Photon Tracing and Mapping
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Photon Mapping Assignment
Photon Mapping Assignment 15-864 Advanced Computer Graphics, Carnegie Mellon University Instructor: Doug L. James TA: Christopher Twigg Introduction sampling to emit photons of equal intensity from the diffuse area light source. Use the ray tracer’s functionality to propagate photons In this assignment you will implement (portions of) a photon map- (reflect, transmit and absorb) throughout the scene. To maintain ping renderer. For simplicity, we will only consider scenes with a photons of similar intensity, use Russian roulette [Arvo and Kirk single area light source, and assume surfaces are diffuse, or purely 1990] to determine if photons are absorbed (diffuse), transmitted specular (e.g., mirror or glass). To generate images for testing and (transparent), or reflected at surfaces. Use Schlick’s approximation grading, a test scene will be provided for you on the class website; to Fresnel’s specular reflection coefficient to determine the prob- this will be a very simple consisting of the Cornell box, an area ability of transmission and reflection at specular interfaces, e.g., light source, and specular spheres. Although a brief explanation of glass. Store the photons in the photon map using Jensen’s kd-tree what needs to be done is given below, further implementation de- data structure implementation (provided on the web page). Once tails can be found in [Jensen 2001; Jensen 1996], as well as other these photons are stored, the data structure can compute the filtered ray tracing [Shirley 2000], Monte Carlo [Jensen 2003], and global irradiance estimates you need later. illumination texts [Dutre´ et al. 2003]. Build the Caustic Photon Map (20 points): The high- Getting Started: Familiarize yourself with resolution caustic photon map represents the LS+D paths, and it the ray tracer is therefore only necessary to emit photons toward specular objects when computing the caustic photon map. -
POV-Ray Reference
POV-Ray Reference POV-Team for POV-Ray Version 3.6.1 ii Contents 1 Introduction 1 1.1 Notation and Basic Assumptions . 1 1.2 Command-line Options . 2 1.2.1 Animation Options . 3 1.2.2 General Output Options . 6 1.2.3 Display Output Options . 8 1.2.4 File Output Options . 11 1.2.5 Scene Parsing Options . 14 1.2.6 Shell-out to Operating System . 16 1.2.7 Text Output . 20 1.2.8 Tracing Options . 23 2 Scene Description Language 29 2.1 Language Basics . 29 2.1.1 Identifiers and Keywords . 30 2.1.2 Comments . 34 2.1.3 Float Expressions . 35 2.1.4 Vector Expressions . 43 2.1.5 Specifying Colors . 48 2.1.6 User-Defined Functions . 53 2.1.7 Strings . 58 2.1.8 Array Identifiers . 60 2.1.9 Spline Identifiers . 62 2.2 Language Directives . 64 2.2.1 Include Files and the #include Directive . 64 2.2.2 The #declare and #local Directives . 65 2.2.3 File I/O Directives . 68 2.2.4 The #default Directive . 70 2.2.5 The #version Directive . 71 2.2.6 Conditional Directives . 72 2.2.7 User Message Directives . 75 2.2.8 User Defined Macros . 76 3 Scene Settings 81 3.1 Camera . 81 3.1.1 Placing the Camera . 82 3.1.2 Types of Projection . 86 3.1.3 Focal Blur . 88 3.1.4 Camera Ray Perturbation . 89 3.1.5 Camera Identifiers . 89 3.2 Atmospheric Effects . -
Real-Time Global Illumination with Photon Mapping Niklas Smal and Maksim Aizenshtein UL Benchmarks
CHAPTER 24 Real-Time Global Illumination with Photon Mapping Niklas Smal and Maksim Aizenshtein UL Benchmarks ABSTRACT Indirect lighting, also known as global illumination, is a crucial effect in photorealistic images. While there are a number of effective global illumination techniques based on precomputation that work well with static scenes, including global illumination for scenes with dynamic lighting and dynamic geometry remains a challenging problem. In this chapter, we describe a real-time global illumination algorithm based on photon mapping that evaluates several bounces of indirect lighting without any precomputed data in scenes with both dynamic lighting and fully dynamic geometry. We explain both the pre- and post-processing steps required to achieve dynamic high-quality illumination within the limits of a real- time frame budget. 24.1 INTRODUCTION As the scope of what is possible with real-time graphics has grown with the advancing capabilities of graphics hardware, scenes have become increasingly complex and dynamic. However, most of the current real-time global illumination algorithms (e.g., light maps and light probes) do not work well with moving lights and geometry due to these methods’ dependence on precomputed data. In this chapter, we describe an approach based on an implementation of photon mapping [7], a Monte Carlo method that approximates lighting by first tracing paths of light-carrying photons in the scene to create a data structure that represents the indirect illumination and then using that structure to estimate indirect light at points being shaded. See Figure 24-1. Photon mapping has a number of useful properties, including that it is compatible with precomputed global illumination, provides a result with similar quality to current static techniques, can easily trade off quality and computation time, and requires no significant artist work. -
