Ai: Artificial Inventor Or the Real Deal?
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
The Mythical Beginnings of Intellectual Property
THE MYTHICAL BEGINNINGS OF INTELLECTUAL PROPERTY * Jessica Silbey INTRODUCTION People commonly justify intellectual property protection with homage to utilitarianism (maximizing the incentive to create, invent, or produce quality goods)1 or natural rights (people should own the product of their creative, inventive, or commercial labor).2 Despite the on-going dominance of these theories, a dissatisfying lack of a comprehensive explanation for the value of intellectual property protection remains.3 One reason for this failure is that economic analysis of intellectual property law tends to undervalue its humanistic element.4 Whereas utilitarianism and natural rights theories are familiar, at least one other basis for intellectual property protection exists. This Article explains how intellectual property protection is rooted in narrative theory.5 It contends that all the U.S. copyright, patent, and trademark regimes are structured around and * Associate Professor of Law, Suffolk University School of Law. [email protected]. Ph.D. University of Michigan (Comparative Literature), J.D., University of Michigan Law School, A.B. Stanford University. For their helpful comments on this developing project, I thank Barton Beebe, Dan Burk, Frank Cooper, Lorie Graham, Michael Madison, William McGeveran, Stephen McJohn, Robert Merges, Michael Rustad, Miguel Schor and Rebecca Tushnet. Thanks also to workshop participants and colloquia attendees at the 2006 Intellectual Property Scholars Conference at Boalt Hall, University of Iowa College of Law, and the Washington College of Law at American University, and the New England IP Scholars Forum hosted by Northeastern University School of Law. I received excellent research assistance from Andrea DeStefano, Paul D’Agostino and Steven Dimirsky and from the staff of the John Joseph Moakley Suffolk University Law Library, especially Susan Sweetgall and Sabrina Ash. -
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The Columbia SCIENCE AND TECHNOLOGY LAW REVIEW www.stlr.org THE DEVIL IN THE DETAILS: A CRITIQUE OF KSR‘S UNWARRANTED REINTERPRETATION OF ―PERSON HAVING ORDINARY SKILL‖ Andrew B. Dzeguze1 In KSR International Co. v. Teleflex Inc., the Supreme Court took it upon itself to comment on the supposed knowledge and capacities of a ―person having ordinary skill in the art‖ as used in 35 U.S.C. § 103. This phrase is a key component of analyzing whether patents are ―obvious‖ and lack sufficient value to justify the award of a patent. The perspective of a ―person of ordinary skill in the art‖ is also used in virtually every meaningful standard in the field of patent law. Despite this significance, the Court felt no need to engage in any sort of structural or statutory analysis of the phrase. Instead, the Court at several points suggested that a ―person having ordinary skill in the art‖ would have qualities that are not apparent from the plain language of the statute - such as creativity and insight beyond their immediate field. It may be that the Court did not realize that its statements regarding ―persons having ordinary skill in the art‖ have significant implications both for patent cases involving obviousness and several other areas of the law. Therefore, this article seeks to fill the gaps left by the Court. By way of background, there is a discussion of the origins and evolution of the United States patent system and the development of the concept of ―obviousness‖ over time. An effort at statutory construction of these terms is then made. -
Nature and the Commons: the Vegetable Roots of Intellectual Property
MAX-PLANCK-INSTI TUT FÜR WI SSENSCHAFTSGESCHI CHTE Max Planck Institute for the History of Science 2009 PREPRINT 382 Jean-Paul Gaudillière, Daniel J. Kevles, Hans-Jörg Rheinberger (eds.) Living Properties: Making Knowledge and Controlling Ownership in the History of Biology NATURE AND THE COMMONS: THE VEGETABLE ROOTS OF INTELLECTUAL PROPERTY MARIO BIAGIOLI Many of the papers presented at the conference on “Living Properties” have looked at how people articulate ways to codify and protect the value they see in living organisms, and how, depending on the context, such arrangements may result in either tangible or intangible properties. In some ways, my essay looks at things from the other end, that is, it tries to analyze the role that images of living natural resources (prairies, wild animals, fish, fruit, etc.) are playing in new articulations of IP, and especially in the discourse of the “knowledge