G1X Operation Manual
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The Vox Continental
Review: The Vox Continental ANDY BURTON · FEB 12, 2018 Reimagining a Sixties Icon The original Vox Continental, rst introduced by British manufacturer Jennings Musical Industries in 1962, is a classic “combo organ”. This sleek, transistor-based portable electric organ is deeply rooted in pop-music history, used by many of the biggest rock bands of the ’60’s and beyond. Two of the most prominent artists of the era to use a Continental as a main feature of their sound were the Doors (for example, on their classic 1967 breakthrough hit “Light My Fire”) and the Animals (“House Of The Rising Sun”). John Lennon famously played one live with the Beatles at the biggest-ever rock show to date, at New York’s Shea Stadium in 1965. The Continental was bright orange-red with reverse-color keys, which made it stand out visually, especially on television (which had recently transitioned from black-and-white to color). The sleek design, as much as the sound, made it the most popular combo organ of its time, rivaled only by the Farsa Compact series. The sound, generated by 12 transistor-based oscillators with octave-divider circuits, was thin and bright - piercing even. And decidedly low-delity and egalitarian. The classier, more lush-sounding and expensive Hammond B-3 / Leslie speaker combination eectively required a road crew to move around, ensuring that only acts with a big touring budget could aord to carry one. By contrast, the Continental and its combo- organ rivals were something any keyboard player in any band, famous or not, could use onstage. -
The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s. -
Makes It Easy to Find Manuals Online!
Downloaded from www.Manualslib.com manuals search engine Photo © Jay Banbury From Jim Marshall I am really pleased that you have chosen this 1959RR Randy Rhoads Signature Series Super Lead 100W head. It is only the fourth signature amplifier that we have produced and I feel it is a great addition to this select range. I first met Randy when he came to the factory in January 1980. He had not long ago joined Ozzy Osbourne and they were working on their first album. He came here knowing exactly what he was looking for, he just needed to find the amplifier that was going to be capable of delivering the power, the tone, and the reliability that he wanted, but was also in keeping with the image that he was to be recognised by. Randy almost found everything he was searching for in a standard 1959 head, but the tone was not quite right. He spent some time with my Service Manager, explaining the slight difference he was looking for, and after a few trials we were able to fit a modification which made the subtle change to the standard tone of the 1959. Randy left the factory to proudly stand in front of his white Marshall stack for all of his hugely successful, but sadly too brief career with Ozzy Osbourne. In this time the legendary guitarist could be seen by thousands of fans, performing in front of his Marshall stack – a sight to behold and a triumphant assault on the ears. Our design team have spent many hours investigating the original Randy Rhoads amplifier, speaking to the Randy Rhoads family, talking to people who knew Randy and heard him play, and talking to the Service Manager who was at the factory when Randy came in and made the modification to the amplifier. -
Arturia Farfisa V User Manual
USER MANUAL ARTURIA – Farfisa V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Samuel Limier (project manager) Pierre-Lin Laneyrie Theo Niessink (lead) Valentin Lepetit Stefano D'Angelo Germain Marzin Baptiste Aubry Mathieu Nocenti Corentin Comte Pierre Pfister Baptiste Le Goff Benjamin Renard Design Glen Darcey Gregory Vezon Shaun Ellwood Morgan Perrier Sebastien Rochard Sound Design Jean-Baptiste Arthus Jean-Michel Blanchet Boele Gerkes Stephane Schott Theo Niessink Manual Hollin Jones Special Thanks Alejandro Cajica Joop van der Linden Chuck Capsis Sergio Martinez Denis Efendic Shaba Martinez Ben Eggehorn Miguel Moreno David Farmer Ken Flux Pierce Ruary Galbraith Daniel Saban Jeff Haler Carlos Tejeda Dennis Hurwitz Scot Todd-Coates Clif Johnston Chad Wagner Koshdukai © ARTURIA S.A. – 1999-2016 – All rights reserved. 11, Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Farfisa V – USER MANUAL 2 Table of contents 1 INTRODUCTION .................................................................... 5 1.1 What is Farfisa V? ................................................................................................. 5 1.2 History of the original instrument ........................................................................ 5 1.3 Appearances in popular music ......................................................................... 6 1.3.1 Famous Farfisa users and songs:..................................................................... 7 1.4 What does Farfisa V add to the original? ......................................................... -