Efficient Rendering of Caustics with Streamed Photon Mapping
BULLETIN OF THE POLISH ACADEMY OF SCIENCES TECHNICAL SCIENCES, Vol. 65, No. 3, 2017 DOI: 10.1515/bpasts-2017-0040 Efficient rendering of caustics with streamed photon mapping K. GUZEK and P. NAPIERALSKI* Institute of Information Technology, Lodz University of Technology, 215 Wolczanska St., 90-924 Lodz, Poland Abstract. In this paper, we present the streamed photon mapping method for enhancing the rendering of caustics. In order to achieve a realistic caustic effect, global illumination methods require additional data, which are gathered by creating a caustic map or increasing the number of samples used for rendering. Our method employs a stream of photons with a varying luminance level depending on the material properties of the surface. The application of a concentrated photon stream provides the ability to render caustics effectively without increasing the number of photons in a photon map. Such an approach increases visibility of results, while also allowing for faster computations. Key words: rendering, global illumination, photon mapping, caustics. 1. Introduction 2. Rendering caustics The interaction of light with matter in the real world results The first attempt to simulate a natural caustic effect was the in a variety of optical phenomena. Understanding how those path tracing method, introduced by James Kajiya in 1986 [4]. phenomena occur and where to implement them is crucial for However, the method proved to be highly inefficient. The creating realistic image renders. When observing the reflection caustics were poorly rendered, as the light source was obscure. or refraction of light through curved surfaces, one may notice A significant improvement was introduced both and inde- some characteristic patches of light, referred to as caustics. -
Plenoptic Imaging and Vision Using Angle Sensitive Pixels
PLENOPTIC IMAGING AND VISION USING ANGLE SENSITIVE PIXELS A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Suren Jayasuriya January 2017 c 2017 Suren Jayasuriya ALL RIGHTS RESERVED This document is in the public domain. PLENOPTIC IMAGING AND VISION USING ANGLE SENSITIVE PIXELS Suren Jayasuriya, Ph.D. Cornell University 2017 Computational cameras with sensor hardware co-designed with computer vision and graph- ics algorithms are an exciting recent trend in visual computing. In particular, most of these new cameras capture the plenoptic function of light, a multidimensional function of ra- diance for light rays in a scene. Such plenoptic information can be used for a variety of tasks including depth estimation, novel view synthesis, and inferring physical properties of a scene that the light interacts with. In this thesis, we present multimodal plenoptic imaging, the simultaenous capture of multiple plenoptic dimensions, using Angle Sensitive Pixels (ASP), custom CMOS image sensors with embedded per-pixel diffraction gratings. We extend ASP models for plenoptic image capture, and showcase several computer vision and computational imaging applica- tions. First, we show how high resolution 4D light fields can be recovered from ASP images, using both a dictionary-based machine learning method as well as deep learning. We then extend ASP imaging to include the effects of polarization, and use this new information to image stress-induced birefringence and remove specular highlights from light field depth mapping. We explore the potential for ASPs performing time-of-flight imaging, and in- troduce the depth field, a combined representation of time-of-flight depth with plenoptic spatio-angular coordinates, which is used for applications in robust depth estimation. -
Getting Started (Pdf)
GETTING STARTED PHOTO REALISTIC RENDERS OF YOUR 3D MODELS Available for Ver. 1.01 © Kerkythea 2008 Echo Date: April 24th, 2008 GETTING STARTED Page 1 of 41 Written by: The KT Team GETTING STARTED Preface: Kerkythea is a standalone render engine, using physically accurate materials and lights, aiming for the best quality rendering in the most efficient timeframe. The target of Kerkythea is to simplify the task of quality rendering by providing the necessary tools to automate scene setup, such as staging using the GL real-time viewer, material editor, general/render settings, editors, etc., under a common interface. Reaching now the 4th year of development and gaining popularity, I want to believe that KT can now be considered among the top freeware/open source render engines and can be used for both academic and commercial purposes. In the beginning of 2008, we have a strong and rapidly growing community and a website that is more "alive" than ever! KT2008 Echo is very powerful release with a lot of improvements. Kerkythea has grown constantly over the last year, growing into a standard rendering application among architectural studios and extensively used within educational institutes. Of course there are a lot of things that can be added and improved. But we are really proud of reaching a high quality and stable application that is more than usable for commercial purposes with an amazing zero cost! Ioannis Pantazopoulos January 2008 Like the heading is saying, this is a Getting Started “step-by-step guide” and it’s designed to get you started using Kerkythea 2008 Echo. -