commons” of which science is a prime example. Much attention has been paid in recent years to the creative arrangements that scientists are developing to counter the constraints that intellectual property has on their research activities.1 Typical of these proposals is a reliance on the figures of the commons and the public domain, which are usually exemplified by images of free green pastures, public lands, and other shared natural resources.2 There is a striking contrast, however, between the sense of naturalness associated with these images and the highly technological and infrastructural commons the scientists and cultural producers are trying to develop and inhabit – scenarios that are distinctly not natural. These tensions would not be problematic if the association between nature and the commons or the public domain were accidental or metaphorical, but that does not seem to be the case. -
American Patent Law: Liberal and Republican Theories of Governance Benjamin Fay Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2017 American Patent Law: Liberal and Republican Theories of Governance Benjamin Fay Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Political Science Commons, and the Tax Law Commons Recommended Citation Fay, Benjamin, "American Patent Law: Liberal and Republican Theories of Governance" (2017). Honors Theses. 24. https://digitalworks.union.edu/theses/24 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Fay 1 American Patent Law: Liberal and Republican Theories of Governance Benjamin Fay Professor Bradley D. Hays * * * * * * * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Political Science Department UNION COLLEGE March 3, 2017 Fay 2 Acknowledgements I want to thank Professor Bradley Hays. This project would not have been possible without your help. Special thanks to Doctor Don Merino. I appreciate your help. Table of Contents i Abstract .......................................................................................................................................... 3 ii Introduction .................................................................................................................................. 4 iii Literature Review -
Gogo Vision What's Playing
GOGO VISION WHAT’S PLAYING CATALOG 183 MOVIES (100) TITLE TITLE NEW CONTENT Harriet A Star is Born Harry Potter and the Chamber of Secrets Sherlock Holmes Harry Potter and the Deathly Hallows: Part 1 Sherlock Holmes: A Game of Shadows Harry Potter and the Deathly Hallows: Part 2 The Big Lebowski Harry Potter and the Goblet of Fire The Breakfast Club Harry Potter and the Half-Blood Prince The Croods Harry Potter and the Order of the Phoenix Those Who Wish Me Dead Harry Potter and the Prisoner of Azkaban Addams Family, The (2019) Harry Potter and the Sorcerer's Stone An American Pickle Horrible Bosses Batman Begins Horrible Bosses 2 Batman V Superman: Dawn of Justice Impractical Jokers: The Movie Bill and Ted Face the Music Invisible Man, The Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) It's Complicated Blinded By The Light Joker Boogie Judas and the Black Messiah Coco Just Mercy Crazy Rich Asians Kajillionaire Crazy, Stupid, Love Let Them All Talk Die Hard Lilo and Stitch Disneys Upside-Down Magic Limbo Doctor Sleep Locked Down E.T. The Extra-Terrestrial Lucy in the Sky Elf Marvel Studios' Black Panther Emma Marvel Studios’ Avengers: Infinity War Finding Dory Marvel’s the Avengers: Age of Ultron Finding Nemo Minions Frozen 2 Mortal Kombat Godzilla v. Kong Mulan Guardians of the Galaxy Vol. 2 My Spy Movies 1 TITLE News of the World The Dark Knight Nobody The Dark Knight Rises Nomadland The Kitchen Office Space The Lego Batman Movie Onward The Lego Movie Photograph, The The Lego Movie 2: The Second Part Queen & Slim -
Inventions and Patents
MODULE 03 Inventions and Patents MODULE 03. Inventions and Patents OUTLINE LEARNING POINT 1: Basics of invention and patent 1. One way of adding value to a product 2. Reasons for patenting an invention LEARNING POINT 2: Patent application 1. Evaluating the patentability of an invention 2. Deciding whether to patent an invention 3. Preparing a patent application (1) Detailed description of the invention (2) Claims (3) Who prepares (4) After filing a patent application LEARNING POINT 3: Patent infringement 1. Definition of patent infringement 2. If you come across your competitor’s patent LEARNING POINT 4: Patent management system 1. Basic elements of a patent management system 2. Patent portfolio INTRODUCTION The term "intellectual property (IP)" is defined as the property resulting from creations of the human mind, the intellect. In this