The King and I
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King and I Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-9-1999 King and I Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "King and I" (1999). Center for Performing Arts Memorabilia. Book 158. http://opus.govst.edu/cpa_memorabilia/158 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. «Jpntftl fOR PEfifORHIHCite Governors State University Present Rodgers & Hammerstein's fChe S $• Limousine courtesy of-Worth Limousine - Worth, IL &• Brunch courtesy of- Holiday Inn - Matteson, IL Bracelet courtesy of Bess Friedheim Jewelry,0rland Park, IL MATTESON The STAR University Park, IL May 9th* 1999 Governors State University KKPERfORMIIWflRTS and ACE ROYAL PAINTS present A Big League Theatricals Production Rodgers and Hammerstein's THE KING and I Music by Book and lyrics by Richard Rodgers Oscar Hammerstein II Based upon the novel Anna and the King ofSiam by Margaret Landon Original Choreography by Jerome Robbins with Lego Louis Susannah Kenton and (In alphabetical order) Luis Avila, Amanda Cheng, Elizabeth Chiang, Korina Crvelin, Isabelle Decauwert, Alexandra Dimeco, Derek Dymek, -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Rodgers & Hammerstein
Connect the Devon Energy Presents Dots to Find Lyric Theatre’s the Castle! CinderellaA Literary Tale Interactive Rodgers & Hammerstein The music of Cinderella was composed by Richard Rodgers. The lyrics to the songs and book (script) were written by Oscar Hammerstein II. Originally presented on television in 1957 starring Julie Andrews (pictured below), Rodgers and Hammerstein’s Cinderella was the most widely viewed program in the history of the medium. Andrews starred in many musicals and movies, such as The Sound of Music, Camelot, and The Princess Diaries. Music by Richard Rodgers Book & Lyrics by Oscar Hammerstein II After long and highly distinguished careers with Study Guide Recommended for Children of All Ages other writing partners, Richard Rodgers (composer, Lyric’s Cinderella - A Literary Tale Interactive is a thrilling program 1902-1979) and Oscar Hammerstein II (librettist/ offering an original take on a familiar story. You will visit with favorite lyricist, 1895-1960), also known as R&H, joined characters: the gracious Cinderella, the charming Prince, and the forces in 1943 to create the most consistently fruitful evil Stepsisters. Through the music and dialogue of Rodgers and and successful partnership in the American musical Hammerstein, you will learn fun and important literary terms and theatre. Oklahoma!, the first Rodgers & Hammerstein concepts. musical, was also the first of a new genre, the musical play! Other R&H Musicals You May Know: Carousel, South Pacific, The King and I,and The Sound of Music Carolyn Watson THE Wilshire Rural Oklahoma McGee Charitable Source: www.rnh.com Community Foundation FOUNDATION Foundation LYRIC IS OKLAHOMA’S LEADING PROFESSIONAL THEATRE COMPANY and Seek & has been producing classic and contemporary musicals featuring both nationally Literature Plot Diagram known Broadway stars and local favorites for over 50 years. -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
Sanibel Island
VOL 12, NO. 35 SANIBEL & CAPTIVA ISLANDS, FLORIDA MARCH 4, 2005 MARCH SUNRISE/SUNSET: # 06:46 18:32 #06:47 18:32 6 06:46 18:32 -f 06:4518:33 S 06:44 18:33 9 06:43 18:34 #06:42 18:34 City Council Gets New Look by Jim George t was a surprisingly tight race with a little over three percentage points' difference between the top vote getter and fourth place. The Ithree successful candidates ran as a suggested slate, and their elec- tion will change the dynamics of City Council until the 2007 election for the seats now held by Steve Brown and Jim Jennings. continued on page 7 Carlo Johnston Mick Denham Tom Rothman Islander Painting Donated To CROW n original artwork, valued at $5,000, was donated to the Clinic for the Receives Rehabilitation of Wildlife (CROW) by Matlacha artist and friend of CROW, Prestigious ALeoma Lovegrove. The painting will be auctioned at CROW's annual donor dinner March 14. Lovegrove has rescued injured wildlife through the years on Pine Island and Award brought them to CROW for care. The painting, Lost, was inspired by CROW and by Brian Johnson Leoma's thoughts that the wildlife patients are truly lost when they are injured, orphaned or sick, and they find their way to CROW in hope for release back home. anibel resident BobWigley Sreceived the Clara Barton Humanitarian Award from the Red Cross and a Letter of Commendation from Florida Governor Jeb Bush on February 26 at a black-tie affair held at Sanibel Harbour Resort Clara Barton Award Recipient Bob Wigley with wife Ann &Spa. -
The Piano Duet Play-Along Series Gives You the • I Dreamed a Dream • in My Life • on My Own • Stars