U1 P1 Squarebass U2 P1 Para Vox U1 P2 Cascades U2
U1 P1 SquareBass U2 P1 Para Vox U1 P2 Cascades U2 P2 MiniVogueBass U1 P3 Pro Soloist U2 P3 SpaceKoto U1 P4 Washy Strings U2 P4 ArcaneSanctum U1 P5 DSI-ra Rydm U2 P5 Hold Key Down U1 P6 BoneDryBass U2 P6 FreezPop Arps U1 P7 GlassyGlisses U2 P7 Prophet Bass U1 P8 HolloLead U2 P8 Lyra Pad U1 P9 Dirty FM U2 P9 Suspect Seq U1 P10 Plonklets U2 P10 Imploder U1 P11 HedgeHunterBass U2 P11 FM BaSS U1 P12 Karimbaloid U2 P12 Ghostly U1 P13 SanturSolo U2 P13 OB Lead U1 P14 Model P Bass U2 P14 Growling Lead U1 P15 Northcoast U2 P15 Tine Smith U1 P16 DnB Loop U2 P16 WT Organ U1 P17 Gargantua U2 P17 Basic D Bass U1 P18 ParaOrgan U2 P18 CompuRhythm U1 P19 Chill Check-In U2 P19 Sad Solo U1 P20 VeloSync U2 P20 CalcuPluck U1 P21 Fretless U2 P21 Pulsar U1 P22 GB Groves U2 P22 SliderLead U1 P23 Trance Induction U2 P23 Tensions U1 P24 Let It Sizzle U2 P24 Funktion 2AM U1 P25 Light Metal Hits U2 P25 Sine in Space U1 P26 Para4Canon U2 P26 TrashBell U1 P27 Bassline U2 P27 DynamicBrass U1 P28 ParaBrass U2 P28 Jaffa Lead U1 P29 Space Chimes U2 P29 ThumpBass U1 P30 Pulse Bomb U2 P30 Para Glurp U1 P31 Spy Level 23 U2 P31 PolyRezSaws U1 P32 ShimmeryArp U2 P32 HP Sweep Solo U1 P33 House Chord U2 P33 Moving East U1 P34 Outer Space Cow U2 P34 Vanilla Analog U1 P35 Blompy U2 P35 Knarly Voice U1 P36 Synth Cello? U2 P36 Crystal Echoes U1 P37 Demon's Breath U2 P37 Buchlier U1 P38 Sky Shimmer U2 P38 Taste Of Sugar U1 P39 ParaLead U2 P39 Son Of Dropped U1 P40 Grecian U2 P40 ThroatySolo U1 P41 Jekyll & Hyde U2 P41 Super Sync Lead U1 P42 Seq Echo U2 P42 Super Pixels U1 P43 OneOscTrip -
2006 Marshall Product Catalog
product catalogue 06 from Jim Marshall Welcome to the latest Marshall Product Catalogue. Firstly, I would like to introduce my daughter and Managing Director of Marshall Amplification, Victoria Marshall. While I am still very much involved in all projects and maintain my hands on approach within the company, Victoria now takes care of the day-to-day running of the business. It always fills me with great pride when I unveil the latest information regarding not only established and much-loved favourites, but also the latest additions to our formidable range of amplifiers. We have been working extremely closely with the Hendrix family to produce the first amplifier Jimi Hendrix purchased from my shop and performed all his early gigs with. This project was of special importance to me as Jimi was, and continues to be, a fantastic ambassador for my company. Credit has to go to my team for producing such an astounding duplicate to the tone and cosmetic look of those original stacks. It always makes me smile when people think of Marshall as a guitar amp manufacturer only. Over the years I have employed some of the best bass engineers in the business! Our new MB bass range will testify to this. I cater for every guitar player and this series starts at a 15 Watt practice amp and ends at a 450 Watt head with cabinets for stage use. No matter how big or small the amp, I will never sacrifice on the quality of sound. For 43 years we have produced amplifiers that have set the sonic benchmark for guitarists and earned us the reputation for being the foremost manufacturer in guitar amplification. -
Wavestate Voice Name List