CUDA-Based Global Illumination Aaron Jensen San Jose State
Running head: CUDA-BASED GLOBAL ILLUMINATION 1 CUDA-Based Global Illumination Aaron Jensen San Jose State University 13 May, 2014 CS 180H: Independent Research for Department Honors Author Note Aaron Jensen, Undergraduate, Department of Computer Science, San Jose State University. Research was conducted under the guidance of Dr. Pollett, Department of Computer Science, San Jose State University. CUDA-BASED GLOBAL ILLUMINATION 2 Abstract This paper summarizes a semester of individual research on NVIDIA CUDA programming and global illumination. What started out as an attempt to update a CPU-based radiosity engine from a previous graphics class evolved into an exploration of other lighting techniques and models (collectively known as global illumination) and other graphics-based languages (OpenCL and GLSL). After several attempts and roadblocks, the final software project is a CUDA-based port of David Bucciarelli's SmallPt GPU, which itself is an OpenCL-based port of Kevin Beason's smallpt. The paper concludes with potential additions and alterations to the project. CUDA-BASED GLOBAL ILLUMINATION 3 CUDA-Based Global Illumination Accurately representing lighting in computer graphics has been a topic that spans many fields and applications: mock-ups for architecture, environments in video games and computer generated images in movies to name a few (Dutré). One of the biggest issues with performing lighting calculations is that they typically take an enormous amount of time and resources to calculate accurately (Teoh). There have been many advances in lighting algorithms to reduce the time spent in calculations. One common approach is to approximate a solution rather than perform an exhaustive calculation of a true solution. -
Vol. 3 Issue 4 July 1998
Vol.Vol. 33 IssueIssue 44 July 1998 Adult Animation Late Nite With and Comics Space Ghost Anime Porn NYC: Underground Girl Comix Yellow Submarine Turns 30 Frank & Ollie on Pinocchio Reviews: Mulan, Bob & Margaret, Annecy, E3 TABLE OF CONTENTS JULY 1998 VOL.3 NO.4 4 Editor’s Notebook Is it all that upsetting? 5 Letters: [email protected] Dig This! SIGGRAPH is coming with a host of eye-opening films. Here’s a sneak peak. 6 ADULT ANIMATION Late Nite With Space Ghost 10 Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Car- toon Network’s Michael Lazzo, Senior Vice President, Programming and Production. The Beatles’Yellow Submarine Turns 30: John Coates and Norman Kauffman Look Back 15 On the 30th anniversary of The Beatles’ Yellow Submarine, Karl Cohen speaks with the two key TVC pro- duction figures behind the film. The Creators of The Beatles’Yellow Submarine.Where Are They Now? 21 Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland. The Mainstream Business of Adult Animation 25 Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks. The Anime “Porn” Market 1998 The misunderstood world of anime “porn” in the U.S. market is explored by anime expert Fred Patten. Animation Land:Adults Unwelcome 28 Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with Ani- meLand, a magazine focused on animation for adults. -
A Practical Analytic Model for the Radiosity of Translucent Scenes
A Practical Analytic Model for the Radiosity of Translucent Scenes Yu Sheng∗1, Yulong Shi2, Lili Wang2, and Srinivasa G. Narasimhan1 1The Robotics Institute, Carnegie Mellon University 2State Key Laboratory of Virtual Reality Technology and Systems, Beihang University a) b) c) Figure 1: Inter-reflection and subsurface scattering are closely intertwined for scenes with translucent objects. The main contribution of this work is an analytic model of combining diffuse inter-reflection and subsurface scattering (see Figure2). One bounce of specularities are added in a separate pass. a) Two translucent horses (63k polygons) illuminated by a point light source. The three zoomed-in regions show that our method can capture both global illumination effects. b) The missing light transport component if only subsurface scattering is simulated. c) The same mesh rendered with a different lighting and viewing position. Our model supports interactive rendering of moving camera, scene relighting, and changing translucencies. Abstract 1 Introduction Light propagation in scenes with translucent objects is hard to Accurate rendering of translucent materials such as leaves, flowers, model efficiently for interactive applications. The inter-reflections marble, wax, and skin can greatly enhance realism. The interac- between objects and their environments and the subsurface scatter- tions of light within translucent objects and in between the objects ing through the materials intertwine to produce visual effects like and their environments produce pleasing visual effects like color color bleeding, light glows and soft shading. Monte-Carlo based bleeding (Figure1), light glows and soft shading. The two main approaches have demonstrated impressive results but are computa- mechanisms of light transport — (a) scattering beneath the surface tionally expensive, and faster approaches model either only inter- of the materials and (b) inter-reflection between surface locations reflections or only subsurface scattering. -