1. Piano Favorites 13. Movie Hits 9 great duets: Candle in the Wind • Chopsticks • Don’t 8 film favorites: Theme from E.T. (The Extra-Terrestrial) Know Why • Edelweiss • Goodbye Yellow Brick Road • • Forrest Gump – Main Title (Feather Theme) • The Heart and Soul • Let It Be • Linus and Lucy • Your Song. Godfather (Love Theme) • The John Dunbar Theme • Moon 00290546 Book/CD Pack ............................$14.95 River • Romeo and Juliet (Love Theme) • Theme from Schindler’s List • Somewhere, My Love. 2. Movie Favorites 00290560 Book/CD Pack ...........................$14.95 8 classics: Chariots of Fire • The Entertainer • Theme from Jurassic Park • My Father’s Favorite • My Heart Will Go 14. Les Misérables On (Love Theme from Titanic) • Somewhere in Time • 8 great songs from the musical: Bring Him Home • Castle on Somewhere, My Love • Star Trek® the Motion Picture. a Cloud • Do You Hear the People Sing? • A Heart Full of Love The Piano Duet Play-Along series gives you the • I Dreamed a Dream • In My Life • On My Own • Stars. flexibility to rehearse or perform piano duets 00290547 Book/CD Pack ............................$14.95 00290561 Book/CD Pack ...........................$16.95 anytime, anywhere! Play these delightful tunes 3. Broadway for Two 10 songs from the stage: Any Dream Will Do • Blue Skies 15. God Bless America® & Other with a partner, or use the accompanying CDs • Cabaret • Climb Ev’ry Mountain • If I Loved You • Okla- to play along with either the Secondo or Primo Songs for a Better Nation homa • Ol’ Man River • On My Own • There’s No Business 8 patriotic duets: America, the Beautiful • Anchors part on your own. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Oscar Hammerstein II Collection
Oscar Hammerstein II Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2014565649 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018003 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Oscar Hammerstein II Collection Span Dates: 1847-2000 Bulk Dates: (bulk 1920-1960) Call No.: ML31.H364 Creator: Hammerstein, Oscar, II, 1895-1960 Extent: 35,051 items Extent: 160 containers Extent: 72.65 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2014565649 Summary: Oscar Hammerstein II was an American librettist, lyricist, theatrical producer and director, and grandson of the impresario Oscar Hammerstein I. The collection, which contains materials relating to Hammerstein's life and career, includes correspondence, lyric sheets and sketches, music, scripts and screenplays, production materials, speeches and writings, photographs, programs, promotional materials, printed matter, scrapbooks, clippings, memorabilia, business and financial papers, awards, and realia. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Brill, Leighton K.--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973. Crouse, Russel, 1893-1966. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Broadway Beat
Hailey – Do you hear that beat? Baylee –It’s the sound of people entering the theater on the most famous street in the world. Brielle – Do you hear that beat? It’s the sound of dancing feet and orchestras tuning up. Lorelei – Do you hear that beat? It’s the sound of Rogers and Hammerstein, Lerner and Lowe, Webber and Rice. Jacob – It’s the sound of Stephen Sondheim and Stephen Schwartz. Kaden – It’s the sound of Oklahoma, Cats, The King and I. Elysa – It’s the sound of Wicked, and Fiddler on the Roof! Devin O. – Do you hear that beat? It’s the sound that dreams are made of. Emerson – Do you hear that beat? It’s the sound of Broadway! Amelia – And nobody can stop it!! -YOU CAN’T STOP THE BEAT – Homant Nathan – That’s right! You can’t stop the beat on Broadway! Abby – Speaking of Broadway, do you know who was known as “the father of American musical comedy?” Hayden – Why sure! That was George M. Cohan. Abby – That’s right! Do you know what the “M” stands for? Hayden – Umm. Maestro? Jason – Nope! Hayden – Mario? Jason – Hardly! Hayden – Marcello? Blaine – Not even close. George M. Cohan was a playwright, composer, entertainer, lyricist, actor, singer, dancer and producer. (takes a big breath) Hayden – Marcus? Billy – His first big hit was Little Johnny Jones, a story about an American jockey who went to England to ride his horse Yankee Doodle in the Derby. Hayden – Macaroni? Lillian – So, here is our salute to Mr. George “Michael” Cohan. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
Rodgers & Hammerstein's Allegro
Casting and creatives announced for the professional European première of Rodgers & Hammerstein’s Allegro Katie Bernstein Emily Bull David Delve Julia J Nagle Dylan Turner Susan Travers Gary Tushaw Steve Watts Full casting and creative team are announced today for the eagerly awaited professional European première of Rodgers & Hammerstein’s Allegro, which opened on Broadway in 1947, and was their third collaboration for the stage following Oklahoma! and Carousel. Rodgers & Hammerstein’s Allegro, with music by Richard Rodgers, book and lyrics by Oscar Hammerstein II, will open for a 6-week season in The Large at Southwark Playhouse from Friday 5 August and run until Saturday 10 September. Press night is Thursday 11 August at 7.30pm. It is produced by Danielle Tarento and directed by Thom Southerland, the award-winning team behind Grey Gardens, Grand Hotel, Titanic, Parade and Mack & Mabel. Southerland is working on a new adaptation of the book and the production will have brand new orchestrations. In 1905 in a small Midwestern town, the wife of a local doctor gives birth to a baby boy, Joseph Taylor Jr. Allegro chronicles nearly four decades in the life of this average Joe - through his childhood, from college dorm to marriage altar, and on to his own medical career; from the tranquility of his hometown to the hectic din of big city life and a mid-life discovery of who he is and what his life is truly about, ultimately learning the most important lessons of all - the value of family, that money isn’t everything and that home really is where the heart is.