wavestate WAVE SEQUENCING SYNTHESIZER Voice Name List EFGSCJ 1 2 Table of contents Performances ................................................................... 3 Programs ......................................................................... 4 Wave Sequences ............................................................... 7 Multisamples ................................................................. 11 wavestate ............................................................................11 Wavestation .......................................................................16 Plugin Guru .......................................................................18 Effects ............................................................................ 19 3 Performances Performances Name Name Name Name Dark Sonata Split (Hold) Master Sync v30 Shopping Disco Arp Wasted Hip Hop Dawn of a New Day Mayhem Machine 10sec Shopping Disco Wavestate Rhythms Name Daylight is Fading Meanie Jillie Beat 2049 Sine Dreams WaYFunK Split 8-Knob Filter Sequencer Dbl Unpredictable Arp Meet Me in Tokyo Siren Song We 3 Trance 10 Pads on Sample Knob Deep Caramel Swirl MEGA Bass x10 [SmplKnb] Sizzling Stringz Wendy's Groove Split 20 Blades Split Deep House Beat MEGA Unison x5[SmplKnb] Ski Jam 20 Whale Song 1982 Magic Split Dionian Bells Menya SkiBeatz Split Wobble Talk MW Split 2600 in the Matrix Distortion Paradise Metallotronics Skinwalker Ranch WWind Fantasia (Hold) A Peaceful Day Doodles Monster March Split Slap in the Face Split You Better Run! Split Acid Bath -
Vox Continental Voice Name List
Voice Name List Table of Contents VARIATION. 2 ORGAN . 2 CX-3......................................................................................................................................................................2 VOX.......................................................................................................................................................................2 COMPACT...........................................................................................................................................................2 E.PIANO. 2 TINE ......................................................................................................................................................................2 REED.....................................................................................................................................................................2 FM .........................................................................................................................................................................2 PIANO . 2 GRAND ................................................................................................................................................................2 UPRIGHT .............................................................................................................................................................2 E. GRAND............................................................................................................................................................2 -
The Beatles a Hard Day’S Night George Harrison John Lennon
www.customtone.com The Beatles A Hard Day’s Night George Harrison John Lennon Instrument: Rickenbacker® 12 string Instrument: 1962 Gibson® J-160E Variax Setting: Chime 2 Variax Setting: Acoustic 1 Tuning: Standard: E-A-D-G-B-E Tuning: Standard: E-A-D-G-B-E Vox® AC-50 ! Vox® AC-50! This informaon is provided for educaonal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Rickenbacker is a registered trademark of Rickenbacker Internaonal Corp. Gibson is a registered trademarks of Gibson Guitar Corp. Vox is a registered trademark of Vox R&D Limited. www.customtone.com Beatles While My Guitar Gently Weeps Eric Clapton George Harrison Original Guitar: 1957 Gibson® Les Paul® Original Guitar: Gibson® J200 acoustic Variax Setting: Lester 1 Variax Setting: Acoustic 5 Tuning: Standard: E-A-D-G-B-E Tuning: Standard: E-A-D-G-B-E Fender® ! Doubling effect! Twin Reverb®! (added in mix)! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Gibson & Les Paul are registered trademarks of Gibson Guitar Corp. Fender & Twin Reverb are registered trademarks of Fender Musical Instruments Corpora,on. www.customtone.com George Harrison (The Beatles) Ticket To Ride Original Guitar: 1963 Rickenbacker® 360/12 Variax Setting: Chime 2 Tuning: Standard: E-A-D-G-B-E Vox® amp! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. -
Read Book Vox Ebook Free Download