regard, it is fair that the person making efforts for an intellectual creation has some benefit as a result of this endeavor. Probably, the most important among intellectual properties is “patent.” A patent is an exclusive right granted by a government for an invention, which is a product or a process that provides, in general, a new way of doing something, or offers a new technical solution to a problem. The details on the way of acquiring patents will be provided for protecting precious intellectual properties. LEARNING OBJECTIVES 1. You understand how to decide whether your new technology or invention should be protected by one or more patents and, if so, how to do so. 2. You know how the grant of a patent over an invention or technology helps you to prevent or have an upper hand in legal disputes that may arise later on. -
Paul Cameron ASC Director of Photography
Paul Cameron ASC Director of Photography COMMERCIAL AWARDS: 2008 BRONZE Clio Award Winner - Best Cinematography VW Golf ''Night Drive'' 2003 GOLD Clio Award Winner - Best Cinematography BMW ''Beat The Devil'' 2003 AICP Award Winner - Best Cinematography BMW ''Beat The Devil'' 1996 SILVER Clio Award - Best Cinematography 1995 Emmy Award - National Sports Promotion Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes REMINISCENCE Dir: Lisa Joy 2021 WESTWORLD Dir: Jonathan Nolan "Parce Domine" *Emmy Nomination 2020 2020 21 BRIDGES Dir: Brian Kirk 2019 With: Chadwick Boseman THE COMMUTER Dir: Jaume Collet-Serra 2018 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes PIRATES OF THE CARIBBEAN: DEAD MEN Dirs: Joachin Ronning & Espen TELL NO TALES Sandberg 2017 WESTWORLD Dir: Jonathan Nolan ''Original'' *Emmy Nomination 217 2016 *ASC Nomination 2017 *Camera Image Nomination 2017 DEAD MAN DOWN Dir: Niels Arden Oplev 2013 TOTALL RECALL Dir: Len Wiseman 2012 MAN ON A LEDGE Dir: Asger Leth 2011 HENRY'S CRIME Dir: Malcolm Venville 2010 DEJA VU Dir: Tony Scott 2007 IN THE LAND OF WOMEN Dir: Jon Kasden 2006 COLLATERAL Dir: Michael Mann 2004 *2005 BAFTA Winner MAN ON FIRE Dir: Tony Scott 2004 BEAT THE DEVIL Dir: Tony Scott 2002 SWORDFISH Dir: Dominec Sena 2001 GONE IN SIXTY SECONDS Dir: Dominec Sena 2018 Commercials Production Company Notes SELECTED Jake Scott, Chris Hewitt, Joseph Kahn, Jaume Collet-Serra, COMMERCIAL Malcolm Venville, Michael Haussman, Sam Mendes, Danny DIRECTORS Klienman, Noam Murro, Walter Stern, Tarsem, Joe Carnahan, Zach Merk, Seb Edwards, Jorn Haagen, Simon McQuoid, Stacy Wall, Mathew Cullen United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected]. -
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A Cognitive Compass for a Social World: The Effects of Lay Theories on Networking Engagement Claudius Alexander Hildebrand Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Claudius A. Hildebrand All rights reserved ABSTRACT A Cognitive Compass for a Social World: The Effects of Lay Theories on Networking Engagement Claudius Alexander Hildebrand Conventional wisdom and a wealth of research suggest that effective networks are an important key to career success. Yet, why do so many people struggle to build and maintain professional relationships? In this dissertation I argue that, rather than not knowing how to network, most people feel conflicted about the idea of networking. The present research applies a motivational framework to networking. Building on the idea of lay theories in motivational psychology, this dissertation investigates how lay theories of social intelligence influence networking engagement. Hereby, I distinguish between fixed (social intelligence is inborn and static) and growth (social intelligence can be nurtured and developed) theories of social intelligence and develop a new Lay Theories of Social Intelligence (LaySI) scale. Results show that LaySI is a distinct construct and predicts engagement in networking above and beyond the effects of personality traits. Using multiple methodologies, including experiments and field studies, this dissertation shows that people holding fixed theories not only feel less engaged, but also are less likely to create new relationships and seek fewer opportunities to network. Tracing the mechanism for reduced engagement, this dissertation identifies two mediators by which fixed theories inhibit networking engagement: people’s attitudes toward networking as immoral and futile endeavor. -
The Myth of the Sole Inventor