2014 3-4 Acta Graphica.Indd
Vidmar et al.: Performance Assessment of Three Rendering..., acta graphica 25(2014)3–4, 101–114 author viewpoint acta graphica 234 Performance Assessment of Three Rendering Engines in 3D Computer Graphics Software Authors Žan Vidmar, Aleš Hladnik, Helena Gabrijelčič Tomc* University of Ljubljana Faculty of Natural Sciences and Engineering Slovenia *E-mail: [email protected] Abstract: The aim of the research was the determination of testing conditions and visual and numerical evaluation of renderings made with three different rendering engines in Maya software, which is widely used for educational and computer art purposes. In the theoretical part the overview of light phenomena and their simulation in virtual space is presented. This is followed by a detailed presentation of the main rendering methods and the results and limitations of their applications to 3D ob- jects. At the end of the theoretical part the importance of a proper testing scene and especially the role of Cornell box are explained. In the experimental part the terms and conditions as well as hardware and software used for the research are presented. This is followed by a description of the procedures, where we focused on the rendering quality and time, which enabled the comparison of settings of different render engines and determination of conditions for further rendering of testing scenes. The experimental part continued with rendering a variety of simple virtual scenes including Cornell box and virtual object with different materials and colours. Apart from visual evaluation, which was the starting point for comparison of renderings, a procedure for numerical estimation and colour deviations of ren- derings using the selected regions of interest in the final images is presented. -
Photometric Registration of Indoor Real Scenes Using an RGB-D Camera with Application to Mixed Reality Salma Jiddi
Photometric registration of indoor real scenes using an RGB-D camera with application to mixed reality Salma Jiddi To cite this version: Salma Jiddi. Photometric registration of indoor real scenes using an RGB-D camera with application to mixed reality. Computer Vision and Pattern Recognition [cs.CV]. Université Rennes 1, 2019. English. NNT : 2019REN1S015. tel-02167109 HAL Id: tel-02167109 https://tel.archives-ouvertes.fr/tel-02167109 Submitted on 27 Jun 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THESE DE DOCTORAT DE L'UNIVERSITE DE RENNES 1 COMUE UNIVERSITE BRETAGNE LOIRE ECOLE DOCTORALE N° 601 Mathématiques et Sciences et Technologies de l'Information et de la Communication Spécialité : Informatique Par Salma JIDDI Photometric Registration of Indoor Real Scenes using an RGB-D Camera with Application to Mixed Reality Thèse présentée et soutenue à Rennes, le 11/01/2019 Unité de recherche : IRISA – UMR6074 Thèse N° : Rapporteurs avant soutenance : Vincent Lepetit Professeur à l’Université de Bordeaux Alain Trémeau Professeur à l’Université Jean Monnet Composition du Jury : Rapporteurs : Vincent Lepetit Professeur à l’Université de Bordeaux Alain Trémeau Professeur à l’Université Jean Monnet Examinateurs : Kadi Bouatouch Professeur à l’Université de Rennes 1 Michèle Gouiffès Maître de Conférences à l’Université Paris Sud Co-encadrant : Philippe Robert Docteur Ingénieur à Technicolor Dir. -
The Photon Mapping Method
7 The Photon Mapping Method “I get by with a little help from my friends.” —John Lennon, 1940–1980 HOTON mapping is a practical approach for computing global illumination within complex P environments. Much like irradiance caching methods, photon mapping caches and reuses illumination information in the scene for efficiency. Photon mapping has also been successfully applied for computing lighting within, and in the presence of, participating media. In this chapter we briefly introduce the photon mapping technique. This sets the foundation for our contributions in the next chapter, which make volumetric photon mapping practical. 7.1 Algorithm Overview Photon mapping, introduced by Jensen[1995; 1996; 1997; 1998; 2001], is a practical approach for computing global illumination. At a high level, the algorithm consists of two main steps: Algorithm 7.1:PHOTONMAPPING() 1 PHOTONTRACING(); 2 RENDERUSINGPHOTONMAP(); In the first step, a lighting simulation is performed by tracing packets of energy, or photons, from light sources and storing these photons as they scatter within the scene. This processes 119 120 Algorithm 7.2:PHOTONTRACING() 1 n 0; e Æ 2 repeat 3 (l, pdf (l)) = CHOOSELIGHT(); 4 (xp , ~!p , ©p ) = GENERATEPHOTON(l ); ©p 5 TRACEPHOTON(xp , ~!p , pdf (l) ); 6 n 1; e ÅÆ 7 until photon map full ; 1 8 Scale power of all photons by ; ne results in a set of photon maps, which can be used to efficiently query lighting information. In the second pass, the final image is rendered using Monte Carlo ray tracing. This rendering step is made more efficient by exploiting the lighting information cached in the photon map.