of the Ukrainian Soviet Socialist Republic and the entire USSR. The article demonstrates the peculiarities among which this music was mastered, its existence in the youth society – from fashionable dance music to the core of nonconformitsm to the Soviet system. It was reflected in the names officially and unofficially used for rock music and its performers (Big beat, vocal-instrumental ensemble, etc.), as well as in relation to official factors (from tolerance to the prohibition). Consumers of rock music did not necessarily have to be opposed to the Soviet regime. However, the active “immersion” in rock music, and the related counterculture spheres (from the late 1960s onwards, and more and more), contributed to the formation of an alternative life style, which manifested itself in particular: listening to banned radio stations, the style of clothing that was associated with rock music, space for free performance / listening to rock music and exchanging information and impressions (“tusovka”). -
Slap Magazine: Issue 67 (March 2017)
Issue 67 Mar2017 FREE Lamb & Flag The Tything, Worcester, WR1 1JL Fantastic Food, Superior Craft Ales Cocktails & Exceptional Guinness... Folk Music, Poetry Conkers! Local Cider, Backgammon, Tradition We Have It All!! Fresh, Homemade, Authentic Italian Cuisine Thurs - Sun Cocktail Master Class! Open 7 Days - Parties & Functions Catered For [email protected] Tel: 01905 729415 www.twocraftybrewers.co.uk Well February shot by in the blink of an eye and here we are again! Welcome to the March edition of Slap. I was hoping to say ‘Spring is in the air’ but I’ve just seen the weather forecast and it’s far from Spring-like. It really feels like it’s been a long winter of discontent with news of more venue closures almost weekly. The latest to go at the end of February was the Pig and Drum in Worcester which has been prominent on the local music seen for a few years now. Thanks to the efforts of landlady Rachel Cale bands from out of town loved playing there. We don’t yet know the long term fate of the Boar’s Mar 2017 Head in Kidderminster since Sid & Sandra announced they’re moving on in the summer, But I don’t think it’ll be the last to go. With business rates rises due very soon and so many people feeling the pinch, these places are really suffering. There are SLAP MAGAZINE rumours of other venues around the counties who may also be Unit 3a, Lowesmoor Wharf, shutting their doors soon. And It’s not just the music scene that Worcester WR1 2RS suffers either, many of these spaces are now multi functional art Telephone: 01905 26660 spaces as well as platforms for comedy, spoken word and poetry. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,