Michigan Law Review Volume 110 Issue 5 2012 The Myth of the Sole Inventor Mark A. Lemley Stanford Law School Follow this and additional works at: https://repository.law.umich.edu/mlr Part of the Intellectual Property Law Commons Recommended Citation Mark A. Lemley, The Myth of the Sole Inventor, 110 MICH. L. REV. 709 (2012). Available at: https://repository.law.umich.edu/mlr/vol110/iss5/1 This Article is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. THE MYTH OF THE SOLE INVENTORt Mark A. Lemley* The theory of patent law is based on the idea that a lone genius can solve problems that stump the experts, and that the lone genius will do so only if properly incented. But the canonical story of the lone genius inventor is largely a myth. Surveys of hundreds of significant new technologies show that almost all of them are invented simultaneously or nearly simultaneous- ly by two or more teams working independently of each other. Invention appears in significant part to be a social, not an individual, phenomenon. The result is a real problem for classic theories of patent law. Our domi- nant theory of patent law doesn't seem to explain the way we actually implement that law. Maybe the problem is not with our current patent law, but with our current patent theory. -
Intellectual Property Part 3, Patents
Out of the Wood BY MIKE WOOD Intellectual Property Part 3, Patents AS A RECAP THIS ARTICLE CONTINUES the discussion concern- patenting an improvement to an existing process which has been ing the four main types of Intellectual Property (IP) a company or patented by another inventor – anyone, including you, wishing to individual may own – perhaps without even realizing it. Those four use your improvement would have to license the original inventor’s categories are trademarks, copyright, patents and trade secrets. The patent as well as your new one. previous two articles in this series have dealt with copyrights and All this sounds great in concept; unfortunately patents can be trademarks so this time we are going to cover patents – perhaps the a double edged sword for society. In general although it is a good form of Intellectual Property that most people think of first. thing to reward innovation and protect the investment of creative I should perhaps make it clear that I am not a lawyer so nothing people who think up ideas, too many patents can stifle a market- I talk about in these articles is legal advice. The articles are based on place by forcing the privatization of knowledge that may be of information I’ve picked up over the years and found useful based on much more benefit if it were in the public domain. Patents were my personal point of view as a product designer and developer in our originally introduced as a way of making sure that good ideas industry. Because of that my comments are undoubtedly somewhat got public exposure while still rewarding the original inventor, selective and subjective. -
Inventing Invention: a Case Study of Legal Innovation John F
Inventing Invention: A Case Study of Legal Innovation John F. Duffy* “[T]he so-called patentability requirement was invented by the Americans, in particular the Justices of the U.S. Supreme Court in the famous case Hotchkiss v. Greenwood in 1850.”1 This is a story about innovation — legal innovation. At the beginning of the nineteenth century, all countries having patent systems generally required patentable inventions to be both new and useful. Those two requirements have now been joined by a third: Patentable inventions must be new, useful and nonobvious. This development is not unique to the law of the United States. Every nation in the World Trade Organization applies these three standards in awarding patents.2 Though nonobviousness is the most recently developed of the three requirements for obtaining a patent, it now generally considered to be the defining feature of invention. Indeed, in United States, what is today called “nonobviousness” was for about a century known as the “invention doctrine,” and n many countries, the doctrine is still known as “inventive step” or simply the patentability requirement (as in the above quote). The doctrine is widely understood to be so fundamental to the proper functioning of the patent system that it can be accurately described as the “final gatekeeper of the patent system,”3 the “ultimate condition of * Oswald Symister Colclough Research Professor of Law, George Washington University Law School. 1 See, e.g., Freidrich-Karl Beier, The Inventive Step in its Historical Development, 17 Intern’l Rev. Indus. Prop. & Copyright L. (IIC) 301, 304 (1986). 2 See TRIPs Article 27.1, which requires member countries to award patents for all inventions that “are new, involve an inventive step and are capable of industrial application.” A footnote defines “‘inventive step’ and ‘capable of industrial application’ ..