VOX PDF, EPUB, EBOOK Nicholson Baker | 176 pages | 01 Jan 1995 | VINTAGE | 9780679742111 | English | New York, NY, United States Vox | Definition of Vox at Cookie banner We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. By choosing I Accept , you consent to our use of cookies and other tracking technologies. Top Stories. By Li Zhou. US intelligence officials say Iran and Russia obtained voter registration information to interfere in election Iran is behind intimidating emails sent to some Democratic voters, officials say. By Jen Kirby. By Matthew Yglesias. By Peter Kafka. By Alissa Wilkinson. The real death toll from the pandemic in America may already be , Deaths from all causes — not just Covid — are up since the pandemic started, a CDC report found. By Julia Belluz. By Aaron Rupar. By Terry Nguyen. The Latest. Young people have a stake in our future. Let them vote. By Kelsey Piper October By German Lopez October It was predictable — and preventable. From Vox Media We're building great things, and we need your talent. Purdue Pharma admits to crimes for its OxyContin marketing. But no one is going to prison. Is it safe to vote in person? By Dylan Scott October Race in America View All. Vox has been described as left-of-center [3] and progressive. Klein's opening editorial essay, "How politics makes us stupid", explained his distress about political polarization in the context of Yale Law School professor Dan Kahan 's theories on how people protect themselves from information that conflicts with their core beliefs. -
G3 Operation Manual (17 MB Pdf)
OPERATION MANUAL Thank you very much for purchasing the ZOOM . Please read this manual carefully to learn about all the functions of the so that you will be able to use it fully for a long time. Keep this manual in a convenient place for reference when necessary. Contents Usage and safety precautions .......................2 Using Rhythms ............................................24 Introduction ...................................................3 Using the Looper .........................................26 Terms Used in This Manual ............................3 Updating the firmware .................................30 Part Names ....................................................4 Restoring the to its factory default settings. .......................................31 Turn the power on and play ...........................6 Using Audio Interface Functions .......................32 Adjusting effects ............................................8 Effect Types and Parameters .......................33 Selecting Patches ........................................ 10 Troubleshooting ...........................................49 Storing Patches ............................................ 12 Specifications ..............................................50 Setting specific patch parameters ............... 14 Rhythm List .................................................51 Changing Various Settings ........................... 18 Using the Tuner ............................................22 © ZOOM CORPORATION Copying or reproduction of this document -
Jimihendrixexperience Original.Pdf
JHE Manual v4.1 9/19/05 3:12 PM Page 1 JHE Manual v4.1 9/19/05 3:12 PM Page 2 DECLARATION OF CONFORMITY Warning Manufacturer’s Name: DigiTech® Manufacturer’s Address: 8760 S. Sandy Parkway Sandy, Utah 84070, U.S.A. For your protection, please read the following: declares that the product: Important Safety Instructions ™ Product name: Jimi Hendrix Experience 1. Read these instructions. Product option: all (requires Class II power 2. Keep these instructions. adapter that conforms to the 3. Heed all warnings. requirements of EN60065, EN60742, or equivalent.) 4. Do not use this apparatus near water. 5. Clean only with dry cloth. conforms to the following Product Specifications: 6. Do not block any ventilation openings. Install in Safety: IEC 60065 (1998) accordance with the manufacturer’s instructions. 7. Do not install near any heat sources such as radiators, EMC: EN 55013 (1990) heat registers, stoves, or other apparatus (including EN 55020 (1991) amplifiers) that produce heat. Supplementary Information: 8. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, The product herewith complies with the requirements of the Low and the point where they exit from the apparatus. Voltage Directive 73/23/EEC and the EMC Directive 89/336/EEC 9. Unplug this apparatus during lightning storms or when as amended by Directive 93/68/EEC. unused for long periods of time. Vice-President of Engineering - MI 10. No user serviceable parts inside. Refer all servicing to 8760 S. Sandy Parkway qualified service personnel. Servicing is required when Sandy, Utah 84070, U.S.A.